Author: Newbootsnorthants

Interview: THUMPER

THUMPER are the Dublin band everyone’s talking about, delivering bubblegum pop through a wall of sonic death. With a reputation for raucous and frenzied live shows and penchant for howling…

THUMPER are the Dublin band everyone’s talking about, delivering bubblegum pop through a wall of sonic death. With a reputation for raucous and frenzied live shows and penchant for howling feedback and pounding rhythm, each show is an exercise in unpredictability. ‘Out of Body Auto-Message’ is the first studio record, produced by Dan Fox (Girl Band). In this new phase, THUMPER step away from their early days of lo-fi bedroom recordings into a more widescreen effort – without losing any of the grit that defined the early material.

The band are consistently topping the “Ones To Watch” lists, touring relentlessly – headlining Hard Working Class Heroes well, joining Fangclub on a national tour, playing their first UK show at a sold-out Shacklewell Arms. Following this year’s festival packed summer they hit the road this month with seven back-to-back dates in established music venues of major UK cities. And Northampton [we lucked out there, huh].

New Boots spoke to singer Oisin Leahy Furlong about what makes THUMPER tick.

How  did you guys get together?
THUMPER started off as a solo bedroom recording project in 2015. I recorded three extremely lo-fi and gnarly EPs myself and distributed them around Dublin. After deciding to tour the songs a bit, THUMPER gradually morphed into the band you see today.

Growing up, who gave you the “eureka” moment?
There’s been a few eureka moments for sure. Hearing Nirvana and Sonic Youth for the first time was definitely an awakening. Being exposed to Jeffrey Lewis and the Moldy Peaches, and other NY anti-folk stuff was a big thing for me also. The warts-n-all approach they took to mining poetry out of mundane situations was a game changer. When I heard Parquet Courts and King Gizzard, though. That was when I literally turned around and said “I have to start a band”.

Fontaines DC, The Murder Capital, you. This jugular music is a thrilling addition to the music scene. Can you begin to pinpoint why this “voice of Ireland” moment is happening now?
I’m not sure either of the bands mentioned set out with the intentions of being an authentic voice of anything. We’ve all played shows together before any sort of attention was being payed, and the only goal was to be an authentic voice for yourself. There’s always been and still is undiscovered artists here with just as much vitality as anything the heavy hitters are producing, just have to keep your ear to the ground.

Is the spirit amongst the rock bands in Dublin collegiate; “high tides raise all ships” type of idea?
There’s such a vibrant scene in Dublin and Ireland at the minute that there’s no cookie cutter mentality in terms of careerism or competition. But the one thing that is true of all these bands is that the standard of music being created is booming. I don’t think this can be chalked up to rising to meet industry interest, it’s more so the quality of the records that are being put out is so fucking inspiring you can’t help but walk away inspired to aim higher.

Three guitar-players and two drummers is taking things to the limit. What’s the appeal?
Once you go two drummers you won’t go back! We never put much thought into it being a novelty, it just always felt right for us. We’ve a large sound, we’d be selling our audience short if we had any less people on stage [but bring earplugs!]

Describe your live show in five words or less.
Six boys get very weird.

This is your first tour of the UK – exhilarated by that idea right now?
Very much looking forward to meeting the real humans that our Spotify numbers represent, and making a night of it.

What was the last album you bought/streamed?
The Murder Capital’s debut [When I Have Fears]. Stunning piece of work.

What can we expect from the THMUPER debut album?
The goal is to subvert all expectations while giving you exactly what you hoped for.

THUMPER play The Black Prince on Wednesday September 25th.

THUMPER Facebook

THUMPER Spotify

cover photo by Keith Currams

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It’s A Shoe In: Northants gig guide Sep 18th – Sep 24th

BETH MUNROE Thursday September 19th The Lab, Northampton Talk by Maja of Queers To The Front Booking about being a trans-woman. Followed by music from the NN indietronica solo artist….

BETH MUNROE
Thursday September 19th
The Lab, Northampton
Talk by Maja of Queers To The Front Booking about being a trans-woman. Followed by music from the NN indietronica solo artist. Doors 8pm, £4 entry [£3 members]

KING PURPLE + CENTURY CITY+ MONARCHS + BABY LUNG
Friday September 20th
The Roadmender Northampton
The Purps are now a quartet with the addition of second guitarist Jacob, and to celebrate the release of latest single ‘Warning Signs’ they play their biggest headline show to date – in the main room of the Roady. Choosing three amazing support acts too means we’re in for a special one. Doors 7pm, and just £5 for a ticket

LAY IT DOWN
Friday September 20th
The Lab, Northampton
Your regular friendly urban music night, featuring the talents of Har-Q, Reality, Blistery, L30 Robinson, Thunder, Infinite Lore, Smiley, Anonymous, and more. Doors 8pm, free entry

FRANCISCO + JOE MILES
Friday September 20th
The Pomfret Arms, Northampton
The Cousin Avi frontman returns to Northampton for a special solo set of sultry Latino soul. A rare show from local bluesy singer-songwriter in support. Music from 8.30pm, free entry

JASMINE BURNS + HUMBLEBEE + CHRIS FOX + WARD & PARKER
Friday September 20th
St Mary the Virgin Church, Stoke Bruerne
An enticing night of roots music from artists of this region [or should we say parish?]. Doors 6.30pm, tickets £10 [from http://www.audiovendor.com or call The Boat Inn on (01604) 862428]

SATAN’S EMPIRE + MODES + CATALYST  + LåGëRSHøP
Friday September 20th
Fiddler’s Elbow, Wellingborough
Scottish NWOBHM band that have recently reformed headline, plus brand new Medway metalcore, a groove metal trio from MK, and the opening entertainment is “foul language shouted over driven, anthemic state-side punk rock riffs”  [also from MK]. Doors 7pm, free entry

ROLLING THUNDER + THE STOKES
Friday September 20th
Towcestrians RFC, Towcester
A couple of local-ish bands to rock your weekend, all in aid of Sponne Schools Uganda. Doors 7.30pm, £5 entry

THE GREY DOG FESTIVAL
Saturday September 21st
The Roadmender, Northampton
A day of music, workshops and more that puts young people’s mental health centre stage. Lucy Spraggan, The Death Alley Drivers, Roses & Pirates, That Joe Payne, Jamie Lee Harrison, Candidates, Jono & The Uke Dealers, Amii Dawes, Adam Thomas, Tu-Kay & Ryan, Homeless Shakespeare, and Lunaxis is your entertainment. Doors midday, free entry

JEFFREY LEWIS & THE VOLTAGE + BLOOD-VISIONS
Saturday September 21st
The Black Prince, Northampton
The New York “anti-folk” singer-songwriter has become a firm favourite of the Northampton scene. With The Voltage they play scuzzy urban indie-rock-folk, like “a 21st Century mash-up of Sonic Youth, Pete Seeger and R. Crumb”. Their new album Bad Wiring was recorded in Nashville, and will be released November 1 on Moshi Moshi Records. Support from everyone’s favourite local noisy art-punks. Doors 7.30pm, £10 tickets

SULVAIN + TAKE REFUGE + AKILLA
Saturday September 21st
Earl’s Barton WMC
New Northants metallers Sulvain make their debut appearance, with past members of The Darkhorse and Garshkott teaming up with other local musicians. Support from Milton Keynes metallers, and the Cambridge-based melodic death metal band. Doors from 7pm, free entry

HANNAH FAULKNER + CAMERON GRACE + TIM JON BROPHY + LAURA BAKER
Saturday September 21st
The Old Swan, Earl’s Barton
Ni Ni Sessions acoustic night. From 9pm, free entry

CHARLIE DORE WITH JULIAN LITTMAN + JESS ORESTANO
Saturday September 21st
The Sargeant Memorial Hall, Brafield-On-The-Green
Best known for her world wide smash ‘Pilot Of The Airwaves’, Dore’s music has led to worldwide critical acclaim. This will be an relaxed evening, with special guest singer songwriter Orestano. Doors 7.30pm, £10 tickets

THE KING BISCUIT BOYS
Saturday September 21st
The Shire Horse, Kettering
Blues-wailin’ duo play their popular afternoon slot. 3pm-6pm, free entry

 

Cover photo by Chloe Milne

 

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New Music Friday: Zandr

Northampton’s Zandr is 20 year-old producer Alex Howard, who pops up with these fascinating and euphoric chillwave beats, and DJ Shadow-style sonic journeys. Punchy new single ‘Void’ is just out…

Northampton’s Zandr is 20 year-old producer Alex Howard, who pops up with these fascinating and euphoric chillwave beats, and DJ Shadow-style sonic journeys. Punchy new single ‘Void’ is just out and already making people sit up and notice. New Boots has a chat to help joins the dots.

You’re at the university, studying music.
I am just about to top up my recently acquired HND in music production, to the full degree of ‘Popular Music’ by completing the third and final year. I would strongly recommend a course like this to anybody that is after a well-rounded approach to music. What you can learn from the different pathways you choose is eye-opening.

How did you start the Zandr project?
During the time of my two year HND we were encouraged to make music outside of the scheduled sessions to better our skills and begin to make what came naturally to us. I took the full advantage of having my chosen DAW [Logic Pro X] accessible to me at any time, and began to craft my sound and practice all the time . Whilst doing so I decided it was a good idea to choose a name to release music/ produce under. After some research I decided I wanted a two syllable catchy name that was visually recognisable and easy to remember. I had been thinking of shortening my name or making something out of it, but when my mates started jokingly calling me “DJ Xander” which is obviously a play on my full name “Alexander” it just fitted perfectly. To make it stand out more and look dynamic I then changed the spelling to something more out-there and abstract. And that’s where the name originated.

How would you describe your sound? Who are your main influences?
Whenever I’m asked to describe my sound I always struggle to answer because I make quite an array of different styles under the electronic umbrella. I think as far as what I have released: chilled electronic music, with catchy melodies and punchy drops would be a good description. Although I’ve showcased that I can make more hard hitting tracks such as ‘Void’ also. I have so many influences in music, from big producers such as Pharrell Williams and Timbaland, who’s online MasterClass I took earlier this year. To the other end of the spectrum; course-mates and musicians I have as friends that are just starting out like myself. Listening to them starting to find their sounds is inspiring in itself. I feel a standout artist for me is Diplo – his sound is so versatile and he works with so many different artists whilst covering countless styles of music. Something I aspire to do one day for sure.

What was the reaction like to the ‘Cloud 9’ EP earlier this year?
The reaction was surprisingly positive, as I had no clue how people would react to it whatsoever. ‘Cloud 9’ in a nutshell was supposed to be a small collection of feel-good tracks, with euphoric vibes that reflected the project title. Bar the introductory song ‘3AM Brainstorm’ – that was included to create a contrast and set the tone for the songs that followed. I was extremely pleased with the outcome of my first proper piece of work, especially as I mix and mastered it all myself as well.

The meaning of the tracks:
‘Epiphany’ – I was originally going to do a course in marketing and advertising after completing A-levels as academically I suppose it’s what I’m interested in, but after reading a life changing book on holiday I literally had an “epiphany” and something told me to follow music. Easily the best decision I ever made.
‘Cloud 9’ – doesn’t really have a deep meaning, and definitely isn’t about anyone in particular. The aim was to make a simple but catchy club-style drop with my chopped up and pitched vocals driving the drop.
‘Nostalgia’ – this was the first electronic track that I ever made after learning the basics of production, and I called it Nostalgia as it’s my oldest track and It’s crazy to think how long ago it was!
‘Higher’ – a track I wanted to have a really cool ambient vibe to it. The simple and relatable lyrics aren’t meant to mean anything in particular, it’s more just to blend into the rest of the song and enhance it slightly. And to my complete surprise, amongst my peers it seems to be the most popular song from the E.P!

Tell us everything about this new release ‘Void’. You must be ecstatic it’s had so many listeners already?
It’s a track I’ve been working on for a while, it’s something I started, but put off finishing until I thought it was just right. The goal was to make a single that had quite a distinct feel to it, and I really wanted to incorporate this into a house song because it’s one of my favourite genres. I feel with making music it’s so important that you love the sound of what your making and that your doing it for yourself before anything, otherwise what’s the point? Although the response of listeners is important to me, I’m making what I want to make, any positive comments are a bonus. I’ve been over the moon with the response to the track, it seems like people are really loving the feel of it which honestly makes me feel amazing.

Are you part of a wider scene in Northamptonshire? Do you have many peers you’re in contact with?
I would say I am part of a wider scene in Northampton, having grown up performing in bands as a drummer and building up the amount of people I know through music. Musicians I have met through college that I’ve became friends with have come round to my personal studio to jam or lay down melodies for me, etc. This along with attending local events has all contributed to being a part of the scene ! I feel producing and releasing music helps in itself. As far as peers I’m in contact with, I’ve been lucky enough to be the “resident producer” at a small events company called Yellowbrick, ran by one of my good friends in Nottingham. This means if they need any music for anything promotionally, or they have clients contact them for beats or anything like that – they get sent to me!

Any live shows on the horizon?
Doing live shows is something I want to start getting into, I need to further develop my DJ skills as I’m still relatively new to it all. However this is all in the very near future as I have a couple of small events in the works that will be perfect for me to get started.

What was the last album you bought/streamed?
The last album I listened to in full was Tyler the Creator’s IGOR. I’m a huge fan of him as an artist as he isn’t afraid to be different and explore innovative production styles, the album was a breath of fresh air.

What is your burning desire to do in the future? What plans do you have?
I’ve got quite a lot I want to do, I’m really looking forward to hopefully working with different artists and getting some features after I’ve crafted my sound a bit more. I want to also explore different genres as I produce a lot of experimental stuff and hip-hop as well. Following doing all of the vocals on Cloud 9 I want to really push myself out of my comfort zone and try new things and see what I can come up with, possibly implementing all of this into an E.P within the coming months.

Void is out now to stream and buy on the voidesque internet thingy machine you’re reading this on

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It’s A Shoe In: Northants gig guide Sep 11th – Sep 17th

WEIRDOE + SAMUEL LOX + CEEPZ Friday September 13th The Black Prince, Northampton Debut headline show from the Northampton rapper with the mad fast flow, with similarly talented NN supports….

WEIRDOE + SAMUEL LOX + CEEPZ
Friday September 13th
The Black Prince, Northampton
Debut headline show from the Northampton rapper with the mad fast flow, with similarly talented NN supports. Only a few tickets remaining – this one is going to go off. Doors 7.30pm, £6 tickets

WALKING CORPSE + ATROCITY EXHIBIT + BINGE DRINKER + FILTHxCOLLINS + SKULLFUCKED + IRON GRAVE
Friday September 13th 
The Lab, Northampton
Death grind from Gothenburg headline, plus ShoeTown grindcore crust [last show with Matt on drums!], crust ‘n’ roll from London, powerviolence from Nottingham, death grind from Stevenage, and some more local “total crush battle doom” from the returning IG. Doors 7.30pm, £5 entry

ILL-INFORMED + NEGATIVE FRAME + TRAGIC
Friday September 13th 
The Garibaldi Hotel, Northampton
South-east hardcore/metal/math rock group on top, then London’s raging metallers, plus ShoeTown’s young punk rockers open up. Nice. Doors 7pm, free entry

IVORY YARDSALE + LIFT TOWER + [SANE] + TRAGIC + BLOOD-VISIONS + 72% + NAILBREAKER + LA FOLIVORA
Saturday September 14th
The Garibaldi Hotel, Northampton
A one day mini-fest held over two stages at the Gari, featuring some of Northampton’s best artistic talents. Highlights are the unexpected return to the game by Ivory Yardsale, and the debut show from the slightly mysterious Lift Tower collective. Doors 3pm, free entry

CAGEWORK + JUNODEF + PIECES
Saturday September 14th
The Lamplighter, Northampton
Physical Education Recordings present a night of live music. You get: London indie/hardcore trio, dark-but-melodic Swedes, and incendiary ShoeTown trio with a rare live show. What’s not to like? Doors 8pm, free entry

CANDIDATES
Saturday September 14th
The Coach & Horses, Wellingborough
Retro Beat welcomes MK powerhouse indie rockers, who mix the 90’s scene with a modern rock’n’roll twist. Doors 8pm, free entry

SCOTT WALTERS
Saturday September 14th
The Shire Horse, Kettering
Acoustic singer-songwriter in an afternoon setting. 3pm-6pm, free entry

ROCKIN’ ROADRUNNER
Sunday September 15th
Abington Park Bandstand, Northampton
The 8th annual Rockin’ Roadrunner mini festival. This community event is focused towards people with special needs, their families and carers. Performances from Elvis Tribute, Charles, Hollie May, Show time at the musicals, Performing Room, Dance with a Difference, The Cube Disability, Arts Academy, Encompass Arts, Y-Not Arts, The Autistix, plus loads of other fun and creative things to do. 12pm-5pm

THE BARDIC PICNIC
Sunday September 15th
UFO Pavilion, Northampton
The Bard Of Northampton gets chosen for the year. On the outside stage will be live performances from P-HEX, Katie Paton, Kenneth J. Nash, Jono and The Uke Dealers, Taylor Smith, Helen Verrill, Yoshe, Jacob Braithwaite, and The Whistling Dandies. From midday, free entry

THE LURKERS + WHO KILLED NANCY JOHNSON + SPRING PARK + CRASH INDUCTION
Sunday September 15th
The King Billy, Northampton
An afternoon of punk, headlined by original West London punks who were Top Of The Tops regulars. Doors 4pm [finishes at 9pm], £5 entry

 

 

 

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Album review: Nina Harries

NINA HARRIES Nina Harries [self-released] If you have not already had the good fortune to be acquainted with Nina Harries, let New Boots introduce you. Nina is a British double…

NINA HARRIES
Nina Harries [self-released]

If you have not already had the good fortune to be acquainted with Nina Harries, let New Boots introduce you. Nina is a British double bassist and vocalist hailing from Northampton. She comes from a family of musicians, she trained in western classical music for four years at the Royal College of Music under double bass professor Enno Senft of the London Sinfonietta. In the last two years of her degree at the RCM she began to work as a soloist and band bassist for several acts from the London band scene, namely The Burning Glass, John Fairhurst Trio, Barbarella’s Bang Bang, Symphonica Feat DJ Switch and the London Electronic Orchestra.

At this point Nina also began to discover a love for solo performance, and began to experiment with performing a mix of original and cover songs using only double bass and voice. She fits nicely under the ‘dark folk’ genre, but also brings with her some flavours of rock, trip-hop and EDM. She has a fantastic range – massive respect for hitting those real low notes – and her vocals appear different on every track, whilst still managing to maintain her own ‘Nina style’.

Each perfectly-formed song on Nina Harries has new, fresh influences, when compared to the previous track. You can never be sure where she will go next. The album was recorded with producer and engineer Peter Miles at his studio Middle Farm Studios in Devon, and has an overall feel of the later albums by Nico or more modern styles like music by This Is The Kit.

The album starts with a slow build and absorbs you in with ‘Heavy Doubt’, which does what it says on the tin, perfectly reflecting the feeling of doubt in the mind, but even if this is not your thing do not rest here. There are two stand-out tracks on the album, and the second track ‘Lose Yourself’ is definitely one of them. With its faster-paced rhythm and the way she bends the opening notes on the bass is reminiscent of Mick Karn from Japan. Accompanied with Nina rapping in unison, she is absolutely nailing the experience of being a woman in a male dominated musical genre. It is an immediate ‘add to play list’ moment.

Track three ‘Icarus’ has an eastern vibe and once again has a slow build; at 8 minutes 34 seconds it is the longest track on the album, but is well worth the investment of time. At this point in the album she could have gone anywhere, and she certainly doesn’t disappoint. This track captivated me, in the same way The Doors captivated me with The End. It is truly mesmerising, sit back, relax and enjoy. ‘Will; I’m Not’ is a collaboration with the album producer Peter Miles, and sticking to the view that the bass and vocals can do anything and go anywhere, Nina moves into the zone of EDM dance music. Re-enforcing the fact that she has the skills to do what ever she wants, in whatever genre she sees fit.

On ‘O’Lothsome Day’ and ‘Pendle Hill’ her vocals have a slight ASMR quality as the album moves back to her dark folk and gothic rock roots. The second stand-out track is ‘One Hard Task’, an alternative rock track which hooks you in immediately and sounds so perfectly formed. Along with ‘Lose Yourself’ they are the “check out Nina Harries” songs from this album. The final track ‘Int;;Ext;;Int;;Ext;; / Butterfly’ is a beautiful conclusion to the album moving back to the EDM-style and includes the piano, bass and of course the superb ethereal vocals of Nina.

I think it is fair to say that you cannot and should not underestimate this lady, you cannot take her for granted. This album will move you through a rainbow of sounds and is deeply captivating. But just like the butterfly, do not attempt to try to pin her down: she will sit with you, but she cannot be boxed. She is on a mission to explore all the realms available to her musical craft, and to create new ones. She is certainly one to pay attention to.

Lisa Eversden

Nina Harries is out September 13th [order vinyl and CD here]. The album launch show is the same day at Hoxton Hall.

https://www.ninaharries.com

[cover photo by Joe Brown]

 

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Live review: Stormbringer

STORMBRINGER The Roadmender, Northampton September 6th Opening an evening of metal at the Roadmender are Broken Empire. Bringing a groove-laden sound and delivering it with punk aggression this four-piece from…

STORMBRINGER
The Roadmender, Northampton
September 6th

Opening an evening of metal at the Roadmender are Broken Empire. Bringing a groove-laden sound and delivering it with punk aggression this four-piece from Oxfordshire/Northants are a bundle of finely-honed energy. Displaying little in the way of nerves they deliver original tunes like ‘Parasite’ which are both heavy and emotive. Lyrically astute, their first single ‘No More Lies’ follows and is peppered with neat time changes that remind me of ’90s era Metallica. A twin-guitar attack creates a huge sound as set closer [and forthcoming single] ‘Time Running Out’ is a real earworm, and brings things to a suitably climatic crescendo.

Hitting the stage like a gang of whirling dervishes Parallax haven’t come to take prisoners and by second track, ‘End’, their enthusiasm has infected the whole venue. Some powerhouse drumming creates an earth-shaking sound that’s underpinned by some fine finger-tapping on the bass, while the vocals mirror the rhythm and alternate between hardcore growls and something almost soulful. The guitars fire in unison to create an artillery barrage as ‘Losing Control’ and ‘Hero’ are unleashed in quick succession. It’s great to see a band enjoying themselves, but the in between song banter could be toned down so their stage presence matches the ferocity of their sound.

Local band Still Remains appear as a blur of Flying V’s and throwing shapes. It’s no surprise the band cite Metallica, Saxon and Thin Lizzy as influences because their sound perfectly captures that moment in time when the NWOBHM was morphing into speed metal. Originally formed in 1993 as a reaction to grunge their unique take on trad metal has been immovable and seen off various fads and trends. With no pomposity Still Remains are simply four guys on stage, having a ball and living out their fantasies as guitarist Andy Green delivers blistering solo after blistering solo and his vocals have that earthy touch of Paul Di’anno. The whole band lock in well together as the set ebbs and flows smoothly with the songs paired by tempo. ‘What I Am’ broods with a moody riff, while the ferocious set closer, ‘Redeemer’, ensures they leave as they arrived: in a blaze of sonic fury.

Tonight’s headliners Stormbringer have a sound that’s built for the biggest stages, and they’ve taken the right route by paying their dues in clubs and bars. While the Roadmender has become their spiritual home you have the feeling they will soon outgrow the venue. Since I last saw Stormbringer they have shuffled personnel with Darren Caven-Quantrill coming in on guitar and original vocalist Mike Stockley returning after a hiatus. Fans shouldn’t worry as it’s the same Stormbringer, only more groove-orientated and with a more expansive sound. Appropriately they open with their very first single ‘Grinder’, and it’s like Mike has never been away. Slotting right back in the band he immediately commandeers centre stage, constantly punching the air and standing astride the barriers. He’s one of those rare frontmen who can make the whole venue feel involved and, despite the line up changes, the band hit the ground running, like a well-oiled machine they’re firing on all cylinders as ‘Bleed For’ and ‘Save Me’ are discharged in quick succession. It’s a career spanning set which pulls tracks from their three albums while the new song debuted, the moody ‘Mirage’, stomps like a giant and has that huge feeling that Metallica captured on their Black Album. ‘Stick to Your Guns’ follows along with ‘Bad Blood’ as drummer John Paul Quantrill provides a thunderous soundtrack to which bassist Darren McCullagh prowls like a caged animal. Two from their debut album MMVIII follow in the shape of ‘Mark Anthony’ and ‘Gazing at the Grave’, both of which provide plenty of foot-on-the-monitor, fist-in-the-air metal action before guitarist Dom Wallace lays an explosive solo over the anthemic ‘Smother’. Still driven by an insatiable hunger the band look visibly exhausted as they near the sets conclusion; yet they drain the tank to deliver an explosive closer in the shape of ‘Dying Breed’.

Peter Dennis.

Photos by David Jackson

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New Music Friday: Temples

One of the biggest acts from Northamptonshire this decade are embarking on their third era. Temples emerged from Kettering in 2012 with earworm single ‘Shelter Song’, and never looked back….

One of the biggest acts from Northamptonshire this decade are embarking on their third era. Temples emerged from Kettering in 2012 with earworm single ‘Shelter Song’, and never looked back. Having released a couple of singles recently on the eve of third album Hot Motion it was time for New Boots speaks to bassist/songwriter/lyricist Thomas Walmsley – and ask if the band are on something, or onto something.

It’s been a little over two years since second album Volcano. What have you been up to since then?
After the last record, it was the first time that our existence as Temples came to a dead stop. We’d toured Volcano as much as we were going to, and numerous changes hit us all at once. Things came to a head and we’ve ended up with a new label, booking agents, and more importantly a new drummer, so its really felt like the end of an era and the beginning of a new one.
We really had to rebuild and define what we wanted Temples to be, and I think more than anything Hot Motion is our work of doing that.

Volcano was a real triumph, arguably better than Sun Structures, but it didn’t seem to get the traction in the press it deserved. Does that feel like an accurate summation?
I think with any record a large degree of how its received is expectation and momentum. Volcano for us was a reaction to Sun Structures. I think we didn’t want to be one of those bands that repeats their first record, and we wanted to explore more sounds beyond the walls of creating an ‘authentic’ sounding record. I think perhaps that was lost on some people. It’s definitely a more intricate record, where we weren’t too concern with it being lead by its aesthetic.

On the journey between Volcano and now you lost drummer Sam and now have Rens Ottink [from Dutch band Pauw ]onboard. What’s he brought to the table?
Yeah, I think when things are chronically dysfunctional for quite some time, you have to respond to that for the greater good. It was a sign to look forward, and along with everything else that was changing at the time, it was something that had to happen. I think we played a show with Pauw in Utrecht back in 2013, and since we have remained friends and in touch, he was the first person we could think of fitting in with the band. He’s a great musician, and has a really unique playing style. I think how we play with him live is quite different, and he’ll be a great influence on how we go forward.

Tell us all about this latest single. And there’s been a local video shoot, yes?
Our new single is called ‘You’re Either On Something’, and the video is directed by Sam Kinsella. We can’t give too much away, but it’s a local setting in Northampton where surreal happenings start to corrupt your moral sanity. We wanted to celebrate the myths of our home county again with this record, it was recorded here. We’ve featured The Royal Theatre & 78 Derngate on the LP sleeve, and wanted the videos to follow suit.

Is it a good representation of the album? What can we expect?
Yes and no. It’s always been difficult for us to summarise one of our records, with influences being so different with each song. There’s definitely a stronger theme with Hot Motion as a whole record this time around. Its darker, theatrical and holds a stronger atmosphere. It’s probably some of the most energetic music we’ve recorded to date.

Any new and/or surprising influences on the new album you might want to reveal? What’s been on the band stereo this past year?
I think stripping away layers, we were more drawn to guitars on this record, and rather than building on that, we have just pushed them to the forefront and made the bare bones sound as grand as possible. There’s more theatrics in there, more of a darker tone, visually bands like Sensational Alex Harvey Band, Alice Cooper, Roxy Music were an influence. More experimental in detail, but first and foremost a guitar heavy sound.

You’re still self-recording, right? With [singer/songwriter/guitarist] James producing from his Rutland hideaway? Does it still offer you the best sanctuary for creativity?
Yes we’ve graduated from bedroom to garage/outhouse now. I think being at the desk ourselves will always be most comfortable. When time or money, or studio time isn’t an issue it allows you to really develop an idea, and follow your own creative process and direction. The three of us manage to steer each other on a fairly solid course.

You keeping an eye on Northamptonshire still? Any new favourite acts?
Yes we’re still back here to rehearse, and keep a close eye on whats happening locally. Slowthai is fabulous, isn’t he?

What can you tell us about your upcoming plans?
We’re soon to be releasing the new album Hot Motion, and then were going to tour as much as humanly, physically and chemically is possible. We will be playing a Northampton show in the extremely near future.

Hot Motion is out September 27th [pre-order here], and the band play in-store at HMV Kettering on Tuesday October 1st

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It’s A Shoe In: Northants gig guide Sep 4th – Sep 10th

JINDER + TU-KAY & RYAN + JOE CORKRAM Wednesday September 4th  Rooftop Arts Centre, Corby Sensational  Sherbourne Americana singer-songwriter, NN harmonising duo, and accomplished Northampton performer promoting his exciting new…

JINDER + TU-KAY & RYAN + JOE CORKRAM
Wednesday September 4th 
Rooftop Arts Centre, Corby
Sensational  Sherbourne Americana singer-songwriter, NN harmonising duo, and accomplished Northampton performer promoting his exciting new EP. Doors 7.30pm, free entry

NI NI SESSIONS
Thursday September 5th
The Walnut Inn, Blisworth
Acoustic joy from Just Mike, Corinne Lucy, Woolford Scott, Oakleas Rise, Wax Lyrical, Ant Richards, and Nigel Lewis. Doors 8pm, free entry

STORMBRINGER + STILL REMAINS + PARALLAX + BROKEN EMPIRE
Friday September 6th
The Roadmender, Northampton
2019 for the Northants rockers heralds a new chapter, with the addition of Darren Caven-Quantrill on guitar and the much anticipated return of original vocalist Mike Stockley, not to mention prepping a fourth album! Come celebrate at this one, local bands in the main room is a very healthy state for the scene to be in. Doors 7.30pm, £6.50 tickets

ILLUSIVE FESTIVAL
Friday September 6th – Sunday September 8th
Deene Park Estate, nr Corby
The beats weekender is back for its sixth year. Hostings multiple stages of DJs, and The Badger’s Sett stage has live performances from Spunge, Imperial Leisure, Popes of Chillitown, Jerremia Ferrari, Riskee & The Ridicule, and a certain Karl Phillips & The Rejects. Tickets £130. Full line-up: http://illusive-festival.co.uk

ROLLING THUNDER
Friday September 6th
Peggotty’s Lounge, Towcester
The much anticipated return of the ‘John Doe’ indie rockers to Peggotty’s. Music from 8pm, free entry

THEE TELEPATHS + VENUS FLY TRAP + SKYBEARD
Saturday September 7th
The Black Prince, Northampton
Superlative sounds on offer here tonight: psych-driven fuzz from Kettering, post-punk electronica from ShoeTown legends, and local proggish stoner rock brings the heavy vibes and stylings. Doors 8pm, £5 entry

NI NI SESSIONS 
Saturday September 7th
The Sun Inn, Northampton
Yet more acoustic wonderment from a strong selection: Cameron Grace, Andy Clarke, Marieke Vink, Ant Richards, and Rogue State Circus. Music from 8.30pm, free entry

EASTFIELD
Saturday September 7th
The Three Cocks Inn, Kettering
Those urban rail punks named after the ShoeTown suburb are in KTown for some righteous fun. Doors 8pm, free entry

JAMES WATT & THE AVENUES
Saturday September 7th
The Shire Horse, Kettering
Surf and Rock’n’Roll trio, playing reverb-drenched instrumental songs that evoke the sound of crashing waves and covering songs from the early days of rock and roll. Playing from 3pm to 6pm, free entry

KING BISCUIT BOYS
Saturday September 7th
The Red Lion, Broughton
Celebrated blues harp duo do their thang over in the Broughton boozer that’s under new management. Doors 8pm, free entry

 

 

 

 

 

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New Music Friday: Caliburn

Hardcore/metalcore Caliburn – Niall, Ewan, Joe, Bailey and Jake – are a relatively new NN band, who recently celebrated the release of their first EP ‘Outskirts’. It’s so good New…

Hardcore/metalcore Caliburn – Niall, Ewan, Joe, Bailey and Jake – are a relatively new NN band, who recently celebrated the release of their first EP ‘Outskirts’. It’s so good New Boots had to go and have a word or five.

Where are you all based in Northamptonshire?
We’re from all over in a way. Joe and Bailey live over in Corby, Jake in Kettering, Niall in Northampton and Ewan’s from Irthlingborough. We’re a bit all over the place, but we all get together every other week in Rushden to chill and jam our tracks together, vibe idea’s and just have a good time.

How did you guys get together?
The band initially formed around two years ago with Ewan and Niall, after they’d been toying with the idea for many years and eventually jam sessions started to become a regular occurrence. They have been close friends from a young age and have been in previous bands together after leaving school, so the likelihood of another project was inevitable at some point. The next key component for us was a bassist. As far as we’re concerned Bailey is one of the founders of the band and has been with us from the beginning.
Caliburn has spent the first years of its life exploring different styles and sounds, which meant that we parted ways with previous members as the sound and the band has developed. We were in need of a new drummer in 2018, and we found Jake. Jake’s drumming skills were already known to us, Ewan has been mates with him outside of the band and he’s renowned locally for being a super technical drummer, and he didn’t disappoint.
Now with the four of us we could really get down to laying the foundations of the material we were jamming with. But it soon became apparent there was one last piece missing- the lead guitar. Unbeknown to us it wouldn’t be until Joe joined that everything would take form and fall into place in full force. Joe’s talent for writing music pulled all the elements together.
We spent the last year playing shows, and producing our first EP, ‘Outskirts’, which we are all very proud of.

How would you describe your sound?
To put it bluntly, “Painfully generic Metalcore”…but with a twist! The synths and strings on top of the guitars creates the perfect melodies, and catchy choruses ensures that we make an imprint on the music society. Our sound is changing from when the band had first started and the album will be different to the EP. We all look forward to what the future for Caliburn has to offer.

Who are your main influences in music?
We all listen to a bit of everything, so our songs could go in any direction in terms of style and sound. For example our song ‘Outskirts’ has really catchy and melodic sections almost like a pop song, as well as hard hitting heavy riffs similar to bands like Killswitch Engage and Bullet For My Valentine. I think those last two are definitely big influences on us as a sort of baseline for our sound, and we like to take that element and build on it with other influences that we feel lends to the song. While She Sleeps is another band we take inspiration from too. Killer guitar riffs, massive sounding vocals, raw screaming, there is just so much passion in their music and its fantastic! Hopefully the passion we have for our own music comes across that way as well.

Tell us everything about this debut EP, ‘Outskirts’?
So the EP has a little bit of all of us. Joe has the lead role of writing the demos to our tracks, and then we all add a bit of ourselves from there. Its a heartfelt EP, all the cliche you could ever need!
Track 1 ‘Vena Cava’ when translated to Latin is “hollow veins”, and is basically about feeling empty within yourself like nothing could ever matter, we really are “sad bois” for life.
Track 2 ‘Outskirts’ follows on from that and is about searching for better things. Then when you eventually find it, whether it be love, success or finally belonging. It’s not all that it’s cracked up to be.
Track 3 ‘Letting Go’ is basically about struggling with heartbreak and finding it hard to move forward.
Track 4 ‘Seasonal’. Now, this is a sad one. Where to start. Its a really personal song to Niall. A few years ago he was having a really bad time with mental health, but like to think of himself as mentally strong and persevered. However in the space of about eight months, two friends of his didn’t and this track goes out to them. Niall really struggled understanding why they hadn’t reached out to anyone. This song is as close to what he can get in his own mind as to how they were feeling. I like to think it’s written by them through Niall.
Track 5 ‘Pray For Me’ has done pretty well. It’s been played on BBC Introducing twice, and forwarded to BBC 1 Rock Show, so here’s to hoping! The tracks about the end. How you never know when it’s coming, and any day could be your last. It’s one of our favourites on the EP and the ending finishes the EP nicely.
Its like a simplified story all together and it gives a little bit of closure within us. It’s a heartfelt EP.

Recorded down in Southampton with Nick from Our Hollow, Our Home. A great guy to work with and we feel he captured exactly what we wanted out of our first release. We’d highly recommend hitting up Six Point Media if you’re looking to release.

What are your live shows like?
We really enjoy playing live. Its our favourite thing to do together [as well as going to the pub of course]. We give it our all when we’re out there, no matter what the occasion is. We’re passionate about our music and we want to put on the best show possible for returning fans, as well as hopefully gaining some new ones. Its all well and good listening to a band online or on Spotify, but you really need to go to the live show to really see what a band is about.

Congrats on your freshly inked ‘Weathers Management’ deal. what can you tell us about that?
So the management deal was something Niall and Dan (the owner of Weathers management) had spoken about before. Niall met Dan at All Points East through bumping into Stone from Behind Blue Eyes. So they spent most of the day chilling together and through him is where Niall met Dan for the first time. It wasn’t until about a week later Niall noticed he was friends with Dan on Facebook for a while and it sparked the conversation about management. We’re trying to push our sound further afield so joining Weathers management sounded like a good deal to us. It catered to us all being busy but also wanting to get more shows. There’s a few things in the pipeline at the moment in terms of new venues for us, so keep your eyes peeled for those.

Are you part of a musical community, playing with like-minded bands?
We like to play anywhere we can really. Helps spread our wings and meet new people in the process. We’ve done a few shows over at The Shed in Leicester, and we’ll be back there at some point soon without a doubt! And of course we’ve met some great bands in the process as well. Like the guys from A Hundred Crowns who always put on a great show. We’ve played with them a couple of times and now and they’re really nice guys as well. Same goes for a band called The Lunar Process [formerly Edge Of Apollo]. Had the pleasure of playing with those guys in the north and they made us feel welcome to somewhere totally new to us! We also have to give props to the local boys in Primal Holocaust as well. We’ve shared the stage with them a number of times since they started up and their shows are just full of energy and aggression. It really is a good show to watch.

Of course we love playing in Northampton, The Black Prince is one of our favourites to play. We spent a good amount of this year playing there, and the shows we’ve been involved in has been have been killer! Raffs over in Wellingborough is also a fun one for us to pay as well. It was the first venue we played in this new era of the band with Joe and Jake, and its just generally a good laugh when we play there as well.

What has been your favourite band moment of the past year?
There has been a lot of good moments with the band. A lot has happened the past year with the EP dropping and we couldn’t be happier! But going back to good moments there is one that stands out the most is one gig we had played at Raffs bar, Wellingborough, for a heat of “Metal 2 The Masses’. We had started playing and people seemed to be enjoying what we had wrote. It was in that moment knew we had something special. To see the sight of people enjoying what we offer and being part of something more than just a band, means it will always be one of our favourite memories.

What was the last album you bought/streamed?
Well there’s been some pretty big albums drop recently! Of course the brand new Slipknot album We Are Not Your Kind came out a few weeks ago and that album has some absolutely killer tracks on it! You always know that when Slipknot go away for a little while that they’re gonna come back with a bang. Its the same deal with Atonement by Killswitch Engage, even featuring their old singer on one of the best tracks on the album ‘The Signal Fire’ as well! Metalcore fans can live happy now they’ve seen both Jesse Leech and Howard Jones on a Killswitch album, we never thought we’d see the day.

What is your burning desire for the band to do in the future? What plans do you have?
We have a lot of ambition going forward with our music. Obviously we’re gonna keep on playing shows up and down the country and continue getting our name out there. We’ve played some really great shows in the north and over in Leicester so its about time we conquered London and the south of England now! But a big ambition we have for the future is taking ourselves overseas into Europe, and play some shows over there. We see videos and pictures of friends of ours who have done that with their bands and the crowds and atmosphere looks insane! So hopefully we’ll get the same reception that they do when we make our way over into the continent.

As well as playing shows, we may even have some new music to bring to your ears in the new year. Maybe even experiment with some new sounds, increase the heaviness, make the guitar shred even shreddier and very possibly give an old song from 2017 a new lease on life. If you know you know! We’re really looking forward to what the end of year has in store for us, but we’re eagerly anticipating what the new year hold for us as well!

Outskirts is out now

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It’s A Shoe In: Northants gig guide Aug 28th – Sep 3rd

PALMIST + ORKA Wednesday August 28th The Black Prince, Northampton Alt-rock/pop-punkers from Southampton headline, with Doors 7pm, £5 tickets BASEMENT LEAGUE + SLACKRR + ERICA DRIVE + DEAD RESTLESS Friday…

PALMIST + ORKA
Wednesday August 28th
The Black Prince, Northampton
Alt-rock/pop-punkers from Southampton headline, with Doors 7pm, £5 tickets

BASEMENT LEAGUE + SLACKRR + ERICA DRIVE + DEAD RESTLESS
Friday August 30th
The Black Prince, Northampton
A mighty quartet for your eager ears: pop-punk from London, Southampton, Bournemouth, and go old ShoeTown itself. Doors 7pm, £5 tickets

ALI IN THE JUNGLE + CORNUCOPIA
Friday August 30th
The Lab, Northampton
MK indie rock, plus new indie-punkers from Northampton. Lewis Beahan opens with an acoustic set. Doors 7pm

LAKE ACACIA + DERADE + DIVERSION
Friday August 30th
The Red Lion, Raunds
Original band night, featuring alt-rock from Banbury, melodic power rock band from Cambs, and pop-punk from Bedford. Music from 8.30pm, free entry

UNITY FEST
Saturday August 31st
The Roadmender, Northampton
UNITY Fest is about bringing everyone together from all different social and religious backgrounds through music. Main Stage bands include VICE SQUAD, JANUS STARK, ATTILA THE STOCKBROKER, TARA REZ, and KARL PHILIPS & THE REJECTS. The Acoustic Den includes several local acts and speakers from Hope Not Hate, Unite the Union, The Labour Party, CND, JVL & Palestine Solidarity Campaign. Unity Fest is sponsored by Unite the Union. Doors midday, free entry [enter code 4419]

MUSICIANS AGAINST HOMELESSNESS
Saturday August 31st
The Pomfret Arms, Northampton
Once again local people get together to raise money for the Hope Centre. A full day of live music, with the main stage featuring One Leaf Falls, Marabar Caves, Tukay & Ryan, Family of Noise, Hopsons Kaffee, Hub Cap, and The Markus Reeves Brotherhood. Meanwhile the acoustic stage features Rogue Ruby, Nigel Lewis, Ciaran Redmond, Wildflower Rogue, Maria Craven, Cameron Grace, and Corinne Lucy. Doors 2pm, donations requested [including food!]

WISHING WOLF+ NORTHSHORE+ THESE FIVE YEARS + THRIFT STREET + SWITCHDOWN
Saturday August 31st
The Lab, Northampton
Pop-punk extravaganza, and unbelievably all for free, the generous lovelies. Headlined by Kettering’s best kept secret, plus bands from Middlesborough, Cardiff, Leicester, and Northampton itself. Doors 7.30pm, free entry

THE RETROBAITS
Saturday August 31st
The Lab, Northampton
Daventry’s vintage rock’n’roll trio with two albums to their name will make you dance dance dance. Doors 7pm, £10 tickets

SKIRT + THE KEEPERS + STEVE + SPACETOAST + ERIN COBAIN
Saturday August 31st
Abbots, Weekley Wood Lane, Weekley
Festeveal is an event which showcases local talent in the Northamptonshire area, along with raising money for the amazing local non-profit organisation Picture The Difference. This organisation provides a creative outlet for people with additional needs! Doors 2pm, entry is FREE but they ask for donations

 

 

 

 

 

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