Author: Newbootsnorthants

It’s A Shoe In: Northants gig guide Nov 13th – Nov 19th

DRAGONFORCE + LOVEBITES Wednesday November 13th The Roadmender, Northampton Grammy-nominated extreme power metal legends from London come to slay Northampton, and why not. Japanese metallers in support. Doors 7pm, £18…

DRAGONFORCE + LOVEBITES
Wednesday November 13th
The Roadmender, Northampton
Grammy-nominated extreme power metal legends from London come to slay Northampton, and why not. Japanese metallers in support. Doors 7pm, £18 tickets

COILGUNS + YAUTJA + 72% + SHARKTEETH GRINDER
Thursday November 14th
The Black Prince, Northampton
Swiss punk/noisecore gang headline: American post-metallers are in the middle, plus NN heaviness from yer favourite pair to kick things off. Immense. Doors 7pm, £8 on entry

CAMENS + ROLLING THUNDER + LEISURE TANK + SKYFLOOD
Friday November 15th
The Black Prince, Northampton
Indie bangers from Stoke-on-Trent [“more hooks than a fisherman’s tackle box”], they’ve even performed at Manchester’s Etihad Stadium. Plus equally as catchy indie-rock band from Northampton newcomers, plus raw power duo from London, and the return of Skyflood to open. Doors 7.30pm, £5.50 tickets

U.K. SUBS + SPRING PARK
Friday November 15th
The Roadmender, Northampton
The legendary Charlie Harper formed the Subs out of his then R&B outfit The Marauders, late in 1976. In 1979, they signed to Gem Records and surprised everyone by becoming one of the most consistently and visibly successful punk bands, with seven consecutive UK Top 30 hits between 1979-81 – ‘Stranglehold’, ‘Tomorrows Girls’, ‘She’s Not There’, ‘Warhead’, ‘Teenage’, ‘Party In Paris’, and ‘Keep On Running’. They also scored two UK top ten albums – Brand New Age and Crash Course. Plus ShoeTown punks in support. Doors 7.30pm, £11 tickets

KARL PHILLIPS + THE REJECTS + NOTTINGJAM ORCHESTRA + DAKKA SKANKS + GRANT SHARKEY
Friday November 15th
The Lab, Northampton
The Skankdown night is back for its fifth instalment. Local skanking heroes headline, with hand picked support from Nottingham, Brighton, and Southampton. Doors 7pm, £5 entry.

RAMAGE INC. + ASHBORN + POWDERHEAD
Saturday 16th November
The Black Prince, Northampton
Progressive metallers from Scotland with three albums under their belt headline, with fellow movers from Northampton and Cambridge in support. Doors 7pm, £5 tickets

DAWSON SMITH & THE DISSENTERS
Saturday 16th November
The Shire Horse, Kettering
Leicester blues band. In 2005 Smith put together a backing band with the intention of forming his dream ‘road band’ able to deliver the type of drivin’ roots rock that has always been the backdrop to his songwriting. From 9pm, free entry

DANNI NICHOLLS
Sunday November 17th
The Three Horseshoes, Ecton
Fresh from touring Nashville this summer, the Bedford-born Americana singer-songwriter comes to Ecton in support of third album The Melted Morning. From 3pm, free entry

 

📸 Joe Berisford

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New Music Friday: Kian Russell

Northampton’s teenage blues sensation Kian Russell has just put out an EP, Off The Ground, that belies his years. Unable to ignore the prodigious talent, New Boots asked him to…

Northampton’s teenage blues sensation Kian Russell has just put out an EP, Off The Ground, that belies his years. Unable to ignore the prodigious talent, New Boots asked him to stop the study and give us some of his time. He obliged.

Who is in your band, and what do they play?
At the moment, the only permanent member of my band is Andy Doran, who lives in Hemel Hempstead. I am currently looking for a bass player and rhythm guitarist. Fortunately Oli Rumens, from The Comms, has been standing in on the bass. Oli and I have been jamming for a while now and I am grateful that he has been able to join me on stage. Also my guitar teacher and friend, Charlie Shaughnessy, from the USA stands in on the guitar. He is over here on an extended vacation to the UK. Charlie was part of my band in the States and co-produced my EP.

How did you start on your path to music/guitar playing?
My parents have always wanted me to do three things;
1) play a sport
2) speak a second language
3) learn to play a musical instrument.
I started playing rugby for the Old Northamptonians’ RFC when I was 7 and continued playing up until I was 13. I have been learning Spanish, academically, for the past six years. In the States I was learning Mexican Spanish, but now I am back in the UK I’ve been learning European Spanish for my GCSE.
Like Rugby, I started playing the guitar early at 7 years old. However my first love was rugby. At the age of 8, I was diagnosed with a very rare bone disorder in my foot which stopped me playing all sports, even walking wasn’t allowed, for a year! It was during this time that my passion for the guitar truly started to grow. I began to go through “Rockschool” gradings with my tutor, Anthony George at Cutting Edge Guitar here in Northampton.
Whilst I have always loved playing guitar, I really started taking it seriously once I moved to the USA. Seattle has an amazing music scene in general, and is really supportive of youth music and original music. I began to practice and focus my time and creativity in both guitar playing and songwriting. I continued my guitar lessons in the States with my school teacher. He passed me on to Charlie Shaughnessy, and that’s when I started to understand the technical side of guitar playing.
Since my musical journey began, I have been fortunate to be mentored by Seattle’s Ayron Jones and RCA recording artist, Steve Lynch from the band Autograph. These guys have guided me and helped me understand the industry and not just playing the guitar. They have made such a huge difference to the way I look at my music. My big achievement though is getting a full artist endorsement from one of the world leaders in guitar amps, Northampton based, Blackstar Amplification. These guys have been great and encourage me to aim high.

How would you describe your sound? Who are your main influences do you feel?
I like to define my sound as a mix of blues and rock. Stevie Ray Vaughan, Joe Bonamassa, Albert King and John Mayer have all been my major influences. However, I could spend all day talking about the great artists that have inspired them, and have inspired me. In the rock genre its Highly Suspect, Theo Katzman and Foo Fighters.

You spent some years in the States. Tell us about that experience in regards your musical development.
The States allowed me to define myself further as a musician, learning about different styles to which I wasn’t familiar with. As mentioned I am very lucky to have been mentored by some amazing musicians in the United States. They’ve helped guide me through both music as a performer and music as a business to try and become the best version of myself. In the US I had the chance to play with great musicians such as Travis Larson, Ayron Jones, and Dudley Taft, plus many other touring artists.
Outside of performing, I also began a journey on music production. One of the local venues which I frequented, Louie G’s, allowed me to run the lighting and sound for them every Friday and Saturday. Through this, I met many more like-minded musicians but also became exposed to many different styles.

Tell us about this EP, ‘Off The Ground’.
The EP was a way to wrap everything that I was leaving in the States in musical form. Recorded alongside my bassist and drummer, we had total creative control over how we wanted the songs to sound like in the finished product. ‘Off The Ground’, the title track of the EP, was the first song ever written for the project. With an indie/pop vibe, it is a juxtaposition of the rest of the EP.
It was recorded over five months and finished about one week before I left the USA permanently. Through Cakewalk [a DAW software] we weren’t restricted to the trio setup (which we used live) and could experiment with other instruments and sounds. The last track on the EP, ’I Don’t Need You’, is the most experimental.
With over 80 different audio tracks, it was the most taxing song to write. However, as a musician, it is one of my favourite songs to listen to. The chorus is packed with harmonies, both vocally and compositionally. Charlie Shaughnessy [bassist and producer] and I would work from 12pm to 2am on various parts of the songs; focusing on minute details to make sure they were tight and effective. We made sure that along the way, we used each others ideas to ensure that everybody could be heard.

What are your live shows like, in five words or less?
Energetic, shred-tastic, dynamic, fun, soulful.

Are you part of a wider scene in Northamptonshire?
Obviously being from Northampton, I want to play local venues. Up until recently, with exception to the Northampton Music Festival, the majority of my gigs have been in and around London plus some other cool places around the UK. I am a newbie on the Northampton music scene and still making friends and getting to know some awesome bands like Baby Lung [who I think are awesome], the guys from Tragic, The Big Dirty and Naked Next Door…. so much cool stuff coming out of Northampton at the moment. I think we have some cool venues here and I’m gradually ticking them off.

What has been your favourite band moment of the past year?
Definitely opening for Jared James Nichols at The Craufurd Arms! He has been a major influence for me, and to be able to meet and perform alongside him was a dream come true. We were all so pumped for the show and to perform as one meant all the preparation was worth it. We obviously impressed Jared and his management as they have invited us to support them again on his 2020 UK Tour. But I have also enjoyed playing on the same bill as Brian McFadden, supported Steve Rodgers and soon I will be supporting The Quireboys. So these are all favourite moments for many different reasons.

What was the last album you bought/streamed?
The last album I bought was the Purple Rain vinyl. For me, it is one of the best albums. However the last album I’ve streamed has to be (What’s the Story) Morning Glory by Oasis. It’s one of those albums that you just have to listen to.

What is your burning desire to do in the future? What plans do you have?
I am currently writing for the next album. I want to try and get more songs written and composed before the end of the year to hopefully head into the studio next year. With some exciting shows coming up, as mentioned, like The Quireboys, Jared James Nichols and a few other bands, we are very excited to get a fresh set list going and to perform more locally. I am blown away by how well things have gone so far and I am excited for what is to come for the band and with incredible musicians behind me, there is no end to what we can achieve!

The Off The Ground EP is out now. The Kian Russell Band play Northampton twice this month: The Lab on November 22nd, and The Garibaldi Hotel on the 30th.

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It’s A Shoe In: Northants gig guide Nov 6th – Nov 12th

THAT JOE PAYNE Thursday November 7th St. Matthew’s Church, Northampton The Northampton-based recording artist is best known for demonstrating an impressive 5-octave range, plus his work within progressive rock as…

THAT JOE PAYNE
Thursday November 7th
St. Matthew’s Church, Northampton
The Northampton-based recording artist is best known for demonstrating an impressive 5-octave range, plus his work within progressive rock as frontman of The Enid [2011-2016]. This concert also features a special performance from Northampton Male Voice Choir Lite (NMVCL), and is a fundraising booster event ahead of Strictly Northampton 2019 in which Joe is a contestant. Doors 7pm, tickets £15 [all ticket money goes to Cynthia Spencer Hospice]

DAVIDE LUAGELLI + RICHOCHET REBELLEION + THE BOPHINS
Thursday November 7th
The King Billy, Northampton
Laugelli is a seasoned Italian rock and metal bass player, in the vein of a Steve DiGiorgio or Martin Mendez. A steady member of Disease Illusion, Heller Schein and Hidden Stone, he brings his unique solo project to the UK for a second time. This live set up involves just two members, bass and drums, and brings a unique instrumental exploration, as he showcases tracks from the new album Soundtrack of a Nightmare. Support from Derbyshire trio and ShoeTown glam-punks. Doors 7pm, free entry

BAMBOO + AOIFE FOLEY
Friday November 8th
The Garibaldi Hotel, Northampton
Ambitious synth-pop-meets-folk project of Brighton’s Nick Carlisle and London-based Rachel Horwood [Trash Kit, Rozi Plain]. Electric banjo merges with rich synth atmospheres and electronic arrangements. Meanwhile Northants songstress Foley plays with band: Dave Crawford on guitar/synth/hair swishing, and Dan The Man Battison on bass. Doors 8pm, free entry

STEGOSAURUS SEX PARTY + FACEDOWN + ONE CHAPTER DOWN
Friday November 8th
The Lab, Northampton
Trash punks from Coventry on top, energetic pop-punk from Bedford, and alt rap-rock from Scunthorpe make up a formidable bill. Doors 7pm, free entry [?]

MARABAR CAVES + THE VINCENT VEGA BAND + ROLLING THUNDER
Friday November 8th
The Pomfret Arms, Northampton
The Caves are a psychedelic rock outfit who recently reformed after a 25 year hiatus. VVB feature one of Northampton’s best songwriters in Tony Mead, who fronts a line up of deft musicians [embellished by viola]. Causing a youthful storm at the start are West Northamptonians Rolling Thunder. From 9pm, free entry

HANNAH FAULKNER + LAURA BAKER + TOM & SOPHIE + MARIEKE VINK + CAMERON GRACE
Friday November 8th
The Witch & Sow, Guilsborough
A new addition to the NB gig guide, Guilsborough. A Ni Ni acoustic showcase session. From 8.30pm, free entry

LABFEST
Saturday November 9th
The Lab, Northampton
An all-dayer to show what the venue can do, following its recent “crunch meeting”. Music, food and a communal art project. Line-up includes Humblebee, Marnie , Yoshe, The Dubska Murphys, The Ginhouse Gypsies, Ali In The Jungle, Bisons, the Lay It Down crew, and more! From 1pm – 1am. £3 suggested donation

KING’S GAMBIT
Saturday November 9th
The Lamplighter, Northampton
The local folk rock leg-ends play their favourite venue. From 9pm, free entry

JONO & THE UKE DEALERS + VELVET ENGINE
Saturday November 9th
The Pomfret Arms, Northampton
AudioStage presents the folk-rockers with a conscious, plus NN singer-songwriter to open. From 8.30pm, free entry

GOODBYE MR MACKENZIE + TURNING BLACK LIKE LIZARDS
Saturday November 9th
The Raven Hotel, Corby
One of Scotland’s greatest bands of the 80’s and 90’s. They released six albums in total and toured extensively, and featured Shirley Manson on lead vocals at one point. To celebrate the 30th anniversary of the album that started it all off, the Mackenzies are back to play Good Deeds in its entirety, plus a few extra treats. Black Country garage fiends in support. Doors 7.30pm, £16 tickets

HAZEYJANE
Saturday November 9th
The Shire Horse, Kettering
The folk-rock group make their return to Kettering’s prime live music venue. The band will be playing in quintet formation, with their Brittany-based percussionist David ‘Hopi’ Hopkins making a rare appearance with the band. From 3pm-6pm, free entry

DEAF HAVANA
Tuesday November 12th
The Roadmender, Northampton
Norfolk/London hard rock/post-hardcore types with the emotive poppy sound have partnered with PLUS1.org so that “£1 from every ticket goes to War Child to protect, educate and stand up for the rights of children caught up in war”. Doors 7pm, £19.50 tickets

 

Photo credit: Jon Stone

 

 

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New Music Friday: FOSSILHEADS

Long-term collaborators Rachel Duncan & Rosie Swayne – aka FOSSILHEADS – have spent the past year or so honing their eco-conscious folk show to a fine art. Now you can…

Long-term collaborators Rachel Duncan & Rosie Swayne – aka FOSSILHEADS – have spent the past year or so honing their eco-conscious folk show to a fine art. Now you can hear how it sounds on record! New Boots is impressed enough with the Northants duo to get more answers. And here they are!

How did you get FOSSILHEADS together?
Rosie: We’ve only been performing together as FOSSILHEADS for less than a year. Although Rachel and I are also part of olden Northamptonian quartet Invocal, and have been singing together for 24 years [which takes us back to four years before we were born, if our press ages are to be believed].
Rachel: I thought I’d managed to escape her, to be honest…

How would you describe your sound?
Rosie: We are a folky, theatrical duo and use political satire/comedy in songs to open up issues surrounding the HILARIOUS climate crisis.

We admire your interests: “Smashing global corporate power, saving humanity, jazz hands”. The holy trinity, you might say. So do you find music is the best medium to get the message across – serious subjects given the light touch?
Rosie: Until recently I found much of the discourse surrounding climate change so broad and clichéd that it doesn’t really engage people or genuinely address the main problems – my hope is that that honing in on specific areas in an informed but [hopefully] entertaining style can help communicate ideas/info/perspectives in a way that doesn’t make people want to immediately leave. Though to be fair, people do still sometimes immediately leave. But hey we’re used to that, we’ve always been kinda niche.
Rachel: I was recently told by someone who had just heard us for the first time that whilst he felt he was “eco-naïve” and never really thought about the environment, that our music really made him think. That is a massive compliment, and if we can do even just a little bit to raise awareness and tackle the current crisis then it makes it all worthwhile.

Tell us everything about ‘The Future Is Petrifying’ EP.
Rosie: What I love about the EP is that it represents exactly what we do on stage, as it was recorded live – at Fitdog Studios – with just two vocals and one guitar. It’s a precursor to a fuller production studio album that we’ll start doing once someone throws an eccentric amount of money at us to do so. You can buy the four song EP via www.fossilheads.co.uk. It’s download only, to save on production / packaging and costs just £3 [although there IS the option to throw an eccentric amount of money at us if you are inclined to do so].
Rachel: It was really great to get back into the studio with Chris at Fitdog Studios – our last recording session with him as Invocal was probably about 10 years ago (clearly making us only 10 years old at the time, if our press ages are to be believed). I was nervous at first because our live show uses visual humour as well as the comedy from the lyrics [we do acting, darling] so I was unsure if we could really do it justice on an EP – but I am really pleased with it! I think that recording the songs live has kept our “characterisations” intact. The songs themselves cover themes from plastics to corporate greenwashing, and are really well researched by Rosie, who is our resident “eco-expert.” Personally I’m still plucking up the courage to buy a [second hand, previously owned, locally sourced] Naomi Klein book…

With Extinction Rebellion now very much centre stage in the nation’s consciousness it must be exciting to see so many people sharing many of your goals. Have you found more acceptance in what you do over your time together?
Rosie: Yes it is very heartening and inspiring to see more people taking serious action, and I do believe more people are prepared to sit through a set of songs about climate change than they would have been a few years ago!
Rachel: We have many friends in XR and support our local groups when we can. I recently headed to London for the climate protest – but couldn’t stay long, so I admire their commitment to the cause. Their messages really resonate with me. As celebrities have pointed out recently, we are all hypocrites to some degree. It has to be about doing what we can individually but pressuring governments to make substantial, systematic changes.

What are your live shows like? We suspect/hope those witty words hit home…
Rosie: We’ve had some very emotional and meaningful feedback after shows, it’s been quite an experience getting the songs working successfully to audiences – and it’s amazing to realise the songs are having a genuine impact on people. The show does have the potential to tank though. If an audience aren’t in the mood to sit and listen to lyrics, we don’t really work as ‘background music’ – if there’s a room full of people chatting we just end up looking like your bizarre middle-aged aunties determinedly acting/squawking out a musical you’ve never heard of to nobody in particular.

Are you part of a music scene in Northamptonshire? Any favourite acts/venues?
Rosie: I love the music scene in Northampton; gonna namecheck Kings Gambit, musical home of our beloved Invocal pal Helen – been so great to hear their sound evolve over the years.
Rachel: We’ve played at The Lab many times over the years – and it really is a great and supportive venue – long may it continue. I’ve also more recently been made aware of the number of really great open mic nights in and around the county. Northamptonshire really has so much talent and passion for music, I feel lucky to live here.

What has been your favourite Fossilheads moment of the past year?
Rosie: So much work went on at home before getting our live act up-and-running, so I guess the weekend we played four gigs at two of our favourite festivals was pretty gratifying – in feeling like we were properly out there and gigging again.
Rachel: We’ve had some truly humbling moments over the summer doing festivals – people approaching us after gigs with so many compliments and heartfelt responses. For me however it was when a guy from a well-known band [not to be named] came up to us after our set and said he thought we were the best band on the festival circuit this summer. I’m not sure I agree, as we have been privileged to hear some amazing music this summer, but what a fabulous accolade!

What was the last album you bought/streamed?
Rosie: The Sacrament of Sin by Powerwolf. I didn’t even realise I was ready to Come Out publicly as a fantasy metal fan, but there it is.
Rachel: Loving Linnea Olsson at the moment. Her album Breaking and Shaking is great and ‘What’ is currently a favourite song of hers for me. Probably best not to take musical recommendations from me though: recent music streaming has included Pitch Perfect 2, And Bros.

What is your burning desire to do in the near future? What plans do you have?
Rosie: Play more gigs, save planet, get chips on the way home.
Rachel: Same.

The Future Is Petrifying is out now via BandCamp.

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It’s A Shoe In: Northants gig guide Oct 30th – Nov 5th

TRACK NOT FOUND + TRAGIC Thursday October 31st The Lab, Northampton Two-piece grunge/riot grrl punk outfit all the way from Guernsey to enliven Halloween in ShoeTown. Support from fast-rising teenage…

TRACK NOT FOUND + TRAGIC
Thursday October 31st
The Lab, Northampton
Two-piece grunge/riot grrl punk outfit all the way from Guernsey to enliven Halloween in ShoeTown. Support from fast-rising teenage punks with songs to excite. Doors 7pm, free entry

NEEDLE IN THE HAY
Friday November 1st
The Lab, Northampton
Leicester art-rock duo who have been busy crafting their new album Worldviews. Doors 8pm, £3 entry

BREWER + BLOOD-VISIONS + TRAGIC
Friday November 1st
The Garibaldi Hotel, Northampton
East London punks headline this basement show, with NTown’s finest shouters also along for the ride. Doors 8pm, free entry

CONFESSIONS OF A TRAITOR + CALIBURN + STEREO SKULL + PRIMAL HOLOCAUST
Friday November 1st
Raff’s Bar, Wellingborough
A night of NN hardcore and death-metal in support of London headliners, who play tracks from their excellent third album Guided. Doors 7pm, £6 tickets

THE BIG DIRTY + AIDEN HATFIELD + CRAWLSPACES + TORUS
Saturday November 2nd
The Black Prince, Northampton
The “Creep it real” Halloween Party, featuring tasty riffs from the NTown rockers, alt-rock from the Leeds-born singer behind ‘In Music We Trust’, local five-piece pop-punk/emo band, and an electrifying new MK trio. After-party disco in the front bar too! Doors 7.30pm, £4.50 tickets

THE MEMBRANES + DIABLOFURS + FAMILY OF NOISE
Saturday November 2nd
The Talisman, Corby
The John Robb-fronted post-punks return has been quite stunning, their 26 year break followed by their best-received album, Dark Matter/Dark Energy. Plus suitable punk and post-punk supports. Doors 7.30pm, £11.50 tickets

HAZEYJANE
Saturday November 2nd
HMV, Kettering
The local quartet bring their ambient folk sound to Kettering’s prime music retail outlet venue. 5pm, free entry

EVADE ESCAPE + RXPTRS + WHEN WE WAKE + THRIFT STREET
Sunday November 3rd
The Black Prince, Northampton
The co-headline alt-rock/metal tour descends onto ShoeTown, with support from those Bedford giants and NTown pop-punks. Going to be quite a night apparently, ticket sales are HIGH. Doors 7pm, £6 tickets

KENNETH J NASH + HUMBLEBEE
Sunday November 3rd
The Hare & Hounds, Great Addington
The Hare and Hounds has new landlords, and the Wildfire Sessions Acoustic Open Mic continues.  Host STEVIE JONES welcomes acoustic acts to come and open up proceedings. Doors 4pm, free entry

Y&T + ELECTRIC MARY
Tuesday November 5th
The Roadmender, Northampton
California hard rock band formed in 1974. Many of the biggest acts of the ’80s became popular opening for the powerhouse quartet. Y&T have sold over four million albums, and their hits are still played on VH1 Classic and Classic Rock radio stations worldwide. With the passing of Kennemore, Haze, and Alves, it’s Meniketti who carries on their legacy. Support from the Australian quintet. Doors 7pm, tickets £18.50

 

 

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New Music Friday: EarBones

EarBones are a heavy blues-rock duo based in and around Northampton, formed by guitarist/vocalist Arran Westlake and drummer Michael Mann. The guys dabble in dirty, gritty rock with a lively…

EarBones are a heavy blues-rock duo based in and around Northampton, formed by guitarist/vocalist Arran Westlake and drummer Michael Mann. The guys dabble in dirty, gritty rock with a lively disco-esque backbeat. After a while away they are back with new single ‘Well I’ve Been Here Before’, so time to get those New Boots questions in!

How did you guys get together?
We actually met on Joinmyband.com, and the first time we met in person was in a practise room at Audioworks. It all started from there really. We started writing in the first session, and it all spiralled from there. We base ourselves in Northampton as it’s the biggest town, plus we love AudioWorks and find ourselves more productive there.

How would you describe your sound?
We’ve always prided ourselves in being loud, once called “the loudest band to practise at Audioworks” by its owner Josh, but our main focus was to create music for people to move to. The guitars are thick, and the the drums are hard. It’s the way we’ve always liked it and comes from a range of influences in both of our musical backgrounds.

Who are your main influences do you think?
Initially the main influence behind starting the band was Death From Above; we absolutely love those guys and they played a huge part in our formation, but our influences are far wider spread. Queens of the Stone Age, The Beatles, The White Stripes, T. Rex, Bowie, all of them have played a huge part in our sound and style. We could list bands all day!

What was the reaction like to your debut, the ‘Key’ EP in 2017?
The Key EP was a way for us to have our music available elsewhere as soon as we started playing shows. I suppose it didn’t garner the support we’d have loved, but looking back it was still us finding our feet. We hadn’t even played a show when we recorded the tracks. We still love it dearly though, and still play all four tracks live, although some of them slightly grown up versions as time has gone on.

Tell us about this new single.
‘Well I’ve Been Here Before’ started out with just the main riff a few months back whilst I was noodling around on my guitar. EarBones was on a break, and when we got back together for the first time in eight months I [Arran] showed Mike the riff and we knew we had to run with it. We wrote 90% of the song there and then, and decided we should record it to coincide with us getting back on the scene. A while back, my friend and pedal builder, Steve Weston of Raygun FX had told me that when we were ready to release something, we could do so under his label, Instereo Records. I got chatting to him about us looking to record and he offered to record the track for us at his space in Southend-On-Sea. We snapped up the opportunity and headed down with one of my best friends, and our unofficial third member Oli who photographed the session for us. We actually finished the track in four hours. It got released on cassette for Cassette Store Day, which was something we never thought we’d ever say. We have a couple of copies left and they’re only going to be available at our shows, so make sure you get down if you want one.

What are your live shows like?
As mentioned before, we like it loud! There’s a running joke that I’m told to turn down my amps at every single show we play. We used to have such a focus on what you heard recorded is what we sounded like live, but we purposely strayed from that, and made a conscious effort whilst recording the new single to have it sound how we wanted, not necessarily what we could replicate live. Instead we focus on giving it more energy, and making it heavier live, to provide a better experience for those in the audience.

Are you part of a wider scene in Northamptonshire, playing with like-minded bands?
We’ve actually found it a little harder to conquer Northants, as we’ve struggled to find bands that fit our style, and venues who’ll give us opportunities. Don’t get me wrong there are some amazing bands and venues here, we’ve had the privilege of playing a couple and we’d love to play locally more. We’re hoping this new single and change of direction will open up better support opportunities as we widen our sound, as we really do love the home crowd. Anyone reading this who needs a support act, or a band for a slot at a venue, hit us up!

What has been your favourite band moment of the past year?
Other than releasing our new single, we played a venue in London the other week called the Lady Hamilton. We were the first band ever to play in the venue as they’ve only just got their live music license. It was pretty cool – apparently it used to be a brothel, which is always odd, but it was cool to be a part of the first live music event in the venue and to be the first band to ever play there was just awesome. We also got to play Woodfest two days in a row due a band pulling out: we absolutely love playing outdoors so it was a great moment for us. And finally working on the new music we’ve got coming up. We’re so happy with ‘Well I’ve Been Here Before’, and we’ve also been working on a couple of new tracks called ‘Lavender’ and ‘The End’ which we cannot wait to play live and record soon.

What was the last album you bought/streamed?
Foals – Everything Not Saved Will Be Lost Pt. 2 – and my god what an album it is. Absolutely loving it, ‘Like Lightening is a belter and I cannot wait to see them live again next year. Highly recommend it to anyone who hasn’t already listened.

What is your burning desire for the band to do in the future? What plans do you have?
We’d love to play some more outdoor events, we absolutely loved playing Woodfest earlier this year and the atmosphere of a festival really fuels us on stage. One day we’d love the be in the position to tour, and maybe headline some smaller venues. We really want to push ourselves and grow our audience and fanbase. We’d be lying if we said the dream wasn’t to play Reading though, we’re not bothered what stage or time, but Reading was the first festival I ever went to, so it holds a special place for me. Generic, I know but I love the vibe there.

Well I’ve Been Here Before is out now via the usual digital sources. The Cassette Store Day release is available via the Bandcamp link below.

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It’s A Shoe In: Northants gig guide Oct 23rd – Oct 29th

REV REV REV + 72% Thursday October 24th The Garibaldi Hotel, Northampton Named as ‘One of Europe’s finest shoegazer bands of the last decade’, the Italian quartet have just released…

REV REV REV + 72%
Thursday October 24th
The Garibaldi Hotel, Northampton
Named as ‘One of Europe’s finest shoegazer bands of the last decade’, the Italian quartet have just released their new album Kykeon on Fuzz Club Records, produced by James Aparicio [Spiritualized, Cult Of Dom Keller, Dead Vibrations]. They have been played on BBC 6 Music [Steve Lamacq, Radcliffe and Maconie]. Support from the local noiseniks, playing tracks off their stellar new album. Just go along and have your mind blown, ok? Doors 8pm, free entry 

CTRL ALT FEST DELETE
Thursday October 24th – Sunday October 27th
The Shire Horse + The Three Cocks Inn, Kettering
The annual alternative local music festival. You get The Abrahams, Black Carrot, Aviators, James Watt and the Avenues, Midnight Dogs, G & the Sound Tribe, Veins, Family of Noise, and Boss Caine [Fri], Brandy Thieves, My Mate Dave, Midnight Honey Club, Boss Caine, Aldous Pinch, and Rob Reeves, Karl Phillips & the Rejects, Leave Nothing, Aviators, Brace Brace, Waves, and Tu-Kay & Ryan [Sat], The Touch, Humblebee, Solarise, Multimorph, Jacob Brathwaite, Alex Gardner, Oddity Island, Howlin’Mat, Clifftop Empire, Markus Reeves Brotherhood, and Slow Burn [Sun]. Raising funds and awareness for Johnny’s Happy Place. All events free entry

JEANA + WEEPING WILLOWS + EUFLORIA
Friday October 25th
The Garibaldi Hotel, Northampton
Bedford’s Jeana [pronounced Jen-Nae] and her RnB slow jams are coming to her adopted hometown. Her new single ‘Nameless’, much like the previous one, was produced by Jay Brook [Ginger Snaps], who also plays in her live band, as does ShoeTown musical movers Josh Greene and Dan Battison. Support from ethereal folk-rockers and a band described as “experimental grunge with post hardcore tones”. Doors 7.30pm, free entry

BIG COUNTRY
Friday October 25th
The Roadmender, Northampton
“Return To Steeltown” 35th Anniversary Tour. Steeltown was their second album, with production from Steve Lillywhite. Regarded by many as a classic, the multi-million selling album went straight to the #1 slot in the album charts. Big Country will be performing songs from the album, as well as the classic hits and live favourites, including ‘Fields of Fire’, ‘In A Big Country’, ‘Chance’, ‘Wonderland’, ‘Look Away’ and more. Doors 7pm, £22.50 tickets

DANSMALL
Friday October 25th
The Pomfret Arms, Northampton
Dan Plews [Jon Boden, Saul Rose, Eliza Carthy, Ian Giles[ and Guy Fletcher [Tickled Pink, Little Johnny England, Albion Band, Ashley Hutchings] are two great singers who utilise guitar, bouzouki, mandolin and fiddle. Doors 8pm, free entry

HANNAH FAULKNER + TERRY SLADE + RAY BECK + CAMERON GRACE
Friday October 25th
The Old Swan, Earls Barton
Ni Ni Sessions acoustic singer-songwriter showcase. From 8.30pm, free entry

DEVIL’S CUT COMBO
Saturday October 26th
Vintage Retreat, Northampton
Rockin’ Kent combo playing 1950’s rock’n’roll and rhythm’n’blues. Doors 7pm, £10 tickets

LADY NADE + HANA BROOKS + JACOB BRATHWAITE
Saturday October 26th
The Lab, Northampton
Nade celebrates her new album ‘Safe Place’ with cards dealt from the decks of soul, jazz blues, roots and folk-pop, this Bristolian singer-songwriter fills your heart with words and melodies likened to a rich fusion of musical greats, bearing velvet tones of Joan Armarading and Nina Simone adding a heady, folk-jazz splash of John Martyn thrown in. Support from superlative NN singer-songwriters who are worthy of entrance fee alone. Doors 7.30pm, £6 tickets

KRÖKER + NO MUSIC + EX PETS
Saturday October 26th
The Garibaldi Hotel, Northampton
Northampton punks at The Gari, providing noise that won’t annoy. Doors 8pm, free entry

THE YELLOW DOG ACOUSTIC BLUES BAND
Saturday October 26th
Albion Brewery Bar, Northampton
The rhythm & blues band goes acoustic for one night only. Doors 8.30pm, free entry

HANNAH FAULKNER + ANT RICHARDS + TIM JON BROPHY + CAMERON GRACE
Saturday October 26th
The Melbourne Arms, Northampton 
Ni Ni Sessions acoustic singer-songwriter showcase. From 9pm, free entry

WAITING FOR WORDS + PEOPLE THEATRE + MYSELFSON
Sunday October 27th
The Black Prince, Northampton
Three live acts + a DJ from France, synthpop and industrial electro rock being the sounds to expect. Doors 5pm, £5 tickets

KEV MINNEY + STEPH BROWN + JACOB BRATHWAITE
Tuesday October 29th
The Pomfret Arms, Northampton
Minney and Brown return to Northampton to perform songs from their new albums; this time they’ll be bringing along a string quartet! Make the effort, it will be special. Doors 8pm, free entry

 

 

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New Music Friday: The Bighead

Northampton-based The Bighead ply a fine line in smooth old-school reggae with soulful vocals. Frontman Da Costa talks us through the band and their sparkling new single package, featuring lead…

Northampton-based The Bighead ply a fine line in smooth old-school reggae with soulful vocals. Frontman Da Costa talks us through the band and their sparkling new single package, featuring lead single ‘Hangover Cure’.
 
How did the band begin?
The band formed in 2010 with its original lineup. A line-up change in 2015 completely changed the band, whilst retaining a fusion of ska and roots reggae, first wave ska and 2 Tone influences. I originally worked with the Mad Professor in south London as a teenager playing bass.
 
You have a reggae sound with soulful vocals. Who do you feel are your main influences in music?
The main influences, I would say, are Delroy Wilson , The Clash, Black Uhuru, and The Beatles.
 
You released the Outlaw Verses album in 2013, is that your sole album, or is there a whole discography I’m missing?
There’s a second album, from 2016 and on ITunes, called This Is The Bighead.
 
Tell us about this single release, ‘Hangover Cure’.
‘Hangover cure’ is a stand alone single, in a traditional vinyl jukebox hit, influenced by 1965 ska and doo wop simplicity: think Smokey Robinson recording for 2 Tone in 1965. We are the missing gap between The Specials and the best beat. It’s about “boy meets girl and cheats on girl”.
 
What are your live shows like? Any fave towns/venues to play?
Favourite shows are probably Tommyhaus in Berlin, and the Northampton festivals around the county.
 
Do you identity with the Northamptonshire music scene at all?
We stand as unique to the Northampton scene, with most bands playing covers, though we love Kenneth Nash, Johnny Pike & The Red Stars, and Phantom Isle.
 
What has been your favourite band moment of the past year?
Well the favourite show was the Leicester Barefoot festival…
 
What was the last album you bought/streamed?
The Four Tops ‘greatest hits’, 1967, on vinyl
 
What is your burning desire for the band to do in the future? What plans do you have?
We are already living the dream after supporting Madness at The County Ground in 2013. Playing a big show in London would be cool and back to the 100 club is our target. Then more vinyl and acoustic dates are our next concern doing the record store tour.
 
‘Hangover Cure’ is out now digitally. A vinyl/cd pack is £10 through Black Circle Records, and at the bands shows. They also play record shop in-stores: Sat 2nd Nov at Black Circle [Leighton Buzzard] and Sat 23rd Nov at Soul Trader [Brixton, London]. More of those to follow too.
 

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It’s A Shoe In: Northants gig guide Oct 16th – Oct 22nd

CLEM BURKE & BOOTLEG BLONDIE Wednesday October 16th The Roadmender, Northampton A living legend in the house. Blondie drummer joins the band to play the whole of Parallel Lines and…

CLEM BURKE & BOOTLEG BLONDIE
Wednesday October 16th
The Roadmender, Northampton
A living legend in the house. Blondie drummer joins the band to play the whole of Parallel Lines and more. Doors 7.30pm, £18 tickets

INGLORIOUS + LOKI
Thursday October 17th
The Roadmender, Northampton
Hard rock London fivesome: big guitar riffs and soulful vocals a go-go, on the campaign trail promoting their latest album Road To Nowhere, with local rockers in support. Doors 7pm, £15 tickets

THE DEATH ALLEY DRIVERS + JONO & THE UKE DEALERS + CASSINI CIRCLES + KENNETH J NASH + KATIE PATON
Friday October 18th
The Lamplighter, Northampton
A quintet of ShoeTown musical favourites on offer; rock, folk and electronic sounds all served up, and there’s no doubt you need to there for it. Doors 7pm, free entry

LAY IT DOWN
Friday October 18th
The Lab, Northampton
The urban music / spoken word open mic night this month features Smiley, Reality, and loads more. Doors 8pm, free entry

LIFT TOWER PRESENTS
Saturday October 19th
The Garibaldi Hotel, Northampton
The second instalment of Lift Tower Presents – seven bands over two stages, plus DJs. Upstairs you have Lift Tower, Big Loss, and Sad Drone. In the basement you can experience Sharkteeth Grinder, Nailbreaker, Brazen Foxes, and Dan Church.

HUE & CRY
Saturday October 19th
The Roadmender, Northampton
Stripped Bitter Suite 30th anniversary show. Brothers Patrick and Gregory Kane formed Hue and Cry in 1983 and the duo made a huge impact in the late 80’s with the albums ‘Seduced and Abandoned’ and ‘Remote’, as well as massive hit singles such as ‘Labour of Love’ – and now have sold in excess of two million records worldwide. Doors 7.30pm, £18 tickets

THE VINCENT VEGA BAND
Saturday October 19th
The Black Prince, Northampton
A night of original music with one of the country’s oldest boy bands. Expect lo-fi widescreen loveliness [think Richard Hawley, XTC, The Wedding Present]. Doors 8pm, free entry

DAN WYLLIE QUARTET, feat. NICO WIDDOWSON
Sunday October 20th
The Pomfret Arms, Northampton
Contemporary jazz from Shoe Town’s finest. Doors 7pm, free entry
 
THE SELECTER + DJ RHODA DAKAR
Tuesday October 22nd
The Roadmender, Northampton
The one-time Two-Tone troupe head on tour in 2019 to celebrate their 40-year career. Support from DJ Rhoda Dakar. Doors 7pm, £25 tickets
 
JONAH MATRANGA + DAMN CARGO +ROB REEVES
Tuesday October 22nd
The Three Cocks Inn, Kettering
The former Far and new End Original frontman kicks of the UK leg of his ‘Halfway to a Hundred’ tour in K-Town. “50 Songs For 50 Years” is the theme. Derbyshire alt-rock band and local singer-songwriter in support. Doors 7.30pm, £9 tickets

 

 

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New Music Friday: ghostofblu

Northampton-born ghostofblu is making everyone sit up and take notice with his digital hardcore. With the SPECTRE EP now out New Boots had to go find out more behind the…

Northampton-born ghostofblu is making everyone sit up and take notice with his digital hardcore. With the SPECTRE EP now out New Boots had to go find out more behind the enigma.

Can you tell us how/when/why this project started?
I’d played guitar in local bands for about 4/5 years prior to all this and always enjoyed performing live shows. I’m sure it was some time in late 2016 where my best friend Ronan showed me this sick music video he found scrolling through his Facebook one night, which was actually Paris by $uicideboy$. After that we slowly started becoming obsessed with them and were soon to discover the likes of Ghostemane, Pouya, Keith Ape and so so many more artists which was kind of weird for me as I’d never really been that interested in a whole lot of rap music prior to all this.
Admittedly I probably thought it looked cooler than I thought it sounded at the time but that was soon to quickly change. I then started delving into the lyrical content of a lot of these rappers and realised it was more my kind of thing; It wasn’t all about the drugs, money, gangs and whatever else you would stereotype rap to be, which was the point where I felt most inspired. So I started trying to make crappy trap beats on a cracked copy of FL, just experimented with sounds and getting used to hearing my own voice a lot more attempting to rap about anything that was on my mind. Very shortly after I decided to make it into the what became the first phase of this project called “blu boy”.

Was there a “eureka” moment that opened up a door inside of you to be able to do this?
Not exactly. Shortly after doing the rap thing and releasing a few (dead) songs I had the idea of maybe trying to add some screaming on a track or something which happened to be around the time I started talking to a new friend from Las Vegas called “goth” who I believe I met through Soundcloud. We ended up releasing a pretty angry song together called ‘Not That Easy’, which is still on the original blu boy Soundcloud page now. That song got me a little bit of traction thanks to goth, and I think that’s where I ended up getting my first 20 or so followers on Soundcloud. Shortly after that when I renamed to ghostofblu, goth and I went even harder on another collaborative track, I went full throttle with higher pitched screaming and people seemed to love it! I think that was the moment where I thought “I like where this is going and I’m enjoying it. Let’s see what happens.”

You’ve been prolific since 2017. Are the ideas just tumbling out of you?
Thanks to the producers and other artists I’ve made friends with and have been fortunate enough to work with over the past couple of years, I feel inspired more often than not nowadays which was something I struggled with in bands and projects in the past. I don’t release new music as often as I’d like to but there are often plenty of ideas floating around. I’ve recently started learning to plan ahead a lot more which is helping me remain consistent, and maintain a clearer vision of where I want to go next with things.

What’s the general reaction like to your releases? You have a lot of people listening in, I can imagine your social media is lit up all the time, especially as the music feels so personal.
I’m both very lucky and thankful to be such a tiny artist but have such an awesome, dedicated fanbase. As of late I only seem to be releasing one new track each month whereas a lot of friends and other artists are putting out a good few songs a month, sometimes even a week. But the people that listen to me are always patient and appreciate new music when it does happen. I like to spend a lot of my social media time on Instagram because I feel it’s a lot more personal than other platforms, and it’s easier to stay in contact with friends and fans I feel.

Tell us everything about this new EP, SPECTRE. Where do you hook up with all these different producers – do you fileshare back and forth?
So I’d been toying with the idea of an album for about a year at this point, but every time I finished up a song I had a habit of releasing it a soon as possible which to be fair hasn’t gone against me in any way. But I was working on my debut album [which to some of my fans is common knowledge] called Phantom Season, but because I kept releasing tracks I ended up with a few remaining songs that I just couldn’t work out how to perfect. So rather than trickling them out as singles all the time I thought I should at least release a few at the same time as an EP or something, so here we are. SPECTRE is comprised of 5 tracks all with strong meanings to them. From kids with no manners to my Father having Alzheimer’s Disease and how it frustrates me at times. Like I have already mentioned I’m very fortunate to have the people around me that I do. People that want to work with me and reach out to me, often first, which is incredible. I’ve got to know a lot of great people and will continue to work with these producers. How it generally works for me is I’ll end up chatting with somebody on Twitter or Instagram or something and they’ll send me over a .wav file beat to see what I think to a beat, or collection of beats. I’ll then stick that in the production software that I use an record some vocals on top and mix them in and it’s as simple as that really. I will never take full credit for the tracks I’ve released, and I will always preach that producers do in most cases more work than the performer. So I like to share whatever success comes from anything that is released by ghostofblu.

You’ve started on some live shows. What are they like?
Live shows are interesting really, I’ve had great local support and people turn up to my sets who know my songs, know the words, jump about and have a good time which is all I could really ask for. But I’ve noticed and appreciate it’s still a bit alien to some, as I always find myself on rock/metal shows which suits me fine. But as the scene grows I can see more people like myself on these kind of shows. Whatever the weather I just enjoy playing and moving like I think I can dance, and having the freedom to do as I please. I’ve already got some many songs to choose from when it comes to live shows. I’m in the process of branching out, playing a bit further away from Northampton and will be pushing to play overseas come 2020.

Are you part of a scene in Northamptonshire? Any favourite acts your wanna give a shout out to?
Sadly not as much as I’d like to be. I’m Northampton born and bred, however I live up in Yorkshire now. I’ll take any opportunity that arises to come down, see my friends and play some music but I suppose I’m not as affiliated as I could be in the N-Town music scene in general. I will always support my friends and bands coming out of our town, but I can’t always show the physical support as much as I’d like to.
I would like to shout out a couple of people actually. I owe a lot to Sharkteeth Grinder, who have put me on most of the shows I’ve played up until now and they are CONSTANTLY on the grind, making some mad music. Tragic are good friends of mine, who again are constantly pushing themselves. Though relatively new, they’ve made a name for themselves around town already. Nailbreaker is pretty much a one band band as well like myself, I’m inspired by his confidence and “no fucks given” attitude – especially when he’s up on stage on his own. Finally my old band/best friends band CROW, who are making moves towards releasing their debut EP and set to play some sick shows this year.

What was the last album you bought/streamed?
I’ve been obsessed with Loathe’s latest release(s) “Gored / New Faces in the Dark” – truly incredible metal songs. Loathe are constantly pushing the boat out with their new music and their imagery/vibe is unmatched by any other band I know. So check those guys out if you haven’t already.

What is your burning desire to do in the future? What plans do you have?
The dream is fairly simple for me. I want to keep pushing everything I’m doing now to a point where I can just make enough to not have to work a full-time job. I know that’s what everybody might want, but I’m confident I can make it work. Like I said I’ll be playing more shows overseas next year, and want to be able to reach more and more people, make more great music and have a fucking blast on the way. For now, I’ll continue to release new songs, work on my album and see what happens. The whole money thing doesn’t bother me if it doesn’t end up working out like that because I understand what a difficult industry music is nowadays. Especially given the fact it’s absolutely monolithic and it’s so easy to fall off at any given moment. The sole purpose of all this is my enjoyment, if I stop enjoying it then that’s where it stops.

SPECTRE is out now via the usual digital platforms

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