Category: Feature

New Music Friday: L30 Robinson

L30 Robinson is a young Northampton-based tongue-in-cheek rapper who began releasing music in 2014, regularly collaborating with long-term friend and DJ Charlie Borthwick [aka CB]. In 2017 he released his first…

L30 Robinson is a young Northampton-based tongue-in-cheek rapper who began releasing music in 2014, regularly collaborating with long-term friend and DJ Charlie Borthwick [aka CB]. In 2017 he released his first studio album Wish U Were Here. He’s just dropped another of his masterful efforts, ‘3’7 – Size Don’t Matter’. New Boots chose the occasion to have a few words.

When did you start rapping, and when did you first take it out of your bedroom into the world?
Attending Weston Favell and having supply teachers was a regular occurrence, and one of the supplies used to play songs in his classes to get the kids on board and make him seem cool. I always tried to freestyle over the instrumental sections of the songs. Then when Charlie moved to my school in about 2011 he heard me in one of those lessons and said “yo I’ve just started making beats you should make a song with one” so I did and it all began there. I used his beat for a YouTube video shot in my bedroom then started making and uploading like 2-3 vids a week.

What were those crucial early influences that made you think, “this is for me”?
As a beginner I always struggled with flow, but I compared myself to rappers my level and I didn’t sound like any of them lyrically. I was always more mature with my lyrics and then people who watched me generally had the same feeling. I remember after a year or so I was shooting a freestyle for a media channel called SoSoBlessed and the cameraman Tera D said “Leo your flow needs work but your lyrics are crazy” and that’s really stuck with me to this day.

How would you describe your sound?
Straight to the point, lyrical storytelling.

What was the reaction like to last year’s Wish U Were Here album?
The feedback was really positive, but I think I came across way too dense. There’s one feature in the first song so it’s all me and it’s got like 18 tracks. I would’ve been better off staggering it into four EPs or something, but you live and you learn and it just means I’ve got 20 sick songs on Spotify.

Tell us everything about this new song, “3’7 – Size Don’t Matter”.
The song follows no direct story, it’s just one liners. The beat was made by Bak Beats [check him out on YouTube] and when I heard it I was just drawn into being aggressive with the lyrics but in a playful way as to not come across too harsh. For instance “Mistaken identity/Are you p*****?/That guy’s white and 6’6” is actually a true story about how Charlie got beat up in a nightclub in Kettering and the bouncers walked straight past the guy who did it, threw me out, then the police arrested me – only to release me later on. Chaos.

How do you approach your live performances? Faithful recreations your thing, or do you improvise?
We rehearse our sets. I always change the song order and try to add something different to each show. At NMF 2016 me and Charlie finished our set with a screeching flat line sound playing and walked down the road for a beer leaving everyone confused about what was going on.

Do you feel part of a wider scene in Northampton? Any favourite acts or venues?
I feel more connected with the local bands that any rap scene, although Lay it down is changing that. Shout out to Leon Denton he’s working hard to form a rap scene. I don’t wanna start naming acts then forget someone but I’ll give you this: when me and Charlie won Northampton’s Best Young Musical act in 2016 at the Roadmender that was special, not just to win it but I’m the only rapper to ever win it. As a rapper I was already at a disadvantage because people would put me in a box and say “it’s not hard”, as I wasn’t playing an instrument, yet some of the bands they were supporting played a couple covers standing still with no stage presence whatsoever – not exactly difficult.

You were recently on ITV2 show ‘Don’t Hate The Playaz’. Tell us about that.
That was hooked up by Leon from Lay It Down. He was contacted by ITV and he passed on some details to me. They liked my material and it all went from there. It’s an amazing thing to see of course, but normal people are on TV everyday. I’m just glad I took my opportunity, but I’m hungry for more.

What was the last album you bought/streamed?
Jay Rock – Redemption. Awesome album, literally complete. It’s got hits, deep songs; it makes you want him to win. Jay Rock is so underrated.

What is your burning desire to do in the future? What plans do you have for 2019?
I need to perform more out of town. I’m thinking if I can bag like two shows a month then I’ll be happy with that. The music I’ve got stored will take care of me online, so I now want to make a more physical reach out.

 

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New Music Friday: Jasmine Burns

She lives on a narrowboat that travels back and forth between Northants and Bucks. She creates bluesy Americana. She has a fabulous new EP out. She is Jasmine Burns, and…

She lives on a narrowboat that travels back and forth between Northants and Bucks. She creates bluesy Americana. She has a fabulous new EP out. She is Jasmine Burns, and New Boots had a chat with her.

How did you get into music, and then begin to play an instrument and write?
I grew up in a family where no one was a musician or could sing, but my folks were lovers of music. From a very young age I could hold a tune. I vividly remember my Mum playing Blondie and David Bowie tapes in the car and I would sing along on the way to nursery. During primary school I took trumpet lessons, which I absolutely hated at the time. But there was a fellow student that could play guitar and I was instantly inspired. I begged my folks to pay for tuition, but they could only afford to buy me a guitar. So I took it upon myself and took out a book from the local library and sat down each afternoon after school and practiced simple chords until I could just about play a song. I still have said book at home! I’m scared that a librarian is going to find me one day at one of my upcoming gigs with a massive fine! From practicing simple chords I started learning favourite songs, and soon enough wrote my first song at the age of 13. It was god awful, but you’ve got to start somewhere.

How would you describe your sound?
My sounds is very much a mixture of a lot of genres. I take inspiration from a lot of sources, and not only music that is similar to what I write. I really struggle to put myself into that one box. My material varies so much from something that is distinctly country, to other songs that would be considered bluegrass or Americana. But, I feel I’ve really churned them all up and put my own stamp on it. My sound is sassy and strong. 
 
Who are your main influences in music?
My influences have changed so much throughout the years. In the early days of my writing I would listen to a lot of Fleetwood Mac, The Eagles and Neil Young. Recently, I have been heavily influenced by a lot of early blues artists, such as Otis Rush and Son House. But, most notably, Shakey Graves has been my main source of inspiration over the last four years. I’ll be seeing Shakey Graves on the November 13th at KOKO in Camden.
 
You live on a narrowboat – how does that effect your creativity?
A lot of my songs are based around my life and thoughts, so occasionally living on a narrowboat will come up in the subject of my songs. But I wouldn’t say its affected the style of my writing. I do a lot of other creative things, such as painting, sewing and crocheting, which are influenced by traditional canal culture. Music has always remained sort of separate. But I suppose there must be some kind of relationship, as boating is part of me, as is writing songs. 
 
Tell us everything about this new EP, Homesick.
My new EP came about when my local venue asked me if I wanted to put on an event with me as the headline. I jokingly said, “why don’t we make it an EP launch?”. At that point some of the songs weren’t even written, let alone recorded. Hah! But that’s how it all got started. I decided right there and then to release this new EP. Two years ago  I released a live EP that was really well received. So I figured, what the hell? It’s bluesy and it’s gritty. With a few tearjerkers thrown in for good measure. The EP is somewhat of a concept, in that all the songs reference the word Home. Everything that has gone towards making this EP has come out of my own pocket. It has all been recorded by myself on my Laptop using Garageband. The majority of it was recorded at home on my humble little narrowboat, and in my friend Craig’s living room. Featuring on the EP is Craig Stoker and John Cadden-Lawrence from local Northampton band Mojo Mules. They brought a really great energy to the record.
 
What are your live shows like?
I would say that my live shows are a space for people to have a good time and dance around. A lot of my songs reference a lot of life’s troubles. So I’d like to think it’s a space for us all to relate to one another. 
 
Are you part of a wider scene in Northamptonshire/Buckinghamshire? Any favourite acts/venues?
I have been frequenting a local open mic night called The Sunset Lounge, in Newport Pagnell, for the last three years now. It’s an incredible space for all musicians to showcase their music and themselves. The room always has a great vibe and welcoming feel. The guys that run the night have made me feel like a part of the family these last few years. I wouldn’t hesitate to say its my favourite music night or venue out there at the moment. Every Thursday at the back of The Cannon in Newport Pagnell. Be sure to check it out on Facebook for weekend events too.
 
What has been your favourite moment of the past year?
I’m going to have to say the process of making the new EP. I really threw myself into the deep end with that one. It was so much fun, but a real learning curve. One thing that I’ve really taken away from this situation is that it’s OK to ask for help.
 
What was the last album you bought/streamed?
I have been listening to Songs Of The Plains by Colter Wall a lot lately, and revisiting his back catalogue. His voice to me is so soothing. It’s like a warm coat on a winters day.
 
What is your burning desire to do in the future? What plans do you have?
I’m the sort of person that it’s all or nothing. So the plan is to just keep going. Keep pushing the EP and keep fighting the good fight. Oh, but if anyone can help me make it happen, I’d love to play some small stages at big named festivals in 2019.
 
 
 

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Interview: Heaven 17

Heaven 17 begin a ten-date UK tour this week with a sold-out show at Northampton’s Roadmender, performing their celebrated and acclaimed 1983 album The Luxury Gap. To mark the occasion Noel…

Heaven 17 begin a ten-date UK tour this week with a sold-out show at Northampton’s Roadmender, performing their celebrated and acclaimed 1983 album The Luxury Gap. To mark the occasion Noel Draper spoke to founder Martyn Ware about his past and present.

How did you and Glenn first meet?
We met at an arts workshop that was created by the Labour council in Sheffield called Meatwhistle, and it was an opportunity to meet a lot of different people from different backgrounds who were interested in being creative. I was introduced to this by an old friend called Paul Bower, who was responsible for sending our original demo of ‘Being Boiled’ to Fast Records. We were both trainee managers at the Co-Op, and through Meatwhistle I met Glenn. We were kindred spirits from the off. I found out later that the Co-Op job, that I had left 6 months previously, Glenn had taken. How weird was that?

Is it true that Glenn was supposed to be the original singer for The Human League?
Yes. It was bad timing really. Just before we were forming The Human League he had decided to go to London to seek his fame and fortune as a photographer/musician. He was the natural choice as he was full of charisma but as he wasn’t around, and we couldn’t ask him to come back up to Sheffield as he had only just settled in, we asked my best mate from school, Philip Oakey, I heard he could sing a bit, he looked great and to be honest he always looked and acted like a rock star so that’s how we formed.

How do you get on with The Human League/Philip Oakey now, considering you had quite a well publicised split ?
We see each other once or twice a year now, It’s always nice to see them. We live in London now and he lives in Sheffield, he’s quite a private person, but it’s nice to see him when we do meet up.

Where did the name Heaven 17 come from?
From the film A Clockwork Orange. When Alex walks into the record store on the wall is a chart with ‘The Heaven Seventeen’ on it. It’s actually mentioned in the book as well, which was written in 1960 and, according to Anthony Burgess, about a time around 20 years in the future which was the time we formed Heaven 17. Kind of a poetic self-fulfilling prophecy.

Did you want an unusual name?
I just loved that name. In the charts on that wall were names like ‘The Sparks’, ‘Johnny Zhivago’ and ‘Goggly Gogol’, all sorts of weird names, and that was favourite film at the time, it probably still is my favourite film actually, and I just really liked the name. Not the ‘Heaven Seventeen’ but ‘Heaven’ and then the numbers, ’17’. To me it sounded like a really obvious pop group name, cheesy, but the content had a bit more edge to it. I quite liked that dichotomy.

What made you decide to use synths and not guitars?
I was always obsessed with electronic music from an early age. I was always fascinated with anything that sounded futuristic. My sisters are a lot older than me, and had a big record collection, and I was always keeping a look out for things like the theremin in ‘Good Vibrations’ or ‘Sparky’s Magic Piano’ and anything that sounded like the future. It might have been because we were used to hearing industrial sounds in Sheffield growing up.

Why did you make the decision not to tour in the 1980s?
It was a conscious decision on our part. We had toured extensively with The Human League, and it cost us a lot of money, not directly but through the record company and we were living on advances from them. It just seemed that we were getting further and further in debt, so when we started Heaven 17 we decided to just make videos. It was near the start of MTV, so we could service every territory individually and spend good money on expensive videos. We didn’t tour live until 1995 but we did do TV shows and live television, stuff like that, but not proper live concerts.

What is the favourite song you have written?
‘Let Me Go’. It’s the best song we have written. Both myself and Glenn agree. It’s something about the melodic structure of the song, the vocal harmonies, the melody, the funkiness of it, it’s also got a haunting chord to it. I honestly believe that the greatest songs that have the most emotional impact are the ones that sit on the edge between major to minor. Is it a happy song, is it a sad song, you are never quite sure. It gives it poignancy. You can take that song and play it on guitar, piano or acapella and it still sounds fantastic and I don’t think you can say that about any of our other songs.

You are probably best known for the song ‘Temptation’. Does this annoy you, considering your other output?
No. There have been several “Greatest Songs of the 80’s” compilations and we always seem to crop up in there with ‘Temptation’ which I find incredibly flattering. We always try to make a song timeless. Being able to use a big orchestra means you quite can’t pin it down when it was made, and you could probably re-release that song with a few tweaks and it would be a hit.

Who were your musical influences growing up?
Too many to mention but definitely Bowie, Roxy Music, Georgio Moroder and then all the German experimental pop bands like Can, Amon Duul, a lot of prog rock, loved King Crimson, ELP, all sorts of amazing stuff.

Who excites you today musically?
There’s quite a lot of exciting hip-hop I like and there’s a few bands that I’m quite fond of, like Everything Everything. I also like Frank Ocean and D’Angelo.

Do you think that with a lot of today’s music being drip-fed cheese pop that you have to go and find good music yourself?
Yes, although I don’t think that’s a bad thing. I am completely anti-Spotify but I use it all the time: it’s a great thing for research, and I know that makes me a hypocrite. I like finding new music and music is just as good if not better these days. The trouble is, when we were growing up you only had a few channels of TV or radio and so everyone was listening or watching similar sort of things. Out of a class of 30 you knew that probably 23 of them saw Top of the Pops the night before, for instance, but now everyone listens to their own stuff. It’s very hard to create a common purpose, like the punk movement, as it’s hard to get a critical mass these days, which is what the whole of popular music was based on, right up until the early 1990s. You built up a head of steam, released a record and then were catapulted into the charts. That model doesn’t work any more. Britain has always been historically very good at creating new scenes quickly because it’s a densely populated small island where ideas spread quickly, but that has been dissipated by the new technologies. 90% of the people that you and I love musically are struggling to make a living in the music industry now.

Who have been your favourite people to work with?
Firstly the Phoenix Horns who are the Earth, Wind and Fire’s horn section. We used them on the ‘Luxury Gap’ and ‘How Men Are’ and they were just phenomenal, the best horn section I have, and will ever, work with. Secondly Tina Turner, she was the ultimate professional, her performance on ‘Let’s Stay Together’ was all first take. Then Terence Trent Darby, he was just an incredibly talented guy at the peak of his powers.

Are you still in contact with Ian Craig Marsh and is he still never working again with Heaven 17?
Ian is doing his own thing, and that’s it. He’s not spoken to us for years, we still have the same phone numbers, email etc., but we’ve haven’t heard anything from him. We still care about him, we know he’s OK, he’s just doing what he does.

heaven17.com

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New Music Friday: The Touch

Kettering rockers The Touch today release their second EP, entitled ‘Runaway’. The launch show has sold out, and the band are really making a name for themselves as a hot…

Kettering rockers The Touch today release their second EP, entitled ‘Runaway’. The launch show has sold out, and the band are really making a name for themselves as a hot live draw. Naturally New Boots needed to get some nitty gritty on them.

How did you guys get together?
We got together in January 2017, originally just a group of mates, when Ryan [bass] and Jamie [vocals] started writing songs. They roped in Andy and Matt [both guitar], and then all we needed was a drummer. Having worked with Dave previously we got in touch, and everything went from there.

How would you describe your sound?
Our sound is combination of ’80s influenced rock/pop/punk, incorporated with a modern tone and powerful vocal melodies.

Who do you feel are your main influences?
Each member has different influences which have contributed to our sound. Jamie is really into 80 cheesy rock; Matt has a bizarre combination of Shania Twain and Status Quo; Ryan is really into his pop-punk; Andy has heavier influences such as Audioslave and Alter Bridge, and Dave is into his classic rock. All these components have allowed to form what we believe to be an original tone amongst modern bands.

Tell us about this new EP, ‘Runaway’.
This new EP is rockier than our first, featured some of our best songs to date including our title track ‘Runaway Baby’ – which is guaranteed to get the crowd dancing and singing.

What are your live shows like?
Our live shows are what can only be described as bonkers. We have numerous lights and even a song to get the crowd involved. We have been noticed by the fact that our show interacts the crowd in a very different way to other bands.

Are you part of a wider scene in Northamptonshire, playing with like-minded bands? Any favourite bands/venues to play with?
We have played in the likes of Northampton, Brackley and Milton Keynes. MK11 especially is a phenomenal venue, and we would really like to spread further. At the moment we are working a lot with local band Wishing Wolf, and we have previously done work with close friends of ours Empyre.

What has been your favourite band moment of the past year?
That would have to be Rocked Up Hootenanny and our military base gigs, which have been especially fun to get involved with and a great experience for us.

What is your burning desire for the band to do in the future? What plans do you have?
The band wishes to expand but remain loyal to fans and keep our interactive performance. We would like to branch out into cities and playing larger festivals as our next step, and then who knows where it might take us. We believe we are doing something that is different to other bands, and we have a fair bit of success catching the attention of people, due to us almost being in a genre of our own.

Runaway is out now via the usual digital platforms

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New Music Friday: Born Stranger

The dark electronic pop made by Northampton man David Maddox Jones is better known as Born Stranger. The former frontman of noughties post-punkers The Departure has been busy refining the Born…

The dark electronic pop made by Northampton man David Maddox Jones is better known as Born Stranger. The former frontman of noughties post-punkers The Departure has been busy refining the Born Stranger sound over a series of singles, the latest of which is the undeniably catchy ‘Last Night On Earth’. New Boots asked a few questions about the project and single.

After the dissolution of The Departure you started NewIslands in London, before settling into Born Stranger. How did the final transition to Born Stranger come about?
Hi there! Well, when Newislands disbanded it was clear that me and Raife, the drummer in Newislands didn’t want to stop making music together. It was around the time that Hurts were coming out as a two piece and I think it inspired us to go it as a duo rather than having a conventional band set-up. Me and Raife worked together for 10 years [including his time in Newislands], and it was only the start of this year when Born Stranger became my solo project. Raife is pursuing more of a DJ/producer path with his partner Kelda.

Obviously the music stylings shifted, to this more Bastille-meets-Depeche Mode synth-pop thing. Was it an easy, natural shift?
I’ve always loved dark pop, particularly 1980s pop: stuff like Duran Duran, Chic, to more darker bands such as The Cure, Echo & The Bunnymen, etc. So I guess the sound became more streamlined and focused when there were less people involved in the music.

Who are the main influences on Born Stranger, do you think?
A big influence is music I’ve never heard before. I love hearing a new song or band or artist, that’s what excites me. I remember hearing The Weeknd ‘Can’t Feel My Face’ and then writing a Born Stranger song straight after. I like spontaneity in creativity and also to constantly be moving forward.

The last three years has been a continuous release of singles. Do you beaver away in the studio and simply release another when it’s ready? Has the positive reaction of each driven you onto the next one?
Yes. Although we did have a batch of songs ready with Yoad Nevo before we released our first single – maybe 20 songs – but in between singles we actually ended up writing new ones that would become the next single. We have had some cool collaborations – Caitlyn Scarlett, Vivienne Chi, Louise Setara – that have all added their own vibe onto some of our singles.

Tell us everything about this newest one, ‘Last Night On Earth’.
‘Last Night on Earth’ was written around a friend of mines house who sadly isn’t with us anymore. The world has lost a few amazing people recently that were seemingly happy on the surface but battled with depression on the inside. ‘Last Night on Earth’ is about living in the moment, being there for each other and celebrating humanity. We used to work with this French producer who was Yoad Nevos’ assistant called Anthony Chivers. He came up with the original beat and guitars and we wrote the melody over it. It has evolved over time and I am buzzing with how its turned out.

Do you keep one eye on the Northamptonshire scene?
I still live in Northampton, though I’ve just finished a season in Cyprus [but I am moving back, at least for a few months]. I don’t really know whats going on in the scene, is there a healthy local scene? I know Billy Lockett is doing well and Danny Connors and Adam Gammage with Tom Grennan are smashing it. I would be interested to see some of the new local bands for sure.

What has been your favourite Born Stranger moment so far?
Hearing a new tune finished for the first time is the best feeling.

What was the last album and single you bought/streamed?
Probably something by Drake or Khalid. I’ve been going pure pop lately: I like to keep my vocal melodies on point. I love the phrasing of some of the new pop that’s going around.

What is your burning desire to do in the future?
Have a bonafide hit – that’s what I want.

‘Last Night On Earth’ is out now on the usual digital platforms

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Video premiere: The Keepers ‘You’re All I Need’

Northampton quartet The Keepers release their fifth single ‘You’re All I Need’ tomorrow, Friday October 26th. New Boots is the place to exclusively see the accompanying video first. Shot by Alex…

Northampton quartet The Keepers release their fifth single ‘You’re All I Need’ tomorrow, Friday October 26th. New Boots is the place to exclusively see the accompanying video first.

Shot by Alex Bass [and with single artwork by Nallie Simpson], there is a limited edition 7” version of the single available by contacting the band themselves on social media [£7 plus postage and packaging].

We asked singer/guitarist Jordan Jones about the song. “‘You’re All I Need’ was written back in February and we added it into the setlist that same month. We really knuckled down with releasing music this year. We recorded it in June and decided to do it properly and release it on vinyl.” 

He continues: “2018 has been a fantastic year for us so far. We’ve still got a few more months to go until we can crack open a bottle of wine and put our feet up for a few weeks. We always make a list each year of things we want to achieve and so far they’ve all been ticked off – I’m really quite exciting for what we’re planning for next year!”

You can catch the band play a hometown show at The Roadmender on Friday December 7th.

The Keepers on Facebook. Cover photo by Neil McCarty

 

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New Music Friday: Mio Flux

Mio Flux (aka Jacob Bartoli) is a Northampton electronic producer, who is working alongside Patchy, The Rockstar on many of his collaborations. ‘SNL’ is the latest single to drop, and…

Mio Flux (aka Jacob Bartoli) is a Northampton electronic producer, who is working alongside Patchy, The Rockstar on many of his collaborations. ‘SNL’ is the latest single to drop, and it’s such a great tune [and Northampton love-in] that New Boots had to have a few moments with him.

How/why did you start the Mio Flux project?
I started the Mio Flux project when I was about 17. Before then I was a frontman for indie bands and indie solo projects. My laptop and software changed everything for me musically, I started to appreciate the electronic side of music and ended up totally indulged and obsessed with it. The reasoning behind Mio Flux was to be able to collaborate with as many artists as possible from all genres and mix my two musical loves together. I always wanted to do something different and original.

How would you describe your sound?
Atmospheric. I like to add multiple layers and create my own sounds that are unexpected. I think the intro for ‘Catch My Hook’ describes my sound the best; catchy melodies with bells and airy synths as an under layer. Hopefully interesting for the listener.

Who are your main influences in music? It seems to be everything from Diplo to David Bowie…
I have a wide range. I am very influenced by producers like Murda Beatz, Mike Will Made it, Diplo, Pharrel, Mark Ronson and George Martin. They are all game changing producers in their own right. However one of my strongest influences is definitely Scritti Politti from the 70/80’s. In my eyes they have a perfect combination of outstanding songwriting, production, catchy guitar/synth/bass riffs, and memorable choruses.

What was it about Patchy that attracted you to working with him?
We met working at Toys’R’Us, and he was my manager. He first did a verse on a track I was cooking up with Marcus and George from Sarpa Salpa, and from then we just clicked and began working on ‘Balmain’, and others. Our collaboration has been going on for well over a year now, and I feel we get stronger and better with every track. His hooks are unreal; every single one of them is as catchy as the last.

What was the reaction like to [previous single] ‘Sabo’?
Fantastic, every show without fail people know the chorus [it’s not too complex], so it seems to be a really uplifting song in our set that injects energy into the crowd. It’s a song I always compare our new tracks too, to see if they have the same energy on stage.

Tell us about this new release, ‘SNL’.
The single started by Patchy and I wanting to sample guitars and really demonstrate there’s more to rap than just the beats and repetitive melodies. So we went through a few bands we know in Northampton and ‘She Never Lies’ by Sarpa Salpa stood out. SNL consists of Sarpa’s guitar recordings over the top of a trap beat. Even Marcus’ vocals make an appearance at the end of the streaming versions of the song. We wanted to really break through new ground and collaborate with an interesting mix of genres. The video is also directed by ourselves, and edited by our regular collaborator in the States, Lil Adlib. The video carries on our theme of retro gaming. There are even scenes of me and Patchy fighting in Street Fighter 2.

What are your live shows like?
Energetic and fast paced. We like to keep a continuous flow of music so Patchy and I will talk in intros or filtered outs. This ensures the crowd are kept on their toes. It’s made for every music lover.

What has been your favourite Mio Flux moment of 2018?
Without a doubt it was mine and Patchy’s headline show at the Garibaldi. The atmosphere was unreal, everyone chanting our lyrics, I won’t forget that night for a long time. The line up was so strong too; Leo Robinson, Charlie Borthwick and Kiao opening the show and Ginger Snaps providing the after party. I can’t thank everyone enough for that night, a night I really wasn’t expecting.

What was the last thing you bought/streamed?
Anderson .Paak ‘Tints’ [featuring Kendrick Lemar]. The single has got me really excited for his new album to drop. He’s definitely someone I would love to work with.

What is your burning desire to do in the future? What plans do you have?
Patchy and I are building up enough quality music to be able to release a joint mixtape, and hopefully go on tour with it. I want to keep our momentum flowing with singles and videos beforehand. Also I have nearly finished a collaboration with The Barratts: if you love ‘The Garrison’, I hope you love the remix too.

SNL is out now on the usual digital platforms

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Ten Of The Best: Turin Brakes

London indie-popsters Turin Brakes play Northampton’s Roadmender this Thursday, October 18th. The band have sold over a million albums worldwide since forming in 1999. Northampton fact: University of Northampton graduate Jordan…

London indie-popsters Turin Brakes play Northampton’s Roadmender this Thursday, October 18th. The band have sold over a million albums worldwide since forming in 1999. Northampton fact: University of Northampton graduate Jordan Mackampa has recently co-written and recorded material with Olly and Gayle.

Here’s ten of their best songs.

‘Painkiller’ [2003]

‘Rain City’ [2004]

‘Underdog [Save Me]’ [2001]

‘Fishing For A Dream’ [2005]

‘Keep Me Around’ [2015]

‘Save You’ [2016]

‘Long Distance’ [2002]

‘Dark On Fire’ [2007]

‘Mind Over Money’ [2001]

‘Sea Change’ [2010]

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Ten of the best: Echo & The Bunnymen

Ten of the best from Echo & The Bunnymen, who play the Northampton Derngate on Saturday October 20th. Don’t forget you can win a pair of tickets to the show…

Ten of the best from Echo & The Bunnymen, who play the Northampton Derngate on Saturday October 20th. Don’t forget you can win a pair of tickets to the show by entering our competition here [comp closes midnight Monday Oct 15th].

The Killing Moon [1984]

Lips Like Sugar [1987]

Bring On The Dancing Horses [1985]

Seven Seas [1984]

People Are Strange [1987]

The Cutter [1983]

Bedbugs & Ballyhoo [1987]

Nothing Lasts Forever [1997]

The Game [1987]

A Promise [1981]

 

 

 

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New Music Friday: Orange Clocks

East Northants collective Orange Clocks have decided to release the audio from their appearance from the Sonic Rock Solstice festival this year, and this seemed like a good opportunity to find…

East Northants collective Orange Clocks have decided to release the audio from their appearance from the Sonic Rock Solstice festival this year, and this seemed like a good opportunity to find out a bit more about them.

How would you describe the Orange Clocks sound?
It’s psychedelic at heart but it can go in any number of directions, depending on who’s pulling it. All of us bring different biscuits to the barrel. Everything apart from techno biscuits.

What was the reaction like to the Tope’s Sphere 2 album from 2017?
It got a reaction way beyond our expectations; the album received great reviews online and in print. Everyone we’ve met has said they loved it, with the exception of the inflatable slide operator at Leeds Town Show, who made it quite clear that he didn’t.

This new release is the recording of your 2018 Sonic Rock Solstice gig. Tell us about the show. Why release it?
SRS was the first festival we got to take Tope’s Sphere 2 to, and it was the perfect home for it; it’s a festival packed full of psychedelic space cadets and the sounds to match. We were lucky enough to be filmed by a crew on site – Howling Mad Productions – who sent us the tapes after we’d played. Right out of the blue a few weeks later, the sound guy from the festival (Pete Wibrew) gave us the full audio from the show in 16 tracks for us to mix. After we’d pieced everything together as a full video, it just seemed like a good idea to let everyone else see and hear it. Bad Elephant Music [our label] were good enough to promote it for us.

Are your live shows what spur you on?
It’s a really fun part of what we do, especially having a slightly theatrical element to the performances – but we love the creative part just as much; jamming, writing and recording…

Are you part of a wider scene in Northamptonshire?
Not really. We’d been confined to a shed for about eight years, until Tope was born, when we decided to come out for some fresh air. You could say we’re part of the ‘#RushdenBeat scene’ – coined by James Turner at Bad Elephant, due to several of our labelmates originating in Rushden and the surrounding area.

Aside from Sonic Rock Solstice, what has been your favourite band moment of the past 12 months?
Occasionally being able to get the whole band together (eight of us) in one rehearsal room at the same time for a three hour practice.

What was the last album you bought/streamed?
Chas and Dave – Gold

What is your burning desire for the band to do in the future? What plans do you have?
We’ll make something new soon… but we don’t make firm plans, just let it happen naturally and record it when it’s ready. We’d also like to play at Glastonbury, then be abducted by aliens…

 

 

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