Category: Feature

New Music Friday: Ginger Snaps

Northampton pop artiste Ginger Snaps – aka Jay Brook and friends – has been regularly treating us to his three minute ditties since 2016. The latest served up from the…

Northampton pop artiste Ginger Snaps – aka Jay Brook and friends – has been regularly treating us to his three minute ditties since 2016. The latest served up from the former OhBoy!, My Pilot and Bruises man is ‘With Or Without Her’. New Boots ventured into the heart of ShoeTown to meet up with Brook in his natural domain – the studio – and go over the project with a fine tooth comb. Listen in below

 

No Comments on New Music Friday: Ginger Snaps

Interview: Charlotte Carpenter brings us Babywoman Records

Kettering singer-songwriter Charlotte Carpenter has earlier in the summer launched her own record label, Babywoman Records, and today  announces the first release on it from Alessi’s Ark. New Boots Editor Phil…

Kettering singer-songwriter Charlotte Carpenter has earlier in the summer launched her own record label, Babywoman Records, and today  announces the first release on it from Alessi’s Ark. New Boots Editor Phil Istine met up for a coffee and spoke to Carpenter all about it, in our first ever audio interview just below. Full single release details are below too.

The Alessi’s Ark single is entitled ‘Devant Moi’, and is released digitally on September 27th. A fresh dreamy, French pop sound comes from Londoner Alessi Laurent-Marke, and is a follow up to her fourth studio LP Love Is The Currency [2017]. Delivered in French (a mother tongue for Alessi), she remarks of the song:
“’Devant Moi’ is the connection felt between true partners, taking that leap and being open to love with another being. I feel such a strong connection to water when swimming, the ground when walking, it’s so visceral, physical, intimate, medicinal… but only to a point. ‘Devant Moi’ is about being ready, at last, to share intimacy after a long period spent alone in connection with nature only”.

Alessi has toured extensively in the UK, Europe, US and Japan: with Mumford & Sons, Laura Marling, John Grant, Jenny Lewis and M.Ward amongst others. Her releases have won acclaim from BBC London, BBC 6, XFM, WFMU, DubLab, KEXP and previous LP ‘Love Is The Currency’ was warmly welcomed by MOJO, Guardian, Best Fit, Clash, and The 405. ‘Devant Moi’ is produced by fellow Ark member Jason Santos, and mixed by Jag Jago. 

Alessi heads out on a run of UK & EU shows with Carpenter this November:

Saturday 17th – The Playhouse, Northampton
Monday 19th – The Islington, London
Tuesday 20th – The Castle, Manchester
Wednesday 21st – Yellow Arch Studios, Sheffield
Thursday 22nd – Prince Albert, Stroud
Saturday 24th – De Log, Ghent
Sunday 25th – Kulturcafe Lichtung, Cologne
Tuesday 27th – Freundlich+Kompetent, Hamburg
Thursday 29th – Feinkost Lampe, Hannover

Babywoman Records on Facebook. Artwork design by Rogue Ink and CC/AA photo by Wild Sisters

No Comments on Interview: Charlotte Carpenter brings us Babywoman Records

New Music Friday: Weirdoe

Grime artist Weirdoe has been busy in 2018, putting out singles and EPs like nobody’s business. ‘Shepherd’ is the latest one. New Boots caught up with him for a chat….

Grime artist Weirdoe has been busy in 2018, putting out singles and EPs like nobody’s business. ‘Shepherd’ is the latest one. New Boots caught up with him for a chat.

How did Weirdoe come into existence?
My names Aaron Weir, the name Weirdoe came along from childhood and I eventually just embraced the name and ran with it. It just stuck from there really.

How would you describe your sound?
I’d say unique, obviously weird and lastly real. I don’t stunt in my lyrics, I talk about my life and experiences.

Who are your main influences/heroes?
Would have to be Eminem for lyricism, but there also guys like Lil’ Wayne, Frank Ocean, Ghetto, Wiley. Russ, he influences me in the way I release my music, the guy never stops! The way Russ moves as well has made me realise that all I need to do is trust my instinct.

You’ve been quite prolific recently. What has been the reaction to the recent ‘Wasted Talent’ EP?
The reaction has been good, as expected, from the people who have followed me since the early days. I think a lot of people want to hear Weirdoe doing grime, but a lot of people have embraced the new sound and trust that I’m only going to deliver my best. I feel with the right exposure I’d get a much better response.

Tell us everything about ‘Shepherd’.
The track was made spontaneously, very in the moment. It was at the end of a studio session and Harlz was playing around with the chords and I just started humming the melody. Once the chorus was created I pretty much grasped the concept of what the song was going to be about. The song is really about people being followers, following trends, fashion etc, and I’m just giving my thoughts on it all really!

You collaborate often. How do you find yourself hooking up with, say, Harlz or Westy?
Both are different. Westy I’ve never collaborated with in person, so it was just a case of me recording over the beat. But a lot of the newer stuff with Harlz is made together in the studio which I find much better for being creative, it also means you build up certain relationships that are stronger then just over emails or social media.

Any plans for live appearances? Do you reckon what you do translates to performing in venues?
100 percent. Live shows are definitely on the cards, but right now it’s just more about recording and releasing new music so when I do put on a show people will leave satisfied. Trust me though, the shows will be epic so keep an eye out for dates.

What has been your favourite Weirdoe moment to date?
For me, it was my grime clash on ‘Don’t Flop’. I met a lot of people through that and did a lot of networking! There’s been quite a few though, such as when my first single and EP was available on iTunes, and my JDZ videos on YouTube [see one below] getting the response they did.

Who are you listening to currently?
Right now I’m listening to Brockhampton, but recently I’ve been going back to a lot of old school grime such as Roll Deep ‘Sidewinder’ sets. Except for the ones mentioned I try not listen to the same artists to much, I like to take away certain ideas from tracks but overall I want my music to very much sound like me.

What is your burning desire to do in the future? What plans do you have?
My burning desire is always to impress myself, to an extent where I no longer need to succeed, more just the case that I have succeeded. You won’t be able to top that. But the music and videos are going to keep coming, I want everyone to know who Weirdoe is.

 

No Comments on New Music Friday: Weirdoe

Video premiere: Sarpa Salpa ‘Smith’

Northampton quartet Sarpa Salpa release their new single ‘Smith’ tomorrow, and we can exclusively reveal the video today. The band have also chosen to make this a vinyl release, on…

Northampton quartet Sarpa Salpa release their new single ‘Smith’ tomorrow, and we can exclusively reveal the video today.

The band have also chosen to make this a vinyl release, on a limited red 7″. The video was shot by director Bella Evans.

Bassist Ethan Whitby on ‘Smith’: “The song is about a relationship that was just starting before being split suddenly by one person leaving the other confused, upset and angry! So a really feel good track as you can imagine… We recorded this with Ben ‘Faz’ Farestvedt over at Damage Audio in Bedford back in early spring time.We’ve worked with him on all records since ‘She Never Lies’ way back last in August last year, and we are back in the studio with him over the next few weeks. We are very lucky to work with someone not only very talented and who gets our sound, but generally just a really nice guy as well!

Guitarist George Neath on the video: “‘Smith’ is a fairly angry track and we wanted the video to reflect that! The red and white imagery was intended to represent love / anger simultaneously! We shot the video with Bella Evans, she does a lot of art/design for the band so was fun working with her! We wanted to stick to the DIY approach lot of the props for the video we created / painted ourselves!”

And Whitby again, on the appeal of vinyl: “It’s hard to deny that in the last few years vinyl has had a pleasant comeback, so instead of printing CDs, like we’ve done for the last singles, we decided to try something new! As well with a vinyl you get a lot more options for design; not only do you have more area to work with but things like coloured vinyl and all that kind of jazz”.

‘Smith’ is available digitally from Friday September 14th. Sarpa Salpa Facebook

 

 

No Comments on Video premiere: Sarpa Salpa ‘Smith’

New Music Friday: Grace

Kettering quartet Grace have been making a name for themselves away from the spotlight these past two years, and now with the latest single ‘Lately’ it is time for New…

Kettering quartet Grace have been making a name for themselves away from the spotlight these past two years, and now with the latest single ‘Lately’ it is time for New Boots to have a word in their ear and discover what they’re all about.

How did you get together?
Back in 2014 our singer Jamie got tired of playing guitar in the mirror and decided to recruit three other guys to form a band. This new band consisted of James Virtue on bass, Nathan Robinson on drums and Josh Menon on second guitar (along with Jamie on vocals and lead guitar). Although we had aspirations to do bigger things we basically just got together every week on a Tuesday lunch in school and played ‘Voodoo Child’ until we’d pissed off enough people within 100 yards! From then on things pretty much stayed the same until we realised we couldn’t move forwards playing stale Presley songs and half assing a few Chilli numbers, so Jamie wrote a few songs and we put our heads to something new. Ever since 2016 we’ve been writing, playing and, when we have the funds, recording our own material. In short, we got together because we all thought, and still think, that we have something to offer musically that is worth listening to. We wanted to recreate that feeling you get when you first hear a new band that sparks something you forgot you could feel.

How would you describe your sound?
Our sound largely derives from a combination of minimalism, typically in the verses, and then more complex, powerful passages. Sort of like if you took Kurt Cobain’s approach to writing a pop song, then added the rhythm of the Chilli Peppers! Often we’ll write our songs with sections to highlight the drums, paired nicely with a bass line that complements them, giving the music a driving energy. This energy is something we’ve really worked at these last few months in our live performances, as this was the best thing about the gigs we went to – and separated the memorable bands from the alright ones. We found that the best way to tap into this energy was a blend of tight playing and wild moments that were unique to each performance.

We think a lot about texture when it comes to our sound, making sure that a song has the right mixture of loud and soft, full and empty passages. It was through this that we started to include drastic changes in texture to encourage a reaction from the listener/crowd, for example including sudden stops and switches from everybody in to just the vocals or even the drums. We’re expecting our sound to change and develop in the coming months, as our guitarist Josh has decided to leave and do his own thing in London, which will mean a different approach to our songs and maybe more stripped-back arrangements.

What are your main influences?
In terms of our sound we take a lot of inspiration from ’90s bands like Nirvana and Radiohead, and Britpop, along with the noughties indie bands we grew up on, like the Arctics, Kooks and Strokes. We reckon if you were to take Nirvana’s erratic sound and apply it to carefully written songs and a more Radiohead-like focus on guitar effects, then you’d be pretty spot on with the sort of songs we’re producing at the moment. In the grander scheme of things, we listen to A LOT of music. Other big influences are artists like The Beatles, The Velvet Underground, Bob Dylan (1964-66), Jeff Buckley, The Smiths and the Red Hot Chili Peppers.

Tell us about the single, ‘Lately’ b/w ‘I’ve Been Thinking’
These two songs came about last autumn, soon after our second EP, Make Your Assumptions (‘Lately’ was actually written by Jamie on the evening of recording sessions). The two songs both show a progression from our older songs and, at least to our ears, show us finding more of our sound. Both songs came from a simple acoustic version, written by Jamie, and were developed by the band in rehearsals (‘I’ve Been Thinking’ sped up considerably and made the transition from a lonely ballad into a tortured rock song). The two songs both deal with the subject of a girl, although neither is about a relationship. ‘Lately’ is set post-breakup and describes the guilt in not giving a person enough attention, and instead “[lying there] alone and think[ing] about all the times [he] should have called [her]”. ‘I’ve Been Thinking’, on the other hand, paints a picture of obsession and directly addresses the subject of this obsession. It is a song that is meant to capture the experience of trying to get someone out your head, but all that happens is you remember snatches of things they’ve said or images of “lifts in [her] car”.

Both songs were chiselled away at in gigs from winter to summer and recorded and mixed in two days, at Parlour Studios on the outskirts of Kettering, with help from our great producer and engineer Neil. The songs were our last project with our guitarist Josh, and we couldn’t have asked for a better way to part ways! We hope you enjoy the tracks as much as we do.

What are your live shows like?
For the past year we have been gigging more and more, making the transition from playing rarely at home functions, to now playing at least two gigs a month. Taking inspiration from other bands we have seen on YouTube and live in person (e.g. the Chillis, Nirvana, Father John Misty, Catfish And The Bottlemen, and Dead Pretties), we have worked at our live performance, focusing on connection to the crowd and the energy generated from this. In the past year our favourite gig, and one that would be an example of us live, was one that we set up ourselves with two local bands (Street Asylum – Uppingham band and Naked Molerats – Kettering band). We invited 200 or so friends and in the end over 270 showed up, bought a ticket, and danced themselves crazy. We never drink before playing as we think it slows us down and stops us from accessing the moment, and we’ve found we don’t need to as, when a gig is going well, the adrenaline and electricity in the air pushes you to do and try things that you can’t conceive in a rehearsal, and it’s this spontaneity that drives our performance.

Are you part of a wider scene in Northamptonshire, playing with like-minded bands? Any favourite bands/venues to play with?
Recently we’ve really enjoyed playing with local bands from all over the county, in Kettering, Corby, Rushden, Northampton and the surrounding villages, with bands like The Scruff, Citrus, Oddity Island, Street Asylum and Sarpa Salpa. These bands have helped us get a feel for the local scene and we have really appreciated the leg up and advice they’ve given us. We’ve played in some cracking venues, our favourites being Kino Lounge [Kettering] and The Charles Bradlaugh [Northampton].

What has been your favourite band moment of the past year?
It has to be from the gig we organised ourselves at the Barton Seagrave Village Hall, with Street Asylum and Naked Molerats. The week leading up to the event, our drummer broke his thumb playing football and, after being casted up, realised that he couldn’t even hold a drum stick in his right hand, let alone play the kit. After considering all our options and mentally preparing ourselves for a last-minute cancellation, Nathan decided to play one handed. We were pretty shocked, and our first reaction was to laugh, but, on hearing his playing at the rehearsal the day before the gig, we realised he was still capable of carrying the set and, more to the point, still playing incredibly. So, although he was shattered by the end, and needed a hand setting up, Nathan played the 80 minute set with complete confidence and maintained the power needed to drive our sound.

What was the last album you bought/streamed?
An album we’ve all recently been listening to is Silver Revolver, by [Australian folkie] Angus Stone, under his alias Lady Of The Sunshine. It’s a great mixture of well-crafted ballads and raw ’70s-inspired blues rock.

You’re all relocating to Brighton, is that correct?
Basically Jamie, James and Nathan are moving to Brighton as of this week, and all studying different courses at the British and Irish Institute of Modern Music. Josh has decided to relocate to London instead and focus on his solo career, which we’re really hoping goes well. We’ll miss him a lot! The plan in Brighton is exactly what you’d think: play as often as possible, keep writing and recording new music, and hopefully build a fanbase and see where it goes.

What is your burning desire for the band to do in the future?
As a group we’re very ambitious. We will continue to set challenges for us to meet until we’re selling out gigs not only across the UK but hopefully the US. Bear with us on that one! If we had to pick one thing that as our ‘burning desire’, it would be to write and record a debut album that turns heads and joins the ranks of such great first albums as Oasis ‘Definitely Maybe’, the Arctic Monkeys Whatever People Say About I Am… and Jeff Buckley Grace (yes the name was definitely partially inspired by this!). If it means waiting a couple of years until we’re ready to drop it, the ‘perfect debut album’ is something that is definitely on our minds.

‘Lately’/’I’ve Been Thinking’ is available now via the usual steaming/download platforms

No Comments on New Music Friday: Grace

New Music Friday: Mundays

Mundays are a new Corby-based three-piece, playing lo-fi psychedelic garage rock. Their debut EP The Best Day Of The Week, Friday has just been released. Hear it below, after reading this…

Mundays are a new Corby-based three-piece, playing lo-fi psychedelic garage rock. Their debut EP The Best Day Of The Week, Friday has just been released. Hear it below, after reading this engaging interview with singer/guitarist Beb Reed.

How did you guys get together?
Jack and I are brothers, Josh is our cousin! Me and Josh are in Drinsipa, and we were really interested in the idea of playing some softer, more “songy” songs. In late 2017 we started writing some stuff and it sounded cool so we decided to book some gigs as a two-piece. It worked, but it didn’t sound as full as we would have liked it to, especially with the happy chords and such, so we decided to look for a bass player! We like the idea of being in a band with our mates so although my little brother didn’t play bass we decided we’d try teach him, and it’s been going great so far! Jack doesn’t play a lot of music, but like us is a huge fan of listening to music, and I think being able to work with someone who has no previous experience is quite interesting as you get a fresh set of ears when you’re writing songs, especially when you’re writing songs for the sake of writing songs, and that being the main focus of the band. He listens to a song and says whether it’s good or not, as apposed to picking it apart and trying to make something “original” or “clever”.

How would you describe your sound?
We go for quite a lo-fi, fuzzy and simplistic sound, having only bass, guitar and drums. We use a lot of guitar sounds to make the songs sound more characteristic than they may sound on their own. If the songs were played on acoustic guitar, they may sound quite basic and what a lot of people might describe as “poppy”. Drench it in phasers, attack it with fuzz and throw a couple of happy sounding harmonies in there, and you get something close to Munday’s sound.

Who are your main influences?
For our actual sound we take a lot of influence from the bands in the California psych circle. Anything Ty Segal has graced with his musical genius. Wand. Meatbodies. As far as songwriting goes we take influence from whatever pops out at the time, or whatever subject we think would suit the instruments. Me and Josh are big fans of MGMT too because the lyrics are brill, so I take a lot of inspiration from them. Our first single ‘Phoan’ has been compared to Oasis which is a weird one because we had no intention of that; nonetheless, cool.

Tell us everything about the EP.
Single ‘Phoan’ is the first track we’ve released from our debut EP. We recorded the song with a couple of microphones in my dads house, and it turned out well! We’ve had a really good response so far, and were even more buzzing that Jay Russell has mixed and mastered the EP for us. The title and lyrics are quite self explanatory. It’s about waiting around by your phone for a call or text from a special someone, and no I don’t mean a girlfriend or boyfriend or anything…some people may understand what we are talking about…

What are your live shows like?
We play a lot with storytelling in our live shows, often having some weird robot voice going through the front of house, and some ambient or sometimes nightmarish pedals being played around with. We like to think of each song as a chapter or section in the set, and the voices roughly tell a story, or at least provide a basic theme for the performance. We like to improvise a lot too! We dedicate sections of songs to playing about on pedals, interacting with the audience, or more story telling! We like to try have fun with it!

Are you part of a wider scene in Northamptonshire, playing with like-minded bands? Any favourite bands/venues to play with?
As of yet we’ve only played a few local shows, but I can definitely see us being tied in with certain bands. Skirt, King Purple, Deaf Trap, Toucan are just a few names off the top of my head that we have/love playing shows with. We played The Hut recently after it being desolate for a while, that was cool.

What has been your favourite band moment of the past year?
I think we all love playing shows and putting on a performance. For me, the best part of being in the band is the planning, rehearsal and finally playing the gigs. There’s something very rewarding about preparing an actual performance instead of just playing songs in an order. When you finish playing and you’ve done a good job, it feels like you’ve put the best version of your band and yourself out there, and it’s really exciting to hear feedback and to plan the next.

What was the last album you bought/streamed?
The last album I listened to was This Town Needs Guns – 13.0.0.0
Josh: The Fall Of Troy – Manipulator
Jack: Burbank – Rose Water

What is your burning desire for the band to do in the future? What plans do you have?
Obviously the burning desire for the band would be to be in a position where this is how we could make a living or at least be able to do this the majority of the time. A particular dream for mine is to be able to tour somewhere really hot and sunny with some cool like-minded bands, somewhere like California, or Spain. Lovely weather over there… We just enjoy playing music together and hopefully one day something will come of it, but if not, this is just as rewarding.

The Best Day Of The Week, Friday is out now on Bandcamp [see below]

No Comments on New Music Friday: Mundays

New Music Friday: Patchy, The Rockstar

Rapper Patchy, The Rockstar dropped his latest single ‘Shtick’ and New Boots was impressed enough to want to discover the back story of, and future for, the prolific artiste. How did…

Rapper Patchy, The Rockstar dropped his latest single ‘Shtick’ and New Boots was impressed enough to want to discover the back story of, and future for, the prolific artiste.

How did Patchy, The Rockstar come into existence?
I have been making music since I was 11, and up until the start of last year I was terrified of peoples opinions. I was scared of not impressing the people close to me like my friends and family, so I only shared my early music online under loads of different nicknames and then for the past few years had only been producing beats. I finally built up the courage to talk to people about my love for making music last year, and I began releasing original music as Patchy, The Rockstar.

How would you describe your sound?
A blend of modern hip-hop and emotional rock music. But I have versatility and a range of styles to display how I’m feeling when I create music.

Who are your main influences/heroes?
I can thank my Dad and his jazz-funk records for my earliest influences; Roy Ayers and The Crusaders come to mind. My Dad bought me my first CD when I was 7 which was Shaggy’s Hot Shot album. Then I began buying albums with my pocket money from there: Nas, Mos Def, Lupe Fiasco, Linkin Park, Paparoach and more. My favourite artist right now is Tyler, The Creator.

You’ve been quite prolific over the past few years. What has been the reaction to the previous Soundcloud uploads?
I started as a music producer and built up quite a lot of attention by entering beat competitions, where you would download the acapella to an original track and make your own beat. I never won but gained so much attention for it.

Tell us everything about ‘Shtick’.
‘Shtick’ came about so spontaneously. It’s produced by Ethancx, a guy I’ve worked with quite a bit over the past year and as soon as I heard the beat I jumped on it straight away. It took me about an hour or so after I heard it to write to it, record it, mix it and master it. That’s my favourite way to make music when it’s spontaneous like that, I always enjoy the end product more.

You collaborate often. How do you find yourself hooking up with, say, Mio Flux?
It is quite mad when I think about how we met. I was actually his manager at Toys R’ Us. Sadly Toys R’ Us is no longer with us. I guess everything happens for a reason. I can’t remember how the dialogue went but we found out that we were both making music, he was producing and I was finally confident enough to tell people I rapped and sang a bit. So we hooked up on a song called ‘Balmain’ and people seemed to love it and everything developed from there.

What are your live shows with Mio Flux like?
Insane. A must-watch. We promise energy, fun and a good time regardless of what type of music your into.

Any favourite bands/venues to play with?
We recently hooked up with Sarpa Salpa and have had the pleasure of working with them on something very special, which I’m really excited to share soon. I’m really enjoying watching their rise to success at the moment.

What has been your favourite Patchy moment to date?
When Mio Flux and I had our debut live show at The Garibaldi Hotel in Northampton, it was an instant classic. We never imagined it would turn out how it did, but having a packed out venue jumping around like crazy and shouting our song lyrics back at us for the first time was a moment I’ll never forget.

Who are you listening to currently?
Right now I’ve got Pi’erre Bourne ‘Marie Curie’, Tyler, The Creator ‘See You Again’ and J-Hus ‘Dark Vader’ on repeat.

What is your burning desire to do in the future? What plans do you have?
Big plans! I have nothing but the highest expectations for myself and plenty of drive to get myself to the top. Mio Flux included. We really want to succeed. So our debut project and a tour is next up!

‘Shtick’ is out now on all the usual downloading/streaming platforms

No Comments on New Music Friday: Patchy, The Rockstar

New Music Friday: Fugues

Northampton/London electronic duo Fugues have just dropped their Merge EP. New Boots gets the lowdown How did you get together? Fugues started as Shannon and Chris O’ Conner with a piano and…

Northampton/London electronic duo Fugues have just dropped their Merge EP. New Boots gets the lowdown

How did you get together?
Fugues started as Shannon and Chris O’ Conner with a piano and voice around mid-2016. We always knew we were electronic focused, having similar interests such as Massive Attack, Hope Sandoval, Unkle, Coco Rosie, Moderat, etc. But it really developed in to what it is today when Jo Burns-Russell joined as co-producer, and we explored more techno and bass music to go with our songs. Since then Fugues has moved forward as a duo with Shannon and Jo. You can still hear Chris’s piano on the EP, but the end result has been more electronically focused. Musically we’re a blend of electronica, heavy basslines with Shannon’s ethereal vocals, and Chris’s classically influenced piano.

How would you describe your sound? The term “trip-hop” seems to be inadequate and do it a disservice.
It’s quite difficult to pin what we are doing into a genre really, which I think happens with electronic music, particularly when it’s not club-focused. There are elements of trip hop, house, glitch, techno…just interesting music. Shannon’s vocals are very poetic and meaningful, which is juxtaposed with the more electronic edge. Generally we’d say just give it a listen and see what you think!

How do you divvy up the work: do you both come up with musical and lyrical ideas?
It’s very much a joint effort. Our vocals were all recorded in a bedroom studio in Clapton, at Tobias Lawrence’s house. The piano at Chris’s home studio in Kimbolton. The other elements were created by Jo at her home in Duston, then it got married together.

Tell us about the EP.
‘Low Bass Lives’ was something Shannon came up with at a music festival and upon her move to Northampton. ‘No longer’ was written by Shannon and Jo in one night that just clicked, then Jo continued to develop it from there. ‘Smokey Red’ was another that was done in Kimbolton with piano and voice, drum and bass samples then developed by Jo over the coming months.

You’ve just started being a live band. How’s that going? Does being an electronic duo bring its own challenges?
Its definitely interesting trying to translate what is 90% computer-generated into a live show. We use Ableton with a series of controllers, Shannon plays synth and has a vocal FX unit, but luckily her vocal performance carries it. We’re investing in more synths and a drum machine soon to try and make the live experience as dynamic as we can. We’re also quite theatrical and want to bring lighting shows and projection mapping over the coming months. We want it to be an experience!

What has been your favourite Fugues moments so far?
We’re really pleased with how the final EP is sounding, at the last stages we bought in an engineer to help with the final mix down, Chris Pettifer [who is a Northants resident also]. He’s really bought what we have done to life. We played our first festival last weekend which was an incredible experience, and something we really want to do more of.

What is your burning desire to do in the future?
I think continuing to develop the show to make it an experience-led thing, with music, lights, projections etc. We are also really keen to keep the momentum going on our releases and hope to have more tracks ready by the autumn.

Merge is out now via Bandcamp. Fugues play the Wonderland Garden Party festival in September in south London

No Comments on New Music Friday: Fugues

New Music Friday: Drinsipa

Corby mathcore trio Drinsipa have just released a new single, ‘DOP’. Hear it below, along with an interview with singer/guitarist Beb Reed. How did you guys get together? Why the switch…

Corby mathcore trio Drinsipa have just released a new single, ‘DOP’. Hear it below, along with an interview with singer/guitarist Beb Reed.

How did you guys get together? Why the switch to a three-piece after so long as a duo?
Beb: Josh and I are cousins, and basically in 2013 he came down from up north to live here! And we didn’t really know any other musicians in the local area who wanted to do the same sort of stuff we wanted to do, and had no connection to the local music scene, but we enjoyed jamming and rehearsing, so we started a band with our mate Arran. We played a few gigs, and we were really in to it. We started to write some songs on our own aside from that band, and then we got a gig and had to think of a name, thus Drinsipa was born. We started getting a lot of gig offers quite soon which we’d never had before, and we haven’t really stopped since then. We just love playing gigs and being around the people involved in the music scene. We started writing some more complex and experimental songs mainly due to different influences from different bands we were listening to. Having recorded a full length album, we felt it was time to switch things up a bit. We recorded the Poppy Fields EP from home at our old flat in Poppy Fields in Kettering. We played some gigs with the new songs and we had a really good response, but felt we’d benefit from a bass player to fill some of the more chordy and harmonic parts of the songs from the EP. We had toyed with the idea of having our mate Myles come and play bass for us, so when we decided we were going to get a bass player, we instantly thought of Myles. We taught him the songs and he picked up on them really quickly. We started playing some more shows and writing some new stuff and here we are now.

How would you describe your sound?
We find it hard to describe our sound as we try to make the songs sound as non-traditional as possible. We play with a lot of time signatures and obscure song structures, mainly for a laugh and to keep it interesting not just to perform, but to play, or in some cases just to listen back to ourselves. I’d say dynamics are a big part of the sound, as we have a lot of different sounding sections in songs, so they can go from oober brutal to melodic clean within the space of 4 bars, or in our case every 1 and 3/4 bars [that’s a joke]. But if someone asks, I usually say mathcore because it’s the probably the biggest influence of ours.

What was the reaction like to your debut album 42, from 2016?
The reaction was fantastically amaze balls. The album launch show was especially good. We played at The Hut in Corby, and it went fuckin’ mental!!! We didn’t push the album as much as people thought we should have done, but in all honesty, we only do things as a band we think are fun, because we really don’t want it to turn in to a chore for us. We just appreciate that people loved what we were doing and bought our album. We still get comments about it today, and it’s really cool that people dig it. We were quite out of touch with social media back then too, but it’s a lot easier to do now we have an extra helping hand.

Tell us everything about the new single, ‘DOP’.
It’s titled after the practice studio in which it was written; shout out to the The Pod in Corby! It was the first song we wrote after the Poppy Fields EP. We were going for a more visceral, aggressive sound and with the added help of Myles we were able to work out some pretty interesting sounds. The track is full of fuzzy bass and crazy weird riffs and time sigs. It has a cool major-key riff that floats in and out of the track between the more aggressive section and really stupidly stupid heavy section at the end, which is always fun to play live.

Are you part of a wider scene in Northamptonshire, playing with like-minded bands? Any favourite bands/venues to play with?
We play with a lot of different kinds of bands in Northampton, too many to name all of them! We don’t let a difference in genre stop us from playing with bands so it’s just one big mates fest! Skirt, King Purple, Monarchs, Sarpa Salpa are just a few of our local favs!

What has been your favourite band moment of the past year?
We just recently played The Guildhall as part of Twinfest, that was crazy! Huuuuuge hall with huge sound, had a great time! We also flew over to Germany as part of Twinfest and played some gigs over in Marburg, which was phenomenal. Probably one of the highlights our musical lives let alone the past year! We made some great friends and connections over there and it’s cool to be part of the Twinfest family.

What is your burning desire for the band to do in the future? What plans do you have?
We don’t have too many burning desires for the band. We love playing gigs and hearing feedback about our intentionally confusing music. We know it’s not for everyone, which is part of the reason we write the music we do. I think writing and recording is a big part of why we do what we do, and we like to have a physical copy of music that we have written and recorded, there’s something quite special about that. I guess we will have to see what happens, but for now it’s just a barrel o’ laughs!

DOP is out now for ‘name your price’ here

No Comments on New Music Friday: Drinsipa

New Music Friday: Jono & The Uke Dealers

‘Joe Meek’s Ghost’ b/w ‘Beautiful Young Things’ is the new single from Northampton’s Jono & The Uke Dealers. The quartet – Dayrl Bond [bass/vocals], Louis Decoster Ryan [drums/percussion], Darren Rogers [ukulele/piano]…

‘Joe Meek’s Ghost’ b/w ‘Beautiful Young Things’ is the new single from Northampton’s Jono & The Uke Dealers. The quartet – Dayrl Bond [bass/vocals], Louis Decoster Ryan [drums/percussion], Darren Rogers [ukulele/piano] and Jono Bell [ukulele/vocals] – have been getting rave reviews over the past few years, so New Boots were keen to get the lowdown on their past and this cracking new song.

How did you guys get together?
Originally formed by Jono & Darren, who had got together as a songwriting team and had written a pocket full of songs together. There was never any intention of getting a band together in the early days. It sort of happened organically, and like most bands we had a few line-up changes on the way, finally becoming what is now The Uke Dealers when Dayrl And Louis joined adding their songwriting talents. Both had collaborated with Darren and Jono in the past. The main motivation for the band is simply to write songs in any genre; we want to no rules. And that’s what we’ve been doing.

How would you describe your sound?
Describing our sound is a hard one so we will quote the Rev D Wayne Love of the Alabama 3 who collaborated on our debut EP on Grassroots Records. “You’re an amazing songwriting band who can’t afford guitars”.

Tell us everything about the single, both sides, ‘Joe Meek’s Ghost’ and ‘Beautiful Young Things’.
The A-side ‘Joe Meek’s Ghost’ is based on the great producers’ myth more than the actual facts, which strangely enough are themselves mythical. We had a ball recording this track with our producer Gavin Monaghan at his Magic Garden Studio in Wolverhampton. Joe Meek’s innovations and inventions are still used today in recording studios. Gavin plays guitar and theremin on the track, which has been already played a few times by Tom Robinson on BBC 6 Music we are happy to say.
The B-side ‘Beautiful Young Things’ is a celebration of Northamptonshire’s amazing music scene and a nod to its past. It’s a old musician talking to a young musician. About the amazing natural high that live gigs give you no matter how old you are. The shared buzz that makes us all equals.

Are you part of a wider scene in Northamptonshire, playing with like-minded bands? Any favourite bands/venues to play with?
We’ve been gigging not just here in our home town but all over the country. Our first gigs here were supporting bands such as Kings Gambit , P-Hex and The Repro Jammers. Members of the above bands we’ve known for years and are part of the extended musical family we belong to here in Northampton. Birmingham has become our second home town and we love our gigs there, often along with indie sensation Paper Buoys who share the same producer as us. A lot of our home gigs are at the usual music venues but our hearts will always remain with The Lab – an independent music venue both currently and historically. We see a lot of local musicians at our gigs and the feedback to our songs has been overwhelming. Recognition from your peers is as good as a paid gig. We often perform at The Umbrella Fair. We believe community is all we’ve really got in the end, and our gigs for them have been the most memorable. It’s lovely having two local venues that bring out the best in your music as soon as you walk through the door.

What has been your favourite band moment of the past year?
Jono getting stung by a wasp on the lip three songs before the end of a festival set and the instant morph into the singing creature from the black lagoon. Great gig by the way!

What was the last album you bought/streamed?
The long awaited P-Hex album, which is a funky masterpiece.

What is your burning desire for the band to do in the future? What plans do you have?
We will continue, track by track, to complete our album with Gavin. Work on new songs. Go with the flow. No rules.

No Comments on New Music Friday: Jono & The Uke Dealers

Type on the field below and hit Enter/Return to search

error: Content is protected !!