Alex Novak META 1977-2017 (VUZ Records) To celebrate a 40-year career in art and music and tied in with his recent gallery exhibition, VUZ Records release a strictly limited edition…
META 1977-2017 (VUZ Records)
To celebrate a 40-year career in art and music and tied in with his recent gallery exhibition, VUZ Records release a strictly limited edition commemorative compilation cassette/download to showcase the work of Northampton artist and musician Alex Novak. To sustain a 40 year career in any field is difficult and even more so in the alternative arts. Alex’s secret of longevity is to be something of a musical chameleon. Constantly evolving and shape-shifting he is one of those rare, eclectic musicians (like Killing Joke or PiL) who produce markedly different work yet it has a certain ingredient that makes it easily identifiable.
Assembled by the guys at VUZ Records this compilation features a host of rare, remixed and unreleased tracks that make the collection a veritable treasure trove. Thus this offering has that ‘mix tape’ feel, like the kind of tape a friend would dub for you back in the day. Kicking things off we have two tracks from one of Northampton’s first punk bands, Isaws. On a subconscious level the original punks knew their tenure was going to burn brightly but briefly so there was a real urgency to make their mark with haste. ‘No Admittance’ and the rarity ‘Nightlife’ are typically fast, furious and powered by a youthful enthusiasm. Imagine The Ramones meeting The Clash.
With Religious Overdose Alex moved onto post-punk, perhaps the most, for awhile, unshackled of musical genres. Post-punk was often angular and brittle mirroring the fragile state of society, and Religious Overdose captured something of that zeitgeist. Like much of their work ‘Control Addicts’ has a hypnotic feel, reeling in the listener before landing a surprise punch. In that respect the band foreshadowed electronic trance (albeit played organically) and like much of the music contained in this collection Alex and his cohorts seem to be ahead of the musical curve uncannily anticipating the direction of alternative music.
Alex’s tenure with UK dark wave pioneers Attrition proved very fruitful and it could be argued that they’re the missing link between Killing Joke and Godflesh. Here ‘Feel The Backlash’ shows the band influenced by their surroundings: it’s cold and monolithic like brutalist architecture, crushing the listener beneath its enormity. Both Spore and The Den took the raw energy of punk and fused it with electronica, two musical genres that at one time were diametrically opposed. It took a mad scientist to fuse them and the effect was literally electric. The Den in particular are like PiL filtered through The Covenant, The Sword…-era Cabaret Voltaire, offering a disturbing glimpse of a dystopian Orwellian future.
In an age when popular culture was accelerated The Tempest perfectly captured that shift from post-punk to gothic and like all the bands on this compilation they stand apart in their originality yet are still connected by thin gossamer threads: the hypnosis that was pioneered with Religious Overdose is evident here in ‘Low Ebb’ and was later transferred to Alex’s Nova State Conspiracy. The two tracks here from the Conspiracy, ‘Definitive Item’ and ‘Life in the Basement’, feature electronics with surgical precision overlaid with organic vocals and the effect is quite disarming. Like all good art it is the tension of opposites that makes it so intriguing.
Like PIL before them Venus Fly Trap had a constantly revolving line-up, more through necessity than design, but unlike PiL the VFT was a democracy and this flux resulted in an ever-changing sound as evidenced by the three tracks presented here. From the bruising rock of ‘Moscow Menagerie’ (again with that hypnotic riff) to the electronic enthusiasm of ‘Achilles Heel’ what did remain constant was the cinematic nature of the music: the combination of music and lyrics combine to imprint a powerful image on your mind. Each track plays out like a ’60s French film noir or Tarantino flick in your imagination. Of course if I assembled this tape I’d have included ‘Pulp Sister’ but maybe you’d pick ‘Morphine’ and that’s the whole point – and fun – of mix tapes.
With a new Venus Fly Trap album tentatively scheduled for a Spring 2018 release there is still more to come from Alex Novak, but ‘META 1977-2017’ is the perfect way to celebrate the closure of one volume just as another begins.
META 1977-2017 is available here.