Northampton rapper Har-Q has been building a strong name for himself with his many releases, and 2018 was a big moment with two albums released. New single ‘Big Money’ is…
Northampton rapper Har-Q has been building a strong name for himself with his many releases, and 2018 was a big moment with two albums released. New single ‘Big Money’ is equally worthy of attention, and New Boots asked a few pertinents to the man himself.
How, when, and why did you become Har-Q?
Well initially I went through some corny names, here’s a couple for e.g – Genesis, T.money, and w.a.s.p. “I was 16 you have to forgive me.” But while I was working at a call centre “big up space designs”, where I mainly wrote rhymes and occasionally answered the phone, one time a guy can’t remember his first name but it came up on the call screen called something “harq” and I complimented his name as I wrote his surname down and alas something I could work with that wasn’t lame. The meaning came not long after that, it was “HAR-Q when I leave the stage it will be a hard cue to beat.” Over the years as I grew in knowledge and the name evolved, it became H.A.R-Q which means the H = herald: messenger, A = ark: the message, R = returns/renaissance and Q = quadrivium, which alienates the hell out of people. I watch them squirm when I tell them this as its a bit geeky and probably out of the scope of their interest, but basically it’s saying that it’s a return to the original principle of university when the scholars focused on the four arts “arithmetic, geometry, music, and astronomy” and I came to spot the familiarity of that in the early hip-hop culture: breakdancing, graffiti, DJ, emcee and these are the pillars of education and advancements in life as the quadrivium / liberal arts gave birth to the renaissance out of the dark ages.
How would you describe your sound?
I go through a range of sounds if you listen to my back catalogue. But don’t: the production isn’t that great, good content but poor recording, so my goal over the years probably became to have a clear audible sound that mimics that of people on the radio.
In terms of content I would describe it as lyrical; often finding myself jumping on the spoken word because people by default don’t like to think too much while listening to music. It always has a storytelling theme because I binge watch and read a lot. I almost give a synopsis on the subject in song form or fully immerse my self into the character and do it first person, trying to embody the tale. I aim for entertainment value.
Composition wise I love heavy melodic music and multiple thumping bass.
Who are your influences?
Hip hop: all the elements when combined
Cap-com: love games
Crunchy-roll: worship anime
Robert Greene: for his accounts of history and what to take from it
Stan Lee for his characters
Big dreamers: anyone with goals ambitions and direction because without the direction they are just dream
Myself: as I sit back and watch myself battle their life and surprise myself with my willpower, creativity, and resilience to the point I think most of the time I’m just a spectator in my own life.
books: because its facts / imagination/ history etc
Nas, for his mastery over the language
Anderson Paak, for his creative style
What was the reaction to the two albums you released in 2018?
Trapped Hop was the first album that was released in twelve years. The first album was done by the record label Big Tuff Ent. So I didn’t really know what to expect with this one with no promotion, no shows, no marketing, no money.
I saw while doing research that you can get your songs streamed on sites like Spotify, iTunes, Amazon etc and thought: sweet, if I get it on their boom that’s my label and manager right there I’m going to get millions of plays while I sit back and get paid, and boy was I wrong. For the first five months it bombed. I had wasted half the year and had nothing to show for it. I was stumped so I got to promoting it: sharing it, making flyers and going to open mics then it slowly started to pick up in the late half of the year. I have seen a subsequent rise in the second quarter of the year, especially ‘Neo Yokio’ [from Trapped Hop].
The Creed has through looking at my analytics, geeking out, it holds most of the top spots, but it’s because I never wasted time when I released it. I was a bit more prepared or knew at least a bit more what to do and consistency is defiantly the key. Ad not just online: you have to hit the streets, if you stop sharing and stop looking for new people your progress slows down. I’m still in my infant stage really, even though I have never stopped working my craft artistically for what feels like a lifetime already. But in a nutshell it has been as successful as it could be in my eyes. Trying to watch my own achievements and not put it in comparison to people further in their career, that’s the quickest way to giving up. And hopefully I have started enough of a buzz for the up and coming material.
Tell us about your new single, ‘Big Money’.
‘Big Money’ is about the grind that we all go through, we always bump into people we know on the street, in a store etc who we haven’t seen in a minute and the hook kind of embodies a call an response theme of the generic questions people often ask. I’ve had a lot of changes in the latter half of this year: I’ve changed jobs after seven years, currently separated from my partner of 12 years, finally back in the studio diligently after eight years, so the grind has been immense. Thinking, learning and working towards where I want to be in the next five-ten years, so right now I’m just like ‘yyyyyooooo let me tell you about it’, but in the way an artist does. It’s a very relatable tune I feel, and felt it had a very human element to it as I’m always rapping about fantasy and stories.
What are your live shows like?
I’ve only this year got back to performing constantly working with the “Lay It Down” team [Northampton] and “Soapbox” spoken word [Milton Keynes] “ Breakmission” hip-hop collective [Birmingham]. So I’ve had some good shows, some shows where the liquor problem got the better of me, shows where my insecurities won. But I love to bring the energy whenever possible, but as I’m developing I want to integrate and bring more to the performance because I focus so much on the lyrical content I feel it can zap my focus on the stage. Forgetting my lyrics is probably the thing I fear the most in the whole world, as well as the socializing aspects afterward. I can be quite socially awkward sometimes, lol, but back to the point when I drop tracks like ‘Gang Gang’ and ‘Akuma’, it can get lit.
Do you feel part of the wider scene in Northampton and like-minded people, any shoutouts?
I think to be a part of the community you have to throw yourself into it. With that said the scene could also do with a shot of adrenaline to bring it to life. Yes I’m trying to immerse myself into it more, and be more involved. Lay it Down has been a massive part of this, and I’ve been out to Rugby doing some shows with Benny & The Jango Massive. I think if we work together, not necessarily as a team but toward a common cause, and combine our strength I think we got a great opportunity here for music lovers of the north.
What has been your favourite moment in 2018?
It has to be, hands down, going to Comic-Con Birmingham and rocking the Har-Q get-up mask and all then hearing someone call my name in the distance thinking it was my boy. By boy I mean friend, not son, as the rest of the sentence would sound like neglect lol. As I tend to wander off I looked round to see a guy with his son and he was like Har-Q, right ? I was taken aback, but was like “HELL YER” and he went to his son [who didn’t seem the faintest bit interested] “Its har-q”. But we stopped, spoke for a minute took a photo and ‘GASSED’ is an understatement.
What was the last album that you brought or streamed?
Well I haven’t brought an album in yonks, but I do listen to Spotify release radar and discovery every Monday where they drop something new that relates to something I’ve been listening to all week just to see what’s good. But I will say new artist wise I like Denzel Curry: love his raspy gravely voice, his content and delivery is furious. Reminds me of that raw era of hip-hop.
What is your burning desire of the future, what plans do you have?
My main desire is to create a comic book to anime, its always been one of my major goals. Other than that to keep working my craft and actually get in the studio with some session musicians and producers and create some classics on an unplugged vibe, and just to get bigger and better, more elaborate.
Big Money is out now. Image courtesy of AudioStage