Tag: grunge

New Music Friday: Drinsipa

Corby mathcore trio Drinsipa have just released a new single, ‘DOP’. Hear it below, along with an interview with singer/guitarist Beb Reed. How did you guys get together? Why the switch…

Corby mathcore trio Drinsipa have just released a new single, ‘DOP’. Hear it below, along with an interview with singer/guitarist Beb Reed.

How did you guys get together? Why the switch to a three-piece after so long as a duo?
Beb: Josh and I are cousins, and basically in 2013 he came down from up north to live here! And we didn’t really know any other musicians in the local area who wanted to do the same sort of stuff we wanted to do, and had no connection to the local music scene, but we enjoyed jamming and rehearsing, so we started a band with our mate Arran. We played a few gigs, and we were really in to it. We started to write some songs on our own aside from that band, and then we got a gig and had to think of a name, thus Drinsipa was born. We started getting a lot of gig offers quite soon which we’d never had before, and we haven’t really stopped since then. We just love playing gigs and being around the people involved in the music scene. We started writing some more complex and experimental songs mainly due to different influences from different bands we were listening to. Having recorded a full length album, we felt it was time to switch things up a bit. We recorded the Poppy Fields EP from home at our old flat in Poppy Fields in Kettering. We played some gigs with the new songs and we had a really good response, but felt we’d benefit from a bass player to fill some of the more chordy and harmonic parts of the songs from the EP. We had toyed with the idea of having our mate Myles come and play bass for us, so when we decided we were going to get a bass player, we instantly thought of Myles. We taught him the songs and he picked up on them really quickly. We started playing some more shows and writing some new stuff and here we are now.

How would you describe your sound?
We find it hard to describe our sound as we try to make the songs sound as non-traditional as possible. We play with a lot of time signatures and obscure song structures, mainly for a laugh and to keep it interesting not just to perform, but to play, or in some cases just to listen back to ourselves. I’d say dynamics are a big part of the sound, as we have a lot of different sounding sections in songs, so they can go from oober brutal to melodic clean within the space of 4 bars, or in our case every 1 and 3/4 bars [that’s a joke]. But if someone asks, I usually say mathcore because it’s the probably the biggest influence of ours.

What was the reaction like to your debut album 42, from 2016?
The reaction was fantastically amaze balls. The album launch show was especially good. We played at The Hut in Corby, and it went fuckin’ mental!!! We didn’t push the album as much as people thought we should have done, but in all honesty, we only do things as a band we think are fun, because we really don’t want it to turn in to a chore for us. We just appreciate that people loved what we were doing and bought our album. We still get comments about it today, and it’s really cool that people dig it. We were quite out of touch with social media back then too, but it’s a lot easier to do now we have an extra helping hand.

Tell us everything about the new single, ‘DOP’.
It’s titled after the practice studio in which it was written; shout out to the The Pod in Corby! It was the first song we wrote after the Poppy Fields EP. We were going for a more visceral, aggressive sound and with the added help of Myles we were able to work out some pretty interesting sounds. The track is full of fuzzy bass and crazy weird riffs and time sigs. It has a cool major-key riff that floats in and out of the track between the more aggressive section and really stupidly stupid heavy section at the end, which is always fun to play live.

Are you part of a wider scene in Northamptonshire, playing with like-minded bands? Any favourite bands/venues to play with?
We play with a lot of different kinds of bands in Northampton, too many to name all of them! We don’t let a difference in genre stop us from playing with bands so it’s just one big mates fest! Skirt, King Purple, Monarchs, Sarpa Salpa are just a few of our local favs!

What has been your favourite band moment of the past year?
We just recently played The Guildhall as part of Twinfest, that was crazy! Huuuuuge hall with huge sound, had a great time! We also flew over to Germany as part of Twinfest and played some gigs over in Marburg, which was phenomenal. Probably one of the highlights our musical lives let alone the past year! We made some great friends and connections over there and it’s cool to be part of the Twinfest family.

What is your burning desire for the band to do in the future? What plans do you have?
We don’t have too many burning desires for the band. We love playing gigs and hearing feedback about our intentionally confusing music. We know it’s not for everyone, which is part of the reason we write the music we do. I think writing and recording is a big part of why we do what we do, and we like to have a physical copy of music that we have written and recorded, there’s something quite special about that. I guess we will have to see what happens, but for now it’s just a barrel o’ laughs!

DOP is out now for ‘name your price’ here

No Comments on New Music Friday: Drinsipa

New Music Friday: Loose Tooth

Northampton three-piece grunge/hardcore outfit Loose Tooth – Adam Cator [bass], Oli Knight [guitar/vocals] and Josh Miller [drums] have followed up last year’s mini LP with a new single, ‘Castles’. Watch the Joshua…

Northampton three-piece grunge/hardcore outfit Loose Tooth – Adam Cator [bass], Oli Knight [guitar/vocals] and
Josh Miller [drums] have followed up last year’s mini LP with a new single, ‘Castles’. Watch the Joshua Goff-directed video below, after reading this here interview about all the Loose things.

How/why/what/when did the project begin?
Adam: Loose Tooth began two and a half years ago. We’d all just come from bands that had drained us emotionally and needed something a little more honest and cathartic. We had started with no clear intentions, just hung out and wrote some music together. At first we were considering getting a singer but we were too tight-knit to add another member. We hope that desire for honesty comes through in the music.

How would you describe your sound?
Oli: We’re a rock band, there’s certain connotations that come with that we try to avoid when writing. We’re not trying to take the path of least resistance when writing, we push our abilities to come up with something that is hopefully interesting and different, whether that be off-kilter time signatures, chord progressions or scales. There’s a certain amount of depth invested with our writing style that we hope translates into music that interests and excites.

Who are your main influences? Musical and non-musical
Josh: I’ve got a bunch, musical influences include: And So I Watch You from Afar, Reuben, 65daysofstatic, Every Time I Die, Toe, The Cure, Father John Misty, Dillinger Escape Plan, Alkaline Trio, Interpol, Crowded House, Nine Inch Nails. Non-musical thinkers that inspire me are Henry Rollins and David Attenborough.
Oli: As a lyricist I always tried to follow the Martin Gore [Depeche Mode] school of thought, but found it to be disingenuous to myself. Since then I’ve taken to a more ‘kitchen sink’ lyrical style in the vein of Jamie Lenman, who is also a big musical influence.
Adam: My musical influences would be Story Of The Year, From First To Last, Underoath, Reuben and Every Time I Die. My non-musical inspiration would be my dad.

What’s the reaction been like to last year’s self-titled mini-album?
Josh: Really great; people are still discovering it and enjoying it. From the reactions we’ve had people seemed to enjoy the honesty. We left a lot of mistakes in and recorded it having not long written and learned the songs, so it came out quite raw I think. Nowadays with a lot of rock music having a serious level of sheen some listeners enjoyed something a bit grittier than usual.

Tell us about ‘Castles’.
Oli: ‘Castles’ is a really simple song: the chord progression churned around in my brain for a while, and that’s why most of the song is those four chords. I felt the lyrics should speak for themselves, so we took a stripped back approach and left all of the craziness for another day. It’s about the frustrations of modern working life, with external pressures to live a middle class existence, despite the fact the middle class has eroded. The ‘castles held up in the sky’ are just a mortgage, or they’re a yearly holiday, something the average low income worker may feel is out of their grasp. Not everyone wants to climb the corporate ladder – why should they be denied a more comfortable life? We recorded the track with Jay Russell again at Parlour Studios. It’s super comfortable with Jay; he understands our weirdness and he’s a complete pro. The video we shot with Joshua Goff and it was done at at our Josh’s work yard where we rehearse weekly. We built the set and Joshua lit it wonderfully.

Is your record label – Undead Collective – and its roster a tight-knit community?
Adam: Undead Collective is a great group of people, we’re in contact most days and their support and advice beyond the remit of label responsibilities has been amazing. Currently there’s only three bands on the roster. We’re yet to meet the newest additions Seasonal, but we’ve chatted online and they’re great guys.

Would you consider your local scene something to be proud of? On the flipside, what’s your biggest frustration with it all?
Oli: Northampton is rich with talented musicians, the scene is definitely one to be proud of. Northampton can be grey and that can be oppressive, but go to The Lab, The Garibaldi or The Black Prince on a Friday night and you’ve got a few hours away from the desolation. I think our frustrations are more with ourselves rather than the scene, this goes for anywhere. Inclusion to scenes is always reliant on being charismatic and outgoing. It’s something that doesn’t come naturally to us, so we try to be as personable as possible when networking but we’re quiet by nature. That doesn’t always endear yourself to people and ultimately that’s as important as putting on a killer show.

What has been your favourite band moment so far?
Oli: Probably just how many gigs we played last year. We just hired vans and shot off. It was a dream come true for me to finally feel like I was in a touring, hard-working band.
Josh: Everything about being in this band, but mainly writing and recording.
Adam: Playing a show in a rehearsal room in Wales.

What was the last album you bought/streamed?
Oli: Arc by Everything Everything
Josh: Braille by Palm Reader
Adam: Logic by Bobby Tarantino

What is your burning desire for the band to do in the future? What solid plans do you have?
Oli: Our burning desire is to one day be able to turn up anywhere in the UK and play to a guaranteed 50 or so people. That’s enough for us. Now ‘Castles’ is out we’ll be thinking about the next single, we’ve got a lot to do until then but we’re excited about the future. For now though it’s all coming up Loose Tooth.

Castles is out now via the usual platforms

No Comments on New Music Friday: Loose Tooth

New Music Friday: Acolytes debut EP

Rushden. Army boots, rough-cut Diamond footballers, and some lakes with soul-destroying shops surrounding them. But now some small salvation comes in the shape of Acolytes and their debut EP Pounding…

Rushden. Army boots, rough-cut Diamond footballers, and some lakes with soul-destroying shops surrounding them. But now some small salvation comes in the shape of Acolytes and their debut EP Pounding Dance Music, via Five Wound Records.

The “NN10 noise brigade” comprise singer/guitarist Hamm, guitarist Tom Bird, bassist Bewlay Stanton and drummer Marcus Lever. The five track EP is not for the faint-hearted, as they fray the senses with the Black Flaggy screamcore of ‘Lord Of The Land’ and ‘Worst Case Scenario’, but also give it some with the good old hard rock/metal sounds (think Kyuss, Nirvana, Motorhead, Mudhoney) on opener ‘Coup de Grace’ and ‘Wanting A War’. The politically-charged DIY band have been building themselves a name through 2017 and so this is a masterly way to begin the year.

Listen below on Spotify or purchase (as a ‘name your price’ deal) from Bandcamp. It’s supposed to be available on CD and cassette from the live shows too, so do get along and see them when you can.

 

No Comments on New Music Friday: Acolytes debut EP

Type on the field below and hit Enter/Return to search

error: Content is protected !!