Tag: indie

Video premiere: The Keepers ‘You’re All I Need’

Northampton quartet The Keepers release their fifth single ‘You’re All I Need’ tomorrow, Friday October 26th. New Boots is the place to exclusively see the accompanying video first. Shot by Alex…

Northampton quartet The Keepers release their fifth single ‘You’re All I Need’ tomorrow, Friday October 26th. New Boots is the place to exclusively see the accompanying video first.

Shot by Alex Bass [and with single artwork by Nallie Simpson], there is a limited edition 7” version of the single available by contacting the band themselves on social media [£7 plus postage and packaging].

We asked singer/guitarist Jordan Jones about the song. “‘You’re All I Need’ was written back in February and we added it into the setlist that same month. We really knuckled down with releasing music this year. We recorded it in June and decided to do it properly and release it on vinyl.” 

He continues: “2018 has been a fantastic year for us so far. We’ve still got a few more months to go until we can crack open a bottle of wine and put our feet up for a few weeks. We always make a list each year of things we want to achieve and so far they’ve all been ticked off – I’m really quite exciting for what we’re planning for next year!”

You can catch the band play a hometown show at The Roadmender on Friday December 7th.

The Keepers on Facebook. Cover photo by Neil McCarty

 

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Ten Of The Best: The Lovely Eggs

Ten Of The Best, with The Lovely Eggs, who play the Northampton Roadmender on Sunday October 21st. Don’t Look at Me (I Don’t Like It) [2011] Have You Ever Heard…

Ten Of The Best, with The Lovely Eggs, who play the Northampton Roadmender on Sunday October 21st.

Don’t Look at Me (I Don’t Like It) [2011]

Have You Ever Heard A Digital Accordion? [2008]

Fuck It [2011]

Wiggy Giggy [2018]

I Just Want Someone To Fall In Love With [2012]

Magic Onion [2015]

People Are Twats [2011]

Allergies [2011]

I Like Birds But I Like Other Animals Too [2008]

Big Sea [2018]

 

 

 

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New Music Friday: Grace

Kettering quartet Grace have been making a name for themselves away from the spotlight these past two years, and now with the latest single ‘Lately’ it is time for New…

Kettering quartet Grace have been making a name for themselves away from the spotlight these past two years, and now with the latest single ‘Lately’ it is time for New Boots to have a word in their ear and discover what they’re all about.

How did you get together?
Back in 2014 our singer Jamie got tired of playing guitar in the mirror and decided to recruit three other guys to form a band. This new band consisted of James Virtue on bass, Nathan Robinson on drums and Josh Menon on second guitar (along with Jamie on vocals and lead guitar). Although we had aspirations to do bigger things we basically just got together every week on a Tuesday lunch in school and played ‘Voodoo Child’ until we’d pissed off enough people within 100 yards! From then on things pretty much stayed the same until we realised we couldn’t move forwards playing stale Presley songs and half assing a few Chilli numbers, so Jamie wrote a few songs and we put our heads to something new. Ever since 2016 we’ve been writing, playing and, when we have the funds, recording our own material. In short, we got together because we all thought, and still think, that we have something to offer musically that is worth listening to. We wanted to recreate that feeling you get when you first hear a new band that sparks something you forgot you could feel.

How would you describe your sound?
Our sound largely derives from a combination of minimalism, typically in the verses, and then more complex, powerful passages. Sort of like if you took Kurt Cobain’s approach to writing a pop song, then added the rhythm of the Chilli Peppers! Often we’ll write our songs with sections to highlight the drums, paired nicely with a bass line that complements them, giving the music a driving energy. This energy is something we’ve really worked at these last few months in our live performances, as this was the best thing about the gigs we went to – and separated the memorable bands from the alright ones. We found that the best way to tap into this energy was a blend of tight playing and wild moments that were unique to each performance.

We think a lot about texture when it comes to our sound, making sure that a song has the right mixture of loud and soft, full and empty passages. It was through this that we started to include drastic changes in texture to encourage a reaction from the listener/crowd, for example including sudden stops and switches from everybody in to just the vocals or even the drums. We’re expecting our sound to change and develop in the coming months, as our guitarist Josh has decided to leave and do his own thing in London, which will mean a different approach to our songs and maybe more stripped-back arrangements.

What are your main influences?
In terms of our sound we take a lot of inspiration from ’90s bands like Nirvana and Radiohead, and Britpop, along with the noughties indie bands we grew up on, like the Arctics, Kooks and Strokes. We reckon if you were to take Nirvana’s erratic sound and apply it to carefully written songs and a more Radiohead-like focus on guitar effects, then you’d be pretty spot on with the sort of songs we’re producing at the moment. In the grander scheme of things, we listen to A LOT of music. Other big influences are artists like The Beatles, The Velvet Underground, Bob Dylan (1964-66), Jeff Buckley, The Smiths and the Red Hot Chili Peppers.

Tell us about the single, ‘Lately’ b/w ‘I’ve Been Thinking’
These two songs came about last autumn, soon after our second EP, Make Your Assumptions (‘Lately’ was actually written by Jamie on the evening of recording sessions). The two songs both show a progression from our older songs and, at least to our ears, show us finding more of our sound. Both songs came from a simple acoustic version, written by Jamie, and were developed by the band in rehearsals (‘I’ve Been Thinking’ sped up considerably and made the transition from a lonely ballad into a tortured rock song). The two songs both deal with the subject of a girl, although neither is about a relationship. ‘Lately’ is set post-breakup and describes the guilt in not giving a person enough attention, and instead “[lying there] alone and think[ing] about all the times [he] should have called [her]”. ‘I’ve Been Thinking’, on the other hand, paints a picture of obsession and directly addresses the subject of this obsession. It is a song that is meant to capture the experience of trying to get someone out your head, but all that happens is you remember snatches of things they’ve said or images of “lifts in [her] car”.

Both songs were chiselled away at in gigs from winter to summer and recorded and mixed in two days, at Parlour Studios on the outskirts of Kettering, with help from our great producer and engineer Neil. The songs were our last project with our guitarist Josh, and we couldn’t have asked for a better way to part ways! We hope you enjoy the tracks as much as we do.

What are your live shows like?
For the past year we have been gigging more and more, making the transition from playing rarely at home functions, to now playing at least two gigs a month. Taking inspiration from other bands we have seen on YouTube and live in person (e.g. the Chillis, Nirvana, Father John Misty, Catfish And The Bottlemen, and Dead Pretties), we have worked at our live performance, focusing on connection to the crowd and the energy generated from this. In the past year our favourite gig, and one that would be an example of us live, was one that we set up ourselves with two local bands (Street Asylum – Uppingham band and Naked Molerats – Kettering band). We invited 200 or so friends and in the end over 270 showed up, bought a ticket, and danced themselves crazy. We never drink before playing as we think it slows us down and stops us from accessing the moment, and we’ve found we don’t need to as, when a gig is going well, the adrenaline and electricity in the air pushes you to do and try things that you can’t conceive in a rehearsal, and it’s this spontaneity that drives our performance.

Are you part of a wider scene in Northamptonshire, playing with like-minded bands? Any favourite bands/venues to play with?
Recently we’ve really enjoyed playing with local bands from all over the county, in Kettering, Corby, Rushden, Northampton and the surrounding villages, with bands like The Scruff, Citrus, Oddity Island, Street Asylum and Sarpa Salpa. These bands have helped us get a feel for the local scene and we have really appreciated the leg up and advice they’ve given us. We’ve played in some cracking venues, our favourites being Kino Lounge [Kettering] and The Charles Bradlaugh [Northampton].

What has been your favourite band moment of the past year?
It has to be from the gig we organised ourselves at the Barton Seagrave Village Hall, with Street Asylum and Naked Molerats. The week leading up to the event, our drummer broke his thumb playing football and, after being casted up, realised that he couldn’t even hold a drum stick in his right hand, let alone play the kit. After considering all our options and mentally preparing ourselves for a last-minute cancellation, Nathan decided to play one handed. We were pretty shocked, and our first reaction was to laugh, but, on hearing his playing at the rehearsal the day before the gig, we realised he was still capable of carrying the set and, more to the point, still playing incredibly. So, although he was shattered by the end, and needed a hand setting up, Nathan played the 80 minute set with complete confidence and maintained the power needed to drive our sound.

What was the last album you bought/streamed?
An album we’ve all recently been listening to is Silver Revolver, by [Australian folkie] Angus Stone, under his alias Lady Of The Sunshine. It’s a great mixture of well-crafted ballads and raw ’70s-inspired blues rock.

You’re all relocating to Brighton, is that correct?
Basically Jamie, James and Nathan are moving to Brighton as of this week, and all studying different courses at the British and Irish Institute of Modern Music. Josh has decided to relocate to London instead and focus on his solo career, which we’re really hoping goes well. We’ll miss him a lot! The plan in Brighton is exactly what you’d think: play as often as possible, keep writing and recording new music, and hopefully build a fanbase and see where it goes.

What is your burning desire for the band to do in the future?
As a group we’re very ambitious. We will continue to set challenges for us to meet until we’re selling out gigs not only across the UK but hopefully the US. Bear with us on that one! If we had to pick one thing that as our ‘burning desire’, it would be to write and record a debut album that turns heads and joins the ranks of such great first albums as Oasis ‘Definitely Maybe’, the Arctic Monkeys Whatever People Say About I Am… and Jeff Buckley Grace (yes the name was definitely partially inspired by this!). If it means waiting a couple of years until we’re ready to drop it, the ‘perfect debut album’ is something that is definitely on our minds.

‘Lately’/’I’ve Been Thinking’ is available now via the usual steaming/download platforms

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It’s A Shoe In: Northants gig guide Aug 29th – Sep 4th

MARTYR DEFILED + BORDERS + FROM EDEN TO EXILE + CASKET FEEDER + URSUS Friday August 31st The Roadmender, Northampton Lincoln death metallers begin their final tour in ShoeTown, bringing…

MARTYR DEFILED + BORDERS + FROM EDEN TO EXILE + CASKET FEEDER + URSUS
Friday August 31st
The Roadmender, Northampton
Lincoln death metallers begin their final tour in ShoeTown, bringing fellow Lincoln metallers Borders along for the ride. Northampton/MK/Swindon supports. Doors 6.45pm, £9 tickets

POPES OF CHILLITOWN + EASYDREAD + DOOZER McDOOZE 
Friday August 31st
The Lab, Northampton
A night of skanking from some of the best party bands from around the country: ska-punk from London, reggae from Bedfordshire, and Southend folkpunk. Doors 7pm, £5 entry

LAST CHANCE + WISHING WOLF + THE 182s
Friday August 31st
The White Hart, Corby
Pop-punk/emo shenanigans, three ways. Doors 8pm, free entry

DON LETTS DJ SET
Saturday September 1st
The Charles Bradlaugh, Northampton
The former Big Audio Dynamite member and DJ extraordinaire plays upstairs at the Brad. In the late ’70s he was the DJ that singlehandedly turned a whole generation of punks onto reggae. Doors 9pm, £10 tickets

THE KEEPERS + SKIRT + GOGO LOCO + CANDIDATES + CHRIS WATSON (THE MOONS) + DUNCAN CRAVEN + MAD MODS AND ENGLISHMEN
Saturday September 1st
The Pomfret Arms, Northampton
Charity all-dayer raising money for The Harry Matthew’s Small Bowel Transplant Trust. A day of live bands and DJ’s and hoping to raise as much money as possible. Doors 1pm, free entry [donations requested]

P-HEX + LITTLE BITBOY
Saturday September 1st
The Lab, Northampton
Baggy-funksters P-Hex have “reluctantly” decided to allow the release of their debut album Quantum Funkanics [insert review quote]. To celebrate this “brave but ultimately foolhardy act” they play live at The Lab, with the fearless chiptune-tastic Little Bitboy in support. The album will be on sale this evening “for anybody brave enough to purchase”. Doors 8pm, £3 entry

CRAIG DAVID + RITA ORA
Saturday September 1st
The County Ground, Northampton
Pop-tastic fun with the original bo selecta, with the R&B princess in support. Doors 4pm, tickets from £20

JIM JONES & THE RIGHTEOUS MIND + THE DUKES OF BORDELLO + GESTALT
Saturday September 1st
The White Hart, Corby
“Seductive, slow burn narco rock…” or “channelling the moody atmospherics of Nick Cave & The Bad Seeds”. Singer and guitarist Jim Jones’ distinctive musical history has spanned several incarnations including The Jim Jones Revue, Black Moses and Thee Hypnotics. Support from trashcan rock’n’roll troubadours from the wrong side of town, and electro art punk from Leicester. Doors 7.30pm, £12 tickets

LUNA ROSA + MUNDAYS + ODDITY ISLAND
Saturday September 1st
The Three Cocks Inn, Kettering
Brash guitars and a touch of nihilism from Corby’s Luna Rosa, who continue their ‘Fear, Filth, Dirt & Death’ tour, bringing it to Kettering with some friends on board. D.I.Y lo-fi psych sounds for the soul from Mundays, whilst Oddity Island bear the gift of oft-kilter folk rock. 8pm doors, free entry

THE ALMIGHTY UPRISERS + SPIRIT BOMB + CRASH INDUCTION
Saturday September 1st
The Horseshoe Inn, Wellingborough
This will be No Rest Promotions penultimate gig at the Horseshoe. Headliners come from the north-east, a five-piece Anti-Fascist edgy ska/punk/reggae band. Support from Brum’s energetic punks and MK party punkers. Doors 8pm, free entry

MATT HOLLYWOOD & THE BAD FEELINGS + KING PURPLE
Sunday September 2nd
The Lab, Northampton
Beginning in 1991 with infamous psych-rock provocateurs The Brian Jonestown Massacre, Matt Hollywood has trodden many musical paths over the last two and a half decades. From deceptively accessible BJM standouts like ‘Not If You Were The Last Dandy On Earth’ and ‘Maybe Tomorrow’, to the tripped-out folk pop of The Out Crowd, and the hazy elegance of Rebel Drones, Hollywood’s songwriting has wandered through multiple genres, the playful experimentation always grounded in a core of earnest emotion. Support from Corby grungedelica trio who are making waves. Doors 7.30pm, £11 tickets

ROSS ALEXANDER II + VELVET ENGINE + THE STRAW HORSES
Sunday September 2nd
The Drunken Duck, Kislingbury
A new venue for The Songwriter Sessions, but still three feature-length sets by some of Northamptonshire’s most talented songwriters in a quiet place where music takes centre stage. This time its the singer and songwriter of The Abrahams, San-D Godoy’s yearning alt-folk, and darkly delicious expertly crafted folk from Rob Bray and Corinne Lucy. Doors 7.30pm, £3 entry

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New Music Friday: Kilamojo

Northampton trio Kilamojo have a new single out, their first official release, entitled ‘Tock Tick’. New Boots spoke to frontman Alex Lillyman about the development to this point. How long…

Northampton trio Kilamojo have a new single out, their first official release, entitled ‘Tock Tick’. New Boots spoke to frontman Alex Lillyman about the development to this point.

How long has Kilamojo been together now? You’re long-term mates, right?
Kilamojo has been going for around 3 to 4 years. We spent a long time just playing together and making music. We didn’t bother with social media or even telling anyone what we were doing for the first couple of years. We were all just buzzing off of the ideas and tunes that, for whatever reason, seemed to be coming together really easily. We’ve all known each other since we were kids. Drummer Phil and I played in our very first band together as teenagers with the exact same lineup! We were 13/14. Funnily enough the main riff in our tune ‘The Reinvention Of The Wolf’ came into existence then and hasn’t changed one bit since. My first meeting with Dio (Dom), our bassist, was when we were probably even younger; 11 or 12 maybe. I used to knock about with his older brother and went round to his house one afternoon and ended up mistakenly shooting Dio in the face with a BB gun!

And what bought you together, musically?
Our shared love of the same bands really; Zeppelin, The Stones, The Police, The Who, James Brown, The Beatles, Chuck Berry, Motorhead, Flying Lotus, The Mars Volta, The Clash & Amanda Houston! The first incarnation of the band died when me and Phil left school and went our separate ways, and we didn’t end up getting back together again until around ten years later. I went off and did god knows how many jobs and got heavily into techno music, and Phil went to uni. About a decade passed since I saw them both again properly. Dio was sat around a mutual friend of ours noodling around playing Black Sabbath riffs on the bass. At that time I’d written some riffs and had a lot of song ideas, however no one to play them with. So I thought I’d ask Dio if he fancied getting together to see if we could make something of them. Shortly after that we needed a drummer and I thought I’d give Phil a buzz. He didn’t even ask for demos to listen to – he was immediately in. The next time I saw Phil was back in the exact same place I’d seen him last when we were 15 or so, in my Mum & Dads loft, where for some reason they allowed us to do our first few rehearsals. From there on in we became Kilamojo.

Tell us about ‘Tock Tick’.
We recorded it all in one day and all live. There are very few overdubs etc in there; in fact from memory I think there are two guitar ones which is laughable when you consider its pushing nine minutes. Its an incredibly simple song at its core: intro, verse, pre-chorus and chorus. We just chose to put a fucking ridiculous psychedelic section in the middle because it feels great and why not. We would describe ‘Tock Tick’ as an eight-minute odyssey that has no real intention, other than to take you somewhere. Think Sly & The Family Stone grooves, Sabbath-esque darkness, Sgt Pepper psychedelia – with a healthy dose of melody thrown in for good measure. The video is basically just us in our favourite place (our rehearsal space) playing the arse off of the thing.

You have quite an elaborate stage set-up, what ‘s the deal with that?
We get this a lot whenever we gig. It always seems to blow peoples minds how much shit we have when we turn up to gigs. We have a stage set-up for four people; however there’s only three of us. I cover the keys as well as guitar and vocals so I essentially cover two peoples worth of kit when we play live. I was lucky enough to get my hands on an old 1968 Vox Jaguar organ a few years back and had it shipped all the way from Detroit. The thing was an absolute wreck when I first received it. So much so that the first time I turned it on it blew the electrics in my house, and I had to get my brother, who luckily is a sparky, round to fix my house. My girlfriend was not pleased. Even though most people would be terrified for it to leave the house I thought it’d be great to write a tune especially for it so I could use it live and incorporate it into the live set up. So I did and creatively called it ‘Organ Song’….I’m sure it’ll have a proper name one day!

We’re very old fashioned in how we approach things. With regards to actual kit all of us use minimal pedals etc. and try to get the most out of our gear for each song. We do this by EQing with amps and tone-switches on guitars. Every song we seem to play is very different to the next, so constant tinkering is required live. Also, for us, the lack of effects forces us to write riffs/songs based on their melody and groove as apposed to the actual tone etc. If a riff sounds shit on an acoustic then chances are its a shit riff, however, if it sounds great on an acoustic then its gonna sound great on any guitar. The same applies to the bass in that sense. Me and Dio try to write counter melodies/riffs to one another as apposed to just bass lines that help push the rhythm. That way because there’s only three of us it adds so much more to the overall sound of Kilamojo.

You played with Band Of Skulls last year, how was that?
That was a pretty amazing experience, purely because of the fact that they personally chose us to play with them based on a self (and shoddily) produced demo EP that they heard. The actual gig itself was amazing and the guys in the band were lovely folks. The drummer they had with them at the time (Julian Dorio) has played with Josh Homme, The Whigs and Eagles Of Death Metal so that was an extra cherry on the cake. He was coincidentally the drummer with The Eagles Of Death Metal at The Bataclan when the terrorist attacks occurred. The gig overall was an amazing experience.

Last album you bought/streamed?
Alex: Hiatus Kaiyote Choose Your Weapon. Its got a song called ‘Shaolin Monk Mother Funk’ on it: whats not to like.
Dio: Beck, Bogert and Appice Beck, Bogert and Appice
Phil: Vulfpeck Mr Finish Line

What’s next for the band?
Hopefully more gigs, we just want to play live. Once ‘Tock Tick’ is out there we want to get back in the studio asap to record a follow-up, and just keep making the music we love. Our next hometown show is supporting Mellor at The Black Prince on Saturday June 16th.

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It’s A Shoe In: Northants gig guide May 2nd – May 8th 2018

DON BROCO Wednesday May 2nd The Roadmender, Northampton Bedford’s versatile rockers continue to plug second album Technology. Doors 7pm, SOLD OUT [check for returns] ICE CREAM HEADACHE + BLACKMAIL BOX…

DON BROCO
Wednesday May 2nd
The Roadmender, Northampton
Bedford’s versatile rockers continue to plug second album Technology. Doors 7pm, SOLD OUT [check for returns]

ICE CREAM HEADACHE + BLACKMAIL BOX
Wednesday May 2nd
The King Billy, Northampton
Captain Beefheart/Zappa-style rock from Peterborough, plus grimy post-punk hailing from Nottingham. Doors 8.30pm, free entry

SURGE + GARDEN + SKIRT
Friday May 4th
Club 43, Northampton
‘Green Carnation’ clubnight, hosted by The Barratts. Headliners are Clacton angular garage-rockers Surge, featuring a couple of ex-Northampton Uni students, with able support from the exciting alt-rockers from Northampton [promoting new single ‘Hate Me’] and Corby [promoting their debut EP] respectively. Doors 9pm, £4 on the door.

HARMFOOL + TYPE 22 + BROKEN EMPIRE
Friday May 4th
The Lab, Northampton
NN stands for New Noise, right? Hardcore, indie and hard rock sounds from Northampton and Towcester. Doors 7pm, £5 on the door

SKULL ABOVE THE CANNON + ZOIC + LOOSE TOOTH + BLACK GABANZA + KYNGS
Friday May 4th
Raff’s Bar, Wellingborough
Metal to the Masses heat one, courtesy of HOP. Sicilian power trio headline, Leicester hardcore just before them, NN grungers one spot below, with South-East and Manchester bands opening proceedings. Doors 7pm, £5 on the door

MOTH + LJ, YOU & GRENE + ROCAKFELLA + SANE
Saturday May 5th
UFO Pavilion, Northampton
‘Club Eclectica’ is a brand new night from Andy Skank at the Racecourse Pavilion. Expect diverse and varied sounds, featuring top DJs and live electronic performances. Doors 10pm, £5 on the door

A-HEADS + SURGERY WITHOUT RESEARCH
Saturday May 5th
The Horseshoe Inn, Wellingborough
Wessex`s A-Heads formed in 1980 from Wiltshire`s punk scene, with support from Kent’s noughties-formed agit-punks. Doors 8pm, free entry

THE BIG DIRTY + MANAKING + WAKE IN THE WATERS + GOODNIGHT VENICE + DARK SKY PARK + SALTLAKE + CHARLIE INDESTRUCTIBLE
Sunday May 6th
The King Billy Rock Bar, Northampton
Alldayer with various shades of rock and pop represented from all over the UK, headlined by recent New Boots interviewees The Big Dirty, playing their first show of 2018. Doors 2pm, free entry

SKIRT + SHADOW OF THE SUN + LUNA ROSA + FLASH PEASANTS +  SKYFLOOD + THE MODERN AGE + FAMILY OF NOISE
Sunday May 6th
Corby Town Bar [Steel Park], Corby
The Corby scene bands together this bank holiday weekend in aid of the NightLight homeless charity. NightLight seeks to relieve poverty among rough sleepers and other homeless adults in Corby and surrounding areas by providing a night shelter and other support services. Doors 1pm, £5 from the venue/on the door

WISHING WOLF + SPRING.FALL.SEA + LAST CHANCE + HILLWOOD + ACOUSTIC ACTS
Sunday May 6th
The Olde England 2, Wellingborough
HOPS bank holiday bash, with a nice bunch of alternative, post-hardcore and pop punk bands playing, and numerous local acoustic acts earlier in the afternoon. Doors 1pm, free entry

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It’s A Shoe In: Northants gig guide Apr 18th – Apr 24th 2018

THE VAQUEROS + SIERRA TANGO Wednesday April 18th The King Billy, Northampton Three-piece indie/alternative group from Peterborough, playing “dynamic songs set around a fictitious Spaghetti Western”. Doors 8.30pm, free entry…

THE VAQUEROS + SIERRA TANGO
Wednesday April 18th
The King Billy, Northampton
Three-piece indie/alternative group from Peterborough, playing “dynamic songs set around a fictitious Spaghetti Western”. Doors 8.30pm, free entry

THE CHEAP THRILLS + PIECES + CITRUS + GRACE
Friday April 20th
The Charles Bradlaugh, Northampton
The Liverpool indie/garage/psych popsters with more hooks than Homebase make their ShoeTown debut in support of new single ‘Codependence’, ably supported by a trio of fresh Northampton/Kettering acts. A banging time to be had by all, and no mistake. Doors 7.30pm, £4.50 tickets

ACOLYTES + EARBONES + MUNDAYS
Friday April 20th
The White Hart, Corby
Week three of the Rocked Up Hootenanny battle for a slot at the festival, this time with a mix of rock and indie from all corners of our county. Doors 8pm, free entry

MIO FLUX / PATCHY, THE ROCKSTAR + LEO ROBINSON / CHARLIE BORTHWICK
Friday April 20th
The Garibaldi Hotel basement, Northampton
DJ/Producer Mio Flux and rapper Patchy, The Rockstar have been collaborating recently, with their tracks being supported by the likes of Reprezent Radio, BBC Introducing, and Balamii Radio. And now the duo are bringing their music to the live stage. Excellent support as well in form of Leo Robinson with Charlie. Doors 8pm, free entry

THE WITCHDOKTORS + KULT 45s + LOS TOMBSTONES
Saturday April 21st
The White Hart, Corby
South London garage punks give seriously good show and so everyone needs to get to the White Hart for this. Support from local swampy rockers and some Peterborough-based lo-fi garage to bring up the rear. Doors 7.30pm, £6.50 tickets

HANNAH FAULKNER + MYJAIKE + ROGUE STATE CIRCUS + DYNAMIX
Saturday April 21st
The Pomfret Arms, Northampton
Another Ni Ni session at the Pomfret, a chance to check out the best singer-songwriters in the area. Doors 7.30pm, free entry

ORANGE CLOCKS
Saturday April 21st
The Three Cocks Inn, Kettering
The OC’s create “textured psychedelia from a shed in a magical and mystical corner of East Northants; occupying themselves by improvising hypnotic noise with driving rhythms and creating elaborate concept pieces”. A groovy night in store for sure. Doors 9pm, free entry

RATS FROM A SINKING SHIP + MURDERERS ROW + THE PRODIGAL SCUM
Saturday April 21st
The Horseshoe Inn, Wellingborough
Punk-rap-metal hybrid from Ilkeston, with support from Southampton’s powerful melodic punk 3-piece and Birmingham’s premier skiffle-punk band. Doors 8pm, free entry

 

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It’s A Shoe In: Northants gig guide Apr 11th – Apr 17th 2018

BLACKWATER HORIZON + BLACK TREE VULTURES Wednesday April 11th The King Billy, Northampton Pure rock from Mainz, Germany with support from metal rockers from Bournemouth. Either way, fist-pumpingly good [and…

BLACKWATER HORIZON + BLACK TREE VULTURES
Wednesday April 11th
The King Billy, Northampton
Pure rock from Mainz, Germany with support from metal rockers from Bournemouth. Either way, fist-pumpingly good [and black]. Doors 8.30pm, free entry

THE MISPELT + BIRTH RITE + DUNCAN BISATT
Friday April 13th
The Garibaldi Hotel, Northampton
Yer headliners are ’90s-era Motorhead-esque dark punk rock’n’rollers, then you have some Black Country steampunk in the middle, and the Bushpigs frontman to open proceedings. Doors 8pm, free entry

WE ARE GIANTS + LOOSE TOOTH+ THE MODERN AGE
Friday April 13th
The White Hart, Corby
The second of four heats. A crowd vote at the end of the evening decides who goes through to one final bout on June 22nd with the chance to win the opportunity of playing the main stage at the Rocked Up Hootenanny festival. Doors 8pm, free entry

STEVIE JONES & THE WILDFIRES + YODACLUB + THE TOUCH 
Friday April 13th
The Romany, Northampton
Acoustic-driven rock promoting new album Angels and Sirens. Plus edgy indie-pop from Corby and 80s-style rock from Kettering. Doors 8.30pm, free entry

LUNA ROSA + ODDITY ISLAND + TOUCAN
Saturday April 14th
The Three Cocks Inn, Kettering
Three of the best alt-rock/indie/psych non-Northampton bands from our county, all on the same bill. The future is bright, the future is now. Doors 8pm, free entry

THOMAS TRUAX + PAT FISH
Saturday April 14th
The Lab, Northampton
On tour in the UK with his signature brand of surreal Americana, promoting his new album All That Heaven Allows Thomas finally brings his Hornicator and ‘band’ of other self-made instruments back to the Lab, supported by his friend and Northampton’s own legendary gentleman and Jazz Butcher Pat Fish. Doors 8pm, £5 on the door

EL CAMINO
Saturday April 14th
The White Hart, Corby
Rockabilly legends bring their own brand of rock’n’roll from their two self-penned albums, plus they’ll throw in a few classics too no doubt. Doors 8pm, price TBA

HUBCAP
Saturday April 14th
The Pomfret Arms, Northampton
Rock/blues/psychedelic two-piece with electric slide and some mean drum beats. Doors 8.30pm, free entry

HOUSES IN MOTION
Saturday April 14th
The Albion Brewery Bar, Northampton
They play jazz, funk, psychedelic rock, indie, and blues; equal parts covers and originals. Doors 9pm, free entry

KING’S GAMBIT
Sunday April 15th
Open Stage Performing Arts Company, Northampton
Northampton powerhouse folkie quintet perform a special one-hour set at Open Stage [off the Kettering Road], for filming and recording purposes. So you now know what to do after your Sunday roast, yeah? The set is played 4pm-5pm, free entry

THE ROCKET DOLLS
Sunday April 15th
The King Billy, Northampton
Brighton riffing-rockers head out on tour to promote sophomore album DeadHead. The trio have been garnering rave reviews for the album and their live show, so one to catch. Doors 6pm, free entry

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New Music Friday: Deep Sea Mountains

Northampton indie-rock types Deep Sea Mountains have just released a new, Stalkers Studios-recorded EP entitled Pipe Dream. Watch the video for the title track below, but first New Boots spoke…

Northampton indie-rock types Deep Sea Mountains have just released a new, Stalkers Studios-recorded EP entitled Pipe Dream. Watch the video for the title track below, but first New Boots spoke to singer and guitarist Will Sey about it – and the bands’ past and future.

How/why/when did you guys get together?
Deep Sea Mountains have been playing together for four years now. When I first started playing live I was a solo acoustic act. As the songs grew my peers and I recognised the need for a bigger sound. I put together a band (all friends) to perform and record with. We played together for a bit, then two of the band members followed their hearts and left the island. The band was still young and Al Humphries and I were keen as ever to get going again, so I asked my friend Joe [Martin] to try out on the drums and my father-in-law Robin [Pugh] to try out on the bass. Both Joe and Robin were new to their respective instruments but took to them like a duck to water. It worked, we were happy – and are still creating now!

How would you describe your sound?
I would describe our sound as somewhere between indie, punk, britpop and grunge. That would describe the EP sound. The 2016 album spans many more genres, but we had to find ‘our sound’ and I believe this Pipe Dream release has done so (or at least helped).

Who/what are your main influences in and out of music?
Musical influences for me come from many sources. I am a huge Pink Floyd, Radiohead and Muse fan, have always loved heavy music, even a bit of hip hop and dubstep. Although I believe most inspiration has been drawn from the Northamptonshire music scene. Non-musical influences are drawn from the desire to help people, urging folk to get a big dose of nature therapy on the regular as I genuinely believe it brings peace to the body and mind.

Tell us about ‘Pipe Dream’.
‘Pipe Dream’ is the result of a bad time at work. I was in need of change and hadn’t acted, the result was a sense of gloom I couldn’t seem to shake. So I signed off with stress, headed out for a long walk and returned with a song about the comfort zone.

Do you feel there’s been a progression since the self-titled 2016 album?
I feel we have progressed. I’ve started playing electric now so the sound has grown. We are now writing as collective too so that adds many new dimensions. The album was mostly written when we started rehearsing so now there’s a freedom with the new material. It all feels a lot fresher.

What are your live shows like? Do you feel part of a music scene here in Northamptonshire?
The live shows are a lot of fun, we all know what we need to do and seem to get a lot of good feedback. We’re lucky enough to have had considerably more good gigs than bad ones too! We’ve been a part of the local music scene for many years now and have had the pleasure of playing alongside many superb artists. I don’t know what it is about this town but we are spoilt rotten on the music front.

What has been your favourite band moments so far?
Recording the album was a huge deal for me. After writing and playing for so long with no releases under my belt it felt like a huge milestone had been reached. Its a great feeling knowing that our songs are out and available, across the globe. In 2015 we had a headline show for Twinfest; this also felt like a huge milestone for me.

What was the last album you bought/streamed?
‘Science Fiction’ by Brand New.

What is your burning desire for the band to do in the future? What immediate plans do you have?
My desire for the band probably has to be a tour of some kind, preferably global. More shows, more festivals and more releases. Immediate plans are to put ‘Pipe Dream’ on a hard copy and then plan a launch night. Meanwhile, we have three new songs to work on ready for our next trip to the studio!

Pipe Dream can be downloaded for free from Bandcamp

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