Tag: interview

New Music Friday: L30 Robinson

L30 Robinson is a young Northampton-based tongue-in-cheek rapper who began releasing music in 2014, regularly collaborating with long-term friend and DJ Charlie Borthwick [aka CB]. In 2017 he released his first…

L30 Robinson is a young Northampton-based tongue-in-cheek rapper who began releasing music in 2014, regularly collaborating with long-term friend and DJ Charlie Borthwick [aka CB]. In 2017 he released his first studio album Wish U Were Here. He’s just dropped another of his masterful efforts, ‘3’7 – Size Don’t Matter’. New Boots chose the occasion to have a few words.

When did you start rapping, and when did you first take it out of your bedroom into the world?
Attending Weston Favell and having supply teachers was a regular occurrence, and one of the supplies used to play songs in his classes to get the kids on board and make him seem cool. I always tried to freestyle over the instrumental sections of the songs. Then when Charlie moved to my school in about 2011 he heard me in one of those lessons and said “yo I’ve just started making beats you should make a song with one” so I did and it all began there. I used his beat for a YouTube video shot in my bedroom then started making and uploading like 2-3 vids a week.

What were those crucial early influences that made you think, “this is for me”?
As a beginner I always struggled with flow, but I compared myself to rappers my level and I didn’t sound like any of them lyrically. I was always more mature with my lyrics and then people who watched me generally had the same feeling. I remember after a year or so I was shooting a freestyle for a media channel called SoSoBlessed and the cameraman Tera D said “Leo your flow needs work but your lyrics are crazy” and that’s really stuck with me to this day.

How would you describe your sound?
Straight to the point, lyrical storytelling.

What was the reaction like to last year’s Wish U Were Here album?
The feedback was really positive, but I think I came across way too dense. There’s one feature in the first song so it’s all me and it’s got like 18 tracks. I would’ve been better off staggering it into four EPs or something, but you live and you learn and it just means I’ve got 20 sick songs on Spotify.

Tell us everything about this new song, “3’7 – Size Don’t Matter”.
The song follows no direct story, it’s just one liners. The beat was made by Bak Beats [check him out on YouTube] and when I heard it I was just drawn into being aggressive with the lyrics but in a playful way as to not come across too harsh. For instance “Mistaken identity/Are you p*****?/That guy’s white and 6’6” is actually a true story about how Charlie got beat up in a nightclub in Kettering and the bouncers walked straight past the guy who did it, threw me out, then the police arrested me – only to release me later on. Chaos.

How do you approach your live performances? Faithful recreations your thing, or do you improvise?
We rehearse our sets. I always change the song order and try to add something different to each show. At NMF 2016 me and Charlie finished our set with a screeching flat line sound playing and walked down the road for a beer leaving everyone confused about what was going on.

Do you feel part of a wider scene in Northampton? Any favourite acts or venues?
I feel more connected with the local bands that any rap scene, although Lay it down is changing that. Shout out to Leon Denton he’s working hard to form a rap scene. I don’t wanna start naming acts then forget someone but I’ll give you this: when me and Charlie won Northampton’s Best Young Musical act in 2016 at the Roadmender that was special, not just to win it but I’m the only rapper to ever win it. As a rapper I was already at a disadvantage because people would put me in a box and say “it’s not hard”, as I wasn’t playing an instrument, yet some of the bands they were supporting played a couple covers standing still with no stage presence whatsoever – not exactly difficult.

You were recently on ITV2 show ‘Don’t Hate The Playaz’. Tell us about that.
That was hooked up by Leon from Lay It Down. He was contacted by ITV and he passed on some details to me. They liked my material and it all went from there. It’s an amazing thing to see of course, but normal people are on TV everyday. I’m just glad I took my opportunity, but I’m hungry for more.

What was the last album you bought/streamed?
Jay Rock – Redemption. Awesome album, literally complete. It’s got hits, deep songs; it makes you want him to win. Jay Rock is so underrated.

What is your burning desire to do in the future? What plans do you have for 2019?
I need to perform more out of town. I’m thinking if I can bag like two shows a month then I’ll be happy with that. The music I’ve got stored will take care of me online, so I now want to make a more physical reach out.

 

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New Music Friday: Mio Flux

Mio Flux (aka Jacob Bartoli) is a Northampton electronic producer, who is working alongside Patchy, The Rockstar on many of his collaborations. ‘SNL’ is the latest single to drop, and…

Mio Flux (aka Jacob Bartoli) is a Northampton electronic producer, who is working alongside Patchy, The Rockstar on many of his collaborations. ‘SNL’ is the latest single to drop, and it’s such a great tune [and Northampton love-in] that New Boots had to have a few moments with him.

How/why did you start the Mio Flux project?
I started the Mio Flux project when I was about 17. Before then I was a frontman for indie bands and indie solo projects. My laptop and software changed everything for me musically, I started to appreciate the electronic side of music and ended up totally indulged and obsessed with it. The reasoning behind Mio Flux was to be able to collaborate with as many artists as possible from all genres and mix my two musical loves together. I always wanted to do something different and original.

How would you describe your sound?
Atmospheric. I like to add multiple layers and create my own sounds that are unexpected. I think the intro for ‘Catch My Hook’ describes my sound the best; catchy melodies with bells and airy synths as an under layer. Hopefully interesting for the listener.

Who are your main influences in music? It seems to be everything from Diplo to David Bowie…
I have a wide range. I am very influenced by producers like Murda Beatz, Mike Will Made it, Diplo, Pharrel, Mark Ronson and George Martin. They are all game changing producers in their own right. However one of my strongest influences is definitely Scritti Politti from the 70/80’s. In my eyes they have a perfect combination of outstanding songwriting, production, catchy guitar/synth/bass riffs, and memorable choruses.

What was it about Patchy that attracted you to working with him?
We met working at Toys’R’Us, and he was my manager. He first did a verse on a track I was cooking up with Marcus and George from Sarpa Salpa, and from then we just clicked and began working on ‘Balmain’, and others. Our collaboration has been going on for well over a year now, and I feel we get stronger and better with every track. His hooks are unreal; every single one of them is as catchy as the last.

What was the reaction like to [previous single] ‘Sabo’?
Fantastic, every show without fail people know the chorus [it’s not too complex], so it seems to be a really uplifting song in our set that injects energy into the crowd. It’s a song I always compare our new tracks too, to see if they have the same energy on stage.

Tell us about this new release, ‘SNL’.
The single started by Patchy and I wanting to sample guitars and really demonstrate there’s more to rap than just the beats and repetitive melodies. So we went through a few bands we know in Northampton and ‘She Never Lies’ by Sarpa Salpa stood out. SNL consists of Sarpa’s guitar recordings over the top of a trap beat. Even Marcus’ vocals make an appearance at the end of the streaming versions of the song. We wanted to really break through new ground and collaborate with an interesting mix of genres. The video is also directed by ourselves, and edited by our regular collaborator in the States, Lil Adlib. The video carries on our theme of retro gaming. There are even scenes of me and Patchy fighting in Street Fighter 2.

What are your live shows like?
Energetic and fast paced. We like to keep a continuous flow of music so Patchy and I will talk in intros or filtered outs. This ensures the crowd are kept on their toes. It’s made for every music lover.

What has been your favourite Mio Flux moment of 2018?
Without a doubt it was mine and Patchy’s headline show at the Garibaldi. The atmosphere was unreal, everyone chanting our lyrics, I won’t forget that night for a long time. The line up was so strong too; Leo Robinson, Charlie Borthwick and Kiao opening the show and Ginger Snaps providing the after party. I can’t thank everyone enough for that night, a night I really wasn’t expecting.

What was the last thing you bought/streamed?
Anderson .Paak ‘Tints’ [featuring Kendrick Lemar]. The single has got me really excited for his new album to drop. He’s definitely someone I would love to work with.

What is your burning desire to do in the future? What plans do you have?
Patchy and I are building up enough quality music to be able to release a joint mixtape, and hopefully go on tour with it. I want to keep our momentum flowing with singles and videos beforehand. Also I have nearly finished a collaboration with The Barratts: if you love ‘The Garrison’, I hope you love the remix too.

SNL is out now on the usual digital platforms

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New Music Friday: Ginger Snaps

Northampton pop artiste Ginger Snaps – aka Jay Brook and friends – has been regularly treating us to his three minute ditties since 2016. The latest served up from the…

Northampton pop artiste Ginger Snaps – aka Jay Brook and friends – has been regularly treating us to his three minute ditties since 2016. The latest served up from the former OhBoy!, My Pilot and Bruises man is ‘With Or Without Her’. New Boots ventured into the heart of ShoeTown to meet up with Brook in his natural domain – the studio – and go over the project with a fine tooth comb. Listen in below

 

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Interview: Charlotte Carpenter brings us Babywoman Records

Kettering singer-songwriter Charlotte Carpenter has earlier in the summer launched her own record label, Babywoman Records, and today  announces the first release on it from Alessi’s Ark. New Boots Editor Phil…

Kettering singer-songwriter Charlotte Carpenter has earlier in the summer launched her own record label, Babywoman Records, and today  announces the first release on it from Alessi’s Ark. New Boots Editor Phil Istine met up for a coffee and spoke to Carpenter all about it, in our first ever audio interview just below. Full single release details are below too.

The Alessi’s Ark single is entitled ‘Devant Moi’, and is released digitally on September 27th. A fresh dreamy, French pop sound comes from Londoner Alessi Laurent-Marke, and is a follow up to her fourth studio LP Love Is The Currency [2017]. Delivered in French (a mother tongue for Alessi), she remarks of the song:
“’Devant Moi’ is the connection felt between true partners, taking that leap and being open to love with another being. I feel such a strong connection to water when swimming, the ground when walking, it’s so visceral, physical, intimate, medicinal… but only to a point. ‘Devant Moi’ is about being ready, at last, to share intimacy after a long period spent alone in connection with nature only”.

Alessi has toured extensively in the UK, Europe, US and Japan: with Mumford & Sons, Laura Marling, John Grant, Jenny Lewis and M.Ward amongst others. Her releases have won acclaim from BBC London, BBC 6, XFM, WFMU, DubLab, KEXP and previous LP ‘Love Is The Currency’ was warmly welcomed by MOJO, Guardian, Best Fit, Clash, and The 405. ‘Devant Moi’ is produced by fellow Ark member Jason Santos, and mixed by Jag Jago. 

Alessi heads out on a run of UK & EU shows with Carpenter this November:

Saturday 17th – The Playhouse, Northampton
Monday 19th – The Islington, London
Tuesday 20th – The Castle, Manchester
Wednesday 21st – Yellow Arch Studios, Sheffield
Thursday 22nd – Prince Albert, Stroud
Saturday 24th – De Log, Ghent
Sunday 25th – Kulturcafe Lichtung, Cologne
Tuesday 27th – Freundlich+Kompetent, Hamburg
Thursday 29th – Feinkost Lampe, Hannover

Babywoman Records on Facebook. Artwork design by Rogue Ink and CC/AA photo by Wild Sisters

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New Music Friday: Grace

Kettering quartet Grace have been making a name for themselves away from the spotlight these past two years, and now with the latest single ‘Lately’ it is time for New…

Kettering quartet Grace have been making a name for themselves away from the spotlight these past two years, and now with the latest single ‘Lately’ it is time for New Boots to have a word in their ear and discover what they’re all about.

How did you get together?
Back in 2014 our singer Jamie got tired of playing guitar in the mirror and decided to recruit three other guys to form a band. This new band consisted of James Virtue on bass, Nathan Robinson on drums and Josh Menon on second guitar (along with Jamie on vocals and lead guitar). Although we had aspirations to do bigger things we basically just got together every week on a Tuesday lunch in school and played ‘Voodoo Child’ until we’d pissed off enough people within 100 yards! From then on things pretty much stayed the same until we realised we couldn’t move forwards playing stale Presley songs and half assing a few Chilli numbers, so Jamie wrote a few songs and we put our heads to something new. Ever since 2016 we’ve been writing, playing and, when we have the funds, recording our own material. In short, we got together because we all thought, and still think, that we have something to offer musically that is worth listening to. We wanted to recreate that feeling you get when you first hear a new band that sparks something you forgot you could feel.

How would you describe your sound?
Our sound largely derives from a combination of minimalism, typically in the verses, and then more complex, powerful passages. Sort of like if you took Kurt Cobain’s approach to writing a pop song, then added the rhythm of the Chilli Peppers! Often we’ll write our songs with sections to highlight the drums, paired nicely with a bass line that complements them, giving the music a driving energy. This energy is something we’ve really worked at these last few months in our live performances, as this was the best thing about the gigs we went to – and separated the memorable bands from the alright ones. We found that the best way to tap into this energy was a blend of tight playing and wild moments that were unique to each performance.

We think a lot about texture when it comes to our sound, making sure that a song has the right mixture of loud and soft, full and empty passages. It was through this that we started to include drastic changes in texture to encourage a reaction from the listener/crowd, for example including sudden stops and switches from everybody in to just the vocals or even the drums. We’re expecting our sound to change and develop in the coming months, as our guitarist Josh has decided to leave and do his own thing in London, which will mean a different approach to our songs and maybe more stripped-back arrangements.

What are your main influences?
In terms of our sound we take a lot of inspiration from ’90s bands like Nirvana and Radiohead, and Britpop, along with the noughties indie bands we grew up on, like the Arctics, Kooks and Strokes. We reckon if you were to take Nirvana’s erratic sound and apply it to carefully written songs and a more Radiohead-like focus on guitar effects, then you’d be pretty spot on with the sort of songs we’re producing at the moment. In the grander scheme of things, we listen to A LOT of music. Other big influences are artists like The Beatles, The Velvet Underground, Bob Dylan (1964-66), Jeff Buckley, The Smiths and the Red Hot Chili Peppers.

Tell us about the single, ‘Lately’ b/w ‘I’ve Been Thinking’
These two songs came about last autumn, soon after our second EP, Make Your Assumptions (‘Lately’ was actually written by Jamie on the evening of recording sessions). The two songs both show a progression from our older songs and, at least to our ears, show us finding more of our sound. Both songs came from a simple acoustic version, written by Jamie, and were developed by the band in rehearsals (‘I’ve Been Thinking’ sped up considerably and made the transition from a lonely ballad into a tortured rock song). The two songs both deal with the subject of a girl, although neither is about a relationship. ‘Lately’ is set post-breakup and describes the guilt in not giving a person enough attention, and instead “[lying there] alone and think[ing] about all the times [he] should have called [her]”. ‘I’ve Been Thinking’, on the other hand, paints a picture of obsession and directly addresses the subject of this obsession. It is a song that is meant to capture the experience of trying to get someone out your head, but all that happens is you remember snatches of things they’ve said or images of “lifts in [her] car”.

Both songs were chiselled away at in gigs from winter to summer and recorded and mixed in two days, at Parlour Studios on the outskirts of Kettering, with help from our great producer and engineer Neil. The songs were our last project with our guitarist Josh, and we couldn’t have asked for a better way to part ways! We hope you enjoy the tracks as much as we do.

What are your live shows like?
For the past year we have been gigging more and more, making the transition from playing rarely at home functions, to now playing at least two gigs a month. Taking inspiration from other bands we have seen on YouTube and live in person (e.g. the Chillis, Nirvana, Father John Misty, Catfish And The Bottlemen, and Dead Pretties), we have worked at our live performance, focusing on connection to the crowd and the energy generated from this. In the past year our favourite gig, and one that would be an example of us live, was one that we set up ourselves with two local bands (Street Asylum – Uppingham band and Naked Molerats – Kettering band). We invited 200 or so friends and in the end over 270 showed up, bought a ticket, and danced themselves crazy. We never drink before playing as we think it slows us down and stops us from accessing the moment, and we’ve found we don’t need to as, when a gig is going well, the adrenaline and electricity in the air pushes you to do and try things that you can’t conceive in a rehearsal, and it’s this spontaneity that drives our performance.

Are you part of a wider scene in Northamptonshire, playing with like-minded bands? Any favourite bands/venues to play with?
Recently we’ve really enjoyed playing with local bands from all over the county, in Kettering, Corby, Rushden, Northampton and the surrounding villages, with bands like The Scruff, Citrus, Oddity Island, Street Asylum and Sarpa Salpa. These bands have helped us get a feel for the local scene and we have really appreciated the leg up and advice they’ve given us. We’ve played in some cracking venues, our favourites being Kino Lounge [Kettering] and The Charles Bradlaugh [Northampton].

What has been your favourite band moment of the past year?
It has to be from the gig we organised ourselves at the Barton Seagrave Village Hall, with Street Asylum and Naked Molerats. The week leading up to the event, our drummer broke his thumb playing football and, after being casted up, realised that he couldn’t even hold a drum stick in his right hand, let alone play the kit. After considering all our options and mentally preparing ourselves for a last-minute cancellation, Nathan decided to play one handed. We were pretty shocked, and our first reaction was to laugh, but, on hearing his playing at the rehearsal the day before the gig, we realised he was still capable of carrying the set and, more to the point, still playing incredibly. So, although he was shattered by the end, and needed a hand setting up, Nathan played the 80 minute set with complete confidence and maintained the power needed to drive our sound.

What was the last album you bought/streamed?
An album we’ve all recently been listening to is Silver Revolver, by [Australian folkie] Angus Stone, under his alias Lady Of The Sunshine. It’s a great mixture of well-crafted ballads and raw ’70s-inspired blues rock.

You’re all relocating to Brighton, is that correct?
Basically Jamie, James and Nathan are moving to Brighton as of this week, and all studying different courses at the British and Irish Institute of Modern Music. Josh has decided to relocate to London instead and focus on his solo career, which we’re really hoping goes well. We’ll miss him a lot! The plan in Brighton is exactly what you’d think: play as often as possible, keep writing and recording new music, and hopefully build a fanbase and see where it goes.

What is your burning desire for the band to do in the future?
As a group we’re very ambitious. We will continue to set challenges for us to meet until we’re selling out gigs not only across the UK but hopefully the US. Bear with us on that one! If we had to pick one thing that as our ‘burning desire’, it would be to write and record a debut album that turns heads and joins the ranks of such great first albums as Oasis ‘Definitely Maybe’, the Arctic Monkeys Whatever People Say About I Am… and Jeff Buckley Grace (yes the name was definitely partially inspired by this!). If it means waiting a couple of years until we’re ready to drop it, the ‘perfect debut album’ is something that is definitely on our minds.

‘Lately’/’I’ve Been Thinking’ is available now via the usual steaming/download platforms

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New Music Friday: Drinsipa

Corby mathcore trio Drinsipa have just released a new single, ‘DOP’. Hear it below, along with an interview with singer/guitarist Beb Reed. How did you guys get together? Why the switch…

Corby mathcore trio Drinsipa have just released a new single, ‘DOP’. Hear it below, along with an interview with singer/guitarist Beb Reed.

How did you guys get together? Why the switch to a three-piece after so long as a duo?
Beb: Josh and I are cousins, and basically in 2013 he came down from up north to live here! And we didn’t really know any other musicians in the local area who wanted to do the same sort of stuff we wanted to do, and had no connection to the local music scene, but we enjoyed jamming and rehearsing, so we started a band with our mate Arran. We played a few gigs, and we were really in to it. We started to write some songs on our own aside from that band, and then we got a gig and had to think of a name, thus Drinsipa was born. We started getting a lot of gig offers quite soon which we’d never had before, and we haven’t really stopped since then. We just love playing gigs and being around the people involved in the music scene. We started writing some more complex and experimental songs mainly due to different influences from different bands we were listening to. Having recorded a full length album, we felt it was time to switch things up a bit. We recorded the Poppy Fields EP from home at our old flat in Poppy Fields in Kettering. We played some gigs with the new songs and we had a really good response, but felt we’d benefit from a bass player to fill some of the more chordy and harmonic parts of the songs from the EP. We had toyed with the idea of having our mate Myles come and play bass for us, so when we decided we were going to get a bass player, we instantly thought of Myles. We taught him the songs and he picked up on them really quickly. We started playing some more shows and writing some new stuff and here we are now.

How would you describe your sound?
We find it hard to describe our sound as we try to make the songs sound as non-traditional as possible. We play with a lot of time signatures and obscure song structures, mainly for a laugh and to keep it interesting not just to perform, but to play, or in some cases just to listen back to ourselves. I’d say dynamics are a big part of the sound, as we have a lot of different sounding sections in songs, so they can go from oober brutal to melodic clean within the space of 4 bars, or in our case every 1 and 3/4 bars [that’s a joke]. But if someone asks, I usually say mathcore because it’s the probably the biggest influence of ours.

What was the reaction like to your debut album 42, from 2016?
The reaction was fantastically amaze balls. The album launch show was especially good. We played at The Hut in Corby, and it went fuckin’ mental!!! We didn’t push the album as much as people thought we should have done, but in all honesty, we only do things as a band we think are fun, because we really don’t want it to turn in to a chore for us. We just appreciate that people loved what we were doing and bought our album. We still get comments about it today, and it’s really cool that people dig it. We were quite out of touch with social media back then too, but it’s a lot easier to do now we have an extra helping hand.

Tell us everything about the new single, ‘DOP’.
It’s titled after the practice studio in which it was written; shout out to the The Pod in Corby! It was the first song we wrote after the Poppy Fields EP. We were going for a more visceral, aggressive sound and with the added help of Myles we were able to work out some pretty interesting sounds. The track is full of fuzzy bass and crazy weird riffs and time sigs. It has a cool major-key riff that floats in and out of the track between the more aggressive section and really stupidly stupid heavy section at the end, which is always fun to play live.

Are you part of a wider scene in Northamptonshire, playing with like-minded bands? Any favourite bands/venues to play with?
We play with a lot of different kinds of bands in Northampton, too many to name all of them! We don’t let a difference in genre stop us from playing with bands so it’s just one big mates fest! Skirt, King Purple, Monarchs, Sarpa Salpa are just a few of our local favs!

What has been your favourite band moment of the past year?
We just recently played The Guildhall as part of Twinfest, that was crazy! Huuuuuge hall with huge sound, had a great time! We also flew over to Germany as part of Twinfest and played some gigs over in Marburg, which was phenomenal. Probably one of the highlights our musical lives let alone the past year! We made some great friends and connections over there and it’s cool to be part of the Twinfest family.

What is your burning desire for the band to do in the future? What plans do you have?
We don’t have too many burning desires for the band. We love playing gigs and hearing feedback about our intentionally confusing music. We know it’s not for everyone, which is part of the reason we write the music we do. I think writing and recording is a big part of why we do what we do, and we like to have a physical copy of music that we have written and recorded, there’s something quite special about that. I guess we will have to see what happens, but for now it’s just a barrel o’ laughs!

DOP is out now for ‘name your price’ here

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New Music Friday: Phantom Isle

Northants/London psych-rock quartet Phantom Isle have released their third single, ‘Focus’. Scroll down to hear it, but first New Boots speaks to singer-guitarist Peter Marchant about all things Phantom. How…

Northants/London psych-rock quartet Phantom Isle have released their third single, ‘Focus’. Scroll down to hear it, but first New Boots speaks to singer-guitarist Peter Marchant about all things Phantom.

How did Phantom Isle get together?
Myself and my brother Matt got together in 1991 when I was born, and we started playing with Sam back in 2012 when I was writing and performing under my own name, as some in Northampton may remember. We then started writing music together and relaunched ourselves as a band. Last year we got together with our keyboard player Josh who me and Matt knew from primary and secondary school.

How would you describe your sound to the uninitiated?
Psych Pop Disco Inferno™

Who are your main musical influences as a band, do you think?
Queen, Led Zeppelin, Tame Impala and maybe The Smiths

Tell us about new single, ‘Focus’.
The lyrics existed before the music if I remember right. Our drummer Sam had written them about a ‘friends with benefits’ kind of thing he’d had that got a bit full on. We then started jamming around with this chord pattern, and the rest was history! I met John Harbison from RYP Recordings at a Fox Chapel gig in Camden and ended up recording ‘Focus’ at their studio, and releasing it with them. They’ve been ace and have invited us to perform on their stage at The Great Escape.

It’s great that you get to play Brighton’s The Great Escape Festival on May 19th.
We can’t wait; it was one of the things we set out to achieve around this time last year. I went to the festival in 2017 for the first time and was spellbound by such as acts as Flamingods, Husky Loops and Bad Sounds. Seeing our name up on the line up is a massive step for us, we’ve got RYP Recordings to thank for including us on their stage alongside some great artists that they’ve worked with recently.

Bassist Matt recently suffered serious ill-health. How is his recovery going?
My brother’s courage and determination in the face of his brain tumour has been nothing short of heroic. Considering we nearly lost him to a brain haemorrhage in February on the day shot the video for ‘Focus’, the progress he has made since then has been amazing. He’s been really active: going to fitness classes, doing yoga, bowling, walking and eating well. He’s just about to start radiotherapy to try and reduce the tumour, so we’re all praying this will make a difference on top of what he’s already doing. He’s my biggest inspiration – we’re endlessly proud. We have an incredibly talented bassist called Esmeralda Edwards filling in who has been truly amazing in learning our songs at such short notice. She’ll playing with us at some of our biggest shows yet, so no pressure!

Best and worst thing about being in a sibling band situation?
Best thing, we get to be like Oasis. But better. Worst thing, Matt’s heard all the sh*te recordings I was making when I was 10. There’s always a slight risk he make set them loose on the world. Joking aside, I love playing in a band with my brother.

What was the last album you bought/streamed?
Paul White Rejuvenate. Great producer from South London for those unfamiliar. Heard ‘Spare Gold’ on 6 Music and haven’t stopped listening to him since.

What is your burning desire for the band? 
To keep things progressing and bring out some more psych pop disco classics for humanity to enjoy.

What plans do you have for the rest of 2018?
To welcome Matt back in the band and to enjoy life without cancer getting in the way.

 

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New Music Friday: The Big Dirty

Northampton’s hard rocking quartet The Big Dirty are on the comeback trail, and celebrate this with new tracks ‘Safeword’ and ‘Queen Of Hearts’. New Boots catches up with bassist James…

Northampton’s hard rocking quartet The Big Dirty are on the comeback trail, and celebrate this with new tracks ‘Safeword’ and ‘Queen Of Hearts’. New Boots catches up with bassist James Cutler.

How/when/why did you guys get together?
We have been in bands together in some form for the past 15 years! Dave and Chris were played together at school/college and myself and James have been in a few bands since the age of 15. We gave it a rest for a few years until we started to get the itch for the rock n roll lifestyle again. So we started up The Big Dirty! We called on Dave to play the drums as our previous guitarist had played with him before and couched for his abilities. It was only this year that Chris joined as our new guitarist. Chris composed the score for the Rhythm Of My Drum music video and we have been working with him on an up and coming collaboration project with local rapper Tony Ceasar. We instantly clicked and haven’t looked back.

How would you describe your sound?
We like to say it’s Sex Rock! we all have massively different influences which we like to think gives us a fresh sound! We like to sing about all things sex, drugs and rock’n’roll.

Who are your main influences?
We all have a wide range of influences such as He is Legend, Underoath, Pink Floyd, Matt Corby, Emery, Breathe Caroline, Buck Cherry, Pendulum, Led Zep, Dead Sara, Alter Bridge, Ozzy, Dream Theatre, The Beatles, Foo Fighters, Bon Jovi, Bloc Party & The Libertines.

Tell us about the new songs
‘Safeword’ is the first track we have written with new guitarist Chris. In our first practice he showed us the riff and two hours later we had the track! Everything we’ve written has just felt natural and fun which we think shows in the music. ‘Safeword’ is a good example of how our sound has changed and what to expect.

We are releasing ‘Queen of Hearts’ this Monday so make sure you pop in and check it out.

What are your live shows like? They look pretty wild from some of the footage we’ve seen…
For us music is about the live show! It’s no good having a great energetic track then standing there like lemons while playing it live. Nothing is planned, we just get up on stage and whatever happens happens! Things do get pretty wild!

What has been your favourite band moment?
This is a tough one! Being on tour with Synergy Protocol from Denmark was an amazing experience, it showed us that being in a band can be hard work and we loved it! All our live shows are our favourite moments, it’s why we do it! We have amazing loyal fans and watching them go nuts is the best!

What was the last album you bought/streamed?
JC…Underoath ‘Erase Me’
Chris…Deadmau5 ‘Wheres The Drop?’
James…Marshmellow’
Dave…Justin Bieber ‘Baby’

What plans do you have for the rest of 2018?
We have a lot of great shit going on already this year! We are working on a colab track with Northampton rapper Tony Ceasar and Giant Dwarf, who directed and filmed our Rhythm Of My Drum music video for us. Keep an eye out for this cause its different than anything else you’ve heard! We have a new booking agent so loads of shows to come and we’re currently working on a new EP which will hopefully be released end of summer/autumn time!

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New Music Friday: Last Chance

Last Chance are a powerful, hard-hitting and melodic pop punk band from Kettering, who this week release their new Shut Down EP.  New Boots spoke to guitarist Dan Holmes about…

Last Chance are a powerful, hard-hitting and melodic pop punk band from Kettering, who this week release their new Shut Down EP.  New Boots spoke to guitarist Dan Holmes about the band and this release.

A quick synopsis of the band, if you please. How/why/when? 

So we are Last Chance from Kettering and we have Matt on vocals and guitar, Harry on bass, Dan on lead guitar and backing vocals and Luke on drums. We started back in March 2017. Originally we was to learn a few punk covers to play at a friend’s memorial party, but just didn’t have enough time to get our shit together to perform. But we stuck with it and actually wrote a few good songs which we thought people would like to see and hear so went out looking for gigs.

I think it’s fair to say you wear your influences on your sleeve, do you not?

Our influences are definitely delivered well throughout our tracks. Were all stuck in the 00s pop punk time zone. Bowling For Soup, Box Car Racer, Blink 182, New Found Glory and Green Day to name a few.

Tell us everything about this new EP ‘Shut Down’

Well our EP was recorded at Parlour Studio in Kettering by Jay, and we had an absolute blast. He made us sound great! The artwork was done by a good friend of the band Ant who lives in Australia and plays in the band Baltimore Gun Club. We’re currently selling the EP for £5 which automatically puts you into a raffle to win a REAL bright pink guitar which we have all scribbled on, so get buying people.

Do you all skateboard, like the artwork suggests? Is it an important band of the band culture?

Skateboarding is what originally brought us all together, apart from Matt who lived in Australia where surfing was his forte. I think now though with two of us being parents and the other two being reprobates, falling off a plank of wood onto hard concrete is definitely not the one no more.

It’s look like incredible fun being at your live shows. 

Oh yeah definitely, our gigs are a right laugh. The easiest thing to do for crowd entertainment is to just give Dan a microphone and he will entertain people for hours. But we all have a good crack doing what we do at live shows. We set each other challenges before we play like most amount of lunges and how many times can Luke the drummer stand up during the set. We just have a good crack and take the piss out of each other.

Do you hit the road very often?

Hitting the road and going on tour is something we really want to do but at the moment we’re still trying to find our way into local venues and continue writing more tracks for an upcoming album.

What’s the connection with Baltimore Gun Club?

Baltimore Gun Club are from the Gold Coast, which is where Matt moved from. His brother Christian (Ronnie) plays drums in this band and they came over to do a UK tour last winter and we supported them at the King Billy. It was so cool for Dan being Christian’s cousin and Matt being his brother to actually appreciate each others music live.

Best/worst thing about Kettering is…?

Where’s all the music shops and live venues gone? If you want to buy strings or even plectrums you’re then off on a 20 mile trip to Northampton. Such a shame; this town used to have some brilliant shops for musicians. They just all vanished one after another.

Who is your big tip from Northants for 2018?

Our tip is to support all local music venues and promoters. The promoters put on all the top local events like Marc and his guys at Rocked Up! These guys still work day jobs have family’s at home and still support the local music scene. Good on them.

What you got coming up next?

We’re looking forward to playing at the Pop Punk Pile Up in Selby at the end of April. Playing alongside Coast To Coast, The Bottom Line and Malory Knox just to name a few is going to be awesome. Then also we’re opening one of the tents at the Rocked Up Hootenanny in September which is also great news. With other gigs at other venues being booked it looks like a busy year for us. Were looking at hitting the studio again in September to record some more, and hopefully have the album out before Christmas. What we want to be doing is push this band as far as we can and see what happens. We don’t want to be just random people who blend in with the surrounding, we want people to come see our band and have a great night with us.

Shut Down is available on Spotify and the other usual online formats. Message the band at lastchancebanduk@gmail.com for a physical version at £5.

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