Northampton-born artist Kev Minney went to Brighton to find himself; and the process worked if his music is anything to go by. As he prepares for his sophomore album with…
Northampton-born artist Kev Minney went to Brighton to find himself; and the process worked if his music is anything to go by. As he prepares for his sophomore album with the release of new single ‘God Is An Algorithm’ New Boots took the opportunity to get some more of the details of his personal and musical journey.
How did you become a singer-songwriter?
I became a singer-songwriter after turning 30. Before this time I spent almost two decades around the Northampton jam scene. I think I always was searching to do something deeply creative, but never had the confidence, or never knew exactly what it was that I wanted to do. I moved to Brighton around seven years ago. I think I needed the change of scenery, and that change helped me discover that I wanted to play folk music, rather than rock/blues/jazz stuff. I was always in and out of various different bands, but in the back of my mind I was seeking what I wanted to do. It kind of was perfect timing to have this change; a lot of other things changed for me around that time. If I would have stayed in Northampton I would have made this change eventually, even though being in Brighton did help, it was the more the case that I needed to find a new love for music. I was always listening to artist like Nick Drake and co, but was never playing that stuff.
How would you describe your sound? Who are your main influences in getting to here?
I like the fact that I sing with my Northampton voice. A lot of folks down here in Brighton think I’m from a small farm or something, because of my accent isn’t as clean as it is down here. I play around with a lot of odd guitar tunings, and like to find various inverted chords. The piece I’m writing needs to interest me first and foremost. I get easily bored, so it has to have something unusual about it. I obviously hope that my sound is interesting to the listener, or at least I hope they can either be inspired or feel something from the song. A lot of influence probably comes from the guitar, though I find it more interesting when it comes from the song. With my songs I try my best to not hide anything and be open with them. The album I have listened to the most is Blue by Joni Mitchell, and for that very reason of being total open, raw and emotive.
Your album Stories Of The Sky from 2017 seemed to go down well. What was the reaction like?
Ah, it is so hard to say. From an artist point of view, you either look too much into it, or kick it under the carpet and try not to look. I was very pleased with it, I learned a million lessons, and I improved. I think this is what artists should always aim for; to always improve, and provide honest, decent songs. To be completely transparent the artist also needs a good level of drive too, as well as good songs. I worked incredibly hard to get it out there and heard, and just hoped that people enjoy it. I felt that Stories of the Sky was a time of establishing myself in the singer-songwriting world. I am happy with it and very happy with the reaction I received. I got played on BBC Radio, in Acoustic magazine, and knocked out a few European and UK tours. Though I am more happy with my forthcoming second album, but I think everyone says that!
Tell us about this new single, ‘God Is An Algorithm’.
First of all, the whole album [to be called Modern Stories] is all about stories of our modern time: technology, mental health or having good friends, it’s very broad. This single is about that algorithms making more and more decisions for us, therefore losing our free will. Book writer Yuval Noah Harari had just released his second book Homo Deus: A brief history of tomorrow. He was talking on a podcast and he mentioned the words ‘God is an algorithm’ – I thought, that’s a great song title, and listened further to the podcast. A week or so later, and after reading some of his book, I managed to write the song. I am really inspired by technology, astronomy, and general philosophy. I sometimes switch between these subjects and raw human emotions in my songs, or try to link the two.
What are your live shows like? Why should people come see you?
Sometimes it is just me, sometimes with Andy who plays keys, violins, mandocellos and other instruments. Sometimes it’s with Steph who plays keys and provides backing vocals. And for my next gig I have hired a string quartet! I much prefer playing with others when possible. I try my best to engage with the audience, and try my best to just be myself.
Best thing about moving to Brighton? Worst thing about leaving Northampton?
Leaving Northampton was really hard. I have a lot of good friends there, but it was a decision I had to make, as I was desperate for a change. I recently recorded a video with AudioStage in Northampton [for series 3], and was chatting to Marcus and co. They mentioned how the Northampton scene music is growing, which is amazing. We have always had so many great musicians and bands, and it is great to hear it is growing. When I moved to Brighton in 2011 it wasn’t purely for music reasons, it was more-so for needing a change, I was 29 when I left and it was the first time I left my hometown. Brighton has a great music scene: it’s lively, every night there is something happening, and I have managed to become friends with a lot of folks in the music scene here. I still keep in touch with people in Northampton, and they also support me a lot with my music. I am really appreciative of this.
What has been your favourite moment of the past 12 months, career-wise?
Quite a few! Recording the ten songs and making the music videos were all enjoyable. I have really enjoyed playing shows with Andy and Steph. We have been having a great time playing live, and this last year I have felt that I have much more confidence on stage. That’s a big thing, as it took me a while to get over nerves, which I still have, but I feel more at home. Those who know me know that I stutter a bit, and sometimes stuttering whilst talking live is a bit of a pain in the arse. But I’m used to it; sometimes I just can’t always get my message across clearly.
What was the last album you bought/streamed?
As I writing this I am listening to an artist called The Miserable Rich – I’m loving their music [chamber pop]. Also the classics, I have been playing a lot of Beatles stuff recently. I kinda purposefully pick songs to sing along with, so I can improve my voice. Recently I have been trying to learn the cheesiest song ever written, ‘Unchained Melody’. It’s beautiful, but so hard to sing!
What is your burning desire to do in the future? What plans do you have?
Mostly to carry on what I am doing. I feel I have found a really nice balance of being creative and getting stuff done. I am already writing the third record, so that’s on the cards for sure. Steph and I are currently setting up a European tour, and then will do another UK tour. So, yes, write, record, tour, love it!