Tag: Loose Tooth

New Music Friday: Loose Tooth

Northampton three-piece grunge/hardcore outfit Loose Tooth – Adam Cator [bass], Oli Knight [guitar/vocals] and Josh Miller [drums] have followed up last year’s mini LP with a new single, ‘Castles’. Watch the Joshua…

Northampton three-piece grunge/hardcore outfit Loose Tooth – Adam Cator [bass], Oli Knight [guitar/vocals] and
Josh Miller [drums] have followed up last year’s mini LP with a new single, ‘Castles’. Watch the Joshua Goff-directed video below, after reading this here interview about all the Loose things.

How/why/what/when did the project begin?
Adam: Loose Tooth began two and a half years ago. We’d all just come from bands that had drained us emotionally and needed something a little more honest and cathartic. We had started with no clear intentions, just hung out and wrote some music together. At first we were considering getting a singer but we were too tight-knit to add another member. We hope that desire for honesty comes through in the music.

How would you describe your sound?
Oli: We’re a rock band, there’s certain connotations that come with that we try to avoid when writing. We’re not trying to take the path of least resistance when writing, we push our abilities to come up with something that is hopefully interesting and different, whether that be off-kilter time signatures, chord progressions or scales. There’s a certain amount of depth invested with our writing style that we hope translates into music that interests and excites.

Who are your main influences? Musical and non-musical
Josh: I’ve got a bunch, musical influences include: And So I Watch You from Afar, Reuben, 65daysofstatic, Every Time I Die, Toe, The Cure, Father John Misty, Dillinger Escape Plan, Alkaline Trio, Interpol, Crowded House, Nine Inch Nails. Non-musical thinkers that inspire me are Henry Rollins and David Attenborough.
Oli: As a lyricist I always tried to follow the Martin Gore [Depeche Mode] school of thought, but found it to be disingenuous to myself. Since then I’ve taken to a more ‘kitchen sink’ lyrical style in the vein of Jamie Lenman, who is also a big musical influence.
Adam: My musical influences would be Story Of The Year, From First To Last, Underoath, Reuben and Every Time I Die. My non-musical inspiration would be my dad.

What’s the reaction been like to last year’s self-titled mini-album?
Josh: Really great; people are still discovering it and enjoying it. From the reactions we’ve had people seemed to enjoy the honesty. We left a lot of mistakes in and recorded it having not long written and learned the songs, so it came out quite raw I think. Nowadays with a lot of rock music having a serious level of sheen some listeners enjoyed something a bit grittier than usual.

Tell us about ‘Castles’.
Oli: ‘Castles’ is a really simple song: the chord progression churned around in my brain for a while, and that’s why most of the song is those four chords. I felt the lyrics should speak for themselves, so we took a stripped back approach and left all of the craziness for another day. It’s about the frustrations of modern working life, with external pressures to live a middle class existence, despite the fact the middle class has eroded. The ‘castles held up in the sky’ are just a mortgage, or they’re a yearly holiday, something the average low income worker may feel is out of their grasp. Not everyone wants to climb the corporate ladder – why should they be denied a more comfortable life? We recorded the track with Jay Russell again at Parlour Studios. It’s super comfortable with Jay; he understands our weirdness and he’s a complete pro. The video we shot with Joshua Goff and it was done at at our Josh’s work yard where we rehearse weekly. We built the set and Joshua lit it wonderfully.

Is your record label – Undead Collective – and its roster a tight-knit community?
Adam: Undead Collective is a great group of people, we’re in contact most days and their support and advice beyond the remit of label responsibilities has been amazing. Currently there’s only three bands on the roster. We’re yet to meet the newest additions Seasonal, but we’ve chatted online and they’re great guys.

Would you consider your local scene something to be proud of? On the flipside, what’s your biggest frustration with it all?
Oli: Northampton is rich with talented musicians, the scene is definitely one to be proud of. Northampton can be grey and that can be oppressive, but go to The Lab, The Garibaldi or The Black Prince on a Friday night and you’ve got a few hours away from the desolation. I think our frustrations are more with ourselves rather than the scene, this goes for anywhere. Inclusion to scenes is always reliant on being charismatic and outgoing. It’s something that doesn’t come naturally to us, so we try to be as personable as possible when networking but we’re quiet by nature. That doesn’t always endear yourself to people and ultimately that’s as important as putting on a killer show.

What has been your favourite band moment so far?
Oli: Probably just how many gigs we played last year. We just hired vans and shot off. It was a dream come true for me to finally feel like I was in a touring, hard-working band.
Josh: Everything about being in this band, but mainly writing and recording.
Adam: Playing a show in a rehearsal room in Wales.

What was the last album you bought/streamed?
Oli: Arc by Everything Everything
Josh: Braille by Palm Reader
Adam: Logic by Bobby Tarantino

What is your burning desire for the band to do in the future? What solid plans do you have?
Oli: Our burning desire is to one day be able to turn up anywhere in the UK and play to a guaranteed 50 or so people. That’s enough for us. Now ‘Castles’ is out we’ll be thinking about the next single, we’ve got a lot to do until then but we’re excited about the future. For now though it’s all coming up Loose Tooth.

Castles is out now via the usual platforms

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It’s A Shoe In: Northants gig guide Nov 29 – Dec 5 2017

Party season time. The gigs just keep on coming… Monarchs + The Barratts + Hussy Friday December 1st The Roadmender, Northampton Off the back of their latest single ‘Darker Shade…

Party season time. The gigs just keep on coming…

Monarchs + The Barratts + Hussy
Friday December 1st
The Roadmender, Northampton
Off the back of their latest single ‘Darker Shade Of Black’ Kettering alt-rock trio Monarchs headline a show at the Roadmender, with stellar support from locals The Barratts and south London grungers Hussy. This is sure to be busy, advance tickets recommended. Doors 7.30pm, £4 tickets

Drones + Loose Tooth + Calling The Kidd Wednesday + Wishing Wolf
Friday December 1st
The Ex, Corby
Exhilarating London punk/hardcore group Drones and Northampton grungey riffers Loose Tooth are hitting the road together in December for a handful of shows, including this one. Local support comes from Calling the Kidd Wednesday and Wishing Wolf. Doors 8pm, tickets £3

Unqualified Nurse Band + Moon Face
Saturday Dec 2nd
The Garibaldi Hotel, Northampton
On the back of the release of their critically acclaimed new album Trashland, Unqualified Nurse Band return to Northampton. Trashland serves up energetic, rampant, exciting rock’n’roll, as the band fuses 60s girl groups, late 70s punk, 80s new wave and 90s grunge. Plus support from psychedelic pop/minimal/drone soloist Moon Face. Doors 8pm, free entry.

The Blue Foundation + Hannah Faulkner + Corinne Lucy + MyJaike
Saturday Dec 2nd
The Pomfret Arms, Northampton
Acoustic/folk night from a selection of local delights. Starts at 8.30pm, free entry.

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Loose Tooth – Loose Tooth (Undead Collective Records)

This Northampton band have a biography that states ‘millennial malaise at it’s most morbid’. As sales pitches go it’s unlikely to have people queuing up for tickets. It’s obviously a…

This Northampton band have a biography that states ‘millennial malaise at it’s most morbid’. As sales pitches go it’s unlikely to have people queuing up for tickets. It’s obviously a little bit tongue in cheek. But then again, as the guttural scream of ‘Split In The Hair’ kicks in and lasts an uncomfortable nine seconds, maybe not so. Anyway up, the hardcore punk/grunge/metal trio have turned in a debut [mini] album that’s as confident and fresh sounding as anyone has any right to be.

The pummeling action of Oli Knight (formerly of Of Blue Skies And Youth) on vocals and guitar is capably aided and abetted by Adam Cator on bass and Josh Miller on drums throughout (both formerly of Death Kindly Waits For Me). Eighteen months work has gone on in the background leading up this release, and it’s been time well spent, as the songs give the hardcore/alt-rock scene a sure-shot in the arm.

‘Moodhoover’ has immediate impact, with the juxtaposition between anthemic chorus and the tense light/dark shades on the verses. It loses its shit towards the climax and will leave you rather stunned when it’s suddenly over. The aforementioned ‘Split In The Hair’ plays it relatively straight – the hardcore centre sounding familiar to millions. It moves into screamo territory in the breakdown though: we’re talking less scare-the-horses and more Stephen King shit-the-bed. ‘Roman Nose’ showcases their trademark tempo changes again, shifting effortlessly from frenetic passages to a more grunge-style chorus.

‘Raincoats’ has one foot in the indie/alt-rock world: all well-shaped guitar lines through just the right pedals and a keening, angry melody about love gone wrong. If you want to dip your toe into this album it’s perhaps a good starting point. ‘Snakebites’ repeats the trick, though with a little too much reliance on the pure grunge sound when evidently the strength of the band is the blend of their myriad influences. ‘The Everfall’ is the softest sounding tune here: an effecting minor-chord bruised body that jolts back into life on slash’n’burn punk choruses. They finish with their debut single ‘Pearls’, a powerful song about a dying relative and the anguish that causes. It’s beautiful, haunting, sad, angry, and more besides. Well worth waiting around for, in an album that continually rewards.

If you enjoy Refused, Deftones, Soundgarden, At The Drive-In, or Million Dead then there’s something here for you. And really you should be all over this, as Loose Tooth offers some serious dark fun to those bleak Midlands nights.

Phil Istine

Loose Tooth is available to buy on ITunes, to stream on the major platforms, and to buy on CD directly at the band’s shows

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