Tag: new music friday

New Music Friday: No Music

No Music is the name for the output of Joss Carter, Joel Harries, Joshua Ryan, and Josh Green. These four J-men are Northampton musicians from various projects – including 72%…

No Music is the name for the output of Joss Carter, Joel Harries, Joshua Ryan, and Josh Green. These four J-men are Northampton musicians from various projects – including 72% and Blood-Visions – who have created something of an NN supergroup. They have just released their second EP of no-prisoners noisecore: it is misnomerically entitled ‘Unholy Disappointment’. New Boots asked Joel and Joss to spill some beans.

This has got to be one of the most organic band formations ever. Mates on the NN scene wanting to hop into musical bed with others, is that right?
Joel: I suppose so! Me & Josh Ryan are long-time collaborators. I have done a few projects with Josh Green also. Everyone just seemed like the right fit for the group, and it clicked when we got together for our first full rehearsal.
Joss: Thereʼs been no bed-hopping, Mr. Green is a married man! But, no, Iʼve got no idea how the other guys decided on forming, but I came on board once most of the first EP was written and just got to shouting. Iʼd mentioned to Josh and Joel I wanted to get involved with something harsher after doing guest vocals on a song on the last 72% record, and they were game. Very glad they were!

How would you describe your sound? Was their much discussion on direction at the beginning, or was it more “lets go in a room and see what happens”?
Joel: When people ask for a genre I normally say “Noise Punk”. Itʼs fast, discordant & angry. I wrote a few bass lines ages ago, and they formed the basis of the first two songs we wrote. The main intention was for it to be ugly and aggressive. Initially me and Josh were singing, but then we decided to ask Joss after he joined 72% in
the studio for a day and nailed it. From there it has just come naturally, normally starting with bass parts and then growing from there.
Joss: Again, no idea what the discussions were at the beginning, but I do know that Josh refers to his guitar parts as skroingers.

What was the reaction like to the first EP, ‘Unearned Bliss’?
Joel: People seemed to enjoy it! We had a lot of positive responses. I think people were maybe a little surprised to hear music so quickly after we formed the band.
Joss: We had a good reaction from what I can gather, Blood-Visions members have given me positive feedback for it and, ultimately, everything I do is for the approval of Harry Brooks. Weʼve also had a really great response at shows, so hoping that continues in the future.

Tell us everything about this new one, ‘Unholy Disappointment’.
Joel: The writing process was pretty quick. We recorded the drums for it at The Lodge with Rufus from Blood Visions & Marc Cann. The rest was tracked at home, and Josh painted the front cover. The songs feel a bit darker and more
intense than the first EP to me.
Joss: Lyrically Iʼve tried to continue in the vein I started to go down on the last record. I start by envisaging the worst corporate job piece-of-shit, ask myself what that personʼs world-view can be boiled down to, and then summarise from there. The record itself is a little bigger and more varied. The first one was fast and fucking loud, this is even louder in parts but occasionally pulls back to be a more subdued kind of loud.

Your live shows are pretty formidable. What’s your secret?
Joel: Just get up there and play the songs correctly? Ha! Iʼm not sure really. Just good energy and a lot of noise.
Joss: Practice! Also, nerves. I only recently managed to play a No Music show without following it with nerve-induced vomiting. We also try to write as often as possible to keep what weʼre playing fresh and interesting.

What has been your favourite No Music moment of the past year?
Joel: We played a show at The Garibaldi on Christmas Eve and despite not pulling out any festive tunes people seemed really up for it.
Joss: I loved playing Christmas Eve at the Garibaldi. Ridiculously packed, ridiculously energetic fun. Other than that, though, Iʼve mostly enjoyed hanging out with these guys – theyʼre bloody lovely people.

What was the last album you all bought/streamed?
Joel: I have been listening to a lot of Yautja.
Joss: Sail Away by Randy Newman. Itʼs comfort food listening.

What are your burning desires for No Music to do? What plans do you have after this EP?
Joel: I would like to tour later in the year and get another record out. Maybe a full-length? We will see where we are at after the pandemic!
Joss: Iʼve got no idea. The worldʼs in a pretty dark place at the minute, so Iʼll just be happy when we are able to get back in to a room and play riffs again.

‘Unholy Disappointment’ is out now via the usual digital sites, plus on cassette via the below BandCamp link. Band photo by David Jackson

 

 

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New Music Friday: Fraser Ingham

Kettering man Fraser Ingham has been writing songs for twenty-five years, and singing in bands [Tonic, Audiostar, The Kidnaps] in his late teens and twenties. Having stockpiled more than 140…

Kettering man Fraser Ingham has been writing songs for twenty-five years, and singing in bands [Tonic, Audiostar, The Kidnaps] in his late teens and twenties. Having stockpiled more than 140 songs, a chance meeting with Kenneth J Nash led to the music being recorded and released. New Boots gets more on this intriguing story.

How/why did you start this project?
There were two events that were the catalyst for starting this project. Firstly, I suffered a head injury in July 2018 that meant I couldn’t drive or work for three months. Whilst I was stuck at home I started to revisit all of the song ideas I’d accumulated over a period of about 10 years – pretty much since my last band, The Kidnaps, fizzled out. Then a couple of months later I bumped into Kenny at a festival he was curating. He’d asked me before to come and record some demos at Old Hotel Records, but I’d always put him off. However now I had a few songs in a more complete state; it felt like the right time. I went to Old Hotel in autumn 2018 and recorded 28 demos in two nights. I had low expectations I suppose, but Ken was very encouraging, he saw something in the songs that was worth pursuing. Since last summer we’ve been recording on a fairly regular basis.

How would you describe your sound? Who are your main influences?
At the risk of sounding like every other singer-songwriter from the last 60 years, I’m writing songs on an acoustic guitar about my life and the stuff that’s happening around me. As a result the themes include mortality, family, community, mental health, love and drinking in my local pub! I’m not much of a guitarist or singer, but words and melody are important to me. I’d say my biggest influences in terms of sound and inspiration are artists like Conor Oberst, David Ford, The Smiths, Neutral Milk Hotel and Billy Bragg.

How was the experience of revisiting old songs and polishing them up?
In most respects it was very rewarding. I had around 140 ideas, ranging from complete songs to one line of a verse or chorus. The songs had documented a decade of my life, so it was interesting to go back and see how I was feeling about different things at the time. As you can probably imagine most of the songs won’t ever see the light of day.

Will the four EPs be themed? How did you choose what to put where?
I’ve just released my EP ‘Winter’, which contains some of my most melancholic songs. I think ‘Spring’ and ‘Summer’ will be more uplifting and ‘Autumn’ will be more reflective. Most importantly, I hope that the four EPs will represent all of the different aspects of my writing.

Do you play live shows at all?
Not many to be honest. When I’d been in bands before the process always seemed to be write songs; rehearse them; book gigs; write more songs; record them; get more gigs [hopefully bigger and better than before]… and so on. This time I thought I’d record the songs first, see if people like them, then book some gigs later. I’ve had quite a few offers, but I’m going to see how things go with the first EP.

What has been your favourite acts of the past year or so? What was the last album you bought/streamed?
The bands I’ve enjoyed most in the last couple of years are IDLES and Fontaines D.C. I think IDLES in particular are trying to do a lot of positive things through their music. Last listened: Bill Fay Countless Branches

What is your burning desire to do in the future? What plans do you have for 2020?
Releasing four EPs in 2020 is my main focus at the moment, the songs are written but there is still a lot of recording to do. At the end of the year I’d like to release some of the songs on an album, ideally on vinyl. If the songs are well received, hopefully I’ll play a few gigs along the way too!

The Winter EP is out now on Old Hotel Records via Bandcamp

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New Music Friday: Evolution

Young Northampton EDM artist Evolution has been busy – firing up a debut album and hot new single ‘Dark Paradise’ in quick succession. New Boots went in search of the…

Young Northampton EDM artist Evolution has been busy – firing up a debut album and hot new single ‘Dark Paradise’ in quick succession. New Boots went in search of the lowdown.

How did you begin this project?
I began working on my new single in December. I was learning how to produce house music with in my college classes. I wanted to make more house music, but with my own spin on things. So I began working on my brand new album Late Night Dreaming. This record is all about raving, partying and having a care-free time in your youth. I began this album as a part of my portfolio for when I apply to university in 2021, so I can show what I’ve done with in my teens. And how I’ve became an independent artist with in Northampton.

How would you describe your sound?
My sound is EDM, mixed with rap and pop elements.

Who are your main influences in music?
My main influence from a young age has always been Example. It’s was 2011. I had just finished watching the Phineas and Ferb movie and I then flicked the channel to the box. And that was when I was first introduced to Example and his number one single “Changed The Way You Kiss Me”.

What has the reaction been like to 2019’s album ‘Infectious Dreams’?
The overall reaction for my debut album has been really positive. It allowed me to show what I’m like as an artist and shows what I’m about.

Tell us everything about this new single, ‘Dark Paradise’.
‘Dark Paradise’ is a mixture of house, EDM and rap. It’s about coming back from the dark times and what I’m trying to do as a independent artist in a small town. It’s the lead single off of my upcoming album, and serves as my first single of the new decade.

Are you part of a wider scene in Northamptonshire?
I’m a solo artist. I tend to keep to myself and I work independently. I love to collaborate with people. But it has to make sense to me.

Any acts you wanna give a shout out to?
I’d love to give an shot out to slowthai. For giving me hope in the future!!

What has been your favourite artistic moment of the past year?
Producing my last two albums have been my favourite moments. Also releasing and preforming ’04:00AM’. This is my best single to date [next to my new single]!

What was the last album you bought/streamed?
Employment by The Kaiser Chiefs.

What is your burning desire to do in the future?
My burning desire for the future is to go to university and go full time with the music.

What plans do you have for 2020?
I plan to do more gigs. And maybe some more interviews and releasing album two!!

Dark Paradise is out now via the usual digital platforms

 

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New Music Friday: Andy Crofts

Andy Crofts is a name synonymous with the Northampton music scene: from those late-90s teenage days with Circa, through The Hi-Drivers and The On-Offs, to his current occupations with The…

Andy Crofts is a name synonymous with the Northampton music scene: from those late-90s teenage days with Circa, through The Hi-Drivers and The On-Offs, to his current occupations with The Moons, Paul Weller, and now some solo work. On the eve of his just-for-fun covers project and another solo tour New Boots asked him to take stock of his 2020 visions.

Hi Andy. How is your mood for 2020?
Well I’m actually feeling very positive and excited about the year. For the first time I’ve been seriously considering getting out there as a solo artist – I guess I feel a sense of anything can happen.

You did your first ever solo tour in December. How was the experience?
It was a real eye opener for me. I definitely got more confidence from it and learnt a lot in a small amount of time. I felt I needed to go back to basics and almost learn again. I never take for granted how lucky I am to work alongside one of my idols, but I feel to do music you have to appreciate the trip. I mean you can’t just expect to carry on from where you are without building more foundations. So this is where I’m at; starting again in small venues up and down the country. I guess it’s not a complete true start, as I have built some appreciation up from The Moons and Weller audience over he years. But going out alone with my guitar is as raw as I can be. I’m not hiding behind anything, and what you see is what you get.

Do you feel you can achieve something unique under your own banner now?
Yes I think so. Before I started The Moons I was gonna go for it alone, but felt I hadn’t earned it yet. I needed to get something going, so I started a band. Now, I’m at a stage where I think I’m ready. I guess some of it is a maturity thing, as you kinda naturally grow into this, but it’s also a necessity. I’m certainly not getting younger and I have many things in my head that I feel I need to do, such as go it alone. I’m actually very excited about it all to be honest. I love The Moons completely and the boys in the band and it’s certainly not me waving goodbye. It’s just me adding another chapter to my life. It no biggie in the grand scheme of life, but for me it’s something I must do next.
I have a good bunch of demos together that I think will be the songs for my first album but I need to get into a studio to record them. Time is something I do struggle with lately so I have to wait for a window to open and go for it ,if you know what I mean. It is gonna be great though and I can’t wait!

To see you join Paul Weller’s band on keys back in 2008 was a thrill. The bigger thrill was seeing you step forward to play a bigger role in the music, helping with arrangements, plus stepping out front /switching to bass in 2017. Has that deeper, creative involvement kept things fresh and exciting for you after all these years?
Paul has this ability of not making you feel like a hired hand or a spare part. He really involves us and listens to our opinions, and this is strong leadership on his behalf. I think he’s very particular about who he chooses in his band, and chose all of us for our own individual styles, so that together we can paint a bigger picture. Over the years I have personally put a lot of input into his albums and live shows and I’m pretty proud of that, but I respect him and am happy to be directed. When I think back to being a kid with a Weller poster on my wall who would have thought all of this was going to be my fate. Some would say I am lucky and yes I am I guess, but I’ve also worked and played hard over the years to earn this position. It is possible to make your luck.

The forthcoming covers album, The Boogloo Radio Sessions, tell us all about it. It comes out of the radio show, doesn’t it?
Ok so let me explain. As some of you may know I have my own weekly radio show on Boogalooradio.com in London. Boogaloo Radio is broadcast 24/7 from The Boogaloo pub in Highgate. Now with my show I came to an agreement with them that as I am never in one place for long enough that I would record my show from my own studio at home and if I can make it into the London studio I can. Over many weeks I did this thing in my show where I asked the listeners to choose a song for me to cover, and this became the ‘Crofty Covers’ section of my show. After having a pretty good response from people I thought it would be a waste to just let the recordings just disappear, so I thought I’d make them into a little album. I only wanted this to be digital as they are just covers, and I wanted it out faster.
Let me just say that this certainly is not meant to be my attempt at releasing my first solo record. Not in the slightest! This is just a bit of fun to be honest and fills a hole whilst I’m writing and recording songs and demos for my actual album. There are 15 songs on it and some of them were thrown in to give people their money’s worth. I’m not to hung up about it – it is there if people are interested. I renamed it The Boogaloo Radio Sessions as ‘Crofty Covers’ just sounds daft.

The Moons are coming back with a new album this year, Pocket Melodies, recorded at Abbey Road. 
I’ll go more into detail about the album another time, but all I can really say about this is time has not been on our side. Things have got in the way here and there, and have delayed the album like crazy. I’m kinda bored of telling people it’s gonna be out and then nothing happens. Ironically our favourite album recorded live at Abbey Road has become the hardest to finish. All I can say is that it will happen when it’s ready. It’s difficult to tour because of the Weller thing too, so The Moons are sort of stuck in limbo. Maybe we will just put our the album without a tour. Maybe we will only become a studio band. All the answers are in the air at the moment. The album will eventually be heard though, in some way or another.

How’s your view of Northampton now, from a distance?
Well even though I’m currently living down near Brighton my mother and my family are all still in Northampton, so I don’t really feel so far away. My honest thoughts though is that I do actually love Northampton, BUT – and a huge but – it has been seriously neglected. Boarded up shops, more homelessness, and in general just a lack of attention spent on the town centre. It really is a beautiful town, and it frustrates me to see this. The music and arts scene has always been the saviour of the town for me, and is still fighting strong. I’m really happy to see that silly Jesus centre disappear! That was a horrible cult eyesore, but has huge potential now. The town just needs some wise decisions I think. If I was in charge I would lower all shop rent in the town centre to give more independent shops are chance, as having more of a boutique style town would really benefit the town, making a cooler shopping atmosphere. This would include cleaning up the the place and just making it look pretty. Yes it may sound a minor issue but making the place attractive would attract visitors and certainly not more pound shops! Then I’d put more funding into helping the town’s creative people, as this has always been important for Northampton and I think is overlooked [this would include schools]. Last of all I would put funding into helping the homeless and giving them a chance to work or have accommodation. Kinda like a get-back-on-your-feet type thing that helps them fit into society with counselling and a clothing fund, to not feel alienated. No one knows their story, but they deserve a chance. There are good people working at the shelters, but with more help it could make more of a difference. Getting them off the streets into a warm place with a hot meal in their tummy is the priority!

Any musical tips for those just starting out?
The first thing I’d say is “play play play”! Keep playing and rehearsing with your friends. Hang out, have fun and keep rehearsing. Starting out in a band and hanging out with your mates are golden times that you cannot buy, and will be the foundation to everything. Once you have a band work on your songs and instrumentation. Get some local pub gigs. Make a little EP of your best songs, and sell them at your gigs. Be social on the internet, and make the most of it all. Upload regular videos of you performing even if it’s in your living room. Just make the effort for people to see. Get a good photoshoot and make sure you all look the part and not fresh out of the office. Contact local papers in the town for reviews or features, as I know personally that they support the arts in the town. Just treat everything you do as making new steps. Become the best you can be in Northamptonshire, and then take it to another town and the next and the next. If you’re good people will take notice. Just put the time in and don’t be half arsed about it. Just be yourself and don’t try and change you to be like a fashionable trend if you think that will help you “make it”. You yourself are much more priceless than any fad. Last of all: embrace the independent side of the music business. They days of the dream major record deal are dead, as they mainly sign crap and don’t care about developing artists. Make your own world and people will wanna be part of it.

Who are you currently digging?
Well doing my radio show I come across lots these days. So I’m just gonna list a few of them without going into to much detail. I really like the sound of these bands though:
Babe Rainbow
Juniore
Flamingods
Black Pumas
Creatures
Foxygen
La Femme
Jack Gardner
Sugar Candy Mountain
The Mysterines
I could go on but where would I stop! Doing my radio show I have found a new found love towards new music. For years I was so stuck into my old stuff that it closed my vision, but now the boundaries are down and I get excited about new music again. I just hope I can end up on people’s favourite lists in the future.

The Boogaloo Radio Sessions is released on all digital platforms March 2nd, and available for pre-order now from iTunes. Andy goes on another short tour later this month, beginning at Northampton’s Black Prince on Feb 28th. Tour tickets from www.andycrofts.com

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New Music Friday: Hamzysho

19 year-old Northampton rapper Hamzysho presents his debut EP ‘State Of Mind’. New Boots said: look, you’re darn good, we need to talk. Who are you, and what’s your NN…

19 year-old Northampton rapper Hamzysho presents his debut EP ‘State Of Mind’. New Boots said: look, you’re darn good, we need to talk.

Who are you, and what’s your NN story?
I am hamzysho, aka Young Genius. “Born and raised in the NN” I said in my first single ‘I Ain’t Slept’, and on my upcoming EP if you want to know me I’d advise you to listen to that song, and the intro.

How did you start out on this journey?
I was good at poetry in primary school; I had one published but I don’t even know in what book, haha. I’ll find it one day. But I just carried it on, did a little bit of battle rap in secondary, and then ended up freestyling, I started producing beats in 2018, and I’ve been working with many others and it’s helped me improve with time.

How would you describe your sound? Who are your main influences/inspirations?
I’d say I’m versatile and innovative, sometimes unorthodox but overall I’d say interesting. Influences: Meek Mill in the US, and J Hus in the UK.

Tell us everything about this EP, ‘State of Mind’.
It’s what it says on the tin, my different states of mind. It’s a journey into the inside of my mind, and I highlight how I think, reminisce of the past, talking about my lessons, and what I hope to see in the future.
The people involved in the project are amazingly talented and are the reason why the EP is such a beautiful piece of art. Five tracks mixed and mastered by mars. ‘Fake Love’ was done by myself and my guy Tommy. My guy Joey Rebz is one of the best artists in the country; everyone that sees this check him out, he’s on the hook to my song ‘Tetley’. We’re always exchanging ideas with each other on how we can improve our work. On the beats I had sakezmusic and JB Productions, who are prominent names in the industry working with chart regulars such as Fredo and Cadet [RIP]. I produced two songs myself. And my favourite producer in the country Itsyng produced two songs for me.

Will you be doing live appearances in the future?
Possibly

Do you feel there’s a proper rap scene in Northamptonshire?
I think the Northampton scene can be slow, because we depend on friends to share our work and common people often underestimate homegrown talent. That’s only because many of us are still in our experimental and developing stages, but this year many artists are taking steps and pushing themselves. I do see something happening.

Why do you rate Tetley so high when Yorkshire Tea is clearly the king of the brew?
Honestly I prefer Yorkshire tea too, hahaha.

What was the last album you bought/streamed?
Jadakiss Kiss Tha Game Goodbye. I like the grittiness in his voice and the lessons he shares.

What is your burning desire to do in 2020? What plans do you have after the EP?
I’d like be able to help as many people as I can, and to be heard. Thank you very much for the opportunity, I appreciate it and I hope you enjoy the EP

State Of Mind is out now via the usual digital platforms

 

 

 

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New Music Friday: Joe Miles

Northampton resident Joe Miles grew up in Milton Keynes, and lived in Olney for a number of years. The youngest grandson of British jazz legend, Terry Lightfoot, he spent his…

Northampton resident Joe Miles grew up in Milton Keynes, and lived in Olney for a number of years. The youngest grandson of British jazz legend, Terry Lightfoot, he spent his childhood ‘growing up’ in the wings of theatres and music festivals. Miles has self-released five EPs, and toured with the likes of Shane Filan. After a break he’s back with new single ‘Change Your Mind’. New Boots went in search of answers.

How  did you first get the musical bug and begin to play, and then later write?
I’ve been surrounded by music my entire life, growing up watching my Granddad [Terry Lightfoot] & Mum [Melinda Lightfoot] play theatres all across the UK when I was a child. It’s the only thing I’d say I’m naturally best at amongst all the things I do in my life. I love playing guitar, and singing. It’s a release for me. I just like to entertain people, and always have. I’d say from the first time I heard the intro to John Mayer’s ‘Gravity’ I thought ‘I want to play that’. The first songs I heard that inspired me to play guitar and sing how I do were: ‘Gravity’, ‘Waiting On the World to Change’ and ‘Slow Dancing in a Burning Room’, all by John Mayer.
I’ve always been singing in the car, whether that be to a Wham song on cassette in my Mums old VW Golf when I was little, to even now. I’m self-taught at guitar, starting at the age of 13, when I borrowed a 3/4 size classical guitar from my brothers’ friend. I didn’t realise doing it for a living was what I wanted to do until I was three months into my mechanics course at college, were I quickly learned mechanics wasn’t really for me. A month later, in January 2013, I performed at my first open mic, at Ken’s Diner. It was only in the March of that year my Grandad passed away. I was due to perform at a memorial concert for him and I wanted to be able to sing a song that I could really connect to lyrically. Not knowing how to write, I looked up the songwriters of some of my favourite tunes. I contacted Amy Wadge to write a song for me about him. Since then I’ve been co-writing with some incredibly talented writers, as well as writing songs by myself.
The first time I actually performed in public was as a surprise for my Dad at his 50th Birthday, back in 2010 (sorry Dad!). I learnt ‘Why Georgia’ by John Mayer, and joined my brothers band [at the time] on stage and performed for him.

Who are your main influences?
Musically it’s John Mayer, Allen Stone, Jamie Cullum & Maroon 5. But as far as production, I’d say Kwabs, The 1975, Tom Misch & Sam Smith.

You started out very young and had five EPs out by your 21st birthday. Then came this break from public view of almost three years. What have you been up to since we last saw you?
I have done a lot of thinking as to who I want to be and how I’d like to be perceived by music lovers. I got my heart broken [haven’t we all], which finally gave me something I could write a lot about, and also finding love, which gave me the spark I needed to start again.

Tell us everything about this new single, ‘Change Your Mind’.
I feel it’s a combination of everyone I’ve listened to over the last 3-5 years. Sam Smith/Kwabs/The 1975 in particular are very present in this song, I’d say. They are artists I love listening to. I’m usually drawn to the vocals/performance in a song rather than the guitar work, despite being a guitarist, which is very clear in this new song. It’s definitely different from what I’ve released before, but most importantly it’s very ‘me’ in how I have developed as an artist and I am really happy with that now.
‘Change Your Mind’ – everyone’s been there. Its about asking yourself and that other person ‘what was the point in putting in all that effort, for you to just change how you feel without any explanation’. It was at a time where I had so many questions left unanswered. I was so confused and so hurt. I didn’t know someone could turn their back in such a way, never to see or hear from them again after spending so much time with them. It’s about telling myself ‘I can’t change your mind. So I’ll stop trying’. The song is a release for me, and a statement. I don’t need those answers anymore.

Will there be live shows soon?
Hopefully, yes! I have some festivals pencilled in already, just awaiting confirmation. I’d love to perform in Northampton again too. In terms of line-up, things have changed a lot. Typically my music was very organic and performed by a live band. This new song, and the ones following it, may benefit from the introduction of track elements too. Time will tell!

Are you part of the wider scene locally? Any acts you want to give a shout out to?
I wouldn’t say so, not of late anyway. I know a lot of the local artists and at one point or another have performed with them at various open mics and gigs in the county. I’ve grown up loving Cousin Avi and a shout out always goes to Hannah Faulkner for getting me started in the open mic scene back in 2013. I’ve had brilliant support from Lal Muttock, our local BBC Introducing presenter, and the work he does in championing local talent is fantastic.

Tell us the main pro and con of being so intrinsically well connected in the music industry.
I’d say the main ‘pro’ is being able to get valid opinions from people who have been there, seen it, done it, and having options to be able to try well known avenues. The last two years especially have been full of really useful conversations and advice and you only get into these by networking.
The con is assuming they will help you personally. Only a handful will/have. I’m sure loads of artists have also been promised things that have never been delivered. Never has it been more important to either be able to do everything by yourself or have a very small, close knit team, who all share the same goals and passion.

What was the last album you bought/streamed?
It was Hollywood’s Bleeding by Post Malone. Since its release, I listen to it weekly for sure. I love it!

What is your burning desire to do in the future? What plans do you have in 2020 after this release?
I want to be able to tour for a living. I enjoy songwriting and recording, but nothing comes close to performing live on big stages. I live for it! Watch this space. More music dropping throughout the year and I’ve never been so excited!

‘Change Your Mind’ is out now via the usual digital platforms

 

 

http://www.joemilesofficial.com

 

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New Music Friday: Francisco

Born in Buenos Aires and brought up in Jimmy’s End in Northampton, Francisco Iannuzzi has spent the last decade being the lead singer of funk-popsters Cousin Avi. Then 2019 saw…

Born in Buenos Aires and brought up in Jimmy’s End in Northampton, Francisco Iannuzzi has spent the last decade being the lead singer of funk-popsters Cousin Avi. Then 2019 saw the release of a series of solo singles, all of which have now combined for an EP, entitled ‘Wild Is…’ New Boots spoke to the main man for the lowdown.

How’s the move to London gone?
London is buzzing. It’s a creative Mecca, but in reality, it’s hard to break the back of it. The fish aren’t just big, they’re huge and they don’t want you or like you. It’s been a hard and lonely few years but I’m getting through that and finding my rhythm.

Why the move to recording/writing/releasing under your own name?
It was time. I had things I wanted to say, lyrically and musically and they weren’t appropriate for Avi, so yeah – it was time.

How would you describe this sound?
The sound is good. The songs are good, but they can always be better. If you mean in terms of feel, I don’t know. I’m really bad at that and I don’t want to say the wrong thing. I was listening to a lot of David Ryan Harris when I wrote them and a lot of Natalie Prass and a Tim Atlas when we recorded them, so a kind of ‘soulful pop’ I guess.

How does it differ to your Cousin Avi work?
It’s probably rooted a lot more in a traditional singer-songwriter-R&B-kinda thing than that Avi’s balls out funk-pop. It’s also more in my singing range, where as with Avi it is five brains bringing different melody ideas and saying “I hear this, make it happen…” and I have to make it happen. It’s really really hard actually. Basically: Cousin Avi makes you sweat, whereas Francisco makes you wet…

Tell us everything about this EP.
I wrote three of the four songs – ‘Wild Is The Wind’ is a cover [David Bowie]. They are songs I’ve had for a while, so thematically they feel a bit outdated actually. I wrote them all before I moved to London. I considered never releasing them, but I had to satisfy the mid-20s version of me that was screaming to be remembered.
Ross and Stuart – fellow Avi boys – donated their time and guidance, which was invaluable. They have kind of taught me the craft, so I figured it was wise to have them on board a bit if I could. Obviously Ollie Needham came in on production for this one, his insight and work is what got this done really. We recorded six songs in total; I chose these three first because, frankly, the other three were newer and fresher and better – so I wanted to sit on them. I added ‘Wild is The Wind’ to make it a four-track EP – and it was probably the best decision I could’ve made. It went on to inform the whole aesthetic of the record, really. Either way this was really an experiment  – not so much musically, but artistically. It focused me and I have a lot more clarity about who I am and what I want to be because of it.

How are the live shows going? Is it you and guitar?
Just me and guitar. They’re hard getting people to sit and listen is the hardest thing to achieve in a live setting. I’m lucky I have the years of band experience which has informed me a lot on reading a room and connecting. Mostly all the shows have been really positive and incredibly moving for me on a personal level. The next plan would be getting together with a few more people and seeing how my stuff would come to life in a full band setting.

Whose idea was going on ‘The Voice’ TV show? Is it an experience you’d recommend to others?
It wasn’t anybody’s idea. I was approached by both producers of the X-Factor and The Voice and I said no to both. Then I had the worst three or four months I’ve ever had in my musical life, with friends and industry alike rejecting me for anything and everything: from going for a friendly beer to gigs. And I realised that I had nothing – at least that’s how it felt at the time. I was really really low and at the point of quitting entirely. Then The Voice approached me again and so, in the state I was in, I said yes. I’m yet to really figure out what it was all about for me. Whatever it was didn’t pay off in the end. It goes to show what happens when you let your vanity get the better of you. Hey ho. Lesson learned.
I certainly wouldn’t deter anyone from doing it. Make sure you know what you’re getting yourself in for and be prepared.

What has been your favourite “Francisco” moment of the past year?
I did a home town show at the Pomfret Arms, for about 60 of my closest friends and family and, well, fans I suppose. It was incredible. I’m very lucky to have people around me; it’s no exaggeration to say they’ve saved my life in many ways.

What was the last album you bought/streamed?
Bought: Theo Katzman – Modern Johnny sings: songs in the age of vibe
Streamed: KAYTRANADA – BUBBA

What is your burning desire to do in 2020? What plans do you have?
2020 is Avi, Avi and more Avi. We have so much recorded material. It’s wonderful and it’s time that it see the light of day. I have burning desire to gig more. I really really love playing live. I actually prefer it to recording or producing records. I feel like it’s what I was born to do.

The ‘Wild Is…’ EP is out now from the usual digital playforms

 

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New Music Friday: Dreadz

Smooth Northampton Afro-dancehall man Dreadz brings the goodness wherever he goes, and latest single ‘This Wave’ is no different. With momentum building for him New Boots took a moment to…

Smooth Northampton Afro-dancehall man Dreadz brings the goodness wherever he goes, and latest single ‘This Wave’ is no different. With momentum building for him New Boots took a moment to get to the man behind the music.

What’s your Northampton story?
My family is actually from Northampton, born and bred; my grandmother [rest her soul] moved here in the 1950’s, she was secretary to former prime minister of Jamaica Alexander Bustamante. My mum lived up here the majority of her younger days, before moving to London where she had my two older sisters and then me , so since I was young I’ve always been in-between London and Northampton. At 14 I moved up to Northampton to live and which is where I reside currently with my girlfriend. I always said to my mum that I wanted to experience the town for myself and so I did. I put on for Northampton so much because of my family being from here and is my second home.

How did you start on this musical journey?
Musics always been in my blood: literally, as my dad was a sound technician and worked with many artists while he was alive, from Toots & The Maytals to Bob Marley & The Wailers to Dennis Brown. His music journey was legendary. My dad passed away when I was three so I don’t remember much of him, but the stories I hear of the man he was is who I aspire to be and that’s brought me onto the musical journey which I embark on today. I always had a love for music, but never really knew what my talent in it was like what would I do. It was when I was 14 when I discovered I could spit a few lyrics having always liked poetry; I used to always go to a Benjamin Zephaniah book when in the library. My friend Eli, our families are very close, he brought me to his uncles studio hussla d, and that’s where it all started.

How would you describe your sound ? Who are your main influences?
I would describe my sound as a Afro Dancehall, pop, rap, R&B style. I’m very versatile in what I do, and can switch up my style at any given moment. It’s hard put me into one category as I can do the majority. My main musical influences…I would say number one is Wretch 32 without a doubt. I could listen to Wretch all day – slick lyricism, different flows, but the bars they’re deep and that’s what always catches me about Wretch. So he definitely influenced me to apply to my work them killer lines that make you think. Vybz Kartel also on the dancehall side for me someone I listen to – just straight raw with it, what can I say his the worldboss, innit. Growing up I listened to a lot of music at family parties; you hear it all and I just stuck with whatever stood out to me. I’m not really fussy when it comes to music as long and I can bop and nod my head I’m nice.

‘Magnet’ and ‘Fever’, your 2018 singles, got a lot of traction, which really set you up for what followed. That must have been very satisfying, to get that immediate audience…?
2018 was actually my first year doing music properly in terms of actual music videos. My friend Ridwan who I went school with in Northampton hit me up and said “I’m doing a few music video projects bro like what you saying you want to work on a project together?” And me at the time I was like “well boy I haven’t put out a video before so why not trial it now”, so I sent him a few songs with ‘Magnet’ and ‘Fever’ being amongst that. Those were the two which stood out to him the most. I decided to go with ‘Magnet’ first and that got very good reception; I dropped it on my own channel and the views shot up within the hour. I couldn’t believe it – just goes to show that people will really support you when they know you got talent. ‘Magnet’ is now on 10k views on my own channel, which I’m very proud of due to the fact that in that year I had no YouTube channel. I made it so I could put the video on there to test the waters, and it worked since creating my YouTube channel I am now on over 500 subscribers and just aim to keep getting more. ‘Fever’ was my favourite song all the while then, and when I dropped that I wanted it to be heard so I dropped it on Linkup TV to appeal to a audience different from my own with all my views on my channel being a majority of people I knew mainly. With both them tracks being dropped within a short time span of each other helped grow my social media, also I had new people reaching out to me to tell me I’m good and keep up the work it will pay off. It also opened doors to new opportunities and new collaborations with artists. For people to just love the music I make is enough for me, I don’t need anything else; that alone makes me happy.

Tell us everything about this new one, ‘This Wave’.
My latest single is a vibe I created one day when I was having a smoke – I put the beat on and it came to me. This track just describes how I’m going to take over, hence the words “but you might drown tryna get on this wave” and how I want to grow in life and prosper, but we all know that comes with hard work. “But to be a king got to work like slave” and that’s the seed I’m planting in ‘This Wave’. I got to give a big shouts to the video director Witness his artistry and smooth edit really brought the video to life. Got to give him big props for that the beat producer as well -daniyelbepo who reached out to me through Instagram sent me a few beats and I use one for ‘This Wave’. Eli San: goes without saying never a complain when he mixes and masters my track, perfection always.

You sometimes perform at the Lay It Down nights locally. How is playing live for you, does it teach you more about what you can do artistically?
Yeah I support the Lay It Down movement, I respect what they’re doing so whenever they got an event I’ll come and support, whether that’s in the audience or on the stage. Doing events like that help you build your stage presence and confidence and that’s the main reason I do it, because practice makes perfect. I love interacting with the crowd and making them sing my song back to me; that’s one of the few techniques I’ve picked up since performing live – just making the stage yours. We all have one chance to step up on there and perform, so when you do you have to make sure you leave an imprint on the crowd. Big up the Lay It Down crew for showing me love, also they can shout me whenever the weather.

How do you see the ‘scene’ in Northampton currently? Are we truly building something here?
The scene here in Northampton is amazing, so many talented artists of all ages and being up here for a while I’ve got the chance to see the growth in them too . I would say we’re building a strong musical platform for sure; the only thing we’re lacking right now is the support from outside, and sometimes for one another too. We’re all gonna win, just at different times.

Favourite Dreadz moment of the past year?
I would say is performing at my cousin J Kaz headline show [in London last July]. It was a memorable moment for me, because I was performing to a new crowd and a big one too so the nerves did kick in. But when I got on stage they just drifted. I performed one of my unreleased songs called ‘Moonlight’ and it just went off the feedback was amazing. Out of my many memorable moments last year that’s one of my favourite.

What was the last album you bought or streamed?
Stormzy Heavy Is The Head; a wicked body of work from start to finish.

What is your burning desire for to do in 2020? What plans do you have?
My plans is just to kill it. I don’t want to give away too much, so I’m just gonna show you. We have a lot planned.

This Wave is out now on all major platforms

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New Music Friday: DeBe

DeBe, a moniker that originates from his teenage days as a graffiti artist, was born in Northampton – Kingsthorpe specifically. The unorthodox rapper often plays fast and loose with his…

DeBe, a moniker that originates from his teenage days as a graffiti artist, was born in Northampton – Kingsthorpe specifically. The unorthodox rapper often plays fast and loose with his sound, incorporating elements of grime, R&B, dubstep and garage. Debut EP ‘The Life Of Reilly’ has just landed, and New Boots went in search of answers.

How/when did you start making music?
I started spitting bars in school and discovered GarageBand in 2008. I just had a lot of ideas in my head for songs that I’d thought I’d try and lay down.

How would you describe your sound? Who are your main influences?
I’d describe my sound as out the box, unorthodox, left, slightly skits? I had a lot of musical influences from young. I knew the Nas album from back to front, I remember listing to his music on my Walkman CD player. In at the Deep End by Roll Deep had a big influence as well. When I was young I remember my Aunty catching joke at me singing Alicia Keys when I was in the shower, so I guess her too.
My Mum listened to baseline and garage a lot – I wasn’t fixated on DJ EJ, but to this day his tag is still stuck in my head. There’s always been different types of music around me and I appreciate it all, there’s a lot of music that I wouldn’t put in a playlist or vibe to, but when I hear it I know it’s sick. When it came to making music myself I always take pride in making sure I kept things original. Being so critical I guess that’s how I’ve been able to develop my own style.

Do you collaborate with others on the beats, or fly solo?
Early on majority of my music was done by myself, but as I got older my friendship group kind of all chipped in. I’ve been making music for years but I never really put stuff out, as soon as I did I started collaborating a lot more.

Tell us about this EP, ‘The Life of Reilly’.
To start off T.L.O.R is a start of a trilogy – so you heard it here first. There’s a lot of songs on the project that was made a while ago; I’ve got over 100 tucked away. Each track on the EP represents an emotion that I’ve had to deal with whilst grafting to put together the EP. There was a time when I was going back and forth to London everyday, being in the studio till late and having to go back to the ends for work. I was running on like four hours sleep daily. Once I found a team to work with it was our priority to build a catalogue of songs which came over a period of like a year or so. I had a lot of other stuff going on outside of music that effected me in different ways on different days, so going into the booth was like therapy for me.
The EP cover took a good couple of months to think of. I said to my manager that I liked how Giggs done his visuals for his ‘187’ track, which is also produced by Machine Baby, and I wanted to pay homage to NN. We sat down and came up with a concept that ending up taking inspiration from the original King Kong artwork. I’m using the Express Lift Tower as my Empire State Building.
My cousin Meks actually came up with the title for my EP. Reilly is my last name and “The Life of Riley” is a popular saying for someone who has it easy, which is kind of ironic.
Earbuds & Nick French worked on ‘Enough’. Earbuds also did ‘Comatose’ and ‘Front Row’. Sammy Byrne made ‘Nuffin Long’, I made ‘Vamp’ and Baga finished the EP off with ‘Uprising’ – he also chipped in on the mixing and mastering.

The videos are well thought-out and have a punchy vibe that fits the music just right. Do you storyboard these things in depth?
It’s a collaborative effort: everyone will give their ideas and whatever sounds good gets shot, whatever looks good gets edited. It’s the same with the music; I’m just lucky to have a friendship group who have a lot different skills.

It feels like a great time for Northampton rap.
It’s just great to see the whole NN scene thriving, and the hometown getting behind homegrown music.

Any live shows yet?
2020.

Favourite DeBe moment of 2019?
There’s been a few. I’d say not long after I put out ‘Keep Da Pound’, which was produced by Machine Baby, someone hit me up saying that I had inspired them and to be honest this is what makes me want to do what I do. If you take time to listen to my music it’s mainly me venting, and kind of reiterating my mantras in art form for your ears.

What was the last album you bought/streamed?
The last project I listened to was Schoolboy Q – Crash Talk.

What is your burning desire to do in the future? What plans do you have?
The plan for the foreseeable future is to be able tour internationally. I’d like to eventually be in a position give people opportunities back in NN too [ones who deserve it anyway].

The Life Of Reilly is out now via the usual platforms

 

 

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New Music Friday: Baby Lung ‘Shoetown Blues’ EP

Today Baby Lung release their first EP, entitled ‘Shoetown Blues’ – five tracks of indie-blues-pop that moves you and improves you. The Northampton band have been talked about in hushed…

Today Baby Lung release their first EP, entitled ‘Shoetown Blues’ – five tracks of indie-blues-pop that moves you and improves you. The Northampton band have been talked about in hushed tones all year, and to cap it off a great 2019 with this work is fitting, and should see their star ascend. New Boots editor Phil Moore sat down with Maxx Riley, Mat Day, Harry Dinnage and Matt Willett to talk about the band and EP.

The ShoeTown Blues EP is out now from all the usual digital outlets. Baby Lung play The Black Prince in Northampton tonight, and then again on February 1st as part of Independent Venue Week. Thanks to The Charles Bradlaugh for hosting the filming, and Ryan Johnson for putting it together. 

 

 

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