Tag: new music friday

New Music Friday: King Purple

Corby trio King Purple have just released their new single, ‘Stuck In The Rough’ b/w ‘I Know You Know’, recorded at RML Studios in Wolverhampton. Progressive indie-rock is the name of…

Corby trio King Purple have just released their new single, ‘Stuck In The Rough’ b/w ‘I Know You Know’, recorded at RML Studios in Wolverhampton. Progressive indie-rock is the name of the game here, from Callum Connachie [lead guitar and vocals], Luke Carscadden [bass], and Frazer Beattie [drums] . New Boots spoke to the band about their patch of Purple, and listen to ‘Stuck In The Rough’ below.

How/why/where/when did you guys get together?
Callum: So Frazer and I met in college back in the autumn of 2015 where we started playing Drenge covers.
Frazer: Yeah that‟s right, started as a Drenge cover band didn’t we.
Luke: I didn’t even know that up until right now.
Callum: Then at the start of 2016 we “recruited” my long-time friend Luke.
Frazer: And why are we together?
Callum: I think King Purple started on the basis of being bored.
Luke: Yeah, I agree with that.
Callum: Which led to us really gelling as musicians as we started to practice more often.
Luke: When I joined I didn’t really expect it to be taken anywhere, just thought of it as something to do, like a hobby almost.
Frazer: We all set a high ceiling for how we played individually and things just began to click.

How would you describe your sound?
Luke: It’s hard to say actually, I think it has some sort attention-grabbing quality about it. When we write I don’t think we write with any particular sound in mind.
Frazer: There’s never really an aim behind what we’re trying to write.
Callum: We all draw from our own influences which brings so many aspects of different music together since our own music tastes can be so different from one another.
Luke: It’s hard to say where it would sit on the scale for me.
Callum: People that have heard us or seen us live have compared it to things from 90s grunge or said there were influences of 70s funk and/or psychedelia.

Tell us about ‘Stuck In The Rough’/’I Know, You Know’. It’s a progressive indie sound. Early Verve, Soundgarden, The Music, King Gizzard And The Lizard Wizard all come to mind.
Frazer: I think with ‘Stuck In The Rough’ we went for a more ‘serious’ approach, so to speak.
Callum: It’s definitely a song we consider progressive in terms of where we are with the band. It does carry elements of indie, definitely.
Frazer: Yeah, we wanted to record it to show the development of us as a band.
Luke: You said immediately after we finished the basis of the song that it was the one. I didn’t want to record it to start with.
Callum: We’d only finished it maybe a week before we recorded.
Frazer: It was a risk to be honest, the song wasn’t as finished as we would normally like.
Luke: That’s why I was against recording it initially.
Frazer: Then with ‘I Know, You Know’ it’s a song that’s done the rounds, an old classic if you’re a King Purple fan.
Luke: It was the first song we’d written after recording our first set of songs, kind of like a bridging track for development with our sound I guess.
Frazer: There’s a bit of ‘old’ and a bit of the ‘new’ in there.
Callum: Definitely fits a B-side title, I think it needs to be paired with something at least with a release.
Frazer: Sound-wise it switches between quite dark sections with more major sections in between with a euphoric ending to close it out.

What are your live shows like? Do you stretch things out on stage, or go where the mood takes you?
Luke: I think it’s a bit of both honestly.
Callum: Yeah we definitely plan our sets with an outline of what we want to play but on the other side of things you get so into it that you kind of adapt to the gig and “go where the mood takes us”. And we always try to make it as enjoyable as possible.
Frazer: Recently we have been throwing songs in that we might not have practised in a while or intended to play at any particular gig, but if it fits the mood then yeah we always try to adjust to the situation. We try to show every aspect of our sound through playing different songs and arrange them in a way that makes sense musically with what genres we’d place each song under.

What’s your take on the Corby music scene?
Luke: I think ever since we’ve been more and more involved with it I’ve started to realise how dedicated the people within it are to what they do.
Frazer: There is a lot more live music in Corby right now, with people at the gigs actively going out to see bands they might not have heard of before.
Luke: There’s always people in the White Hart regardless of who is playing.
Frazer: People are beginning to see local bands as well and take something away from gigs that makes them want to start something themselves.
Luke: It’s like hometown bands provide some sort encouragement towards those that are interested in starting something.
Frazer: I think the Corby scene is the best it’s been for a while.
Callum: It’s always been there but had a bigger focus on different types of metal music, whereas now I think there‟s more variety.
Luke: It’s just down to the context of the period of time.

What has been your favourite band moment so far?
Callum: Personally for me it was recording ‘Stuck In The Rough’ and ‘I Know, You Know’ because it was just such a constant buzz the whole time we were in the studio. Certain gigs are always going to hold their weight but there are specific things that take it over a favourite gig.
Frazer: One of my favourite moments was supporting Dream Wife at Bedford Esquires. The place was full of people we didn’t know, almost completely full, and almost every person in there enjoyed themselves. Some gigs just feel so rewarding. Not only that but the band members from the other bands were all sound people, which makes it that much better as well.
Luke: I think mines is probably the same as Frazer’s. It’s crazy to see the enjoyment in everyone’s faces, front to back.

What was the last album/artist you streamed or bought?
Callum: Natty Dread by Bob Marley, released 1974.
Frazer: Everything Was Beautiful, And Nothing Hurt by Moby.
Luke: Gil Scott Heron Pieces Of A Man.

What plans do you have for the next year?
Callum: Keep playing gigs and keep writing songs.
Luke: We try to keep what momentum you have and run with, carry it throughout everything we do to make sure everything is done to the best of our ability. I think that can be just as useful as having a long term goal because it keeps you focused and encourages a focus on what ‘the next move is’.
Frazer: Meeting new bands as well, getting to know the people you meet along the way.
Luke: Not just for the sole purpose of using the contact to get on another bill with them, but just to meeting new people itself and talking to them about their own progress with their band.
Callum: One plan for next year is to definitely try and continue touring where we can.
Luke: They don’t necessarily have to have loads of dates, but just enough to where we can play a string of shows in quick succession so people start paying attention really and turning some heads along the way.
Callum: We have a tour starting the 26th of May until the 29th of June with a total of eight dates in various towns and cities.

THE ROYAL TOUR [with Monarchs] DATES:
MAY
26 Swan Revived Hotel | Newport Pagnell
27 The Marrs Bar | Worcester
JUNE
2 Phoenix Bar | High Wycombe
8 The Craufurd Arms | Milton Keynes
15 Bedford Esquires | Bedford
22 The Roadmender | Northampton
23 The Cookie | Leicester
29 The White Hart| Corby

 

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New Music Friday: Phantom Isle

Northants/London psych-rock quartet Phantom Isle have released their third single, ‘Focus’. Scroll down to hear it, but first New Boots speaks to singer-guitarist Peter Marchant about all things Phantom. How…

Northants/London psych-rock quartet Phantom Isle have released their third single, ‘Focus’. Scroll down to hear it, but first New Boots speaks to singer-guitarist Peter Marchant about all things Phantom.

How did Phantom Isle get together?
Myself and my brother Matt got together in 1991 when I was born, and we started playing with Sam back in 2012 when I was writing and performing under my own name, as some in Northampton may remember. We then started writing music together and relaunched ourselves as a band. Last year we got together with our keyboard player Josh who me and Matt knew from primary and secondary school.

How would you describe your sound to the uninitiated?
Psych Pop Disco Inferno™

Who are your main musical influences as a band, do you think?
Queen, Led Zeppelin, Tame Impala and maybe The Smiths

Tell us about new single, ‘Focus’.
The lyrics existed before the music if I remember right. Our drummer Sam had written them about a ‘friends with benefits’ kind of thing he’d had that got a bit full on. We then started jamming around with this chord pattern, and the rest was history! I met John Harbison from RYP Recordings at a Fox Chapel gig in Camden and ended up recording ‘Focus’ at their studio, and releasing it with them. They’ve been ace and have invited us to perform on their stage at The Great Escape.

It’s great that you get to play Brighton’s The Great Escape Festival on May 19th.
We can’t wait; it was one of the things we set out to achieve around this time last year. I went to the festival in 2017 for the first time and was spellbound by such as acts as Flamingods, Husky Loops and Bad Sounds. Seeing our name up on the line up is a massive step for us, we’ve got RYP Recordings to thank for including us on their stage alongside some great artists that they’ve worked with recently.

Bassist Matt recently suffered serious ill-health. How is his recovery going?
My brother’s courage and determination in the face of his brain tumour has been nothing short of heroic. Considering we nearly lost him to a brain haemorrhage in February on the day shot the video for ‘Focus’, the progress he has made since then has been amazing. He’s been really active: going to fitness classes, doing yoga, bowling, walking and eating well. He’s just about to start radiotherapy to try and reduce the tumour, so we’re all praying this will make a difference on top of what he’s already doing. He’s my biggest inspiration – we’re endlessly proud. We have an incredibly talented bassist called Esmeralda Edwards filling in who has been truly amazing in learning our songs at such short notice. She’ll playing with us at some of our biggest shows yet, so no pressure!

Best and worst thing about being in a sibling band situation?
Best thing, we get to be like Oasis. But better. Worst thing, Matt’s heard all the sh*te recordings I was making when I was 10. There’s always a slight risk he make set them loose on the world. Joking aside, I love playing in a band with my brother.

What was the last album you bought/streamed?
Paul White Rejuvenate. Great producer from South London for those unfamiliar. Heard ‘Spare Gold’ on 6 Music and haven’t stopped listening to him since.

What is your burning desire for the band? 
To keep things progressing and bring out some more psych pop disco classics for humanity to enjoy.

What plans do you have for the rest of 2018?
To welcome Matt back in the band and to enjoy life without cancer getting in the way.

 

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New Music Friday: Kilamojo

Northampton trio Kilamojo have a new single out, their first official release, entitled ‘Tock Tick’. New Boots spoke to frontman Alex Lillyman about the development to this point. How long…

Northampton trio Kilamojo have a new single out, their first official release, entitled ‘Tock Tick’. New Boots spoke to frontman Alex Lillyman about the development to this point.

How long has Kilamojo been together now? You’re long-term mates, right?
Kilamojo has been going for around 3 to 4 years. We spent a long time just playing together and making music. We didn’t bother with social media or even telling anyone what we were doing for the first couple of years. We were all just buzzing off of the ideas and tunes that, for whatever reason, seemed to be coming together really easily. We’ve all known each other since we were kids. Drummer Phil and I played in our very first band together as teenagers with the exact same lineup! We were 13/14. Funnily enough the main riff in our tune ‘The Reinvention Of The Wolf’ came into existence then and hasn’t changed one bit since. My first meeting with Dio (Dom), our bassist, was when we were probably even younger; 11 or 12 maybe. I used to knock about with his older brother and went round to his house one afternoon and ended up mistakenly shooting Dio in the face with a BB gun!

And what bought you together, musically?
Our shared love of the same bands really; Zeppelin, The Stones, The Police, The Who, James Brown, The Beatles, Chuck Berry, Motorhead, Flying Lotus, The Mars Volta, The Clash & Amanda Houston! The first incarnation of the band died when me and Phil left school and went our separate ways, and we didn’t end up getting back together again until around ten years later. I went off and did god knows how many jobs and got heavily into techno music, and Phil went to uni. About a decade passed since I saw them both again properly. Dio was sat around a mutual friend of ours noodling around playing Black Sabbath riffs on the bass. At that time I’d written some riffs and had a lot of song ideas, however no one to play them with. So I thought I’d ask Dio if he fancied getting together to see if we could make something of them. Shortly after that we needed a drummer and I thought I’d give Phil a buzz. He didn’t even ask for demos to listen to – he was immediately in. The next time I saw Phil was back in the exact same place I’d seen him last when we were 15 or so, in my Mum & Dads loft, where for some reason they allowed us to do our first few rehearsals. From there on in we became Kilamojo.

Tell us about ‘Tock Tick’.
We recorded it all in one day and all live. There are very few overdubs etc in there; in fact from memory I think there are two guitar ones which is laughable when you consider its pushing nine minutes. Its an incredibly simple song at its core: intro, verse, pre-chorus and chorus. We just chose to put a fucking ridiculous psychedelic section in the middle because it feels great and why not. We would describe ‘Tock Tick’ as an eight-minute odyssey that has no real intention, other than to take you somewhere. Think Sly & The Family Stone grooves, Sabbath-esque darkness, Sgt Pepper psychedelia – with a healthy dose of melody thrown in for good measure. The video is basically just us in our favourite place (our rehearsal space) playing the arse off of the thing.

You have quite an elaborate stage set-up, what ‘s the deal with that?
We get this a lot whenever we gig. It always seems to blow peoples minds how much shit we have when we turn up to gigs. We have a stage set-up for four people; however there’s only three of us. I cover the keys as well as guitar and vocals so I essentially cover two peoples worth of kit when we play live. I was lucky enough to get my hands on an old 1968 Vox Jaguar organ a few years back and had it shipped all the way from Detroit. The thing was an absolute wreck when I first received it. So much so that the first time I turned it on it blew the electrics in my house, and I had to get my brother, who luckily is a sparky, round to fix my house. My girlfriend was not pleased. Even though most people would be terrified for it to leave the house I thought it’d be great to write a tune especially for it so I could use it live and incorporate it into the live set up. So I did and creatively called it ‘Organ Song’….I’m sure it’ll have a proper name one day!

We’re very old fashioned in how we approach things. With regards to actual kit all of us use minimal pedals etc. and try to get the most out of our gear for each song. We do this by EQing with amps and tone-switches on guitars. Every song we seem to play is very different to the next, so constant tinkering is required live. Also, for us, the lack of effects forces us to write riffs/songs based on their melody and groove as apposed to the actual tone etc. If a riff sounds shit on an acoustic then chances are its a shit riff, however, if it sounds great on an acoustic then its gonna sound great on any guitar. The same applies to the bass in that sense. Me and Dio try to write counter melodies/riffs to one another as apposed to just bass lines that help push the rhythm. That way because there’s only three of us it adds so much more to the overall sound of Kilamojo.

You played with Band Of Skulls last year, how was that?
That was a pretty amazing experience, purely because of the fact that they personally chose us to play with them based on a self (and shoddily) produced demo EP that they heard. The actual gig itself was amazing and the guys in the band were lovely folks. The drummer they had with them at the time (Julian Dorio) has played with Josh Homme, The Whigs and Eagles Of Death Metal so that was an extra cherry on the cake. He was coincidentally the drummer with The Eagles Of Death Metal at The Bataclan when the terrorist attacks occurred. The gig overall was an amazing experience.

Last album you bought/streamed?
Alex: Hiatus Kaiyote Choose Your Weapon. Its got a song called ‘Shaolin Monk Mother Funk’ on it: whats not to like.
Dio: Beck, Bogert and Appice Beck, Bogert and Appice
Phil: Vulfpeck Mr Finish Line

What’s next for the band?
Hopefully more gigs, we just want to play live. Once ‘Tock Tick’ is out there we want to get back in the studio asap to record a follow-up, and just keep making the music we love. Our next hometown show is supporting Mellor at The Black Prince on Saturday June 16th.

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New Music Friday: Garden

Northampton alt-rock quartet Garden follow up their 2017 debut EP with new single ‘Hate Me’, which you can hear below. Here’s some background on the band and song, courtesy of a…

Northampton alt-rock quartet Garden follow up their 2017 debut EP with new single ‘Hate Me’, which you can hear below. Here’s some background on the band and song, courtesy of a quick chat with singer/guitarist Cam Pike.

How/why/when did you guys get together?
We first got together in sixth form as we were all friends and discovered we all liked similar music and so we naturally started writing together.

For those who don’t know Garden, how would you describe your sound? Any major influences you want to share?
We find it difficult to pin ourselves down in a single genre as we are influenced by such a wide range of music and styles such as Wolf Alice, Alex Ebert and Band of Skulls. Although we would describe ourselves as fairly undefinable the genre we often get referred to as would be alternative rock.

What has the reaction to the ‘City People Are Weird’ EP been like?
The reaction has been really humbling. We’ve seen a lot of support in our home town especially, with every song being played on BBC Introducing Northampton and ‘We Need Guns’ receiving Track of the Week. For us it’s been a great experience to actually release our music, as the writing and recording process is so important to us.

Tell us about ‘Hate Me’.
‘Hate Me’ was recorded at The Lodge in Northampton, the same place that we recorded our EP. It was something we realised we wanted to be our next release whilst recording City People Are Weird. We all believe in it and felt it was the right next step.

‘Hate Me’ has some strong words. Is writing a song like that a cathartic process for you?
Yes it really is, the lyrics are very important to us as the issues and feelings in the lyrics are all real and something personal to me, and so it is important to express that. The process of writing a song as a band has become very therapeutic for us, it’s a distinct part of who we are and it’s amazing to be able to share that with your best friends.

You have a great live following. What do you think makes people keep coming back to see you?
We can’t say for sure what keeps people coming back but we hope it’s because people see the human in us, but we guess our live following comes down to our indescribable sound and the fact that it’s probably better to watch four friends doing what they love together. Also, it must be funny to watch something different go wrong every time we play.

What was the last album you bought/streamed?
Cam – Lil Peep ‘Come Over When You’re Sober’
Jake – Whitney ‘Light Upon The Lake’
Tom – Of Monsters and Men ‘Beneath The Skin’
Will – Wolf Alice ‘Visions Of A Life’

What plans do you have for the rest of the year?
Another single, another EP, and lots of touring.

 

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New Music Friday: The Big Dirty

Northampton’s hard rocking quartet The Big Dirty are on the comeback trail, and celebrate this with new tracks ‘Safeword’ and ‘Queen Of Hearts’. New Boots catches up with bassist James…

Northampton’s hard rocking quartet The Big Dirty are on the comeback trail, and celebrate this with new tracks ‘Safeword’ and ‘Queen Of Hearts’. New Boots catches up with bassist James Cutler.

How/when/why did you guys get together?
We have been in bands together in some form for the past 15 years! Dave and Chris were played together at school/college and myself and James have been in a few bands since the age of 15. We gave it a rest for a few years until we started to get the itch for the rock n roll lifestyle again. So we started up The Big Dirty! We called on Dave to play the drums as our previous guitarist had played with him before and couched for his abilities. It was only this year that Chris joined as our new guitarist. Chris composed the score for the Rhythm Of My Drum music video and we have been working with him on an up and coming collaboration project with local rapper Tony Ceasar. We instantly clicked and haven’t looked back.

How would you describe your sound?
We like to say it’s Sex Rock! we all have massively different influences which we like to think gives us a fresh sound! We like to sing about all things sex, drugs and rock’n’roll.

Who are your main influences?
We all have a wide range of influences such as He is Legend, Underoath, Pink Floyd, Matt Corby, Emery, Breathe Caroline, Buck Cherry, Pendulum, Led Zep, Dead Sara, Alter Bridge, Ozzy, Dream Theatre, The Beatles, Foo Fighters, Bon Jovi, Bloc Party & The Libertines.

Tell us about the new songs
‘Safeword’ is the first track we have written with new guitarist Chris. In our first practice he showed us the riff and two hours later we had the track! Everything we’ve written has just felt natural and fun which we think shows in the music. ‘Safeword’ is a good example of how our sound has changed and what to expect.

We are releasing ‘Queen of Hearts’ this Monday so make sure you pop in and check it out.

What are your live shows like? They look pretty wild from some of the footage we’ve seen…
For us music is about the live show! It’s no good having a great energetic track then standing there like lemons while playing it live. Nothing is planned, we just get up on stage and whatever happens happens! Things do get pretty wild!

What has been your favourite band moment?
This is a tough one! Being on tour with Synergy Protocol from Denmark was an amazing experience, it showed us that being in a band can be hard work and we loved it! All our live shows are our favourite moments, it’s why we do it! We have amazing loyal fans and watching them go nuts is the best!

What was the last album you bought/streamed?
JC…Underoath ‘Erase Me’
Chris…Deadmau5 ‘Wheres The Drop?’
James…Marshmellow’
Dave…Justin Bieber ‘Baby’

What plans do you have for the rest of 2018?
We have a lot of great shit going on already this year! We are working on a colab track with Northampton rapper Tony Ceasar and Giant Dwarf, who directed and filmed our Rhythm Of My Drum music video for us. Keep an eye out for this cause its different than anything else you’ve heard! We have a new booking agent so loads of shows to come and we’re currently working on a new EP which will hopefully be released end of summer/autumn time!

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New Music Friday: Last Chance

Last Chance are a powerful, hard-hitting and melodic pop punk band from Kettering, who this week release their new Shut Down EP.  New Boots spoke to guitarist Dan Holmes about…

Last Chance are a powerful, hard-hitting and melodic pop punk band from Kettering, who this week release their new Shut Down EP.  New Boots spoke to guitarist Dan Holmes about the band and this release.

A quick synopsis of the band, if you please. How/why/when? 

So we are Last Chance from Kettering and we have Matt on vocals and guitar, Harry on bass, Dan on lead guitar and backing vocals and Luke on drums. We started back in March 2017. Originally we was to learn a few punk covers to play at a friend’s memorial party, but just didn’t have enough time to get our shit together to perform. But we stuck with it and actually wrote a few good songs which we thought people would like to see and hear so went out looking for gigs.

I think it’s fair to say you wear your influences on your sleeve, do you not?

Our influences are definitely delivered well throughout our tracks. Were all stuck in the 00s pop punk time zone. Bowling For Soup, Box Car Racer, Blink 182, New Found Glory and Green Day to name a few.

Tell us everything about this new EP ‘Shut Down’

Well our EP was recorded at Parlour Studio in Kettering by Jay, and we had an absolute blast. He made us sound great! The artwork was done by a good friend of the band Ant who lives in Australia and plays in the band Baltimore Gun Club. We’re currently selling the EP for £5 which automatically puts you into a raffle to win a REAL bright pink guitar which we have all scribbled on, so get buying people.

Do you all skateboard, like the artwork suggests? Is it an important band of the band culture?

Skateboarding is what originally brought us all together, apart from Matt who lived in Australia where surfing was his forte. I think now though with two of us being parents and the other two being reprobates, falling off a plank of wood onto hard concrete is definitely not the one no more.

It’s look like incredible fun being at your live shows. 

Oh yeah definitely, our gigs are a right laugh. The easiest thing to do for crowd entertainment is to just give Dan a microphone and he will entertain people for hours. But we all have a good crack doing what we do at live shows. We set each other challenges before we play like most amount of lunges and how many times can Luke the drummer stand up during the set. We just have a good crack and take the piss out of each other.

Do you hit the road very often?

Hitting the road and going on tour is something we really want to do but at the moment we’re still trying to find our way into local venues and continue writing more tracks for an upcoming album.

What’s the connection with Baltimore Gun Club?

Baltimore Gun Club are from the Gold Coast, which is where Matt moved from. His brother Christian (Ronnie) plays drums in this band and they came over to do a UK tour last winter and we supported them at the King Billy. It was so cool for Dan being Christian’s cousin and Matt being his brother to actually appreciate each others music live.

Best/worst thing about Kettering is…?

Where’s all the music shops and live venues gone? If you want to buy strings or even plectrums you’re then off on a 20 mile trip to Northampton. Such a shame; this town used to have some brilliant shops for musicians. They just all vanished one after another.

Who is your big tip from Northants for 2018?

Our tip is to support all local music venues and promoters. The promoters put on all the top local events like Marc and his guys at Rocked Up! These guys still work day jobs have family’s at home and still support the local music scene. Good on them.

What you got coming up next?

We’re looking forward to playing at the Pop Punk Pile Up in Selby at the end of April. Playing alongside Coast To Coast, The Bottom Line and Malory Knox just to name a few is going to be awesome. Then also we’re opening one of the tents at the Rocked Up Hootenanny in September which is also great news. With other gigs at other venues being booked it looks like a busy year for us. Were looking at hitting the studio again in September to record some more, and hopefully have the album out before Christmas. What we want to be doing is push this band as far as we can and see what happens. We don’t want to be just random people who blend in with the surrounding, we want people to come see our band and have a great night with us.

Shut Down is available on Spotify and the other usual online formats. Message the band at lastchancebanduk@gmail.com for a physical version at £5.

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New Music Friday: Deep Sea Mountains

Northampton indie-rock types Deep Sea Mountains have just released a new, Stalkers Studios-recorded EP entitled Pipe Dream. Watch the video for the title track below, but first New Boots spoke…

Northampton indie-rock types Deep Sea Mountains have just released a new, Stalkers Studios-recorded EP entitled Pipe Dream. Watch the video for the title track below, but first New Boots spoke to singer and guitarist Will Sey about it – and the bands’ past and future.

How/why/when did you guys get together?
Deep Sea Mountains have been playing together for four years now. When I first started playing live I was a solo acoustic act. As the songs grew my peers and I recognised the need for a bigger sound. I put together a band (all friends) to perform and record with. We played together for a bit, then two of the band members followed their hearts and left the island. The band was still young and Al Humphries and I were keen as ever to get going again, so I asked my friend Joe [Martin] to try out on the drums and my father-in-law Robin [Pugh] to try out on the bass. Both Joe and Robin were new to their respective instruments but took to them like a duck to water. It worked, we were happy – and are still creating now!

How would you describe your sound?
I would describe our sound as somewhere between indie, punk, britpop and grunge. That would describe the EP sound. The 2016 album spans many more genres, but we had to find ‘our sound’ and I believe this Pipe Dream release has done so (or at least helped).

Who/what are your main influences in and out of music?
Musical influences for me come from many sources. I am a huge Pink Floyd, Radiohead and Muse fan, have always loved heavy music, even a bit of hip hop and dubstep. Although I believe most inspiration has been drawn from the Northamptonshire music scene. Non-musical influences are drawn from the desire to help people, urging folk to get a big dose of nature therapy on the regular as I genuinely believe it brings peace to the body and mind.

Tell us about ‘Pipe Dream’.
‘Pipe Dream’ is the result of a bad time at work. I was in need of change and hadn’t acted, the result was a sense of gloom I couldn’t seem to shake. So I signed off with stress, headed out for a long walk and returned with a song about the comfort zone.

Do you feel there’s been a progression since the self-titled 2016 album?
I feel we have progressed. I’ve started playing electric now so the sound has grown. We are now writing as collective too so that adds many new dimensions. The album was mostly written when we started rehearsing so now there’s a freedom with the new material. It all feels a lot fresher.

What are your live shows like? Do you feel part of a music scene here in Northamptonshire?
The live shows are a lot of fun, we all know what we need to do and seem to get a lot of good feedback. We’re lucky enough to have had considerably more good gigs than bad ones too! We’ve been a part of the local music scene for many years now and have had the pleasure of playing alongside many superb artists. I don’t know what it is about this town but we are spoilt rotten on the music front.

What has been your favourite band moments so far?
Recording the album was a huge deal for me. After writing and playing for so long with no releases under my belt it felt like a huge milestone had been reached. Its a great feeling knowing that our songs are out and available, across the globe. In 2015 we had a headline show for Twinfest; this also felt like a huge milestone for me.

What was the last album you bought/streamed?
‘Science Fiction’ by Brand New.

What is your burning desire for the band to do in the future? What immediate plans do you have?
My desire for the band probably has to be a tour of some kind, preferably global. More shows, more festivals and more releases. Immediate plans are to put ‘Pipe Dream’ on a hard copy and then plan a launch night. Meanwhile, we have three new songs to work on ready for our next trip to the studio!

Pipe Dream can be downloaded for free from Bandcamp

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UoN launches record label; Beth Munroe first release

The University of Northampton have set up an in-house record label, WMTH Records (We Make Things Happen), announcing local artist Beth Munroe as their first project. The label, operated by academic…

The University of Northampton have set up an in-house record label, WMTH Records (We Make Things Happen), announcing local artist Beth Munroe as their first project.

The label, operated by academic Roy Wallace in partnership with the University, begins it’s activities by releasing a four-track EP from Munroe entitled ‘The Euphoria of Losing Everything’ on the April 26th at 6pm, to be available via iTunes, Spotify, Soundcloud, YouTube, and Google Play. This will be accompanied by an EP launch party on May 18th at The Lab [Charles St, Northampton], as part of a full UK & Ireland tour in May & June. The tour is still being booked, but dates in London, Brighton, Edinburgh, Canterbury, Isle of Wight, and more will be announced in due course. Physical copies of the EP will be available to buy at all of the shows.

Beth Munroe is a singer-songwriter working on indietronica [a mix of ambient/electronic indie rock, combining guitar music with elements of IDM/glitch music]. Her influences include CHVRCHES, Lorde, Muse, Bastille, and London Grammar. “I’m so excited to be working with WMTH Records, it’s like a dream come true after so much struggle”, says Munroe. “Roy Wallace is incredibly skilled and knowledgeable, as a musician himself he has that clear passion and understanding that’s just priceless. The production team in the studio have done an amazing job in making the EP sound exactly like I hoped it would, and my marketing manager Nicole Drury has looked after everything so perfectly”.

“It is a pleasure working with Beth as she is a truly unique artist”, says Drury. “Her powerful vocals and personal lyrical themes make for very catchy, relatable songs. The process we’ve gone through to get the music to where it is now has been challenging but definitely worth it and I can’t wait to share it with others. Beth should be very proud”.

The video below for ‘Masochist’ was directed by Jon Hogg in collaboration with UonTV students.

http://www.wmth.tv/record-label
BethMunroeMusic.co.uk

Update: also confirmed for release on April 26th is ‘Long Way from Home’ by Ellie McCann and ‘Surgery#2’ by The Doctor.

 

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New Music Friday: Keiron Farrow

Northampton singer-songwriter Keiron Farrow today releases his new EP, Roundabout Queen Eleanor. Have a listen to it below.  New Boots speaks to him about the journey to here. What did…

Northampton singer-songwriter Keiron Farrow today releases his new EP, Roundabout Queen Eleanor. Have a listen to it below.  New Boots speaks to him about the journey to here.

What did you grow up listening to?
Well, my folks were really into soul and also ska and reggae. My dad was a collector, so mainly their records; lots of Stevie Wonder, Jr Walker – The Temptations were an astonishing group to me. I was also a massive Glen Miller fan and I loved The Beach Boys. I was heavily into James Brown at 14, but it was my aunt lending me Sgt. Pepper when I was 16 that really opened up the world of music making for me.

Give us a bit of background to your musical adventures that led you to now…
I started playing guitar two months before I turned 17, so quite late. But then I played pretty much every day for the next two years – even taking my guitar to work. I got a lot of stick from my mates and whatnot, who where mainly into rave music; whilst I was devouring everything I could get hold of in Daventry Library: from Robert Johnson and Muddy Waters, to Led Zeppelin, Bert Jansch and Bob Dylan. Then I played in local bands, started writing my own songs and kinda meandered along. I’d become quite jaded with playing in a band, trying to ‘make it.’ I’d started getting very serious about acoustic guitar after becoming obsessed with Nick Drake. I figured that playing solo would be the best way forward for me. I managed to establish myself fairly well in Northampton in the noughties as ‘The Bugs’ and played some great gigs, did some radio. Then other things – children, poetry, work – started to pull me in other directions. I got the urge again once my lad started school. I started a band, played some gigs, got frustrated with having to organise everything and everyone and decided to go out on my own again, so I guess I’ve come full circle.

This Brit folk/folk baroque style of music has fallen from favour, but it’s hard to imagine why. What led you to it?
Honestly, I don’t know what’s ‘trending’, as the kids might say! So whilst there are certainly influences I just sit down with my guitar as much as possible and enjoy doing whatever I want musically. To paraphrase Charles Mingus ‘Its the place I’m most free’. My style is basically me not being good enough to play or sing like the musicians I admire!

What’s the most personal song of the collection? Danny is about your boy, yes…? And the famous Eleanor Cross statue in town inspired you too?
I would say they all are really. I was going through a lot when they were written: ‘Danny’ is about my son and I dealing with being apart from each other after his mum and I separated. ‘What Lurks’ – mental illness. ‘No Harm’ about the trials of a 20th Century bloke trying to connect in the social media age. ‘The Quickening’ – falling in love again and being real. The title track, ‘Roundabout Queen Eleanor’, was really just a guitar motif that I nicked from Bert Jansch and developed. I used to live near the Cross and being a Northampton native wanted to tie in some way with the landscape. I think its a travesty that Northampton’s historical and cultural impact has been neglected so badly since, in many ways, the English Civil War.

How was playing at the Marburg edition of Twinfest?
It was magical – the town scenery itself is straight out of a fairy tale – apt as ‘The Bothers Grimm’ were denizens. I met so many fascinating, talented, warm-hearted people. There was definitely a vibe that permeated the whole week – love and friendship basically, and the crowds and venues were so supportive – no studied cool whatsoever. I still feel very humbled that I was considered worthy of a place on the bill. The only drawback was not being able to see some of the other artists I wanted to, because I was already on stage somewhere else! Having said that, seeing Sarpa Salpa play to 1500 people at KFZ was brilliant. Like an old-school Roadmender gig!

Do you enjoy playing live? What’s your take on the Northants singer-songwriter scene?
I love nothing more than playing live. This EP was recorded live in my dining room, all first takes; Ben Jennings did his bass afterwards as he was really buzzing to add some lines. The majority of music I listen to was recorded with all the players together on the floor going for it – Blue Note Jazz, for example. I just want to play live as much as possible. In terms of the Northants scene, there are some ridiculously talented people. I love what Charlotte Carpenter is doing. Only last week, I saw a guy – Blood Moon at The Garibaldi. Corrine Lucy – she’s such a beautiful singer, a great writer and a lovely down to earth human being. Her drive to create music is on a par with William Blake’s illuminated works and epic poetry. What Northants seems to lack are venues which are receptive to what I would call the ‘roots’ side of things: folk, jazz, blues and singer-songwriters. Despite being able to spin 360 and fall into a coffee shop in Northampton we do not have a ‘coffee shop culture’, where traditionally players of our ilk congregate.

Tell us your upcoming gigs. What you up to for the rest of 2018?
I’m doing a turn as part of a triple header called ‘Music in Rugby’ tonight [March 30th], which will be ace. Then the Harmonics Collective night in Corby on April 27th , followed by Vintage Retreat’s third Vegan Festival on April 28th. As for the rest of 2018, I’d like to build on what I’ve achieved over the last year and hopefully connect with more listeners. I’d like to put on gigs locally and bring together more solo performers – see where that goes.

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New Music Friday: Skirt

Corby rock trio Skirt – Liam Finan, Alex Huxtable, and Leia Cameron – have an EP ‘Is It?’ out in a few days time, and today they share the video for one of…

Corby rock trio Skirt – Liam Finan, Alex Huxtable, and Leia Cameron – have an EP ‘Is It?’ out in a few days time, and today they share the video for one of the tracks, ‘Easy Tiger’. New Boots quizzed them, and here are the [cryptic] answers.

Who are Skirt?
3 best buds from Corby tryna do some special things

How did you get together?
Mad story actually

Tell us about the ‘Is It?’ EP, and the launch shows to accompany it.
It’s our baby. We love it. A fusion of all our preferences, no two tracks the same. Fast and loud when deemed appropriate. EP release weekend begins the 30th March with a hometown show followed by date in Kettering then finished with our biggest headline to date at The Cookie in Leicester. We’re bringing along Luna Rosa, King Purple, Fatmate, and Drinsipa plus others to support our release and we can’t wait because they’re obviously the best bands about, and it only seemed necessary to get the best. That and because we love ’em all.

You seem to work hard, playing plenty of live shows. Is that where the band come alive, the stage?
As much as we enjoy playing live, wouldn’t necessarily say it’s where we come alive. Would like to say we share that quality when it comes to writing and recording

How ‘Sarcastic’ exactly are Skirt?
It’s just a song we have x

How does Corby inspire you?
Inspires us to get the fuck out

What’s the last album you bought/streamed?
The Garden’s new records are wicked

What’s the plan now for the rest of the year?
Wear skirts and write songs

Skirt on Facebook

 

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