Tag: punk

New Music Friday: EGO

Milton Keynes/Northampton trio EGO is the new brainchild of Sean Grant, the man behind growly rockers S.G. Wolfgang. Joined by Phill Andreas on guitar and Darren Stephens on drums, the…

Milton Keynes/Northampton trio EGO is the new brainchild of Sean Grant, the man behind growly rockers S.G. Wolfgang. Joined by Phill Andreas on guitar and Darren Stephens on drums, the band are on a mission to get down and dirty with your rock’n’roll desires. Their new eponymously-titled EP, featuring lead single ‘Gurl Is Gunna Kill U’, is a real treat, and New Boots went and got all the background titbits from Mr Grant.

How did you guys get together?
EGO was born from a love of heavier music and boredom. It was an inbetweeny moment of having some free time and throwing together some music which I really enjoyed. Originally it was me and Mark, but it had no future unfortunately, so I recruited some mates that just so happened to play the required instruments. Three mates playing in a band having a laugh, just like when we all aspire to start our first band with starry eyes.

How would you describe your sound? Who are your main influences?
Angry sexy shouty punky rock. Definitely if Jamie Lenman had a gangbang with Idles and Frank Carter.

What was the reaction like to your ‘Social Media SUX’ single last year? It seems the social media backlash is in full effect these days…
Yeah it was good; I think people were digging it as it was a bit different. BBC Introducing gave it some love, which we’re always appreciative of. Ah social media, we all love and hate you. It’s still a great platform to reach a fan base, although now you mainly have to pay for advertising to reach that fan base. Although I can’t see it going anywhere.

Tell us everything about this new EP
It is mind blergh from my brain. Whatever’s in there comes out in my writing. It’s heavy, but it’s melodic and screamy – but hopefully in the right places. It’s angry and it’s cheeky, but it has its sombre moments. It’s the whole flipping spectrum in five tracks. It’s fundamentally EGO. It’s not taking itself too seriously, it’s having fun. It’s remembering why you want to make music, and loving it again. I fundamentally write all the tracks with embellishment from the lads, and in the same way I record and produce all of it too. It’s something that I’ve played at before, and with this project wanting to to have complete control it just made sense to to do it myself. That’s why we’ve birthed Alt:Disco Records too; it’s all our vehicle and we’re looking forward to being at the steering wheel. ‘Gurl Is Gunna Kill U’ was from Friday nights DJing the club night Alt:Disco [at The Craufurd Arms]. Seeing the endless pursuit by men of the women on the dancefloor, and thinking “man that girl is going to kill you”…or “that girl is literally going to kill you”. I love a play on words, a double-edged sword… And a song was born.

What are your live shows been like so far?
Amazing noisily horribly fun. It definitely has a more interesting stage dynamic with myself just screaming / singing, a guitarist guitaring and a drummer drumming. We have our own little bubble, and I’ve certainly enjoyed the freedom of just being a frontman.

What has been your favourite EGO moment of the past year?
Mark and I did a northern tour which was pretty cool and 100% laughs, and I’m just looking forward to this new release and unleashing the new live setup for the world to see!

Are you part of a wider scene in Northants/Bucks, playing with like-minded bands? Any favourite bands/venues you wanna give a shout out to?
Definitely; I’m always open to collaboration and helping each other out. Definitely The Craufurd Arms in Wolverton, and the most recent band who’ve jumped on the bill at our EP show Loose Tooth – SICK BAND.

What was the last album you bought/streamed?
I’m a big fan of local music, so it was actually the new release from Big Loss! Bloody lovely stuff by three lovely people. Apart from that then the new Crows album Silver Tongues is colossus.

What is your burning desire for the band to do in the future? What plans do you have?
All we aspire to is to be bigger than Ginger Snaps.

The EGO EP is out now on Alt:Disco Records via the usual download and streaming platforms

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New Music Friday: Nailbreaker

Digital hardcore artist George Hammond aka Nailbreaker has set the cat amongst the pigeons a little with his early recordings and performances. The Acolytes singer has just released his first…

Digital hardcore artist George Hammond aka Nailbreaker has set the cat amongst the pigeons a little with his early recordings and performances. The Acolytes singer has just released his first EP, entitled Spectrum Songs. New Boots locked him in a basement for a thorough interrogation.

How did you start this project?
I started playing around with the idea of doing something more electronic-centric around August-September 2018, in the downtime of my other band Acolytes not really doing anything. I don’t think there was anything particular in my listening habits that inspired me to start this project. I had just come out of a really difficult period in my personal life, I didn’t have anything interesting to say in Acolytes, I just wanted to make something different and unique and not look back. I put out my first single, ‘Shawn Michaels Circa 1999’, and the reaction was way more positive than I was expecting, so I just kept moving.

How would you describe your sound? Who are your main influences?
Generally I find it difficult citing main influences for my music; I have a pretty broad taste in music and film so I pick up lots of different things from different places. I think my music fits most accurately under subgenres like digital hardcore or cyberpunk, so I reckon there’s some inherent influence from bands in those styles; bands like Atari Teenage Riot, Death Grips, Machine Girl, Deli Girls, etc. It’s the energy and ethos of hardcore punk put through a filter of industrial, harsh noise, breakcore, power electronics, maybe some rap. I don’t know, it’s very impulsive.

What has the reaction been like to your singles so far? Great to see BBC Introducing behind ‘Friday Aesthetics’.
Yeah it was well weird seeing BBC Introducing be so positive about it. In a good way obviously, it just wasn’t something I expected. I’m really grateful for all the support I’ve received so far from everyone; sometimes I have a hard time viewing my music in a context outside of ‘me dicking around and maybe some people might like it’. So seeing people say all this positive stuff, and seeing how many people have reacted well, has been really reassuring. Had a dude in America send me some anime fan art, which was wild for a project where I mostly work on my phone. But it’s shit like that that’s so cool about doing this project; that people feel inspired to create after hearing this stuff. That’s why I’ve also been really grateful for receiving requests for collabs and remixes and stuff. If I want people to take away one thing from my music, it’s to create their own art and creatively push themselves as much as possible.

Tell us everything about this ‘Spectrum Songs’ EP
I recorded, mixed, and mastered the EP in my house over an eleven day period. I didn’t leave the house, drink, smoke, use social media, or listen to other music until it was finished. As much as those things can help fuel creativity, I thought it was important [especially with a self-imposed deadline] to not put any kind of filter on my ideas so I could be as artistically raw as possible. That probably sounds bare pretentious, but it worked for me.
I wanted to make sure that every song on the EP had its own distinct sound and style, without sounding out of place in the context of an overall piece. When I put out ‘Friday Aesthetics’ as a single, I didn’t want people to take it as a teaser track because [other than being aggressive and noisey] none of the other tracks sound like that. Lyrically I didn’t want to be as message-orientated as I am in Acolytes; I think there are a lot of social and personal things that aren’t addressed in that band that I wanted to address here. On the EP I wrote about internet culture, sexuality, personal issues I face, whatever else. The lyrics are available to read on my Bandcamp page. I’d encourage anyone interested to read them themselves and come away with their own interpretation.

What are your live shows like?
I don’t really put a lot of thought into gigs in terms of things like, I don’t know, particular movements or whatever, I don’t want it be choreographed. I see bands do that kind of thing and it completely takes me out of it. The only thing I think I stay aware of is interacting with other people. I try to talk as little as possible during my sets, so making people feel personally involved in what’s going on is important to me, so physically I’m always as upfront and confrontational with the people there as possible. Other than that I like to climb and jump off of stuff. I bleed quite a lot during my shows. I normally have a drummer playing along live as well, either Marcus [from Acolytes] or Dan [from La Folivora]. I don’t know. Every single set I play is different so describing them is difficult; if anyone wants a better idea of what my shows are like then they should come join the party themselves.

Tell us a bit more about the NN10 Noise Club? Is Acolytes likely to come back at some point?
I’ve been asked the Acolytes question a lot recently and I’ve not really been able to give a proper answer. Right now none of us really have any desire to do anything Acolytes related. That doesn’t mean we’re not gonna play more shows or release more music at some point, but right now we’re all more interested in doing other things. Bewlay’s releasing music under the name Dylon Dean, Marcus has just started releasing his own solo material, Tom is playing bass in his brother band, Dan Pigeon.
NN10 Noise Club was an inside joke that got out of hand. Now it’s a collective of Rushden-based musicians. We use that name to put on shows, as a label name for releases, to shitpost on social media. We’ll figure out what it is eventually.

What has been your favourite Nailbreaker moment so far?
My second ever gig was a highlight. It was a house show in Bournemouth and was probably the most intimate space I’ve ever played in [the address of the house is also the title of the closing track on ‘Spectrum Songs’]. I also played a show at The Library in Oxford last month which was probably one of my favourite shows ever. Honestly I don’t reflect on things a lot, I just keep moving. I think I probably should reflect on things more often but it’s always more important to me to think about the present and the future. Maybe I’d call myself a futurist if I wasn’t so pessimistic.

What was the last album you bought/streamed?
The last album I bought was a cassette copy of Veteran by JPEGMAFIA, it’s my favourite album from 2018 and I’d been meaning to get a physical copy of it for a while. The last album I streamed was We Choose Pretty Names by Kermes, another one of my favourites from last year. Can’t recommend either of those albums enough. I think Kermes have some new material on the way from what I can tell, so keep an eye out for that.

What is your burning desire for Nailbreaker to do in the future? What plans do you have?
Play as many shows as I possibly can, I wanna bleed in as many venues and houses as possible before the year’s up [so if you’re reading this and you put on shows, contact me via social media. I would call that a shameless plug but this is an interview about my EP anyway, so fuck it]. Other than that, I’m recording new music but it’s not gonna be out for a while. I might be involved with another project this year, but I can’t talk about it yet. I’ll probably keep posting stuff on Acolytes’ Instagram account without having any plans to play or record music. Maybe there’ll be some collabs in the works, who knows.
All I’ll say is keeping watching. I said it was impulsive music and I wasn’t lying.

Spectrum Songs is out now on BandCamp and the usual digital platforms. Feature photo by David Jackson

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New Music Friday: Type 22

New Northampton indie-punks Type 22 have released their first audio recordings, a double A-side single ‘ROT’/’Haunt Me’, and there’s no denying they’re a couple of lo-fi bangers. New Boots got the…

New Northampton indie-punks Type 22 have released their first audio recordings, a double A-side single ‘ROT’/’Haunt Me’, and there’s no denying they’re a couple of lo-fi bangers. New Boots got the lowdown from singer/guitarist Cameron Godfrey.

How did you guys get together?
I joined the band about three years ago through Tommy [guitarist] and Lewis [bassist]. We had two different members who have left, as they moved further away. After that we played as just me, Harry [keyboards], Lewis and Tommy for a year or so, and then just last year we found a drummer, Luke, who suited the band perfectly.

How would you describe your sound? Who are your main influences?
I would say it’s in some elements British punk, indie and rock. A mix of Granddaddy and various other artists in the indie and punk genre, like Parquet Courts.

Tell us everything about this double A-side single, ‘Rot’/’Haunt Me’.
‘ROT’ is a tune that I wrote in my bedroom: at first trying to make a song that sounded a little bit like Highly Suspect, but absolutely failed and made something else instead. Then I brought it to the band and then we completely changed it again . The song is lyrically based off the poem ‘Ozymandias’, showing that people in power will eventually ROT away. ‘Haunt Me’, written by Harry, is about trying to justify being selfish and ignoring the plights of the outside world.

What are your live shows like?
Our live shows are very energetic and loud! We like to present our music in our movements and interaction with each other.

Are you part of a wider scene in Northamptonshire, playing with like-minded bands? Any favourite bands/venues to play with?
Most of the time we play locally, but recently we’ve been starting to play elsewhere. We recently played at the Craufurd Arms which was great, but our most enjoyable gig was at the Roade Football Club. One band we played with was called Bilk [Essex punks] and we became really big fans of them to this day.
 
What has been your favourite band moment of the past 12 months?
Probably at Roade FC, just because we had the opportunity to play a two hour set and the crowd were amazing and so into the music.
 
What was the last album you bought/streamed?
I streamed Songs For The Deaf by Queens Of The Stone Age, and the last album I bought, on vinyl, was Joy As An Act Of Resistance by Idles.
 
What is your burning desire for the band to do in the future? What plans do you have?
We are all hoping to become a bigger band and play at bigger gigs. I think we all want to be able to fill a big room, such as the Roadmender, with total strangers that came to listen to us . That’s our goal.
 
‘ROT’/’Haunt Me’ is out via the usual download/streaming sites
 

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Ten Of The Best: The Lovely Eggs

Ten Of The Best, with The Lovely Eggs, who play the Northampton Roadmender on Sunday October 21st. Don’t Look at Me (I Don’t Like It) [2011] Have You Ever Heard…

Ten Of The Best, with The Lovely Eggs, who play the Northampton Roadmender on Sunday October 21st.

Don’t Look at Me (I Don’t Like It) [2011]

Have You Ever Heard A Digital Accordion? [2008]

Fuck It [2011]

Wiggy Giggy [2018]

I Just Want Someone To Fall In Love With [2012]

Magic Onion [2015]

People Are Twats [2011]

Allergies [2011]

I Like Birds But I Like Other Animals Too [2008]

Big Sea [2018]

 

 

 

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Record review: The Hurricanes

THE HURRICANES Let’s Go! [self-released] Recorded in their practice room, Northampton quartet The Hurricanes – aka Robert Jones [singing/guitar], Dammo Clarke [guitar], Neil Robinson [drums], and Tony Norton [bass] – have unleashed…

THE HURRICANES
Let’s Go! [self-released]

Recorded in their practice room, Northampton quartet The Hurricanes – aka Robert Jones [singing/guitar], Dammo Clarke [guitar], Neil Robinson [drums], and Tony Norton [bass] – have unleashed their debut album after a quiet period of gestation. Songs were worked on, refined, and put to tape over the past year, away from the glare of expectation. 

Three-quarters of the band cut their teeth in local ’90s Britpopish band Collide, but it is the mod revival sound of ’79 onwards that The Hurricanes mine for their sound. The Prisoners probably sit at the head of that table, as the opening [title] track sets out. Slashing power chords, agitated vocals, a pummelling rhythm section: it’s all here. And the band The Prisoners are usually mentioned alongside – The Jam – is there on track two, ‘This Is The Time’, with the 100 Club spit’n’pogo energy, alongside a no holds-barred rumbling bassline. A handclap breakdown appears mid-song too, giving it a dose of The Chords-esque soul in amongst the bludgeoning guitar noise.

‘Felicity Paige’ has a great, undeniable chorus chant, straight out of the Graham Day handbook. Robinson’s drumming is the key to this stomper, all elbows flying about in the authentic Moon-style. ‘Is There A Why In Your Mynd?’ gives a nod to The Creation, The Eyes and John’s Children with a ’60s freakbeat vigour and stinging fuzz solo. It goes a bit psychedelic at the end too, which is a nice touch. The aggression is toned down somewhat on ‘Staring At The Stars’, with a forlorn lead vocal and some sweet Who-esque backing vocal lines. It’s quite reminiscent of former Prisoner Allan Crockford’s contemporary band The Galileo 7, actually. ‘Taking Care of Business’ is a good summation of what’s happening throughout this album.

Considering this is effectively a home production, with resultant occasionally muddy sound [proper authentic garage-band, you might say] Let’s Go! is something to be properly proud of. It’s direct hits from the past, yesterdays’s sound tomorrow. And jolly, vibrant good fun it is too. They ain’t half bad live too, should you get a chance to catch them.

Phil Moore

[P.S.: Current Northampton Saints coach Chris Boyd was appointed whilst still boss of New Zealand team The Hurricanes, based in Wellington. A cosmic coincidence, worthy of a brief mention]

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New Music Friday: Wishing Wolf

Kettering emo rockers Wishing Wolf have a new single with accompanying video out, entitled ‘As Long As You’re Here Tonight’. The five-piece – Danny Ray Holmes on vocals, Ben Essam and…

Kettering emo rockers Wishing Wolf have a new single with accompanying video out, entitled ‘As Long As You’re Here Tonight’. The five-piece – Danny Ray Holmes on vocals, Ben Essam and Kyle on guitar, Jazza Wallace on bass and James Angelo Moodie on drums – have been tearing up the local hardcore scene these past couple of years. It was time New Boots got the lowdown.

How did you get together?
Danny: We got together early 2017. Wishing Wolf was originally just me and a few acoustic tracks that I threw together, and while I loved doing that, I wanted to take it in a new direction with more energy, I was listening to a lot of pop punk at the time, and really wanted to throw my own take on it. So I asked Moodie, Jazza and at the time Skye to join, who were all happy to jump on. Moodie then introduced me to Kyle, and he jumped on too. After a few member changes we now have Bessie on lead guitar, and Kyle on rhythm after leaving for a short time.

How would you describe your sound?
Bessie: We take a lot of inspiration for a whole multitude of artists and I think that is reflected in our sound. I don’t think there is a single genre we fit into. We speak amongst ourselves about it and people ask us at shows, ‘what genre are Wishing Wolf?’, and we just say ‘our own’.

Who would you say are your main influences?
Danny: We’re influenced by a lot of different bands, being that all of us listen to a diverse range of music. Most of the songs start from me and the guys add in the their own touches at the end. Our most obvious ones are the older post-hardcore/emo bands such as The Used, My Chemical Romance, The Red Jumpsuit Apparatus, as well as newer bands like Neck Deep and State Champs. There’s a lot of lead parts as well, since most of us have come from metal bands in the past, and I’m also really into the orchestral sounds of music, like strings and pianos, that I like to throw in too.

What was the reaction like to last year’s ‘True Eyes’ EP?
Moodie: We felt that even though we didn’t have much of a following at the time we did have quite a few positive reactions from various people, whether that was from people buying our EP, or just leaving good reviews for us. On the build up to the release we were all quite anxious about whether people would actually enjoy the music we created. However our current rhythm guitarist Kyle wasn’t in the band when the EP was released but was still good mates with us all. So it was helpful to have someone on the other side. As for the feedback from social media it was nice too hear that people really enjoyed it, as well as others giving constructive criticism on certain things the audience would like too hear/see.

Tell us about the new single.
Moodie: We were all nervous and excited about it. The EP had a mixture of different sounds and ‘As Long As You’re Here Tonight’ was the first song we’ve released with much more of an established sound. We decided to go further in the direction of emo rather than the pop punk songs from the EP. From the get go we were nervous about people’s reactions. Thankfully people gave us some great feedback! The reaction was overwhelming and overall made us very proud of the release. We felt this song was the first one to really put us out there and getting gigs and interviews like this off of the back of it only continued the good vibes.

What are your live shows like?
Kyle: We certainly aim to keep a nice balance with our live show, of course as musicians it’s important for us to play to the best of our ability, however as fans it’s important for us to put on a great show. We put a lot of energy into our live show and that’s because we love doing it. We take a lot of inspiration from some of the classic bands of the genre in terms of both music and stage presence – Paramore, My Chemical Romance, The Used – as well as new bands in the scene such as State Champs and Neck Deep.

Are you part of a wider scene in Northamptonshire, playing with like-minded bands? Any favourite bands/venues to play with?
Jazza: We would say we are part of a wider scene in Northamptonshire, although we think we have a unique sound from other pop punk/emo bands from around here. We are very close with a select few local bands including Last Chance and The Young and Restless; we love to play shows with those guys. So far we’ve been lucky enough to work with a few local promoters as well including Metal Wave Promotions, Rocked Up and HOP Events. We also love putting our own shows on: choosing who we want to play with and helping out some of the smaller local bands that are just starting out, for example PT-33, who killed it on their first ever gig!

What has been your favourite band moment of the past year?
Danny: It’s hard for us to really say. Just the joy of jamming together at practice and gigs, and just generally hanging out is the best part of being in a band. It’s essentially a second family when you’ve got the right chemistry. Releasing the music that we’ve got and playing all the shows we have up to this point is probably the most exciting things we’ve done, but we love just being a part of Wishing Wolf all the same.

What was the last album you bought/streamed?
Kyle: My Chemical Romance The Black Parade
Jazza: I Prevail Lifelines
Moodie: Panic! At the Disco A Fever You Can’t Sweat Out
Bessie: Polyphia Renaissance
Danny: The Red Jumpsuit Apparatus Don’t You Fake It

What is your burning desire for the band to do in the future? What plans do you have?
Jazza: Play as many shows as we can and try to build a bigger fan base. We’d love to have the chance to play festivals in the future and have fans show up to our set and sing along with us. We’re also looking forward to bringing out a full album, so we would love to have the chance to make a tour or mini tour out of it when released.

As Long As You’re Here Tonight is out now via the usual platforms

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It’s A Shoe In: Northants gig guide Apr 11th – Apr 17th 2018

BLACKWATER HORIZON + BLACK TREE VULTURES Wednesday April 11th The King Billy, Northampton Pure rock from Mainz, Germany with support from metal rockers from Bournemouth. Either way, fist-pumpingly good [and…

BLACKWATER HORIZON + BLACK TREE VULTURES
Wednesday April 11th
The King Billy, Northampton
Pure rock from Mainz, Germany with support from metal rockers from Bournemouth. Either way, fist-pumpingly good [and black]. Doors 8.30pm, free entry

THE MISPELT + BIRTH RITE + DUNCAN BISATT
Friday April 13th
The Garibaldi Hotel, Northampton
Yer headliners are ’90s-era Motorhead-esque dark punk rock’n’rollers, then you have some Black Country steampunk in the middle, and the Bushpigs frontman to open proceedings. Doors 8pm, free entry

WE ARE GIANTS + LOOSE TOOTH+ THE MODERN AGE
Friday April 13th
The White Hart, Corby
The second of four heats. A crowd vote at the end of the evening decides who goes through to one final bout on June 22nd with the chance to win the opportunity of playing the main stage at the Rocked Up Hootenanny festival. Doors 8pm, free entry

STEVIE JONES & THE WILDFIRES + YODACLUB + THE TOUCH 
Friday April 13th
The Romany, Northampton
Acoustic-driven rock promoting new album Angels and Sirens. Plus edgy indie-pop from Corby and 80s-style rock from Kettering. Doors 8.30pm, free entry

LUNA ROSA + ODDITY ISLAND + TOUCAN
Saturday April 14th
The Three Cocks Inn, Kettering
Three of the best alt-rock/indie/psych non-Northampton bands from our county, all on the same bill. The future is bright, the future is now. Doors 8pm, free entry

THOMAS TRUAX + PAT FISH
Saturday April 14th
The Lab, Northampton
On tour in the UK with his signature brand of surreal Americana, promoting his new album All That Heaven Allows Thomas finally brings his Hornicator and ‘band’ of other self-made instruments back to the Lab, supported by his friend and Northampton’s own legendary gentleman and Jazz Butcher Pat Fish. Doors 8pm, £5 on the door

EL CAMINO
Saturday April 14th
The White Hart, Corby
Rockabilly legends bring their own brand of rock’n’roll from their two self-penned albums, plus they’ll throw in a few classics too no doubt. Doors 8pm, price TBA

HUBCAP
Saturday April 14th
The Pomfret Arms, Northampton
Rock/blues/psychedelic two-piece with electric slide and some mean drum beats. Doors 8.30pm, free entry

HOUSES IN MOTION
Saturday April 14th
The Albion Brewery Bar, Northampton
They play jazz, funk, psychedelic rock, indie, and blues; equal parts covers and originals. Doors 9pm, free entry

KING’S GAMBIT
Sunday April 15th
Open Stage Performing Arts Company, Northampton
Northampton powerhouse folkie quintet perform a special one-hour set at Open Stage [off the Kettering Road], for filming and recording purposes. So you now know what to do after your Sunday roast, yeah? The set is played 4pm-5pm, free entry

THE ROCKET DOLLS
Sunday April 15th
The King Billy, Northampton
Brighton riffing-rockers head out on tour to promote sophomore album DeadHead. The trio have been garnering rave reviews for the album and their live show, so one to catch. Doors 6pm, free entry

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It’s A Shoe In: Northants gig guide Mar 28th – Apr 3rd 2018

BARBARA BLACK + OVERSEER + RUSTY G’S The King Billy, Northampton Wednesday March 28th Classic and country rock flavours from Madrid’s BB, “post-grunge” from Coventry, and alt-rock from Milton Keynes….

BARBARA BLACK + OVERSEER + RUSTY G’S
The King Billy, Northampton
Wednesday March 28th
Classic and country rock flavours from Madrid’s BB, “post-grunge” from Coventry, and alt-rock from Milton Keynes. Music from 8.30pm, free entry

STEREO SKULL + BACKROADS + REAPERX + DEAD HANDS
Friday March 30th
The Black Prince, Northampton
Stereo Skull bring from Wellingborough some funky and trance-like grooves to their cyber/death/prog metal. Backroads are a lyrically charged melodic metalcore band from Bristol. ReaperX are Corby thrash metallers , whilst Dead Hands [from Birmingham] mix mathcore and high energy riffs. Doors 7pm, £5 entry

SKIRT + LUNA ROSA + DRINSIPA
Friday March 30th
The Everard Arms, Corby
EP launch show for local indie punks who New Boots interviewed last week . A double dose of quality ShoeCounty rabble rousers in support too, of course. Doors 8pm, free entry

BUSHPIGS + THE KEEPERS
Friday March 30th
The Garibaldi Hotel, Northampton
Trio Bushpigs play a set of their original punk-meets-psych songs, whilst The Keepers continue to entertain with their excellent poppy new single ‘There’s No Going Back’. DJ Alex Novak too. Doors 8pm, free entry

THE TOUCH
Friday March 30th
The Shire Horse, Kettering
The pop-rockers, causing a bit of a storm round Ketrin, do the business on home turf. This one goes up to 11. Doors 8pm, free entry

THE WAX LYRICAL SOUND + LITTLE BITBOY
Friday March 30th
Bar So, Northampton
Energetic rap-rock from Northampton’s party starters, plus support from the 8-Bit chiptune dance master. Doors 8.30pm, free entry

YARDS BAR EASTER WEEKEND FESTIVAL
Saturday March 31st and Sunday April 1st
The Yards Bar and Kitchen, Kettering
The Free Collective take over Yards for a weekend of free entertainment! Bear witness to: Alex Gardiner, Yellow Blues, Skyflood, Birds Eye View, Earbones, Toucan, The Modern Age, King Purple, and Skirt on the Saturday, and  Kieran Smith, Erin Cobain, Wishing Wolf, Last Chance, The Young & Reckless, The Touch, and Home Wrecked on the Sunday. Bands 1pm-9pm both days, DJs afterwards.

AOIFE FOLEY
Saturday March 31st
The Lab, Northampton
‘This Is What Makes Us Girls Pt 2’ showcases art from locals, and the musical entertainment comes from singer-songwriter Foley, with Joshua Judd aiding and abetting on guitar. Doors from 7pm, your donation on the door goes to charity.

THE SULKS + SARPA SALPA + ODDITY ISLAND
Saturday March 31st
The White Hart, Corby
Strokes/Foals-esque Swindon quartet whose songs are so good producer Gordon Raphael (The Strokes, Ian Brown, The Libertines) produced the bands’ debut EP ‘Silence Is Only The Start’. Sarpa Salpa & Oddity Island in tow suggest this will be a BANGER. Doors 8pm, £3 tickets 

WALKWAY
Saturday March 31st
The King Billy, Northampton
Well-travelled and popular classic rock combo from East Anglia, playing songs from their 2017 third album WWIII. Doors 9pm, free entry

INTERROBANG? + EASTFIELD + WRECKAGE
Saturday March 31st
The Horseshoe Inn, Wellingborough
Headliners – angry motorik loop-driven post-punk from Leeds/Brighton who are touring their new album – feature ex-Chumbawamba member Dunstan. With support from fare-dodging types. Doors 8pm, £5 on entrance

JONNY & THE MENTAL BREAKDOWNS + CRASH INDUCTION + THE MILK SNATCHERS + WAH WAH CLUB
Saturday March 31st
The Red Lion, Raunds
Enjoy a punk bank holiday with a quartet of bands from MK and Wellingborough. Doors 7.30pm, free entry

FRACTURE + FUELED HATE + WAH WAH CLUB + THE CRIMSON BRIGADE + DESTINOVA
Sunday April 1st
The King Billy, Northampton
Easter Sunday alldayer of metal and hard rock [with an acoustic opening section], with acts from the county and beyond. Doors 2pm, free Entry

JONO & THE UKE DEALERS
Monday April 2nd
The Horseshoe, Wellingborough
Finally another Welly show to complete the week from Norfamtun’s favourite uke-wielding quartet. Doors 7pm, free entry

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New Music Friday: Over The Influence

Northampton hard rock band Over The Influence today share their debut video to recent EP track ‘Can’t We Love’, filmed by Joshua Goff. Katie Montford marked the occasion for New…

Northampton hard rock band Over The Influence today share their debut video to recent EP track ‘Can’t We Love’, filmed by Joshua Goff. Katie Montford marked the occasion for New Boots by speaking to the band.

When and why did you form?
James: I went about looking to form the band in 2015; my last band split up from members moving away so I wanted to start a new venture.

What music inspired the band?
James: Too much to put into one list but to name a few: Guns n’ Roses, Motley Crue, Black Stone Cherry, Stone Temple Pilots, Halestorm, Led Zeppelin, Buckcherry, Monster Truck, The Dead Daisies, etc.

Growing up who did you listen to? Has your musical tastes changed?
James: The first band I ever really got into was The Rolling Stones. Their track ‘Brown Sugar’ is the song that turned me on to music, and then, when I discovered Guns n’ Roses my life changed, haha! Been listening to the same kind of bands ever since.

Do you remember your first band gig?
James: The first ever OTI show was held in my back garden – we decided to set the band up under a marquee and invite like 80-odd people over, BYOB. Safe to say we had a few angry people from the neighbourhood interrupt. If it’s too loud, you’re too old!

Who is on your playlist right now?
Bex – My choices change on a daily basis, but I’d say: Santa Cruz, Alter Bridge, Stone Sour, The Cruel Knives, Massive, and even some heavier bands like Feed the Rhino! To be honest as long as it’s got some killer riffs, a sweet groove and some awesome vocals it’ll usually find its way onto my playlist.
James: At the minute i’m playing a lot of Alice in Chains, Alter Bridge, The Dead Daisies, Lynch Mob, Skid Row and Ratt.

What inspired ‘Can’t We Love’?
Bex – ‘Can’t We Love’ is probably our most pissed-off song, because it’s all about being fed up with the way the world is ran and how it needs to change! There’s hints to the government and their decisions to prioritise money over human life, the media and the web of lies they spin around their viewers and audience and just the general lack of empathy we have for one another. We’d just hear about yet another terrorist attack from ISIS and were just so angry and ‘Can’t We Love?’ was born from that anger.

Do you change persona when you perform?
Bex: I wouldn’t say I change ‘persona’ per-say, but I would say that my general attitude and personality is just more exaggerated. There’s always got to be an element of performing, so I think you can’t ever truly be the person you are at work/home etc. But I also think it’s so important to be yourself on stage as that’s who your audience connects with and builds a relationship with.

Do you feel the band has changed with time?
Bex: Absolutely! I think as we’ve matured as musicians, so have our songs both musically and lyrically. If you listen to songs like ‘Take Control’, which is one of our older songs, you get that more classic rock and bluesy feel, whereas ‘Can’t We Love’ is far heavier and meatier and shows influences from modern rock and even some of the softer sides of metal, which is more in the direction of the next EP’s sound.
James: I agree with Bex, we’ve definitely naturally developed a heavier, more ‘modern’ edge to the sound which I think will shine properly on EP #2.

What was the musical process like? Did you have the idea of the whole song? Lyrical content, instrumentation?
Bex: If I’m honest we don’t really have a set ‘process’ for writing. For ‘Can’t We Love?’ James wrote the riffs and set the structure of the song. All that was left were the lyrics, and this was actually the first song I’d had any lyrically input on. The lyrics were written when me and James were sat in his dining room after hearing the news about the most recent ISIS attack and just needed to write this song.

Who writes the music/lyrics?
Bex: Generally speaking, James writes the main riffs, but each instrument takes ownership of their parts. We like to all sit in a room and bounce ideas off one another, as that tends to create the most ‘OTI sounding’ songs. Previously, James wrote all the lyrics too, but pushed me to take over that role from him once I joined the band on a permanent basis.

What made you make ‘Memories’ so different to the rest of your EP? Both vocally and musically.
Bex: This is actually quite a funny story. So I went to Reading festival with James and of course he found himself in a mosh pit at Five Finger Death Punch’s set, and he broke his finger! This meant he lost all real movement and strength in his bottom two fingers, so really struggled to play guitar for a good couple of months. Whilst he was in a cast he was playing around with an acoustic guitar and wrote the chorus for ‘Memories’. Me previously being an acoustic singer songwriter I fell in love with the song, and myself and James wrote the lyrics and finished the song together. We played it to a few of our friends and family and they loved it too, so we ended up gigging it at a few acoustic shows we played and it got such great feedback we knew it had to go on the EP. We love that it shows our softer side, and I love that I’ve been able to bring my ‘lighter’ vocals to the band, and we feel it just shows a different and more vulnerable side of us to our audience.
James: I’m a big fan of bands that can write both a killer, heavy rock song and also tame it to acoustic when needed. Alice in Chains are a great example of this. Like Becky said I’d broken my finger so the chorus was accidentally written, I went to play a power chord and realised i didn’t have enough fingers, this strange inverted sorta sound came out and i played with it for a bit and got ‘Memories’. In terms of the song itself: I’ve made a lot of stupid decisions in my life so I wrote the song about regret, Bex came in and helped write a lot of the lyrics too.

Did you always want perform rock?
Bex: Not at all! Previously I performed as a solo artist playing self-written acoustic pieces. Although rock music was always a huge passion of mine I never thought I had a ‘rock voice’. I never intended to join OTI but I was asked to fill in some shows on a last-minute basis as James knew I was a singer, and I’ve never looked back!
James: Always have and always will!

Do you have any upcoming shows?
Bex: We’re honoured to be supporting Stormbringer for the second time, playing at our local and legendary venue The Roadmender at the end of April. We love playing with those guys, they’re tight as hell and they’ve got some wicked tunes! In terms of other shows, we’ve got some exciting things booked including some festival slots, but at the moment we’re really focusing on getting some new material written in preparation for our newest EP.

What can we expect next?
Bex: We’re currently in the process of writing the next EP, which we’re hoping will continue to demonstrate that slightly more heavier side that we feel ‘Can’t We Love?’ has begun to show. Think fatter, riffier and more groovy beats that’ll get your head nodding and your heart racing. We might even throw in another acoustic number 😉
James: The majority of the 2nd EP is written and sounding massive now, so it’s just a case of writing the last couple of tracks and then recording it, mixing, mastering and the usual bullshit that goes with releasing an EP.

 

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Raging Speedhorn reunite original line-up for 20th anniversary show

Corby band Raging Speedhorn have announced that they will be regrouping with their original line up on October 6th for a one-off reunion show at the Electric Ballroom in London….

Corby band Raging Speedhorn have announced that they will be regrouping with their original line up on October 6th for a one-off reunion show at the Electric Ballroom in London.

The news comes following on from a successful comeback started in 2014. Since their reformation, the band have tour nationally and internationally, racking up appearances at every major metal festival in the UK and released the comeback album Lost Ritual in 2016. The band see this reunion as a celebration of their twenty-year career. Drummer Gordon Morison had this to say:

“Really happy to announce that we will be celebrating 20years years or Raging Speedhorn on October 6th at the amazing electric ballroom in London with the original band this will never happen again so if you want to see us smash London go get your tickets now.”

Guitarist Gaz Smith, who left the band in 2008, will be returning with original guitarist Tony Loughlin and bassist Darren Smith. Gaz had this to say on the show:

“Starting Raging Speedhorn with the guys twenty years ago changed my life completely. It was and still is a huge part of me. I’ve never really been one for going back, as far as playing music goes, but to celebrate the twentieth anniversary with a special, absolutely one-off show was just too fun a thing to turn down. It’s going to be amazing. I can’t wait!”

Support is set to come from NOLA legends Crowbar, returning sludge demons Charger and Northants noiseniks Scurge. Jim Palmer, guitarist for both Charger and Speedhorn’s current line-up, commented:

“We’re excited to be able to bring the Fuzzbastard that is Charger to this show. It’s gonna be a mega celebration of times gone by and I for one am looking forward to reliving all those memories for one night. We may even have a surprise to reveal for our lineup. Volume over talent!”

The band recenrtly signed with Undergroove Records, and a new 7” is set for release later this year. The band are currently hard at work on their follow up to Lost Ritual.

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