Tag: rock

New Music Friday: Kian Russell

Northampton’s teenage blues sensation Kian Russell has just put out an EP, Off The Ground, that belies his years. Unable to ignore the prodigious talent, New Boots asked him to…

Northampton’s teenage blues sensation Kian Russell has just put out an EP, Off The Ground, that belies his years. Unable to ignore the prodigious talent, New Boots asked him to stop the study and give us some of his time. He obliged.

Who is in your band, and what do they play?
At the moment, the only permanent member of my band is Andy Doran, who lives in Hemel Hempstead. I am currently looking for a bass player and rhythm guitarist. Fortunately Oli Rumens, from The Comms, has been standing in on the bass. Oli and I have been jamming for a while now and I am grateful that he has been able to join me on stage. Also my guitar teacher and friend, Charlie Shaughnessy, from the USA stands in on the guitar. He is over here on an extended vacation to the UK. Charlie was part of my band in the States and co-produced my EP.

How did you start on your path to music/guitar playing?
My parents have always wanted me to do three things;
1) play a sport
2) speak a second language
3) learn to play a musical instrument.
I started playing rugby for the Old Northamptonians’ RFC when I was 7 and continued playing up until I was 13. I have been learning Spanish, academically, for the past six years. In the States I was learning Mexican Spanish, but now I am back in the UK I’ve been learning European Spanish for my GCSE.
Like Rugby, I started playing the guitar early at 7 years old. However my first love was rugby. At the age of 8, I was diagnosed with a very rare bone disorder in my foot which stopped me playing all sports, even walking wasn’t allowed, for a year! It was during this time that my passion for the guitar truly started to grow. I began to go through “Rockschool” gradings with my tutor, Anthony George at Cutting Edge Guitar here in Northampton.
Whilst I have always loved playing guitar, I really started taking it seriously once I moved to the USA. Seattle has an amazing music scene in general, and is really supportive of youth music and original music. I began to practice and focus my time and creativity in both guitar playing and songwriting. I continued my guitar lessons in the States with my school teacher. He passed me on to Charlie Shaughnessy, and that’s when I started to understand the technical side of guitar playing.
Since my musical journey began, I have been fortunate to be mentored by Seattle’s Ayron Jones and RCA recording artist, Steve Lynch from the band Autograph. These guys have guided me and helped me understand the industry and not just playing the guitar. They have made such a huge difference to the way I look at my music. My big achievement though is getting a full artist endorsement from one of the world leaders in guitar amps, Northampton based, Blackstar Amplification. These guys have been great and encourage me to aim high.

How would you describe your sound? Who are your main influences do you feel?
I like to define my sound as a mix of blues and rock. Stevie Ray Vaughan, Joe Bonamassa, Albert King and John Mayer have all been my major influences. However, I could spend all day talking about the great artists that have inspired them, and have inspired me. In the rock genre its Highly Suspect, Theo Katzman and Foo Fighters.

You spent some years in the States. Tell us about that experience in regards your musical development.
The States allowed me to define myself further as a musician, learning about different styles to which I wasn’t familiar with. As mentioned I am very lucky to have been mentored by some amazing musicians in the United States. They’ve helped guide me through both music as a performer and music as a business to try and become the best version of myself. In the US I had the chance to play with great musicians such as Travis Larson, Ayron Jones, and Dudley Taft, plus many other touring artists.
Outside of performing, I also began a journey on music production. One of the local venues which I frequented, Louie G’s, allowed me to run the lighting and sound for them every Friday and Saturday. Through this, I met many more like-minded musicians but also became exposed to many different styles.

Tell us about this EP, ‘Off The Ground’.
The EP was a way to wrap everything that I was leaving in the States in musical form. Recorded alongside my bassist and drummer, we had total creative control over how we wanted the songs to sound like in the finished product. ‘Off The Ground’, the title track of the EP, was the first song ever written for the project. With an indie/pop vibe, it is a juxtaposition of the rest of the EP.
It was recorded over five months and finished about one week before I left the USA permanently. Through Cakewalk [a DAW software] we weren’t restricted to the trio setup (which we used live) and could experiment with other instruments and sounds. The last track on the EP, ’I Don’t Need You’, is the most experimental.
With over 80 different audio tracks, it was the most taxing song to write. However, as a musician, it is one of my favourite songs to listen to. The chorus is packed with harmonies, both vocally and compositionally. Charlie Shaughnessy [bassist and producer] and I would work from 12pm to 2am on various parts of the songs; focusing on minute details to make sure they were tight and effective. We made sure that along the way, we used each others ideas to ensure that everybody could be heard.

What are your live shows like, in five words or less?
Energetic, shred-tastic, dynamic, fun, soulful.

Are you part of a wider scene in Northamptonshire?
Obviously being from Northampton, I want to play local venues. Up until recently, with exception to the Northampton Music Festival, the majority of my gigs have been in and around London plus some other cool places around the UK. I am a newbie on the Northampton music scene and still making friends and getting to know some awesome bands like Baby Lung [who I think are awesome], the guys from Tragic, The Big Dirty and Naked Next Door…. so much cool stuff coming out of Northampton at the moment. I think we have some cool venues here and I’m gradually ticking them off.

What has been your favourite band moment of the past year?
Definitely opening for Jared James Nichols at The Craufurd Arms! He has been a major influence for me, and to be able to meet and perform alongside him was a dream come true. We were all so pumped for the show and to perform as one meant all the preparation was worth it. We obviously impressed Jared and his management as they have invited us to support them again on his 2020 UK Tour. But I have also enjoyed playing on the same bill as Brian McFadden, supported Steve Rodgers and soon I will be supporting The Quireboys. So these are all favourite moments for many different reasons.

What was the last album you bought/streamed?
The last album I bought was the Purple Rain vinyl. For me, it is one of the best albums. However the last album I’ve streamed has to be (What’s the Story) Morning Glory by Oasis. It’s one of those albums that you just have to listen to.

What is your burning desire to do in the future? What plans do you have?
I am currently writing for the next album. I want to try and get more songs written and composed before the end of the year to hopefully head into the studio next year. With some exciting shows coming up, as mentioned, like The Quireboys, Jared James Nichols and a few other bands, we are very excited to get a fresh set list going and to perform more locally. I am blown away by how well things have gone so far and I am excited for what is to come for the band and with incredible musicians behind me, there is no end to what we can achieve!

The Off The Ground EP is out now. The Kian Russell Band play Northampton twice this month: The Lab on November 22nd, and The Garibaldi Hotel on the 30th.

No Comments on New Music Friday: Kian Russell

New Music Friday: EarBones

EarBones are a heavy blues-rock duo based in and around Northampton, formed by guitarist/vocalist Arran Westlake and drummer Michael Mann. The guys dabble in dirty, gritty rock with a lively…

EarBones are a heavy blues-rock duo based in and around Northampton, formed by guitarist/vocalist Arran Westlake and drummer Michael Mann. The guys dabble in dirty, gritty rock with a lively disco-esque backbeat. After a while away they are back with new single ‘Well I’ve Been Here Before’, so time to get those New Boots questions in!

How did you guys get together?
We actually met on Joinmyband.com, and the first time we met in person was in a practise room at Audioworks. It all started from there really. We started writing in the first session, and it all spiralled from there. We base ourselves in Northampton as it’s the biggest town, plus we love AudioWorks and find ourselves more productive there.

How would you describe your sound?
We’ve always prided ourselves in being loud, once called “the loudest band to practise at Audioworks” by its owner Josh, but our main focus was to create music for people to move to. The guitars are thick, and the the drums are hard. It’s the way we’ve always liked it and comes from a range of influences in both of our musical backgrounds.

Who are your main influences do you think?
Initially the main influence behind starting the band was Death From Above; we absolutely love those guys and they played a huge part in our formation, but our influences are far wider spread. Queens of the Stone Age, The Beatles, The White Stripes, T. Rex, Bowie, all of them have played a huge part in our sound and style. We could list bands all day!

What was the reaction like to your debut, the ‘Key’ EP in 2017?
The Key EP was a way for us to have our music available elsewhere as soon as we started playing shows. I suppose it didn’t garner the support we’d have loved, but looking back it was still us finding our feet. We hadn’t even played a show when we recorded the tracks. We still love it dearly though, and still play all four tracks live, although some of them slightly grown up versions as time has gone on.

Tell us about this new single.
‘Well I’ve Been Here Before’ started out with just the main riff a few months back whilst I was noodling around on my guitar. EarBones was on a break, and when we got back together for the first time in eight months I [Arran] showed Mike the riff and we knew we had to run with it. We wrote 90% of the song there and then, and decided we should record it to coincide with us getting back on the scene. A while back, my friend and pedal builder, Steve Weston of Raygun FX had told me that when we were ready to release something, we could do so under his label, Instereo Records. I got chatting to him about us looking to record and he offered to record the track for us at his space in Southend-On-Sea. We snapped up the opportunity and headed down with one of my best friends, and our unofficial third member Oli who photographed the session for us. We actually finished the track in four hours. It got released on cassette for Cassette Store Day, which was something we never thought we’d ever say. We have a couple of copies left and they’re only going to be available at our shows, so make sure you get down if you want one.

What are your live shows like?
As mentioned before, we like it loud! There’s a running joke that I’m told to turn down my amps at every single show we play. We used to have such a focus on what you heard recorded is what we sounded like live, but we purposely strayed from that, and made a conscious effort whilst recording the new single to have it sound how we wanted, not necessarily what we could replicate live. Instead we focus on giving it more energy, and making it heavier live, to provide a better experience for those in the audience.

Are you part of a wider scene in Northamptonshire, playing with like-minded bands?
We’ve actually found it a little harder to conquer Northants, as we’ve struggled to find bands that fit our style, and venues who’ll give us opportunities. Don’t get me wrong there are some amazing bands and venues here, we’ve had the privilege of playing a couple and we’d love to play locally more. We’re hoping this new single and change of direction will open up better support opportunities as we widen our sound, as we really do love the home crowd. Anyone reading this who needs a support act, or a band for a slot at a venue, hit us up!

What has been your favourite band moment of the past year?
Other than releasing our new single, we played a venue in London the other week called the Lady Hamilton. We were the first band ever to play in the venue as they’ve only just got their live music license. It was pretty cool – apparently it used to be a brothel, which is always odd, but it was cool to be a part of the first live music event in the venue and to be the first band to ever play there was just awesome. We also got to play Woodfest two days in a row due a band pulling out: we absolutely love playing outdoors so it was a great moment for us. And finally working on the new music we’ve got coming up. We’re so happy with ‘Well I’ve Been Here Before’, and we’ve also been working on a couple of new tracks called ‘Lavender’ and ‘The End’ which we cannot wait to play live and record soon.

What was the last album you bought/streamed?
Foals – Everything Not Saved Will Be Lost Pt. 2 – and my god what an album it is. Absolutely loving it, ‘Like Lightening is a belter and I cannot wait to see them live again next year. Highly recommend it to anyone who hasn’t already listened.

What is your burning desire for the band to do in the future? What plans do you have?
We’d love to play some more outdoor events, we absolutely loved playing Woodfest earlier this year and the atmosphere of a festival really fuels us on stage. One day we’d love the be in the position to tour, and maybe headline some smaller venues. We really want to push ourselves and grow our audience and fanbase. We’d be lying if we said the dream wasn’t to play Reading though, we’re not bothered what stage or time, but Reading was the first festival I ever went to, so it holds a special place for me. Generic, I know but I love the vibe there.

Well I’ve Been Here Before is out now via the usual digital sources. The Cassette Store Day release is available via the Bandcamp link below.

No Comments on New Music Friday: EarBones

New Music Friday: Red Rum Club

Liverpool sextet Red Rum Club have had a grassroots-led breakthrough year in 2019. Beginning in January with the release of the widescreen debut album Matador, the band are now on…

Liverpool sextet Red Rum Club have had a grassroots-led breakthrough year in 2019. Beginning in January with the release of the widescreen debut album Matador, the band are now on their biggest UK tour to date, and celebrate with a brand new single, ‘Kids Addicted’. Before their Northampton appearance on October 4th New Boots took tea and biscuits with them.

A busy time for you 2019. Can you summarise how your [presumably crazy] year has been? And any particular highlight you can pinpoint?
This year has been very special to us, from our debut Album ‘Matador’ coming out in January and getting to number 1 in the alternative iTunes charts, and charting in the official UK album, and vinyl charts, to selling out shows around the country, having people sing our songs back to us, and playing on stages in festivals all over the county, plus our first European festival in Romania with the likes of The 1975, and Jungle. 
Glastonbury was definitely a highlight; it was the first time going for most of us, never mind playing. A few of the lads hit it a little too hard there so we can’t remember as much as we’d like. We recently got the luxury of going to the Maida Vale studio and doing a live session there, that was a surreal moment, I know some of us were just as excited for that than for Glastonbury.

The album sounds huge. Parr Street Studios and Chris Taylor; have you struck gold there?
Massively, Chris Taylor has been brilliant with us, we’ve done everything with him; in the early days we released singles through his label ‘Rooftop Records’, so when Modern Sky signed us for an album we all knew it made sense to continue with him, and thankfully working with him means we get Parr Street, so we’re very happy with that.

Selling out the 02 Academy is no mean feat. Can you still walk the streets of Liverpool freely, or has the fame bit hard there now?
Selling out five months in advance was amazing, we were over the moon with and a little surprised with that. The good looking members get recognised now and again, but I’ll let you decide who they are! 

What you looking forward to most about this autumn tour?
We’re playing some bigger venues than we have in the past outside of Liverpool, particularly in Sheffield, and playing in cities we haven’t been to be before like Northampton, Norwich and Hull which is exciting! It helps that we love being on tour seeing old fans, meeting new fans, and we’re always up for a drink afterwards, so if you fancy one after one of our shows let us know.

What can you tell us about your 2020 plans?
2020 will be interesting to say the least. There will be more music, more tours and some very exciting news coming your way soon. We can’t give too much away, but have just released a new single ‘Kids Addicted’, so hopefully that’ll keep you interested for the time being!

Kids Addicted is out now. Red Rum Club are on tour now, and play The Black Prince in Northampton on Friday October 4th, with support from Weird Milk and Cusp.

 

 

No Comments on New Music Friday: Red Rum Club

New Music Friday: We Are Giants

Northampton trio We Are Giants, with the huge sound and quirky style, keep coming up with the goods. Following last years well-received debut album The Empire they are back with…

Northampton trio We Are Giants, with the huge sound and quirky style, keep coming up with the goods. Following last years well-received debut album The Empire they are back with new single ‘Respond’. Time to ch-ch-chat…

How did you guys get together?
We first started in mid-2015, originally connecting through adverts on joinmyband.com. Our first gig was on NYE of that year. We started off as a four-piece playing softer rock and practising in Griffs lounge, but soon found our heavier sound and transitioned into a trio. Alex came on board as a WAGlad [and drummer] last summer. We play together as good friends and because of our passion for writing and playing original rock music.

How would you describe your sound? Who are your main influences?
This is the question that usually throws people off! Our sound is heavy modern rock but with gritty vocals rather than any screaming. That being said….Griff can sing quite beautifully as well. Our influences range from Alexisonfire, old-school Biffy Clyro, Don Broco and Press to Meco and we certainly think that you can hear a little bit of each of those bands in our tunes.

What was the reaction like to The Empire?
Lee’s Nan loved the artwork but not so much the music. Being serious, it’s tough being a small unsigned originals rock band, and unless you’re pumping money into pushing your stuff it’s difficult to get heard. That’s why it’s always fantastic when people grab a CD from us at gigs or stumbling across us on the streaming platforms. BBC Introducing has also played some tracks off of The Empire, which is cool! We’re proud of the songs that we’ve created and recorded together, and if nothing comes from it then at least we’ve had some good times doing it all and have something for our grandkids to listen to [and hate].

Tell us about this new song, ‘Respond’.
‘Respond’ was written by all three of us pretty much as soon as Alex came on board. Griff came up with the riff at 1am when we were all pissed, and we never looked back. We recorded the song at the WAG studio and had a great time adding all of the layers….especially the ukulele in the breakdown! When it was time to release the song, we thought about ideas for a music video and being the lazy bastards we are, we decided to stand in front of a green screen and shoot a one take dancing video…..but it turned out great! It seems that when we run out of ideas we always turn to the comedy, crazy costumes, green screen video approach. We probably did the main video in one take but also created five or six bonus clips that we released before the launch and those probably took the most time because we were laughing so much! Recording and shooting videos is the most fun part of being in a band for us because we get to have a laugh and record whatever idea pops into our heads.

What are your live shows like?
We like to have fun and bring energy to the stage, it’s usually a weekend so why would we want to be all serious and moody? Crowd wise, it’s always hit or miss. We’ve played some absolutely insane gigs, and also played to practically no one on many occasions. Our proudest moment has to be when we were runners up in MK11’s battle of the bands competition, but we won the best bassist and guitarist award. We also got a cool support slot for a CJ Ramone gig from that show.

Are you part of a wider scene in Northamptonshire, playing with like-minded bands? Any favourite bands/venues to play with?
We’ve had the opportunity to play with 100s of bands in 10s of venues in our brief history. We’ve made great friends playing shows in Northants and always enjoy playing at The King Billy, The Roadmender and the cool pubs in Daventry. These days there are a lot of gigs where the majority of the crowd is the bands that are on the line-up, so it’s important to drop the egos, have a beer and enjoy each other’s show.

What has been your favourite band moment of the past year?
Shooting the music video for our next single…coming out soon! The video was soooo much fun to film and we hope that comes across on camera. Stay tuned to our Facebook page for more details soon on that.

What was the last album you bought/streamed?
Lee – Biffy Clyro Balance Not Symmetry
Alex – Press To Meco Here’s To The Fatigue
Griff – Acoda Truth Seeker

What is your burning desire for the band to do in the future? What plans do you have?
We have a new single coming out soon with an awesome video to match. We think that this is possibly our best work to date so we’re excited to release it! After that we’re just going to focus on having a good time being in a band: whether that’s working on new tracks, jamming or recording and shooting video content. We’re not ruling out the odd live show but we live busy lives and the rewards for the time, effort and money that you put into playing shows is slim, but that’s cool….we have a laugh together and do what we want, when we want.

Respond is out now

No Comments on New Music Friday: We Are Giants

New Music Friday: Rolling Thunder

West Northampton outfit Rolling Thunder are the fresh-faced assassins come to kick in your ears on the grubby indie dancefloors of 2019 and beyond. Seemingly fully-formed already, New Boots asked…

West Northampton outfit Rolling Thunder are the fresh-faced assassins come to kick in your ears on the grubby indie dancefloors of 2019 and beyond. Seemingly fully-formed already, New Boots asked singer Charlie Smith about how they got here and how music gives them their kicks.

How did you guys get together?
The band was formed in a history class at school in 2015 by Ryan and myself as a bit of a joke. No one took us seriously because only Ryan could play an instrument. We were studying the Vietnam War at the time and that’s where the name came from. We were just a bit obsessed with the idea of being in a band and thought it would be pretty cool, so we have just gone from there really. Joe and Harry were also proper keen to be in a band despite no music background or experience at all, so they learned their instruments from scratch by themselves – which again was another reason I think people didn’t take us very seriously. We’ve only really called ourselves a proper band since 2018 when we started doing local open mics. Harry asked his cousin Josh to drum for us when we got some gigs and has recently become a fully fledged member of the band. He was the missing piece and brings so much experience and level headedness. He holds everything together when the rest of us are getting a bit overexcited and making mistakes and stuff.

How would you describe your sound?
Definitely heavily guitar-driven. The sound is quite varied though, and there’s all sorts coming from different decades. Predominantly like an indie 80’s jangle, a more raw 90’s rock ‘n’ roll sound and then some early 00’s indie. What’s interesting is that when people try describing our sound we get completely different responses. We’ve had comparisons to all sorts, from Mod to post-punk to Britpop.

Who are your main influences in music?
The likes of Oasis, Kings of Leon and The Strokes influence the songwriting and guitars. The guitars are also influenced by Harry’s love of early Arctic Monkeys and obsession with Interpol. Joe on the bass idolises Peter Hook [Joy Division/New Order] and Bruce Foxton [The Jam], so there’s definitely some older new wave and post punk vibes there. Josh on the drums is influenced by Radiohead and Counting Crows, which is different again, and then my main influences in terms of vocals are people like Bernard Sumner [New Order], David Byrne [Talking Heads] and Damon Albarn [Blur].

What was the reaction like to the first single, ‘Break In At The Nachtwinkel’?
It’s been mental; we were completely taken aback by the positive response we got. People had only ever heard us live, so we weren’t sure how they’d take to the studio version of the track. But they seem to love it, and it means so much to us. We were on holiday the night it came out and so things got pretty silly. We were just so overwhelmed that something we had made was now out and available on the same platforms we all get our favourite music from, it was unreal. Josh has been in lots of other local bands and said he’s never seen such a quick online uptake of a track, so that seems really promising and gives us the confidence we need.

Tell us about this new one, ‘John Doe’.
At the time Ryan was struggling to write any songs, he wanted to try and write in a different way. He was listening to a lot of Paul Weller and the Kinks so he wanted to write a song in a more observational way. He looked at some of his neighbours and saw how well kept their gardens were and how clean their cars were, and that gave him the idea of writing a song based on people we’ve seen out in Northampton and Nottingham [our uni location]. The idea of a bloke who has all these outward possessions and a seemingly perfect life, but on the inside their life is a bit of a mess. We’re not saying his neighbours are actually like that either, before they try and kick his door down.
From this general idea the whole track has grown into what I suppose you could call almost a concept piece with the artwork, promotional pictures etc…all elaborating on the lyrics and initial idea. Things escalated when I even wore John Doe’s tattered suit and tie on stage. Sound wise it’s pretty big: definitely heavier than ‘Break In At The Nachtwinkel’, with a more rock ‘n’ roll vibe. Especially with the lyrics and vocal delivery the whole track has a lot more attitude. It also has a groovy bass line, driving drums and the usual big guitars. The recording of it was a good laugh, and the overall sound is massive thanks to the great work of Jon Martin at Stalker Studios.

Describe your live show in five words?
Energetic, Entertaining, Endearing, Exciting and Sweaty.

Are you part of a wider scene in Northamptonshire?
We’re definitely becoming more and more integrated, our first gig in town was supporting The Keepers and we’ve supported them again since. They’re really good guys and we’re big fans of them. We recently played at TwinFest which was an awesome experience, and it meant we got to meet a lot of the other bands from Northampton and we got a really good reception which was cool. The more we play the more connected we feel which is really promising, so hopefully the scene will continue to reveal itself to us or grow around us. In terms of venues Peggotty’s Lounge in Towcester is our Cavern Club; an awesome place for us to do our own thing, as its proper local, so we get silly.

What has been your favourite band moment of the past year?
Playing live is our favourite thing, the best reception we’ve had was at a local gig at Peggotty’s Lounge. The place was totally packed and there was mosh-pits and pints going everywhere. To have people singing and screaming our own words back to us was really special. We loved every second of it.

What was the last album you bought/streamed?
Charlie: It was a 12” single rather than an album – ‘Life During Wartime’ by Talking Heads
Ryan: Dogrel by Fontaines D.C.
Harry: Part 1: Everything Not Saved Will Be Lost by Foals
Joel: Joy as an Act of Resistance by Idles
Josh: The Fall of Hobo Johnson by Hobo Johnson

What is your burning desire for the band to do in the future? What plans do you have?
The ambition is just to be as big as possible. Ideally we want to be on tour supporting bands and playing festivals as soon as possible. Hopefully in the not too distant future a gig at the Roadmender will be on the cards. An ultimate dream of ours would to be become proper successful and do a big homecoming gig either at Sixfield’s Stadium or Franklins Gardens. As well as big live gigs we want to push ourselves technically and develop the songwriting. Even though we think the current songs are pretty awesome we’ve only just got going and think it’s just the tip of the iceberg.

‘John Doe’ is out there now on the usual digital shelves

 

No Comments on New Music Friday: Rolling Thunder

Album review: Empyre

EMPYRE Self Aware [self-released] The opening track ‘My Bad’ sets out the template for the debut by this Northampton quartet and their wrought, minor-chord melodrama of a debut album. Solid…

EMPYRE
Self Aware [self-released]

The opening track ‘My Bad’ sets out the template for the debut by this Northampton quartet and their wrought, minor-chord melodrama of a debut album. Solid and thick rhythms; crunchy blues-metal riffs, intense-yet-introspective lyrics sung by front-man Henrik Steenholdt. Self Aware is not something that’s ever going to wash over you in the background.

Taking their cues from the likes of Alice in Chains and Stone Temple Pilots, with occasional forays into Muse-like bombast, Self Aware is a thrilling and atmospheric ride to be on. Recent single New ‘Republic’ is the first heads-down rocker to come along, cruising confidently on those Soundgarden-style verses and Metallica vocal workouts. 

A band that’s no stranger to accomplished and almost progressive songwriting ideas, they aren’t afraid to be bold when they need to, as ‘Just A Ride’ with it’s gentle feedback passages, ably demonstrates. But then ‘Too Close’ shows they are able to be just as melodic as any classic band you care to name. Steenholdt’s wail on the latter is something to truly behold too, holding long notes with aplomb.  

‘Drive’ perhaps sees them coming too close to aping their heroes, not offering the originality that’s clearly evident elsewhere on the album.  It’s the mid album dip I guess; same applies to ‘Only Way Out’. ‘Cut To The Core’ though has a touch of the pop-punk in its rhythm, and it suits them well. The previous single, the catchy and hard-hitting ‘Too Little Too Late’, is the one to ease yourself into their world; the drums cut hard, as do the lyrics. By the time the finale, the atmospheric and epic grunge workout ‘Homegrown’, finishes you do feel emotionally exhausted, but in the best way possible.

A hard-working band, the general buzz around Empyre is there for good reason. They come alive in the gig environment, and they’ve done a great job of getting that energy in the studio across these eleven tracks, whilst still adding enough texture to warrant repeat plays. If you like your hard rock with some proggy bites then Self Aware really should be happy nestling in your collection very soon.

Phil Moore

Self Aware is out now

 

No Comments on Album review: Empyre

New Music Friday: Greasy Diablos

Visceral rock’n’roll will never go out of fashion, and from Rushden come riding those Greasy Diablos to provide some. Back in the saddle for 2019 with new single ‘Sarah’s Nose’,…

Visceral rock’n’roll will never go out of fashion, and from Rushden come riding those Greasy Diablos to provide some. Back in the saddle for 2019 with new single ‘Sarah’s Nose’, New Boots spoke to singer Matt Bland and guitarist Ian Marshall.

How did you guys get together?
Matt: Difficult to pinpoint really; I would say around 2010. I  joined after spending many of my youthful years as a drum & bass MC. I fell out of love with the scene and wanted to do something different. I knew Ian through BMX when we were younger, I found out he had a band; that was it. Dan Stocker was destined to be in the Diablos, and Matt on bass we met through the local music scene around Rushden.

How would you describe your sound? Who are your main influences in music?
Matt: Definitely not happy hardcore, definitely not jazz. Its Rock & Roll, its Greasy Diablos!

You had a busy 2017 and then took a break in 2018, and are now back strong gigging again in 2019. Has the break recharged the batteries?
Matt: Rotation of band members didn’t help, that’s probably been more stressful than doing gigs and travelling etc. Now though we have commitment to the cause, so 2019/2020 is looking good and hopefully we can do a lot more festivals and further afield gigs.

Tell us everything about this corking new single, ‘Sarah’s Nose’.
Matt: I believe in all music and arts it’s best to leave to the listener’s interpretations. If you force a subject to strongly it ruins the fluidity of the ride. It’s Rock n’ Roll, and I hope you like it.
Ian: I’d been listening to a lot of old Chicago blues scene stuff from the 60’s, had bit of the riff and Stocker and myself went to the Bunker [our man cave] and finished it off roughly lay-out wise. We took it to practice and Bland was straight on it. It came together really quickly after that! I really enjoy playing it live as has good energy and bounce to it; also everyone loves a story!

Describe the Greasy Diablos live show in less than five words?
Loud, filthy, greasy Rock’nRoll!

Are you part of a wider scene in Northamptonshire, playing with like-minded bands? Any favourite bands/venues/people you wanna give a shout out to?
Matt: We live on the Northants/Beds border and other than SBD Promotions we have mainly been supported from the Bedford side of things- The Pad Presents guys. As gigs go supporting The Spitfires at The Picturedrome was a great night, and with Salpa Sulpa at Roadmender also. Shout outs to Garden, Type 22, and Kenneth J Nash.

What has been your favourite band moment of the past year?
Matt: Getting over 5,000 hits of ‘Sarah’s Nose’ the first week on Spotify.

What was the last album you bought/streamed?
Matt: The Kumari [self-titled] – shout out to them, great band.

What is your burning desire for the band to do in the future? What plans do you have?
Ian: Get more of our songs recorded and released. I would love to play some iconic festivals next year; the smallest stage will be fine!
Matt: Enjoy ourselves & be happy! Keep progressing: new songs, and getting them out there.

Sarah’s Nose is out now via the usual digital platforms

No Comments on New Music Friday: Greasy Diablos

Video premiere: EGO

We spoke to Milton Keynes/Northampton trio EGO recently about their eponymous EP. Well now’s time to bring you their spiffing new video for second single from said EP, ‘I Don’t…

We spoke to Milton Keynes/Northampton trio EGO recently about their eponymous EP. Well now’s time to bring you their spiffing new video for second single from said EP, ‘I Don’t Even Bite’.

EGO effortlessly make raw and noisey bangers to help you awaken any dead soul. EGO is the brain child of Sean Grant [S.G Wolfgang / Fierce Panda Records] & his pals Phil [guitar] & Dazza [drums]. Click below and catch the lo-fi VHS stylings of the vid below; it’s going to make you happy, we just know it.

https://www.facebook.com/egoegoband
https://www.instagram.com/egoegoband
https://www.egoband.co.uk

The EGO EP is out now digitally via AWAL / Alt:Disco Records

 

No Comments on Video premiere: EGO

It’s A Shoe In: Northants gig guide Jun 19th – Jun 25th

ROCK FEST The King Billy, Northampton Thursday June 20th – Sunday June 23rd No Sixfields festival this year from Blackbush, the replacement is two festivals at the Billy this weekend…

ROCK FEST
The King Billy, Northampton
Thursday June 20th – Sunday June 23rd
No Sixfields festival this year from Blackbush, the replacement is two festivals at the Billy this weekend and one in August. Thursday sees STEVIE JONES & THE WILDFIRES, FAMILY OF NOISE, and 100,000 HOURS playing. Friday means V8. Saturday welcomes JOHNNY THE FOX, 9 CARAT PURPLE , EMPYRE, MOJO CITY REBELS, RED HAWK RISING, FUELED HATE, CATALYST, LOKI, and GRAMMA VEDETTA. Finally Sunday brings out DIRTY JACK DC, MOTORPACE, PORCELAIN HILL and BLUESTONES. Times vary. Thursday and Friday are free entry, Saturday and Sunday are £5 per day [or a weekend ticket for £8]

SAM MORROW + MOUNTAINTOP JUNKSHOP
Thursday June 20th
Little Country Smokehouse & General Store, Cransley
Southern stomp and old-school funky-tonk from Los Angeles. Minimal country/Americana in support, from the slightly closer locale of Leicester. Doors 8pm, £10 tickets

THE NORSEHAMPTON VIKING FESTIVAL
Friday June 21st to Saturday June 22nd
The Black Prince, Northampton
A “celebration of Viking life” in Northampton, amazing. Musical delights from ATORC [folk meets metal from Bury St. Edmunds], GREENMAN RISING [Midlands folkies] SELLSWORD [Yorkshire metal], THE DIRTY TALES [celtic folk/punk band from Bedford], SCOTT SWAIN & THE SINNERS [acoustic alt-rock from Herts], BORN TO DESTRUCT [rock’n’roll from Cambridge], RALPH BEEBY & THE ELEPHANT COLLECTIVE [blues rock from London], THE WHISKY REBELLION [gypsy-punk from Leicester]. Tickets £8/£12

LAY IT DOWN
Friday June 21st
The Lab, Northampton
New Breed of open mic for the urban music scene. Impact, Hagglar, L30 Robinson, Paxx, RG The Baron, and many more perform. Doors 8pm, free entry

BRIAN STONE
Friday June 21st
Albion Brewery Bar, Northampton
Stone [from Hampshire] is a lively, original singer songwriter known for engaging, entertaining performances. Doors 9pm, free entry

THE DRONES CLUB + CORINNE LUCY
Friday June 21st
The Pomfret Arms, Northampton
Solstice night, with a headliner mixing of ancestral and improvised music with eastern and dub rhythms. Supported by the hypnotising singer-songwriter. Doors 8pm, free entry

THE MISPELT
Saturday June 22nd 
Albion Brewery Bar, Northampton
Solid punk rock of 21 years vintage [think Ramones, Rancid, Clash]. Plus solo support from Lee of Lhasa Calling fame. From 8pm, free entry

CANYONS + support
Saturday June 22nd 
The Pomfret Arms, Northampton
Re-branded from Real Live Owls, Canyons is a collective of seven musicians. Call it Anglicana, country and eastern, call it folky rock and roll. This is the stripped down four-piece version of the band, airing new tunes from a forthcoming ep. Doors 8pm, free entry

THE MUSIC BARN FESTIVAL
Saturday June 22nd 
A barn in Cranford 
Returning for its 6th year, they continue to donate most of proceeds of the event to a local charity, in particular a local palliative care hospice, the Cransley Hospice in Kettering. The festival showcases artists from across a broad range of genres including folk, rock, dance and electronic music. Artists include KOYOSWEET CRISIS, KING PURPLE, THE BRANDY THIEVES, JJ JECZALIK, and HAUSWERKS. Doors 2pm, £25 tickets

JOEL HARRIES
Sunday June 23rd
The Garibaldi Hotel, Northampton
Solo set. 8pm, free entry

📸 of Sam Morrow by @lesliecampbellphoto

 

 

 

 

No Comments on It’s A Shoe In: Northants gig guide Jun 19th – Jun 25th

Album review: Wishing Wolf

WISHING WOLF Violet Fire [self-released] I really enjoyed Wishing Wolf’s self-titled debut album [from 2016], so I was a little worried when their new effort landed in my hands. As…

WISHING WOLF
Violet Fire
[self-released]

I really enjoyed Wishing Wolf’s self-titled debut album [from 2016], so I was a little worried when their new effort landed in my hands. As in such cases I wondered if their new effort would live up to the expectations raised by its predecessor. No fear, because their sophomore long player Violet Fire hasn’t tinkered with the bands formula too much, but it’s immediately obvious Wishing Wolf have matured as both musicians and songwriters. The riffs and lyrics that echo throughout ensures their latest opus hangs together as a cohesive whole.

Cascading guitars are a motif that recur throughout Violet Fire and here, on the quiet storm that is album opener ‘Endless’, they frame an apologetic, beseeching telephone message. The vulnerability of the words spoken create a rather ominous tone and provides a nice foil for next track ‘Stardust’. In complete juxtaposition it fairly races out of the blocks with pedal firmly to the floor. However Wishing Wolf are a band who employ a lot of light and shade, even on a track like ‘Stardust’ there are brief, almost ambient, interludes which only serve to make the faster passages more frenetic.

Drawing influence from artists like My Chemical Romance and The Used there’s, perhaps understandably, a definite American flavour to Violet Fire, but it’s more in homage than any nefarious copycatting. ‘White Rose’ is permeated with intricate guitar lines which intertwine with six stringers Ben and Kyle firing off each other. Evidently the band have spent a lot of time on achieving just the right tone for their instruments and this is complemented by vocalist Danny who, with a nod to his Stateside influences, uses his larynx like an instrument, rising in octaves at will to complement the dissonant melodies of the guitarists. This is most notable on next cut ‘Closer’, as ethereal guitars swirl, with the vocals delivered somewhere between the defiant and self-effacing. But the dynamics are again evident in the conflict of soft and loud passages.

It’s definitely an album of two halves; perceptive listeners will note a change from ‘The Last Time I walked You Home’ onwards, as the high octane fuel that powered the early cuts is supplemented by something more emotive. Sure the majestic title track contains a chugging riff but it’s tempered by a reflective tone that dominates the second half of the album. Not only is there a shift musically but also in the confessional lyrics of ‘Only Nightmares’, a truly epic track that finds the band flexing their musical chops over seven minutes. Bringing things full circle is final cut ‘Black Beauty’, which connects with the phone message of opener ‘Endless’ but lyrically ‘Black Beauty’ counterpoints the “white ghost” mentioned in ‘Only Nightmares’. It’s these dots that join throughout which makes Violet Fire such a rewarding listen on each subsequent spin.

Wishing Wolf are the kind of band with a mélange of influences as nu metal and punk elements rub shoulders with indie rock intention that owes much to the current mid-90s-emo revival. While these disparate prepossessions could leave Wishing Wolf in a kind of musical limbo what holds Violet Fire together is a strong song (and dare I say pop) sensibility that underpins the album. Even at their most sombre the songs contained herein are real earworms that’ll haunt you for days. In the genre of alternative rock that’s a rarity, and something worth celebrating.

Peter Dennis

Violet Fire is out May 29th; order below via Bandcamp

No Comments on Album review: Wishing Wolf

Type on the field below and hit Enter/Return to search

error: Content is protected !!