Tag: rock

Shed Seven to play warm up show in Northampton this June

Ahead of their biggest headline show to date at Castlefield Bowl in Manchester, Shed Seven will be playing a very special warm-up date at Northampton’s Roadmender on Thursday June 28th….

Ahead of their biggest headline show to date at Castlefield Bowl in Manchester, Shed Seven will be playing a very special warm-up date at Northampton’s Roadmender on Thursday June 28th.

The York five-piece rose to fame in the 1990s and were one of the leading lights of Britpop with two gold albums and 15 Top 40 singles under their belt. They released their fifth album Instant Pleasures last November – their first release since 2001’s Truth Be Told. Instant Pleasures saw enough pre-orders that would have made it a Top 10 chart album every week of 2017. They celebrated the release with the biggest tour of their career, selling over 50,000 tickets across the country – and that was before any fans had heard a note of new music.

Shed Seven will perform at Sounds of The City on Friday June 29th, alongside Reverend & The Makers and The Twang.

Tickets for The Roadmender show go on sale 9am this Friday, April 6th via gigsandtours.com, ticketmaster.co.uk, and theroadmender.com.

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It’s A Shoe In: Northants gig guide Mar 28th – Apr 3rd 2018

BARBARA BLACK + OVERSEER + RUSTY G’S The King Billy, Northampton Wednesday March 28th Classic and country rock flavours from Madrid’s BB, “post-grunge” from Coventry, and alt-rock from Milton Keynes….

BARBARA BLACK + OVERSEER + RUSTY G’S
The King Billy, Northampton
Wednesday March 28th
Classic and country rock flavours from Madrid’s BB, “post-grunge” from Coventry, and alt-rock from Milton Keynes. Music from 8.30pm, free entry

STEREO SKULL + BACKROADS + REAPERX + DEAD HANDS
Friday March 30th
The Black Prince, Northampton
Stereo Skull bring from Wellingborough some funky and trance-like grooves to their cyber/death/prog metal. Backroads are a lyrically charged melodic metalcore band from Bristol. ReaperX are Corby thrash metallers , whilst Dead Hands [from Birmingham] mix mathcore and high energy riffs. Doors 7pm, £5 entry

SKIRT + LUNA ROSA + DRINSIPA
Friday March 30th
The Everard Arms, Corby
EP launch show for local indie punks who New Boots interviewed last week . A double dose of quality ShoeCounty rabble rousers in support too, of course. Doors 8pm, free entry

BUSHPIGS + THE KEEPERS
Friday March 30th
The Garibaldi Hotel, Northampton
Trio Bushpigs play a set of their original punk-meets-psych songs, whilst The Keepers continue to entertain with their excellent poppy new single ‘There’s No Going Back’. DJ Alex Novak too. Doors 8pm, free entry

THE TOUCH
Friday March 30th
The Shire Horse, Kettering
The pop-rockers, causing a bit of a storm round Ketrin, do the business on home turf. This one goes up to 11. Doors 8pm, free entry

THE WAX LYRICAL SOUND + LITTLE BITBOY
Friday March 30th
Bar So, Northampton
Energetic rap-rock from Northampton’s party starters, plus support from the 8-Bit chiptune dance master. Doors 8.30pm, free entry

YARDS BAR EASTER WEEKEND FESTIVAL
Saturday March 31st and Sunday April 1st
The Yards Bar and Kitchen, Kettering
The Free Collective take over Yards for a weekend of free entertainment! Bear witness to: Alex Gardiner, Yellow Blues, Skyflood, Birds Eye View, Earbones, Toucan, The Modern Age, King Purple, and Skirt on the Saturday, and  Kieran Smith, Erin Cobain, Wishing Wolf, Last Chance, The Young & Reckless, The Touch, and Home Wrecked on the Sunday. Bands 1pm-9pm both days, DJs afterwards.

AOIFE FOLEY
Saturday March 31st
The Lab, Northampton
‘This Is What Makes Us Girls Pt 2’ showcases art from locals, and the musical entertainment comes from singer-songwriter Foley, with Joshua Judd aiding and abetting on guitar. Doors from 7pm, your donation on the door goes to charity.

THE SULKS + SARPA SALPA + ODDITY ISLAND
Saturday March 31st
The White Hart, Corby
Strokes/Foals-esque Swindon quartet whose songs are so good producer Gordon Raphael (The Strokes, Ian Brown, The Libertines) produced the bands’ debut EP ‘Silence Is Only The Start’. Sarpa Salpa & Oddity Island in tow suggest this will be a BANGER. Doors 8pm, £3 tickets 

WALKWAY
Saturday March 31st
The King Billy, Northampton
Well-travelled and popular classic rock combo from East Anglia, playing songs from their 2017 third album WWIII. Doors 9pm, free entry

INTERROBANG? + EASTFIELD + WRECKAGE
Saturday March 31st
The Horseshoe Inn, Wellingborough
Headliners – angry motorik loop-driven post-punk from Leeds/Brighton who are touring their new album – feature ex-Chumbawamba member Dunstan. With support from fare-dodging types. Doors 8pm, £5 on entrance

JONNY & THE MENTAL BREAKDOWNS + CRASH INDUCTION + THE MILK SNATCHERS + WAH WAH CLUB
Saturday March 31st
The Red Lion, Raunds
Enjoy a punk bank holiday with a quartet of bands from MK and Wellingborough. Doors 7.30pm, free entry

FRACTURE + FUELED HATE + WAH WAH CLUB + THE CRIMSON BRIGADE + DESTINOVA
Sunday April 1st
The King Billy, Northampton
Easter Sunday alldayer of metal and hard rock [with an acoustic opening section], with acts from the county and beyond. Doors 2pm, free Entry

JONO & THE UKE DEALERS
Monday April 2nd
The Horseshoe, Wellingborough
Finally another Welly show to complete the week from Norfamtun’s favourite uke-wielding quartet. Doors 7pm, free entry

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New Music Friday: Over The Influence

Northampton hard rock band Over The Influence today share their debut video to recent EP track ‘Can’t We Love’, filmed by Joshua Goff. Katie Montford marked the occasion for New…

Northampton hard rock band Over The Influence today share their debut video to recent EP track ‘Can’t We Love’, filmed by Joshua Goff. Katie Montford marked the occasion for New Boots by speaking to the band.

When and why did you form?
James: I went about looking to form the band in 2015; my last band split up from members moving away so I wanted to start a new venture.

What music inspired the band?
James: Too much to put into one list but to name a few: Guns n’ Roses, Motley Crue, Black Stone Cherry, Stone Temple Pilots, Halestorm, Led Zeppelin, Buckcherry, Monster Truck, The Dead Daisies, etc.

Growing up who did you listen to? Has your musical tastes changed?
James: The first band I ever really got into was The Rolling Stones. Their track ‘Brown Sugar’ is the song that turned me on to music, and then, when I discovered Guns n’ Roses my life changed, haha! Been listening to the same kind of bands ever since.

Do you remember your first band gig?
James: The first ever OTI show was held in my back garden – we decided to set the band up under a marquee and invite like 80-odd people over, BYOB. Safe to say we had a few angry people from the neighbourhood interrupt. If it’s too loud, you’re too old!

Who is on your playlist right now?
Bex – My choices change on a daily basis, but I’d say: Santa Cruz, Alter Bridge, Stone Sour, The Cruel Knives, Massive, and even some heavier bands like Feed the Rhino! To be honest as long as it’s got some killer riffs, a sweet groove and some awesome vocals it’ll usually find its way onto my playlist.
James: At the minute i’m playing a lot of Alice in Chains, Alter Bridge, The Dead Daisies, Lynch Mob, Skid Row and Ratt.

What inspired ‘Can’t We Love’?
Bex – ‘Can’t We Love’ is probably our most pissed-off song, because it’s all about being fed up with the way the world is ran and how it needs to change! There’s hints to the government and their decisions to prioritise money over human life, the media and the web of lies they spin around their viewers and audience and just the general lack of empathy we have for one another. We’d just hear about yet another terrorist attack from ISIS and were just so angry and ‘Can’t We Love?’ was born from that anger.

Do you change persona when you perform?
Bex: I wouldn’t say I change ‘persona’ per-say, but I would say that my general attitude and personality is just more exaggerated. There’s always got to be an element of performing, so I think you can’t ever truly be the person you are at work/home etc. But I also think it’s so important to be yourself on stage as that’s who your audience connects with and builds a relationship with.

Do you feel the band has changed with time?
Bex: Absolutely! I think as we’ve matured as musicians, so have our songs both musically and lyrically. If you listen to songs like ‘Take Control’, which is one of our older songs, you get that more classic rock and bluesy feel, whereas ‘Can’t We Love’ is far heavier and meatier and shows influences from modern rock and even some of the softer sides of metal, which is more in the direction of the next EP’s sound.
James: I agree with Bex, we’ve definitely naturally developed a heavier, more ‘modern’ edge to the sound which I think will shine properly on EP #2.

What was the musical process like? Did you have the idea of the whole song? Lyrical content, instrumentation?
Bex: If I’m honest we don’t really have a set ‘process’ for writing. For ‘Can’t We Love?’ James wrote the riffs and set the structure of the song. All that was left were the lyrics, and this was actually the first song I’d had any lyrically input on. The lyrics were written when me and James were sat in his dining room after hearing the news about the most recent ISIS attack and just needed to write this song.

Who writes the music/lyrics?
Bex: Generally speaking, James writes the main riffs, but each instrument takes ownership of their parts. We like to all sit in a room and bounce ideas off one another, as that tends to create the most ‘OTI sounding’ songs. Previously, James wrote all the lyrics too, but pushed me to take over that role from him once I joined the band on a permanent basis.

What made you make ‘Memories’ so different to the rest of your EP? Both vocally and musically.
Bex: This is actually quite a funny story. So I went to Reading festival with James and of course he found himself in a mosh pit at Five Finger Death Punch’s set, and he broke his finger! This meant he lost all real movement and strength in his bottom two fingers, so really struggled to play guitar for a good couple of months. Whilst he was in a cast he was playing around with an acoustic guitar and wrote the chorus for ‘Memories’. Me previously being an acoustic singer songwriter I fell in love with the song, and myself and James wrote the lyrics and finished the song together. We played it to a few of our friends and family and they loved it too, so we ended up gigging it at a few acoustic shows we played and it got such great feedback we knew it had to go on the EP. We love that it shows our softer side, and I love that I’ve been able to bring my ‘lighter’ vocals to the band, and we feel it just shows a different and more vulnerable side of us to our audience.
James: I’m a big fan of bands that can write both a killer, heavy rock song and also tame it to acoustic when needed. Alice in Chains are a great example of this. Like Becky said I’d broken my finger so the chorus was accidentally written, I went to play a power chord and realised i didn’t have enough fingers, this strange inverted sorta sound came out and i played with it for a bit and got ‘Memories’. In terms of the song itself: I’ve made a lot of stupid decisions in my life so I wrote the song about regret, Bex came in and helped write a lot of the lyrics too.

Did you always want perform rock?
Bex: Not at all! Previously I performed as a solo artist playing self-written acoustic pieces. Although rock music was always a huge passion of mine I never thought I had a ‘rock voice’. I never intended to join OTI but I was asked to fill in some shows on a last-minute basis as James knew I was a singer, and I’ve never looked back!
James: Always have and always will!

Do you have any upcoming shows?
Bex: We’re honoured to be supporting Stormbringer for the second time, playing at our local and legendary venue The Roadmender at the end of April. We love playing with those guys, they’re tight as hell and they’ve got some wicked tunes! In terms of other shows, we’ve got some exciting things booked including some festival slots, but at the moment we’re really focusing on getting some new material written in preparation for our newest EP.

What can we expect next?
Bex: We’re currently in the process of writing the next EP, which we’re hoping will continue to demonstrate that slightly more heavier side that we feel ‘Can’t We Love?’ has begun to show. Think fatter, riffier and more groovy beats that’ll get your head nodding and your heart racing. We might even throw in another acoustic number 😉
James: The majority of the 2nd EP is written and sounding massive now, so it’s just a case of writing the last couple of tracks and then recording it, mixing, mastering and the usual bullshit that goes with releasing an EP.

 

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Stevie Jones & The Wildfires ‘Angels and Sirens’

STEVIE JONES & THE WILDFIRES Angels and Sirens Stevie Jones & the Wildfires are a rock group from Northampton. They released their first album in 2016, Stratigraphic Heart, and this…

STEVIE JONES & THE WILDFIRES
Angels and Sirens

Stevie Jones & the Wildfires are a rock group from Northampton. They released their first album in 2016, Stratigraphic Heart, and this is the follow-up. Composed of thirteen songs, most written by Jones, with a couple of covers by other songwriters [George Borowski, and Ian Babington]. The band consists of Stevie Jones (guitar/vocals), Vassilis Damitriadis (guitar), Jake Patrick (drums), and Bob Dabrowski (bass), with guest Autumn Dawn Leader often appearing on piano and vocals. LA guitarist Janet Robin (String Revolution, Lindsay Buckingham Band) and top Leicester harp player Sean Clutterham also provide guest appearances.

The opening title track starts off slow and steady, before speeding up the pace as the song progresses. It’s a song that makes you want to sing/dance along, with a catchy chorus. Along with the lyrics that seem to be about lost love, this song has great fire and passion behind it. It’s slightly reminiscent of Buzzcocks’ ‘Ever Fallen In Love’, with an old-school English rock vibe. The following song ‘Neon Underground’ uses some unusual instruments in the beginning, giving it a Western feel with its use of harmonica. It has some awesome guitar solos. Near the end of the song the instruments drop out which showcases the vocals rawness before the music returns to finish the song.

‘Whitewash’ is very interesting as it uses clips from news and adverts to begin the song. The lyrics talk about what the TV presents to you – Royal babies, celebrities, etc – instead of broadcasting any of the real things happening in the world. The lyrics “They kept us in the dark for too long now” is an obvious reference to what the media shows us. The song ends with police sirens and chaos. This track it a very down to earth, with a clear message.

‘The Garden Path’ meanwhile has a peaceful and tranquil feel and is out of step with the general tone of the album; however it’s a welcome attribute to the album, giving it variety. Again, this song seems to be about love, and love lost. This song still maintains the rawness of rock, but keeps a calmer vibe through the musical accompaniment and backing vocals.

‘I’ll Never Fall In Love Again’ brings back the rocky fast-paced feel to this album. It brings to mind a rock/swing mash up, the lyric content talks about how the writer will never fall in love again, seemingly after a relationship breakdown. It’s a really emotional song if you listen closely to the lyrics, though this could be overlooked with the upbeat tempo and happy-sounding vocals.

This album contains a reoccurring theme of love lost and heart break. It also incorporates a Western and acoustic feel into the rock, which gives the overall album a good mix and something everyone would enjoy. It is really impressive they have used their platform to talk about something like ‘Whitewash’. The album takes a more peaceful and mellow approach in songs like ‘The Garden Path’ and ‘Polly Anna & Me’. Recommended.

Katie Montford

Angels and Sirens is out Friday March 2nd, order here

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New Music Friday: Oddity Island

Kettering’s woozy indie rockers Oddity Island formed in early 2017 and a year on have readied their debut single, ‘Finger Puppets’. New Boots spoke to Alex Gardner (vocals/ukulele) for the lowdown…

Kettering’s woozy indie rockers Oddity Island formed in early 2017 and a year on have readied their debut single, ‘Finger Puppets’. New Boots spoke to Alex Gardner (vocals/ukulele) for the lowdown on this song and more.

New Boots: How did you guys get together?
Alex Gardner: Well Will Bates [guitar] and I went to college and uni together and were apathetically pondering the idea of trying to make something at least resembling a band for years but never got anything really going. Then we started seeing Sam Draper [guitar] everywhere we went. He had a little bit more drive then me and will to get something started so we met up for a jam and that was that. Finding Paul Parry [drums] and Simon Game [bass] after that was just pretty organic. Paul being Sam’s brother and all and we just got our mate Simon and told him to learn bass… he did.

How would you describe your sound?
We are all in to psychy/shoegazey kinda stuff. I think that’s pretty evident in the music. But there is a massive folk influence on it too. Especially melodically. Then Paul pretends he is in a much heavier band and music comes out. I guess that question is hard to answer definitely; that’s probably a good thing.

What do you think are your main influences musically?
I kinda feel like I don’t know. Like I never really directly think of anyone in particular. It’s just a mess of stuff that’s been crammed in ours heads, right? I would say Neutral Milk Hotel or Beirut or something personally but the rest of the band would say something completely different

What are your main influences outside the world of music?
Nicolas Cage in Wicker Man.

This song seems very anti-religion. Is God deader than ever?
If we count it by his cultural relevance then probably yeah. Not exactly current is Our Kid God. I don’t think of the song as anti-religious though. But more anti Faith. Blind faith anyway. It’s more about being confused about why people need religion rather than hating religion. I mean religions in terms of history and culture is actually incredibly interesting. It’s just the whole ‘I believe in this because I do and that is all the proof I need’ kinda attitude that doesn’t sit well with me. But then again live and let live and I really do understand the comfort in it. I guess that would be nice.

What are your live shows like? Are you part of a music scene in Kettering, playing with like-minded bands?
Live we just try and put as much energy and possible in to it and try to have fun. We have a few slower songs that build up to burst of energy then back down….then back up. We don’t like to stay in the same place very long.

In terms of the scene we play with a lot of cool people round here. It’s a very talented town really, it just has a hard time showing it off nowadays. The scenes there but there’s little to rally around. Speaking of like-minded bands The Abrahams have helped us out a lot with gigs and stuff which we appreciate a lot. Check out there new album it wonderful.

What was the last album you bought?
Derevaun Seraun by Kiran Leonard

What has been your favourite band moment in the past year?
Going to Bournemouth to record. Me, Sam and Paul all slept in a car in the middle of November after going out. It was one of the coldest but one of the funniest nights I’ve ever had.

What plans do you have for 2018?
To gig as much and as far afield as we can. We are also gonna record a kinda live EP in the very near future.

You can find Oddity Island on Facebook and Twitter

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Record Review: The Abrahams ‘The Abrahams’

THE ABRAHAMS The Abrahams (self-released) The band is made up of Ross Alexander II, Max Mclean, Neil Bennet and Jamie Gilbert. The bands’ hometown is Kettering and they describe themselves…

THE ABRAHAMS
The Abrahams (self-released)

The band is made up of Ross Alexander II, Max Mclean, Neil Bennet and Jamie Gilbert. The bands’ hometown is Kettering and they describe themselves as a “four-piece progressive folk rock skiffle beat combo band”, with music and lyrics written by Ross Alexander II. This self-titled album is a real Sunday morning album; relaxing and peaceful with soft and calming vocals. In this album the band address many issues in society with the song ‘Plastic Society’ and the song ‘Holes In My Shoes’, which talks about the ignorance of people; “Just monkeys that learnt to stand tall”.

The Abrahams have taken influences from multiple bands and artists such as Nick Drake, Bob Dylan, CSNY, Cider, Louden Wainwright III, Jeff Buckley, Cat Stevens, Bert Jansch, and Ralph McTell. This is their first album; their songs are calming and peaceful with a real folk feel in the first couple of songs, before they really introduce a heavier aspect by third song ‘1486’.

A few of my favourites from this album are ‘Darling’, ‘Holes In My Shoes’ and ‘Twins and Needles’. The songs enjoyable tranquil feeling means the album would be perfect with a cup of coffee, by the window on a winters morning. It’s definitely worth a listen.

Katie Montford

The Abrahams is available from Bandcamp now for download / order on CD

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It’s A Shoe In: Northants gig guide Jan 10th – Jan 16th 2018

Excuse Shoe-In’s absence last week, it was like a wasteland out there. Never fear there’s some quality out there this week, especially if you like your sounds weighty. HALFLIVES +…

Excuse Shoe-In’s absence last week, it was like a wasteland out there. Never fear there’s some quality out there this week, especially if you like your sounds weighty.

HALFLIVES + WE ARE GIANTS + VIA DOLOROSA + THRIFT STREET
Friday January 12th
The Lab, Northampton
Alt-rock female-fronted quintet from Modena, Italy released their debut album Empty Rooms in 2017, and continue to tour in promotion of it. Doors 7.30pm, £6 tickets or £8 OTD. Alternatively £5 with a Lab Membership card.

SHARKTEETH GRINDER + GOLDEN DEATHMASK + EARLY BLACK + FRANTIC STATE
Friday January 12th
The Ex, Corby
Corby metal / punk / hardcore quartet celebrate the release of their second EP Volume II. Equally frantic / chaotic supports too, natch. Doors 8pm, tickets £2 or a fiver on the door.

POWDERHEAD
Saturday January 13th
The Prince of Wales, Kettering
Cambridge classic rock powerhouse quartet return to the scene of their 2017 triumph. Headbanging obligatory we understand. Doors 8pm, free entry.

AUSTIN GOLD + EMPYRE + MESMA
Sunday January 14th
The King Billy, Northampton
Sunday afternoon session at the Billy. Peterborough’s anthemic Austin Gold headline, with Northants’ intense and ever reliable Empyre in the middle; local newcomers Mesma play their debut gig [and bring more of a hard/stoner rock vibe to proceedings]. Doors 4pm, free entry.

COAST TO COAST + THE YOUNG HEARTS + WISHING WOLF 
Sunday January 14th
The Lab, Northampton
Rising Brummie emo/pop punk rockers bring the shakedown to ShoeTown, alongside fellow alt-rockers The Young Hearts. Opening is newish Kettering quintet [them with the tasty riffs]. Doors 8pm, no info on cost online anywhere as far as New Boots could see [free entry then?]

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Photos: Kingdom Of Giants / Our Hollow, Our Home / Create To Inspire, Roadmender, Northampton

California’s Kingdom Of Giants headlined the Roadmender on Monday night as part of their jaunt around the UK. The band released their second major album All The Hell You’ve Got…

California’s Kingdom Of Giants headlined the Roadmender on Monday night as part of their jaunt around the UK.

The band released their second major album All The Hell You’ve Got To Spare in May and were joined in Northampton by Our Hollow, Our Home, Create To Inspire, Caliburn and From Once We Came.

It was a great turn out for a Monday night with the back room of the Roadmender pretty packed. Below are a few photos of KOG, OHOH and CTI. (Apologies to Caliburn and From Once We Came, we couldn’t get to the venue early enough to see you guys).

Photos by David Jackson

Kingdom of Giants

 

Kingdom of Giants

Our Hollow, Our Home

 

Our Hollow, Our Home

Create To Inspire

 

Create To Inspire

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