Tag: The Garibaldi Hotel

ExP + DJ O.P.1 live review and interview

ExP’s ‘Fully Fledged Fraud’ Album Release Tour, featuring DJ O.P.1 Friday August 9th The Garibaldi Hotel, Northampton Friday night and myself and Bernie Beirne are heading down to the Gari…

ExP’s ‘Fully Fledged Fraud’ Album Release Tour, featuring DJ O.P.1
Friday August 9th
The Garibaldi Hotel, Northampton

Friday night and myself and Bernie Beirne are heading down to the Gari to catch one of the usual faces, DJ O.P.1. A Northamptonshire DJ with exquisite blends of hiphop, funk, jazz, rock, jungle, dnb, he’s always guaranteed to put on a dancefloor filling night of fantastic tunes. Although on this night, he has a rather special treat in store…
O.P.1 has teamed up with Yorkshire’s finest Rapper ExP, to be his Jazzy Jeff on the latest album Fully Fledged Fraud. And tonight, they bring their ‘tiny’ tour to Northampton. Starting in Leeds last night, the tour stops at The Garibaldi Hotel for one night only before they move down south to the Old Blue Last in Shoreditch.

Ben “ExP” Goodwin draws on influences for his current style of rap from classic old skool hiphop artists such as De La Soul, Jurassic 5, Tribe Called Quest. As he says, “people who know how to have fun on stage and make joyful music”. And having fun on stage is one thing that ExP is really good at, drawing in the crowd with his lyric boards and audience participation. So, whether you know his tracks or not, you find yourself joining in with the chorus of “we don’t do that” and “work is so shit”. Plus, you are bound to recognise some the of the classic songs which ExP has skilfully sampled; from the Ratpack to Bill Withers and Sly & the Family Stone.

ExP has a large following based in Corby from his group Flame Griller, so it was great to see the Corby crowd trek across county and turn up to support their tour.

New Boots had a chat with Ben and Robin before the show began..
The album is called Fully Fledged Fraud, so what’s the concept behind this album. Are you the Fully-Fledged Fraud?
Ben: Yeah exactly, as is everyone. That was kind of the point of it. The last album had tracks that I could name the album after in the end, but this is one is a bit more of a summary of everything. I think the summary of it was that everyone is a fraud, everyone is pretending to do what they do, even if they are doing it to a good level. So, you look at yourself and say I am doing this but if I told them how rubbish I really am…

Ok, I get it. A good example of this is Michelle Obama who talks about imposter syndrome?
Yeah, it’s like when people just feel they aren’t right, and apparently Penelope Cruz too. With every film she does she thinks “I shouldn’t be doing this. I’m a complete fraud, I’m not a real actress”, thoughts like this. This is a major thing for people.

Does this mean that you don’t feel like a real rapper?
Well that and many other things. It’s a very strange thing to think of yourself as a rapper in the first place, especially being white and from Yorkshire! You know and being very grumbly. The content is very grumbly and non-rap in its own way, but it is also about being a fraud in my work life, my married life, everything and anything really.

So, you are gigging tonight at The Garibaldi Hotel, where slowthai recently held his album launch as well. What are your thoughts on the current British hip-hop scene?
The British hip-hop scene is cool and busier the further south you get! So it’s great as you get into London but its also busy under London with Brighton and Bristol over the way. Its good, its bubbling, it has its own thing. But hip-hop in itself is such a big word that it incapsulates so much stuff. You can include trap and grime in that, and if you do it’s as buzzing as it’s ever been.

So, if you were to sub- genre yourself under hip-hop, what genre would you say you are?
Haaa! Well the cool thing now is Mumble Rap! So, I have coined ‘Grumble Rap’ because I’m just having a grumble man.. when you start sub-genre’ing…what I’m doing and its like boom bop and classic hip-hop.

What’s it like working with O.P.1?
This is my third gig ever working with O.P.1 and mate it is incredible. He is the best DJ I have ever worked with by a long shot. He knows his stuff man, he’s the best.

Some of your lyrics are just downright hilarious. Do you spend time trying to craft the joke or does that just happen naturally?
No! there is nothing worse then trying to be funny and I don’t think that I am funny. Its just observations, so if something pisses me off from time to time, I will write it down on my phone and I’ll put that into something. Somethings write themselves really quick and something things take ages to craft.

The new album got a promotional tweet from Frankie Boyle! How did that happen?
It was years ago when people realised that he was into hip-hop and he was sharing tweets about the music that he liked. So, a member of Flame Griller messaged him out of the blue and said we do this music and he really got into it. Since then he has followed us, he’s supportive of us and we can shoot him a message and he will promote our music. Its very, very cool. Romesh Ranganathan as well! Its great to have that boost.

So, London tomorrow, then what’s next for you?
Then I have a small gig on the 17th August – Autopot Summer Social then literally nothing. Another Flame Griller gig in October but nothing else. Ever since putting the album out in July I’ve been running around trying to get everything out, trying to talk to everyone so I think once it gets to mid to late August I can try to start promoting the album and get new people to listen and share. Word of mouth is the most important thing for me. Then hopefully there will be another album by 2022.

Over to you O.P.1 – how did this collab come about?
I was DJing at a festival in Corby last September and I was DJing for a local group and a few other MCs on the night. ExP came down, saw me smashing it [as usual!] and he said we need to work together. He asked me to do some scratches on a track, I threw some ideas together, did the cuts and he liked it and went with it. So that’s on the new album, a track called “High Horse”.
He then asked me to do the southern gigs, but it ended up me being his DJ full time now. The video should be out in a couple of months. I don’t know how much I can say, its an animated video. It looks pretty dope from what he sent me. Check out his videos on YouTube, as they are all proper.
I think we both have the same work ethic, the same ideas and the same background in hip-hop so it just kind of worked out really well. We will definitely be doing some more stuff together in the future, for sure.

Except for this project, what else are you up to?
I have regular nights at the Garibaldi Hotel, The Pomfret and the Charles Bradlaugh. I have a few festivals coming up and there are a few local artists I will be working with. You can keep up to date from my Facebook page “DJ O.P.1”

Lisa Eversden

Fully Fledged Fraud is available online here

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Twinfest 2019: The Review

TWINFEST July 25th – July 28th 2019 Northampton, various venues THURSDAY, THE LAB The weekend starts early at Twinfest, the annual hootenanny / shindig that celebrates all that is good…

TWINFEST
July 25th – July 28th 2019
Northampton, various venues

THURSDAY, THE LAB
The weekend starts early at Twinfest, the annual hootenanny / shindig that celebrates all that is good about the music scenes of Marburg, Poitiers and Northampton. Tonight is special in that we get just the German and French acts, and it’s Oclaire‘s honour to kick us off. Before we get to the amiable German fella, can New Boots just point out that it is literally a sauna-type atmosphere in here tonight, as befits the hottest day of the year. If you didn’t go we will simply say: we suffer so you don’t have to. Not that we really did, what with what’s happening on stage. Oclaire is a man who frenetically strums his acoustic guitar, and sings his heart out. Playing songs from his recent sophomore album There Is More, his songs are open like gaping wounds, a space for him to pour his jumblebox of emotions through a redemptive filter and find some solutions to share with us.  We are blessed to hear them.

From solo to duo, and French pair The Aries. Jeanne Casseron and Chloé Bonnet are your chanson for the evening, as they give off sweet and unassuming vibes. They sing solely in French, so goodness knows what the songs are actually about, but one would hazard a guess they are as charming in word as they are in voice. A nifty version of the Beatles classic ‘Across The Universe’ is the icing on the cake.

Cressy Jaw are your solidarity brothers, a trio who take on social and environmental subjects and pull no punches, Reggae-type songs, the rest of the tracks developed into a wild mixture of punk, grunge and blues. Their tight songs switch between reggae-rock and RATM-style alt-rock noise. Their reggaegrungepunk works surprisingly well. 

By the time Bazouka Groove Club unleash their primal rock’n’roll the Lab is producing casualties, and standing outside and listening to the music is becoming a real survival option. Luckily there’s enough punters around for our German friends to work their magic, and work the crowd. Theirs is a modern alt-rock sound mixed up with more of a noughties pop-punk spirit. Singer Basti took his top off [it was definitely a night for that], people moshed until they, literally and figuratively, dropped: it was one of those instantly memorable nights.

It would have been easy to have gone home now satisfied. Bazouka have absolutely destroyed all listening, and the body count is still rising alongside the steam. Yet Full Fiction still have something in their locker to make you reconsider any premature evaluations. The slightly bashful French trio have got some musical chops, as they unleash their slightlydelic punk rock that gets heads nodding furiously, even without anyone knowing the songs. FF felt like the awe-inspiring bonus album track you were not expecting. Tonight the taxi ride home was very, very beatific.

FRIDAY, THE LAMPLIGHTER
The Vincent Vega Band start off proceedings at the Lamplighter in suitably sharp and sophisticated style. Drummer-less and acoustic they are on fine laid back form. Tonight, the band’s sparse, stripped back instrumentation leaves plenty of room for their lyrics, reminiscent of a lo-fi Scott Walker, to shine. Their songs play out like snippets of kitchen sink dramas; held together by moody bass lines and decorated with pretty viola passages. ‘Claude’ and ‘Fireflies’ are particularly well-received moments in a superb opening set. ‘Tout royale pas de fromage’, as they might say in Paris.

Following, in the spirit of these events, with something completely different are Krankhead, aka Mio Flux & Patchy, The Rockstar. Their party-starting hip-hop gets the crowd well warmed up, starting football chants as well as a one-fingered salute to the new prime minister that is much appreciated by the Twinfest crowd.

Upstairs at the Lamplighter, with its fireplace and atmospheric lighting, it feels more like a classy house party; a setting that fits quirky folk-pop duo The Aires quite well. The first of the acts from Poitiers tonight, they instantly win over the Northampton audience. Songs sung in a language the audience may be unfamiliar with are very much dependant on the strength of the performance, but this pair have a wonderfully expressive stage presence and vocal harmonies that cross any language borders.

By the time those watching The Aires get downstairs quite the crowd has amassed for local boys The Barratts, whose mid-evening set showcases why they are quickly becoming one of the towns biggest acts. Punchy indie rock with stinging guitar solos and an assured presence marks them as a force to be reckoned with. By the second song things are already getting rowdy at the front, and your left with the impression that the band are destined for bigger venues than here. The band closed with ‘Lights Out In London’ leaving the audience howling for an encore, but it was already time for the next act to start upstairs.

Oclaire, one of the musicians from Marburg, is up[stairs] next. An acoustic singer-songwriter with a punk spirit and a big heart, he talks openly about the mental health issues that he’s dealt with as he sings about learning to be positive. Throughout the set he drinks from a cup of green tea due to the bad throat he developed on the plane over, and apologises. But his voice is in no way hindered, and he storms through his set with a bit of audience participation.

Back downstairs for the second of tonight’s German acts and Cressy Jaw keep the night pumping with their mix of reggae, punk and bluesy rock. While the audience had thinned a bit since The Barratts, by the end of the set the room had filled up again and there was quite a bit of dancing down at the front. The band’s final song tuned into an extended jam session, with each member of the three-piece getting a spotlight and inviting the audience to join in.

The final act on tonight are Full Fiction, from Poitiers, who pretty much level The Lamplighter with their full-throttle rock and roll. The songs are largely instrumental, with some occasional screamed vocals, but the draw here is the face-melting guitar playing and raw power of the band as a whole. Partway through the set a pit opens up at the front, the front man leaping over the monitor, guitar in hand to shred amongst the audience. The set comes towards its close with the him dropping his guitar on the floor and kneeling over it, attacking it to coax out all manner of sounds. A powerful end to a great night of music from the three cities.

FRIDAY, THE GARIBALDI HOTEL
At 26°, The Garibaldi resembled a blazing inferno, though, the topic of conversation was how it was not as hot as the Lab the day before, when temperatures had reached 37°. The newly formed Joe B. Humbled & His Band opened proceedings with their debut performance, fronted by Joe Martin on guitar and vocals [also known for GOGO LOCO and previously The Mobbs], and joined by his brother Jon Martin on bass and Alex George on drums. The band performed previously-released tracks ‘The Straight & Narrow’ and ‘To Be True’ with some new numbers, such as, ‘Why Did You Kiss Me’ and the never heard before track, ‘Bloodshot Eyes’. With less jumping around, this is Joe’s opportunity for more singing. The new solo venture stays true to Joe’s blues and rock’n’roll influences, with an added essence of some soul. Their admirable cover of Alabama Shakes ‘I Don’t Wanna Fight’ gave severe evidence to said soul influence. With a live performance that was true to the record, Joe B. Humbled are a musical treat with lush, panoramic tones reminiscent of influences from the likes of The Doors and Buddy Holly.

“Are we all drinking ir-responsibly?”, asked Jordan Jones, as he took to the stage. The Keepers were up next with two new faces to the indie-mod quartet. Introducing Charlie Pinnacle and Jack Isaacs to the mix, The Keepers still delivered a tight knit performance. The setlist included some older anthems such as ‘Here Comes The Spring’ and ‘You’re All I Need’, as well as, still-to-be-released ‘Velvet Hands’. Opening with the lines “Don’t take me to the movies, take me to a cemetery,” the song is influenced by the line from beatnik poet, Gregory Corso’s ‘Marriage’. A riotous performance of ‘Cocaine Champagne’ from frontman Jones had the crowd’s eating out of the palm of his hand, as he used the bar as an extension of the stage, crouched below the hanging industrial lighting.

Next on the bill were the night’s hosts, Deaf Trap, marked by Tom Wright’s signature suit and Matt’s ever-impressive beard, they performed before a moshing crowd, whilst meanwhile others melted and fanned each other on the outskirts. The set included firm favourites ‘Guillotine’, ‘Fate Thinks’ and ‘Dirty Echoes’, as well as upcoming single ‘Face’.

Bazouka Groove Club headlined the evening. The conscious-rap group performed in their native tongue, to the remaining survivors of the room, headbanging until the very last note, the audience demanding an encore which was gratefully received.

SATURDAY, THE POMRFET ARMS
In true summer fashion the rains come in early on Saturday and by the time the Saturday leg of Twinfest is open the picturesque beer garden on The Pomfret resembles an overgrown water feature. But the show goes on, and in the barn Laughing Man Marsh kick things off with Crowded House’s ‘Don’t Dream It’s Over’, and it definitely isn’t. The band played a solid set of blues-rock with a mix of originals and covers, ending in a storming cover of ‘The Chain’, assisted by two of the festival’s organisers on vocals.

Due to the delays in starting this is immediately followed by singer-songwriter Andy Hawkins, who apologises for being slow and not as funky as the preceding band, but that’s no problem. The emotional songs complement the atmosphere of this rainy afternoon and capture those inside.

This is followed by another set from Marburg’s Oclaire, whose emotional folk-punk has been one of the many highlights of the festival. While on stage he is sweet and just happy to be able to play music for people, his songs are still sung with emotion and power that could fill a much bigger room. He ends the set in the middle of the audience with an unplugged sing-along rendition of Frank Turner’s ‘The Ballad of Me and My Friends’.

Following this, and something you don’t see that often, is Northampton’s Jack Vs Hotdog, a solo performer appropriately dressed as a sausage in a bun. Starting with a Scroobius Pip line seguing into a fantastic cover of AJJ’s ‘Brave As a Noun’ he plays through a set of originals and covers ending with ‘Please Don’t Feed The Crackheads’, a song deemed not safe for anybody.

Another wonderful find from our French twin city has been The Aires, and despite technical issues they once again wow the crowd with their francophone folk-pop. Despite self-deprecatingly referring to some of their songs as “stupid love songs” they wow the afternoon audience, whose calls for an encore at the end of the set are actually answered in the shape of a cover of Vance Joy’s ‘Riptide’.

Fossilheads are next and the self-descibed folky/comical/theatrical/eco-political duo’s songs about the looming global climate catastrophe are as timely and pointed as they are funny. The pair are fantastic performers with great chemistry and stage presence. Songs about climate change denial and corporate greenwashing are delivered with a mix of comedic character work and incredible musicianship. As per their introduction, they do indeed put the ‘ooh’ back in ‘existential doom’.

After a delay due to more technical issues Jono and the Uke Dealers take to the stage. Whilst ukuleles are commonly seen as somewhat of a gimmick or at best a bit twee, the band is never in danger of seeming like a novelty. The band balance heavier political tracks with lighter fare, but either way underpinned by assured songwriting and performance. They performed well known tracks ‘Beautiful Things’, ‘Speccy Four Eyes’ and ‘Joe Meek’s Ghost’ with Katie Paton, known for P-Hex and Kings Gambit, joining him on stage for a sobering song dedicated to the troubles in Palestine. The slightly abridged set is brought to an anthemic close with new anti-war track ‘Old Grey Wolf’.

New Boots couldn’t get into the barn for Kings Gambit, as it was packed with people dancing to their pirate-esque dance folk-rock. Old-time rockers The Mental Straights were up next with some nostalgic numbers, followed by Tom Rose & The Heathen Orchestra. Tom stunned audiences into submission with his Nick Cave-esque, gravely, macabre tones and Tom Wait style quirky charm, completed by his heathen orchestra, featuring not one but two percussionists. The band performed some personal favourites ‘Dance to Hell’ and ‘Trouble’s What You Got’.

Your correspondent got right to the front for rock-garage, heavy-blues trio, Full Fiction, from Poitiers, France. They tore it up with their guitar-humping, floor-rolling solos that were so epic frontman Camille Pizon broke a guitar string. With more hair-flicking than a l’Oreal advert, Full Fiction, proved their worth. Bazouka Groove Club performed again, before psychedelic rockers King Purple from Corby, the penultimate band of the evening. They delivered their smooth panoramic sound, with intricate layers interwoven with different shapes and textures. The atmosphere was dense, and drenched with entrancing guitars and hypnotising melodies.

Cressy Jaw headlined the evening, with their reggae punk-rock, managing just four songs before they were sadly unplugged. The revelries still carried on well into the evening though, with the night-time hours melting into day for many of the bands and festival goers.

SUNDAY, THE BLACK PRINCE
With a few still jaded from the night before, and the weekend catching up with many, some acoustic acts were just what the doctor ordered. The crowd congregated, sat cross-legged before the stage, in atypcial intimate setting. Dan Plews was up first with his beautiful acoustic guitar/ ukulele variety performance. 

Duncan Bisatt was up next with original tracks; ‘White Shoes’ and the ethereal ‘Captains & Kings’. Duncan’s track ‘Capybara Love Song’ became the soundtrack to the rascality and roguishness during their trip to Marburg earlier this year, for ManoFest, that saw them miss the flight home. It was met with knowing appreciation from those in the travelling party. Duncan performed his up and coming single, ‘Young Man’, and had local audiences laughing to tongue-in-cheek number, ‘£1 Town’.

The Aries were next on the bill with their charming Francophile tunes, that were rhythmic, upbeat and humorous. As much a duet in life, as they are on stage, Jeanne and Chloe’s friendship shows through in their performance.

Occlaire, from Marburg was up next. The solo acoustic artist delivered his dynamic compositions, ranging from soft to loud in a colourful alternation, conveying passion and emotion, supported by catchy melodies. One could lose oneself, just for a moment, and wander through the alternate planes of the music.

Next up are Rolling Thunder, a relatively new, lively indie-rock five-piece, who stepped in at the last minute. Very tight from the get-go, they jangle and fuzz like true pros even at this early stage of their career. Chant-worthy choruses are their trade in stock, and with the likes of ‘Break In At The Nachtwinkel’ and ‘John Doe’ you can already see them being firm festival favourites throughout the land. Some more variation amongst the bangers wouldn’t have go amiss [the New Boots lighter remained firmly in pocket throughout], but they have an awful lot to work with there already. Popular already, gang spirit, and charming banter from singer Charlie: they have all the right ingredients to do great things in 2020. The boys certainly made an indelible mark, and are here to stay.

Cressy Jaw really are very good musicians, that much is clear by their fourth weekend appearance. After the disappointment of an abridged set last night they really turned it on to an appreciative crowd. The songs seemed more 4/4 today, the reggae edges smoothed off [or maybe that’s just New Boots’ brain after four days of drinking]. The drummer from Bazouka Groove Club got up to join in with a double-drumming solo which was one of the many highlights of the weekend’s festivities.

Our next act, Baby Lung, bring some perfect Sunday afternoon relaxed vibes. Max, the two Matts and Harry are the NN band who only began a few months ago, but now seem indispensable to our scene. The quiet drama encased in all their sax-filled, jazz-chorded indie-pop is as seductive as it is unexpected from a band from the East Midlands [we can say that, right?] . Following highlights ‘Casualty’ and ‘She’ is final song ‘Falling’, which, with the help of a devilishly handsome guitar solo, ratchets up the drama to fever pitch. The love affair has just begun, Northampton.

Full Fiction, who have been reminding us of Hyll all weekend, are still on fire today. Their Thee Oh Sees/King Gizzard wig-outs have been propelling everyone out of any stupor they may be in. Proper good guys.

Locals The Jackal Nine are back for a one-off. Like they were back at Twinfest in 2017. Why mess around trying to be ace every weekend when you can do a show every couple of years and knock it out the park with ease? They start with a lengthy intro music, the spoken word effort from Meatloaf, ‘Wasted Youth’. The busy room knows they are going to burst into life any moment now. And when they do it’s with considerable vigour; like a bat out of hell, perhaps. The mosh pit is perpetually busy as they work though their intelligent punk rock repertoire – ‘S.A.D’, ‘Gruffalo’, etc – with gleeful abandon, as you might imagine from people having not performed for that long.

“You gotta choose between those who love you and those that wanna own you” states Danny Adams, the singer/guitarist. “This [his protruding middle finger] is a toast to Boris Johnson, Donald Trump and all their ilk”. Toward the end of their set a young rapper called Paton comes on briefly and gave it some serious, glorious attitude. Then there’s the ‘Fuck Brexit’ chant, and you can quietly be assured of their political leanings. In these tumultuous times the Jackal Nine are a reassuring presence, so we’re quite sad that they now go back into the toy box. Time to start a petition perhaps…

Bazouka Groove Club are again monumental. There’s a small stage invasion tonight, and plenty of crowd interaction in general. So pleased to say this weekend they’ve lived to the quality of that first-rate band name.

Phantom Isle are the final band of the weekend. The Northants-and-now-in-London band are doing great things wherever they land, having the songcraft to match almost any new band around. They dress up in ritualistic outfits to scare the bejeesus out of us Sabbath-observing folk. They open with ‘Channel’, then run through a confident set which includes the recent singles ‘Focus’ and ‘Four Walls’. Their indie-psych pop is infectious and skyscraping, and they feel like worthy headliners for an eclectic festival which has covered a range of styles.

And that’s it for another year. Time for a lie-down. See you in 2020.

Words by Phil Moore, Rachel Thomas, Sonny JD, and Tom Rose

Photos by David Jackson and Phill Phree

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Twinfest 2019: full line-up revealed

The Northampton Twinfest weekender has announced the full line-up of acts for 2019, and where they will all be playing around ShoeTown. The Twinfest organisation celebrates the friendship between the…

The Northampton Twinfest weekender has announced the full line-up of acts for 2019, and where they will all be playing around ShoeTown.

The Twinfest organisation celebrates the friendship between the twin towns of Northampton, Marburg in Germany, and Poitiers in France, through music. The annual concert celebration is now 21 years young, and happens in 2019 from July 25 to July 28th.

This year the opening Thursday night at The Lab focuses on the Twintown artists from Poitiers and Marburg, with Oclaire (D), The Aries (FR), Cressy Jaw (D), Bazouka Groove Club (D), and Full Fiction (F).

Friday night is a double venue event. At The Garibaldi Hotel will be The Joe B. Humbled Band,  The Keepers, Deaf Trap, and Bazouka Groove Club. Meanwhile at The Lamplighter will be Vincent Vega Band, Krankhead, The Barratts, Cressy Jaw, Full Fiction, The Aries, and Oclaire.

Saturday is the first of two all day events, at The Pomfret Arms. There you can witness Laughing Man Marsh, Andy Hawkins, Oclaire, Jack vs Hotdog, The Aries, Fossilheads, Jono and The Uke Dealers, Kings Gambit, The Mental Straights, Tom Rose And The Heathen Orchestra, Full Fiction, Bazouka Groove Club, King Purple, and Cressy Jaw.

Then on Sunday on the Garden Stage at The Black Prince it’s the climax of the festival. This involves Dan Plews, Duncan Bisatt, The Aries, Oclaire, Death Alley Drivers, Cressy Jaw, Baby Lung, Full Fiction, The Jackal Nine, Bazouka Groove Club, and Phantom Isle.

Entry cover charge to each event is just £3. Weekend wristbands for all shows are available for £5 from here.

Twinfest on Facebook

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Photos: Nailbreaker, Worry, Ex-Pets at The Garibaldi, Northampton

Nailbreaker celebrated the release of his debut EP ‘Spectrum Songs’ at The Garibaldi Hotel in Northampton last night.  New Boots were in attendance at the venue’s recently converted basement for…

Nailbreaker celebrated the release of his debut EP ‘Spectrum Songs’ at The Garibaldi Hotel in Northampton last night. 

New Boots were in attendance at the venue’s recently converted basement for the show which saw the Rushden-based purveyor of digital hardcore joined by Worry, Ex-Pets and fellow NN10 Noise Club scene man Dylon Dean [apologies to Dylon for not getting there in time to get some photos; his performance was excellent though, as were all the acts].

Here’s a few photos from the night courtesy of @davidtjackson

Check back with New Boots for an interview with Nailbreaker on April 5th

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Photos: The Schizophonics

San Diego fuzz rock trio The Schizophonics returned for a second Northampton show last night [August 6th], this time at The Garibaldi Hotel. It was the hottest of nights, in…

San Diego fuzz rock trio The Schizophonics returned for a second Northampton show last night [August 6th], this time at The Garibaldi Hotel. It was the hottest of nights, in both senses. They left town with a even more fans than before, with another jaw-dropping incendiary performance.  Here are a few photos taken by David Jackson.

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Gig report: Century City + Pieces + GoGo Loco

CENTURY CITY + PIECES + GOGO LOCO The Garibaldi Hotel, Northampton March 24th 2018 Since the turn of the year The Garibaldi Hotel, yer proverbial diamond in the rough in…

CENTURY CITY + PIECES + GOGO LOCO
The Garibaldi Hotel, Northampton
March 24th 2018

Since the turn of the year The Garibaldi Hotel, yer proverbial diamond in the rough in the back streets of The Mounts, has been under new management, and what a difference it’s making already. Tonight the turn out is exactly what it should be for decent local live draws – in short, busy.

The openers are playing their debut show tonight. Not that you could obviously tell, as GoGo Loco merge seamlessly on from their former The Mobbs guise. Joe and Cheadle might be a man down, but the songs are still primitive and strong. The primary influence now is clearly Bo Diddley, as demonstrated by them covering ‘You Can’t Judge A Book By Looking At It’s Cover’ in a short but deadly set. From now on bring your dancing shoes to the shows, you’ll need them.

Pieces are a new trio formed from the ashes of An Army Of Lights. This, just their third show, is hard and entertaining. The indie disco rhythms are very much the legacy of the noughties, but their tough edge and excellent interplay gives the whole enterprise a strong coherent whole. No idea what the songs are called as they haven’t put anything online yet, but Pieces are definitely a band you would want to check out if you see them listed as playing near you.

The headliners Century City have been wowing ShoeTown since they formed in 2014. A vehicle for former New Cassettes denizens Nik Gray and Tommy Francis, they are joined by Oli Knight (Loose Tooth) on guitar and Dan Battison (Ginger Snaps, and another former New Cassette) on bass. Their guilty pleasures-influenced guitar pop is the very definition of infectious, as it combines Tom Petty/Fleetwood Mac vocals with Death Cab For Cutie/Biffy Clyro drive’n’crunch.

They are the go-to party band in these lands as they give proper show and can handily write pop triumphs like ‘Cherry Red’ and ‘The Others’. As things begin to climax at this well-received outing Gray gets on the bar to fully express himself and get a closer look at those at the back. Result: smiles all round. Gods among men, Century City have the winning formula of not taking it seriously whist actually being seriously good. Long may that continue.

Words: Phil Istine. Photos: David Jackson/Phil Istine

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DTF#5, The Garibaldi Hotel, Northampton

If you are going to go out midweek in Northampton and get a good gig in you then chances are it’s going to be hosted by either The Roadmender [expensive…

Served up are a twin serving of Brighton, sandwiched between a more immediate ensemble in the shape of Blood-Visions. New Boots had been led to believe the locals were one of Northampton’s finest. That report, it unfolds, is pretty bang on the money. The quintet [4x guy, 1x gal] oscillate between hardcore punk and pop-punk/emo, and it is not immediately clear whether they are a “message band” [in the time-honoured tradition of Black Flag, Fugazi, etc.], or simply in it for shits and giggles [as they’re named after a Jay Reatard album let us assume the latter]. Regardless of intent the performance is carried to another level by the ferocious-yet-witty presence of frontman Joss. The songs lock into a simple riff-based groove and batter you into submission. If you like your music literally in your face you’ll find plenty to love with these visions.

Before that though the evening opens with The New Tusk, the Brighton trio that look quite like Husker Du and Soundgarden. Their sound is lot more indie though, with Cribs-style jittery guitar patterns sprinkled liberally throughout. Doomy bass lines propel the whole thing forward, and you can appreciate the live arena is their natural domain. It’s imperative to nod your head on this journey their on. It’s a solid rather than world beating start to the evening, and do definitely keep an eye on the name for future releases as they have all the classic makings there.

Headliners Birdskulls – Jack [guitar and vocals], James [normally/formerly Rory, bass] and Sam [drums] – are our second Brighton band tonight. With one solid album under their belts tonight they share their Lemonheads/Nirvana-indebted grunge pop with the uninitiated, and the audience and New Boots are ever so pleased they did, for they got it going on, as ably demonstrated on new song ‘Over It‘. There’s a self-titled EP released this autumn via Art Is Hard Records [and recorded with Theo Verney, no less]. Do check it out when it drops.

Phil Istine

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