Tag: The Roadmender

Live review: The Rezillos

THE REZILLOS + THE MEMBERS The Roadmender, Northampton February 21st Tonight The Members are performing as a power trio and, stripped back with the absence of a second guitar, proves…

THE REZILLOS + THE MEMBERS
The Roadmender, Northampton
February 21st

Tonight The Members are performing as a power trio and, stripped back with the absence of a second guitar, proves the band to be a multifaceted animal. Lively opener ‘Soho-A-Go-Go’ pulls the slackers in from the bar as the bass heavy ‘Offshore Banking Business’ follows. Not only is that song vitally relevant 40 years later but it’s a perfect example of how punk and reggae cross-pollinated and created a little harmony in a time of racial strife. The high energy rhythm and blues of ‘Working Girl’ swings like Dr Feelgood, and precedes the groove-laden and punchy ‘Muzak Machine’. Next they take the cool Germanic brittleness of Kraftwerk’s ‘The Model’ and infuse it with the warmth of reggae, which sounds like a strange combination, but The Members make it work by creating a whole new beast. ‘The Sound of the Suburbs’ is a song they must’ve performed thousands of times, yet they play it with an energy and respect that a song which defined a generation deserves.

Eschewing the nihilism of their peers, The Rezillos always stood apart from the prevailing punk scene into which they were birthed. Preferring to call themselves a ‘new wave beat group’ they meshed ’50s rock n’ roll and ’60s garage to ’70s glam rock, and added a touch of retro sci-fi imagery. While the Clash sang ‘No Elvis, Beatles or the Rolling Stones’ The Rezillos were busy exploring their roots, which is why they sound timeless and much of their generation seems of its time. Aided by a clear, crisp sound ‘Destination Venus’ finds them on top form with the original twin vocal attack of Fay Fife and Eugene Reynolds firing off each other. By second track ‘Flying Saucer Attack’ they’re firmly in the groove, and are propelled forward by hard-hitting drummer Angel Patterson. In a set that’s always shifting gears the high octane rockabilly of ‘It Gets Me’ sits effortlessly along side the reverb soaked ‘(Take Me To The) Groovy Room’. It’s all killer and no filler as The Rezillos play with an energy and effervescence that’d put many younger bands to shame.

A crowd pleasing set touches all bases from their debut album [1977’s Can’t Stand the Rezillos] to their critically acclaimed 2015 opus Zero with two following from that record in the shape of ‘Spike Heeled Assassin’ and the title track. Attesting to their deep roots an amphetamine-charged cover of The Beatles ‘I Wanna Be Your Man’ is played with so much velocity it veers into psychobilly territory. The distinctly garage-rock feel of ‘20,000 Rezillos Under the Sea’ is paired with another cover, a song they helped to revive: Fleetwood Mac’s ‘Somebody’s Gonna Get Their Head Kicked in Tonite’. Like The Members ‘The Sound of the Suburbs’ The Rezillos ‘Top of the Pops’ is a song that has a life of its own, appearing on almost every punk and new wave compilation that it’s overshadowed much of their other work, and with a discography as good as they’ve displayed tonight that seems a trifle unfair. Nevertheless they treat it with the respect it deserves, and there couldn’t be a better way to end the set.

However the band return for a well-earned encore. When they were forced to change their name to The Revillos [for contractual reasons] there was no drop in quality, and it’s one of those gems that closes the show in the shape of ‘Do The Mutilation’. Like The Cramps mating with the 13th Floor Elevators it provides a suitably largess conclusion that sends all home happy.

Peter Dennis

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Live review: Stormbringer

STORMBRINGER The Roadmender, Northampton September 6th Opening an evening of metal at the Roadmender are Broken Empire. Bringing a groove-laden sound and delivering it with punk aggression this four-piece from…

STORMBRINGER
The Roadmender, Northampton
September 6th

Opening an evening of metal at the Roadmender are Broken Empire. Bringing a groove-laden sound and delivering it with punk aggression this four-piece from Oxfordshire/Northants are a bundle of finely-honed energy. Displaying little in the way of nerves they deliver original tunes like ‘Parasite’ which are both heavy and emotive. Lyrically astute, their first single ‘No More Lies’ follows and is peppered with neat time changes that remind me of ’90s era Metallica. A twin-guitar attack creates a huge sound as set closer [and forthcoming single] ‘Time Running Out’ is a real earworm, and brings things to a suitably climatic crescendo.

Hitting the stage like a gang of whirling dervishes Parallax haven’t come to take prisoners and by second track, ‘End’, their enthusiasm has infected the whole venue. Some powerhouse drumming creates an earth-shaking sound that’s underpinned by some fine finger-tapping on the bass, while the vocals mirror the rhythm and alternate between hardcore growls and something almost soulful. The guitars fire in unison to create an artillery barrage as ‘Losing Control’ and ‘Hero’ are unleashed in quick succession. It’s great to see a band enjoying themselves, but the in between song banter could be toned down so their stage presence matches the ferocity of their sound.

Local band Still Remains appear as a blur of Flying V’s and throwing shapes. It’s no surprise the band cite Metallica, Saxon and Thin Lizzy as influences because their sound perfectly captures that moment in time when the NWOBHM was morphing into speed metal. Originally formed in 1993 as a reaction to grunge their unique take on trad metal has been immovable and seen off various fads and trends. With no pomposity Still Remains are simply four guys on stage, having a ball and living out their fantasies as guitarist Andy Green delivers blistering solo after blistering solo and his vocals have that earthy touch of Paul Di’anno. The whole band lock in well together as the set ebbs and flows smoothly with the songs paired by tempo. ‘What I Am’ broods with a moody riff, while the ferocious set closer, ‘Redeemer’, ensures they leave as they arrived: in a blaze of sonic fury.

Tonight’s headliners Stormbringer have a sound that’s built for the biggest stages, and they’ve taken the right route by paying their dues in clubs and bars. While the Roadmender has become their spiritual home you have the feeling they will soon outgrow the venue. Since I last saw Stormbringer they have shuffled personnel with Darren Caven-Quantrill coming in on guitar and original vocalist Mike Stockley returning after a hiatus. Fans shouldn’t worry as it’s the same Stormbringer, only more groove-orientated and with a more expansive sound. Appropriately they open with their very first single ‘Grinder’, and it’s like Mike has never been away. Slotting right back in the band he immediately commandeers centre stage, constantly punching the air and standing astride the barriers. He’s one of those rare frontmen who can make the whole venue feel involved and, despite the line up changes, the band hit the ground running, like a well-oiled machine they’re firing on all cylinders as ‘Bleed For’ and ‘Save Me’ are discharged in quick succession. It’s a career spanning set which pulls tracks from their three albums while the new song debuted, the moody ‘Mirage’, stomps like a giant and has that huge feeling that Metallica captured on their Black Album. ‘Stick to Your Guns’ follows along with ‘Bad Blood’ as drummer John Paul Quantrill provides a thunderous soundtrack to which bassist Darren McCullagh prowls like a caged animal. Two from their debut album MMVIII follow in the shape of ‘Mark Anthony’ and ‘Gazing at the Grave’, both of which provide plenty of foot-on-the-monitor, fist-in-the-air metal action before guitarist Dom Wallace lays an explosive solo over the anthemic ‘Smother’. Still driven by an insatiable hunger the band look visibly exhausted as they near the sets conclusion; yet they drain the tank to deliver an explosive closer in the shape of ‘Dying Breed’.

Peter Dennis.

Photos by David Jackson

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