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Live Review: The Barratts, The Covasettes, Fox Chapel, Krankhead at The Roadmender

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The Roadmender, Northampton
April 13th 2019

Regular music scene champions, the well-loved Same Old Kids from ShoeTown with the ShoeName have now grown up quite a bit. Their maturity into season, travelled musicians wowing crowds with their nifty guitar ditties and exciting live show is established now. A big hometown show in front a few hundred fans feels both rather deserved and gloriously celebratory. It would be amiss to miss it, frankly.

As people who know what’s what they have tonight bought along their besties to join in. The opening set from Krankhead, the rising hip-hop pairing of Mio Flux and Patchy The Rockstar is sweary and sweaty, and they are absolutely on it. The likes of ‘SNL’ and ‘Sabo’ are party starters, and they will be headliners in their own right if things play out the way New Boots suspect it might.

Fox Chapel are ace tonight. They’ve been away, Lying Low – this is their first show in almost 12 months – but they are still tight as. Rumours abound this might be their last show, and if so then their bouncy post-punk will be sorely missed. Yet they promise from the stage to release some new material soon, so maybe this isn’t the last we have seen of them. Like gluttonous toddlers we collectively remain hopeful for more ‘Ice Cream’.

The Covasettes are four good-looking lads from Manchester with a line in bass-driven ditties. They are a strong match for our headliners, but they are lacking bite. ‘Like You’ and ‘This Feeling’ and ‘Top Drawer’ are indebted to noughties guitar rock and, further back, The Smiths, but the melodies and hooks are a little too polite and predictable, perhaps. A great live show though; their enthusiasm for what they do is unquestionably infectious. Northampton seems to appreciate them, and ultimately here and now that’s all that matters. There is space and time to grow and make their mark, and make New Boots take a second look.

By the time The Barratts come on the party is in full swing. Frontman James Faulkner is resplendent in black cape, feathered hat and tailored cream jacket – the dandy frontman transported in from 1890 that you never knew you needed. He conducts the crowd from start to finish with confidence, which is immediately needed as guitarist Brandon Essom has a broken cable before we’ve even begun. No matter. That the band have only released six of the 15 songs they play over their hour onstage does present them with a significant problem. But winning over a sizeable crowd who don’t know a lot of the material is all in a days’ work apparently, as no one seems to lose interest at any point. This is helped by a constant change in pace: new songs coming thick and fast from different sonic places, but all clearly the work of the same band. From the spiky indie dancefloor numbers to the ballads the public give their love back to every one, and in spades. 

‘Match Of The Day’, from 2016, brings the first round of moshing. But it’s the five song finale, all tunes in the public domain, that feels like one big cup final goal celebration – and deftly recalls all that’s best in British guitar music from the last four decades. ‘Satellites’ has a double chorus that’s heaven sent, all whilst Faulkner dissects society’s woes. New single ‘Lights Out In London’ is the Doherty/Morrissey-esque missive that should see them take big steps forward towards the nation’s heart. They save their jewel in their crown, ‘The Garrison’, to the very end. Not only does it contain a colossal heavy backbeat from the engine room of Will Smith and Evan Bridgstock that’s pummels anyone within earshot into easy submission, it’s exactly the sort of rowdy singalong anthem they seem to excel at.

The five Barratts seem to be having the times of their young lives. Long may it continue.

The Barratts setlist in full:
The Crooked Mile
Lift Song
Certain Time Of Night
Name Badge
Smokey Ghosts
Emotional Machine
Match Of The Day
Lights Out In London
Same Old Kids
The Garrison

Words by Phil Moore. Photos by David Jackson



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