Home > Reviews > Record review: Tim Muddiman ‘Domino Blitz’

Record review: Tim Muddiman ‘Domino Blitz’

Comments are Off

Domino Blitz [Gun Street]

Modern ShoeTown legend Muddiman grew up musically on Elvis first, before a New York electro and reggae phase took hold. In some way that’s all you need to know in advance to get a grip around this often manic, sometimes debauched, and certainly never serene sophomore album from Muddiman. Once you throw in the knowledge that he has been obsessed by the twin beasts of Cave and Waits in more recent years, and that he shares a stage with Gary Numan for a ‘day job’, and the pieces all fall into place. A record this dense, claustrophobic and littered with ’80s references would only come from a musical magpie devouring these sonic worlds.

Muddiman’s first album, Paradise Runs Deeper from 2016, was a more lo-fi ‘straight’ alt-rock record, with the industrial edges that are still audible on the follow-up. But why try and fit in with the alt-rock world when you clearly have so much to say? And make no mistake, Domino Blitz is big on ideas. There’s a loose thread of a story of rock’n’roll redemption from the characters that inhabit this 21st Century version of the Blitz. It gives a voice to vice, to inner demons, and the battle to win them over.

The album opens, with a nod to Depeche Mode, in fine fettle via the glam stomp of ‘Broken Down Superstar’. It’s tempting to say it recalls Morrissey in his Your Arsenal pomp: tempting even though he is such a toxic touchstone right now, whose very name makes almost everyone wince. But it is accurate! Lead single ‘Get It On’ follows a similar path, adding some terrace anthem shouting bits. The rolling story of reprobates Muddiman eulogises about in the verses is nothing short of a call to arms. A reaction to the corporate takeover, the gentrification of iconic places like Soho. Unite and take over seems the order of the day.

The title track is a slow-burning post-punk electro throb, an apocalyptic theme tune in an album full of dark foreboding about where Western society has led us. ‘Summer Moon’ leaves little room for wriggle with lines like “I am the heroin inside your veins/A warm glow”; all-too-personal sorrow cast over elegiac guitar lines. ‘From the Hills’ is a cascading, 4am country-blues lament, something The Bad Seeds would have gone to town on back in the day. ‘Rat Ballads’ weaves similar magic, adding a cool ’60s jazz touch to the tale of Irish adventures in New York. It lacks a little focus, but that suits the story well one could argue. If that song dropped us off the ship and into the new world, then ‘White Dove’ takes us further south, into the desert badlands where anything can and will happen.

Domino Blitz lists a little musically around ‘Burn the Witches’, though it’s message is all true, railing at anti-immigration rhetoric that leads us to post-Brexit worlds. Where is the love, is all it asks. But the final one-two punch of ‘Clark Gable’ and ‘Out Of This World were worth waiting for; the former an urgent and hypnotic paean to learning from the mistakes of former relationships, and the last song ending on the most positive note possible. Out of the darkness comes truth and light, Muddiman preaches.

This album is magic and medicine, on a personal level for Muddiman and for the blessings of tortured souls throughout the land. If you sail the seven seas on the Domino Blitz and return to land in Northampton, there’s evidently a price to pay and lessons to learn. And, it seems, love to share.

Phil Moore

Domino Blitz is out now

You may also like
Foreign Age
Foreign Age: “After the pandemic hit I suddenly realised if the worst were to happen, all these songs may never see the light of day – so that was my drive to get it done”
NN Archives: March 2020-2008
Album review: Bushpigs
duncan bisatt
New Music Friday: Duncan Bisatt
error: Content is protected !!
%d bloggers like this: