Canyons are Northampton’s long players. Edward Mander [bass, vocals], Matthew Felce [guitar, ukulele], Stevie Ward [vocals, guitar], Luke Sherwood [keys, guitar, accordion, cornet, harmonica, vocals] and Mark Thursby [drums] have…
Canyons are Northampton’s long players. Edward Mander [bass, vocals], Matthew Felce [guitar, ukulele], Stevie Ward [vocals, guitar], Luke Sherwood [keys, guitar, accordion, cornet, harmonica, vocals] and Mark Thursby [drums] have much beautiful local history in music, and in Canyons they make Americana. Debut EP now out, New Boots spoke to Ward about the project.
How did you guys get together?
Matthew, Ed, and I formed Awesome Wells in 1991 and have been playing together on and off since then. Canyons evolved from a midweek get-together. It usually involved a few beers, some wine and a second dinner of the evening. But occasionally we would get the guitars out and write some songs. For a while we were Real Live Owls and became Canyons when Mark and Luke joined in our little soirees. Things just seemed to gel and feel more natural. We began to really enjoy playing again.
How would you describe your sound and main influences?
I always find it really hard to answer, as essentially all the bands I / we’ve ever been involved in are just rock and roll in some shape or form. I have always been a bit of a musical chameleon. I get influenced by what I’m listening to at the time; I suppose we all do. I think we’ve all been into the Americana and alt-country thing for years. It’s such a broad spectrum of a genre though. It stretches from the single voice and an acoustic guitar through the deep south rock sound, and ends up with big production sounds like Bon Iver, etc. Personally I have an obsession with music from the early seventies right now, its a real golden age.
We’ve always described Canyons as Anglicana and Country & Eastern! Not sure either make a lot of sense. But were not really a country band, a folk band or a rock band.
Tell us everything about this first release, the ‘Pablo’ EP.
‘Pablo’ developed from a kind of latino jam that we used to do when we hit the rehearsal wall. I remember Ed sent me a link to a news story from some obscure bible belt paper about a travelling clown who had survived not one but two direct lightening hits. I thought, “there’s a song in that”.
The four tunes feature our mate Simon Taylor on trumpet quite heavily. It occurred to us that we could make little batches of recordings with either a different feel or featuring additional players. Simon is a great player and certainly shaped a sound for this first EP. We added sections to the songs to fill with trumpet. The next batch of tunes we’re working on sound quite different.
We were lucky enough to blag a bit of free recording time at Northampton college and the Uni. We put the drums down there with all their sexy mics. Then overdubs were recorded at our own home studios, and we did some vocals at Shorty towers with Chris White. Mark did most of the engineering and mixing. We only actually spent any money on mastering.
What’s your method for writing the lyrics?
I am a very lazy lyricist; they often get left til the last minute. When we’re writing songs I will just push out sounds til I find a melody, then make words to fit. Sometimes we’ll have a tune ready to go and I only have half a verse that I’m happy with. It can slow proceedings down somewhat ! I’m always very humbled by people who can write great stories and fit them into songs. Its a real skill. Jono [him of the Uke Dealers] has it.
What are your live shows like? Will you be getting back on stage after lockdown?
Like every musician I know, we’re going through a very frustrating time. Not being able to gig, or even rehearse is horrible. I really hope there are places to play after all this. I feel for the venue owners right now, they’re at the end of a long waiting list to return to some kind of normality. I worry though that some of our venues may not get back on their feet. We’ve got to stay positive though and I cannot wait to get back out playing again.
Do you feel part of a wider scene in Northamptonshire? Any favourite bands/venues to play with/at?
I really enjoy playing at the Garibaldi Hotel, the place just has an amazing band-friendly vibe. We did a show there in the Autumn and it just felt like home. And of course those summer evening Pomfret Arms garden gigs are always fun.
I’ve never really felt part of the crowd in Northampton. Its a very indie scene that has produced some cracking bands over the years. My bands have always seemed to be a bit out-of-step though. We’ve had some fun times with P-Hex, Jono & The Uke Dealers and Bisons recently though. I guess you make your own scene.
What was the last album you bought/streamed?
A.A. Bondy Enderness. I’ve been a proper fan boy of his for years, and his new record is a glorious slice of kind of folk/electronica. It is so simple and perfect. If you don’t know him, do yourself a favour and seek him out.
What are your burning desires for the band to do in the future? What plans do you have?
There’s only really ever been one plan. That is just to make songs. We are now finally focusing on a bit more getting them out into the world. Hopefully some folks will like them.
The Pablo EP is available through all the usual digital channels.