Tag: best new music

Step On: the week’s best new music tracks [May 15]

New Boots editor Phil Moore takes you through the best new music tracks this week. slowthai ‘ENEMY’“Have ups and downs like an elevator”. After a rather public down last February…

New Boots editor Phil Moore takes you through the best new music tracks this week.

slowthai ‘ENEMY’
“Have ups and downs like an elevator”. After a rather public down last February there were plenty of people writing off the Northampton rapper. And to some degree he addresses that on this track, as the simple title pun on NME makes clear. After threatening to kill kids [ironically, calm down] he gives his real message – “I need the revenge, so I made a plan/To kill you with kindness”. It’s not exactly a response song, but there’s enough intrigue there, and it shows he really isn’t someone to take things lying down. As Darko and Sammo dish out the beats to that make you sit up and listen, it’s great to hear him again doing his thing his way, as only he knows how.

Paul Weller ‘Village’
Another preview song from upcoming album On Sunset [as in, Boulevard], Paul now moves into summery pop territory. If it gives you Style Council vibes, well, that might be because Mick Talbot is there on keys, as well as usual NN collaborators Andy Crofts and Ben Gordelier. A string-laden and Fender Rhodes-led ode to appreciating your blessed life as it is, it is self-consciously sickly sweet, and your appreciation will depend on how much of a sweet tooth you have. If we can’t have much of a proper summer in 2020 this goes some way to lifting us up anyhow.

BLOXX ‘Lie Out Loud’
The suburban London indie rockers are causing a real stir with their anthemic rousers, working with a sound reminiscent of noughties-era Manic Street Preachers, or even Republica. The title track from their forthcoming debut album [Aug 14], the trio – led by vocalist Fee Booth – are aiming straight for your heart on this confessional sing-a-long

Sleaford Mods ‘Second’
The single chosen to promote odd and sods album All That Glue [out today]. It was recorded in early 2017, just after the English Tapas sessions. It’s another winner from of aggro-pop from one of the UK’s most interesting acts. Vocalist Jason Williamson bemoans his runner-up status to the brands that he consumes. They’re a Marmite band, yes – but Marmite is lovely, isn’t it. “Full ranking!”

Sarpa Salpa ‘Forwards Backwards’
The seventh single from Northampton’s indie-pop masters, and this one has bought along the robotic funk. The first number to feature the contributions of keys player Meg Amirghiasvand [Future Love, OhBoy], its a smooth neon-lit smasher. Singer Marcus gives himself quite a workout in the chorus, and you can imagine the crowds getting right into this in a field sometime in 2021 [weep]. If they don’t take over the UK soon it will be nothing short of criminal.

Mint ‘Turbulence’
Grimsby. Always hated the place since I witnessed the Cobblers lose to them at Wembley in the play-off final back in the day. But finally I can forget all that as they have an ace garage-punk outfit making waves. Filthy drums, filthier bass, guitars that buzz more than pylons…it’s hard not to get turned on by this primal rock’n’roll noise. Singer Zak has an excellent slashed-throat delivery, and *stop reading this and go and listen below*.

Bugeye ‘When The Lights Go Out’
London disco-punks whack out the barrelhouse piano to aid this bouncy sci-fi glam sacrificial offering to the music gods. Inch by inch Bugeye are building a rich name for themselves with great live shows and killer singles, and luckily for us they should be hitting Northampton once lockdown is over. Kitsch power-pop fun beckons…

Neil’s Children ‘The First Conversation That We Ever Had’
This is a turn-up for the books. The London art-punks were one of the leading lights circa 2004 when decadent rock’n’roll had its moment in the sun again. And for good reason: music connoisseur John Linger was able to shift his talents continually. After adventures that took them more psychedelic and electronic, they went away; Linger is now in Girls In Synthesis. But this reunion is a touch; grasping at that maniacal energy of old that captured so many willing hearts back then. An album of this style would be a pleasant, full-circle outcome.

Evolution ‘Lover’
Northampton/Birmingham whizz-kid Josh Worley-Ebbs brings the club beats for an Ibizan summer that’s not happening in 2020. Your back garden will have to do. ‘Lover’ is a booming house track, with an in-your-face vocal delivery. He’s a unique talent, this one.

Broken Empire ‘Locked Out Of Heaven’
Daventry/Oxford hard rockers have been gaining a lot of critical praise in the right places over the past couple of years. This one is a curveball though, a Bruno Mars cover. It transforms the reggae-pop original into a crunching monster, keeping the strong melody and little else – adding the inevitable double kick beats and guttural screams to complete a smart metallic metamorphosis.

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Step On: the week’s best new music tracks [May 1]

New Boots editor Phil Moore takes you through the best new music tracks this week. The Rolling Stones ‘Living In A Ghost Town’Their first original music in eight years, so…

New Boots editor Phil Moore takes you through the best new music tracks this week.

The Rolling Stones ‘Living In A Ghost Town’
Their first original music in eight years, so this is something of an ‘event’. “Life was so beautiful/Then we all got locked down” – you can see why they released it now. Some people don’t like it when the Stones throw their reggae bit into their songs, but you know: it’s fine. This song is presumably a knowing sonic/lyrical nod to the Specials. It’s not them at their freewheeling best [what is?], but it does lock into a nice groove, and Mick at least sounds on top form in that claustrophobic chorus. It’s nice to have them back.

Tom Grennan ‘Oh Please’
The second preview track from the Bedford man’s upcoming sophomore long-player. Its mini-symphonic soul sound aligned to a bluesy vocal is bound to illicit some Richard Ashcroft comparisons. Grennan has bags of personality though; his delivery always strong enough to get the blood pumping, and you always root for him. It’s both close enough to, music wise – and far away enough from – the DNA of Lighting Matches to satisfy everyone. Result!

Vistas ‘Summer’
The Scottish trio have been drip drip dripping singles for quite a while now; fortunately debut album Everything Changes In The End is out at the end of the month. This one is glorious wide-screen melancholy rock, which displays substantially more ambition that most of their alt-contemporaries. The guitars are set to ‘preening’, the production immaculate – and if cinematic indie is your thing then Vistas are your go-to guys for 2020. Looks like the summer’s been cancelled, though, so let’s hope their timing isn’t always so off.

Self Esteem ‘Favourite Problem [Alternative Version]’
A more homespun version of defiant alt-pop from Rebecca Lady Taylor and co. The original version on 2019’s Compliments Please album had more bells and whistles, but this take brings the gospel backing vocals to the foreground, courtesy of Sheffield-based choir Neighbourhood Voices. Ex-Slow Club member Taylor has talent and guile as large as the well of emotion that this version stirs. The ‘Cuddles Please’ EP is out today, offering similar reworkings of album tracks ‘The Best’ and ‘In Time’, alongside a cover of Alex Cameron’s ‘Miami Memory’. No cuddles at the moment sadly, but here’s a virtual high five anyway. [photo credit: Charlotte Patmore]

ghostofblu ‘Don’t Care’
Picking up fan across the globe with his dark digital trap/hardcore manoeuvres, your Yorkshire-via-Northampton man is assisted on the beats production for this by Sweden’s Istasha, and hell they make some beautifully twisted noise together. From new four-track EP ‘IV’, his intensity is paramount on all tracks. He’s reached the general quality level now where some vinyl needs to spring forth; his legion is many, and they need artefacts.

Naked Next Door ‘Halo’
MK indie rockers have been consistently excellent these past 12 months, putting out emotive bangers more often than I put out the bins. ‘Halo’ continues the tradition. This one has a rolling tension built within the chassis, even if it sparkle and shines enough to make you think of the big boys like The Killers or Kings Of Leon. Taken from forthcoming EP ‘Swerving Out Wide’, NND are the very definition of “Ones To Watch”.

SPQR ‘No Brain No Pain’
Liverpool always seems to be sprouting up some of the best new music. The latest is SPQR, an art-rock quartet who have released their third EP this week. Starting with previous singles ‘Nuthin Gud’ and ‘Just Sumfin’, the real humdinger is the elastic title track. The djembe-led percussive movements hit the sweet spot, the Pixies basslines mixing with the Talking Heads existential dread to produce something of real heft. They deserve to be successful, rich rock stars. Also: unbelievably exciting live show.

L30 Robinson ‘Text’
A quality samba rhythm kicks off another rap masterclass from NN’s mister lover man. His fifth[!] single already in 2020, it’s a mystery he’s not already a shooting star. A paean to forgetting relationships past and enjoying the present, ‘Text’ is as infectious as anything he’s previously done, and you will be dancing ’round your kitchen to this one. It’s the law.

Lucien Moon ‘Tainted’
Long-awaited new music from the artist formerly known as Jamie Benkert. Taking cues from the likes of Frank Ocean, Drake, The Weeknd, John Newman, etc., this is soulful cosmopolitan R&B from the NNiverse. Great voice, great image [shout out to the sexy video shot in The Market Tavern!], and plenty of tense atmospherics within the haunting piano and beats. Smashed it, lad!

Charlie Bridgen, LT Quickscope, Deadboi ‘Tactical Chunder’
Kettering area love-in! Three rappers/producers from that part of the world team up to make some dark-beats and a story about debauched nights out [remember them?]. Grime could always do with more tales of dark fruits and ID requests…and trips to toilet cubicles for the titular strategy. Immense and scary in equal measure. More of this craziness please, guys.

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Step On: the week’s best new music tracks [Apr 17]

New Boots editor Phil Moore takes you through ten of the best new music tracks this week. Izzie Gibbs ‘Snakey’If UK grime has one rapper a hairs’ breath away from…

New Boots editor Phil Moore takes you through ten of the best new music tracks this week.

Izzie Gibbs ‘Snakey’
If UK grime has one rapper a hairs’ breath away from blowing up right now, it’s probably ShoeTown’s Izzie, who stands loud and proud on new single ‘Snakey’. He had a 2019 full of bangers, but not the press/live presence to truly capitalise on the tunes [understandable, considering his near-death experience of late 2018]. This feisty tirade against the conspirators surrounding him [“Why you so snakey?”] is wildly good, his assassins delivery perfectly matched to K1’s heavy beats. “I’m still in the hood/Everything’s good/I’m a survivor” is as good as a mantra as one can have right now in this crazy world. 2020 has to be the year the rest of the world sits up and takes notice.

Leadley ‘Nightmare’
If you don’t know: the 24 year-old London/Northampton alt-pop singer built her following as a teenager vlogger, and these days is a mature-sounding songwriter. Given the crisp beats, strong melodic talent, and visual attention to detail it’s no surprise to see a loyal fanbase lap up all her rolling content. This is probably her best song to date, a highly confessional ode to liberating oneself from past troubles that really hits the spot. If you want escapist pleasures right now…this is perfect playlist material!

The Lovely Eggs ‘Still Second Rate’
Holy backflips, new album I Am Moron has hit #1 on both the UK vinyl charts and the independent album charts! The Lancashire duo run a nice line in self-deprecating psych-punk, having snowballed in popularity album-by-album since their 2006 inception. This kickdrum-led kraut-dirge is them to a tee, a lyric mulling over insecurities whilst staring out the bus window. “I speak to my people” is their saving grace; indeed, rock’n’roll is safe in these hands. Turn it up to maximum volume for maximum effect.

Dutty Moonshine Big Band ‘Fianca’
Oxford’s 14-piece big band fuse 1930s jazz/samba sounds with modern bass culture. Their unique formula has made them firm festival favourites in the UK and beyond. New single ‘Fianca’, which precedes sophomore album City Of Sin [May 29th], is a heady mix of primal drums, Middle-Eastern snake charmer flutes, blasting horns, and a singer who mixes up her potent delivery in Spanish and English. It’s a beautiful pile-up to put your “no parties” lockdown life in serious jeopardy. If you fancy a rave in the NN vicinity the band are scheduled to play Northampton’s Roadmender on October 16th.

Katie Malco ‘Brooklyn’
A song about that time Malco went to see a friend that moved to start a new life in NYC, and realised how utterly she missed her. An [almost] proggy five minute slow-burner that bursts into life in the final third, ‘Brooklyn’ pulls at the heartstrings in that special way that she always, time after time, manages. A ‘taking basic rock elements and making a rocket ship’ sort of thing, it’s another preview song from the long-awaited debut album Failures [out June 5th].

Mio Flux ft. Nailbreaker ‘Adam Sandler’
Jacob and George, now here’s a dreamteam that came out of nowhere. The London/Northampton/Rushden Venn diagram in full effect here. Mio [aka one half of Krankhead] keeps it simple with some doomy beats, the bed on to which Nailbreaker can slay his demons. “I feel like Adam Sandler circa 2003” is a very specific, very funny expression of self loathing. You’d still run a mile for him. Beers all round for these two when covid’s over.

Weirdoe ‘Daydream’
Hot on the heels of ‘Try Again’, another Harlz collaboration, Aaron Weir is the 26 year-old man behind those furious lines about rising up and taking on a world that doesn’t give a damn about you. “Been blocked out by these grey clouds/But somehow I see sunshine” he spits over some sweet piano chimes and skitting beats. He doesn’t release a bad track, ever. Northampton’s best kept secret? You might be right. 

Tragic ‘Pig’
“Kingsley front on a Saturday night/A light bump turned into a fight”. We’ve waxed lyrical quite a lot about this trio of ShoeTown teenagers, and for good reason. This is hardcore with nods to Slaves/Idles but also the early ’90s pop variety. They are “the real deal”, as someone who saw the live show recently whispered in my ear. If you’re gonna lose your shit this is the soundtrack you’d choose. Manic energy expended about the shittyness of humanity? Load up here.

Rolling Thunder ‘Scenic Route’
The third track on their debut EP ‘The Nightshop’, from the band who have been no slouches since exploding onto the scene a little over a year ago. This number is more of an Editors/Interpol moody bludgeoner, a nice foil to their usual fast-paced indie jangle. There’s not a bad number amongst the six on the EP; ‘Paul Hollywood’ the sort of anthemic singalong that bands like The Sherlocks and Blossoms make their stock-in-trade. It closes with ‘Break In…’, the killer 2019 single which made everyone fall in love in the first place. Essential stuff.

Flowertoy ‘Forgotten Path’
Milton Keynes sludge duo [Harry Quinn, Alfie Glass] team up with guest vocalist Ben Reed to produce a near seven-minute sonic ordeal. If you’re into doom/stoner/post-rock sounds then this will give you the movement in your underwear you’re looking for. With it’s indecipherable lyrics and depths-of-hell fuzzed riff it’s too experimental to convert you to the dark side if you’re not already there. The playing and production is spot on, and this one certainly makes a change from your usual indie and metal fare!

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Step On: the week’s best new music tracks [Apr 24]

New Boots editor Phil Moore takes you weekly through ten of the best new music tracks. Alfie Templeman ‘Happiness In Liquid Form’From rural Bedfordshire comes the 17 year-old bedroom-pop sensation….

New Boots editor Phil Moore takes you weekly through ten of the best new music tracks.

Alfie Templeman ‘Happiness In Liquid Form’
From rural Bedfordshire comes the 17 year-old bedroom-pop sensation. He clearly lives in a technicolour bubble; at least that’s the impression this song gives you. And right now that sounds like the best place to be. This puts those “lo-fi indie” tags to bed, as this widescreen, play-on-daytime radio wonky guitar-funk workout is going to produce some serious body-popping across the nation. Your at-home festival has itself a breakout star.

Happyness ‘Ouch [yup]’
The London duo are on the comeback trail, previewing tracks off their upcoming third LP. The 1990s alt-rock vibing guys are a joyous riot of brightly distorted guitar and artful lyrics about just about everything your furloughed brain could daydream about. That jittery guitar solo could be off of Generation Terrorists too, which is the icing on the cake.

Dream Wife ‘Hasta La Vista’
The London trio’s new single might be their best work yet. Hypnotic-pop that’s driven by singer Rakel Mjöll’s exquisite vocal, given plentiful space to soar and draw you in. Props to them also for making forthcoming sophomore album So When You Gonna… produced, engineered, and mixed by an all-female team. Action > Sentiment.

Superlove ‘Circles’
This Bristol fuzz-rock trio have touches of pop-punk and metal in them, and they also embrace all the trapping of modern electronica to add a new sheen to their well-crafted, expertly produced songs. This one’s a bit different – a Post Malone cover that takes the original and adds layers of dirty guitar filth on top to make it their own. The chorus is a weighty beast too. Work those neck muscles!

Empyre ‘Drive’
MTV Unplugged vibes from the [usually] hard rockers, with a nicely turned-in video filmed in Vintage Retreat‘s Retro Room. Their acoustic side allows them reinterpret, reimagine, rearrange their grungey tendencies into something more earthy, and it certainly highlights their vocal prowess. Alice In Chains fans will lap this up, as should everyone.

The Big Dirty ‘Dirty Rider’
“You’re just a love machine/I wanna ride you”. They’re back!! A couple of years on from when we last heard the sex rock doyens, and they sound louder, harder, and sexier than ever. Riffs by AC-DC, clothes designed by Joe Exotic – you’ll either love this care-free lot, or be dead inside. Your choice! There’s a nice UK-based resurgence at the moment for ‘real rock’, and these undesirables are rightly at the forefront. Become a dirty rider before society crumbles!

Andy Crofts and Le SuperHomard ‘Forevermore’
Le SuperHomard is Montepellier-based Christophe Vaillant, who specialises in lush ’60s-style orchestral-pop. Hopping into bed with The Moons/Weller man for this unique collaboration was a superb choice. Andy’s rich, melancholic tone perfectly suits the song’s romantic leanings. It will have you proposing marriage to your nearest and dearest before it’s even finished. If this is to resemble the sound of Andy’s solo career then I for one cannot wait for more.

Crawlspaces ‘Primrose’
Northants emo types have finally released their debut single, and it’s a strong beginning. ‘Pop-punk’ doesn’t feel enough of a definition to cover what’s going on here. It rises and falls like the best of them, with Sam Morrison’s voice giving it plenty of depth, whilst the lads bring the fireworks around him. The chorus is an absolute monster; untamable. An exciting future awaits.

Jay Orosz ‘Do It Better’
Another week, another Harlz production! Lot of vocoder used by this amorous Northampton rapper. As previously heard guesting on Weirdoe’s ‘Diana’ a few months back, its his time for the spotlight. A confident debut single, hopefully there’s more to come.

Props ‘Easy’
Wellingborough/London bedroom pop to finish off this week. The quiet bedroom beats of 2019 releases have been given the boot in favour of scratchy guitar verse and a dancefloor chorus. It as excellent as those previous numbers, endorphin-rush feel and all. It’s deserving of a much wider audience, so do check out all his wonky pop manoeuvres.

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