Tag: alt rock

More Bauhaus releases, with album series on coloured vinyl

Hot on the heels of the news of ‘The Bela Session’ EP is more Bauhaus 40th anniversary releases. To celebrate the milestone Beggars Arkive is reissuing records from the band’s…

Hot on the heels of the news of ‘The Bela Session’ EP is more Bauhaus 40th anniversary releases. To celebrate the milestone Beggars Arkive is reissuing records from the band’s catalogue on limited edition coloured vinyl. In The Flat Field and Mask will be released on October 26, The Sky’s Gone Out and Press The Eject And Give Me The Tape follow on November 23, and the Arkive series ends with releases of Burning From The Inside and Crackle on December 7.

In The Flat Field – bronze vinyl
The band’s debut studio album, released by 4AD and considered to be one of the very first “goth” albums. This was mastered from HD audio files transferred from the original tapes
Mask – yellow vinyl
The band’s second album, and was released by Beggars Banquet in 1981. This album is mastered from HD audio files transferred from the original tapes
Press The Eject And Give Me The Tape – white vinyl
Released in 1982, this is a live album, compiled from shows across the UK from 1981–82. This was mastered from HD audio files transferred from the original tapes.
The Sky’s Gone Out – violet vinyl
The band’s third album and was released in 1982; mastered from HD audio files transferred from the original tapes
Burning From The Inside – blue vinyl
Bauhaus’ fourth album and was the last of their studio albums of this era, released just after the band’s breakup in 1983. Mastered from HD audio files transferred from the original tapes
Crackle – ruby vinyl
A selection of Bauhaus’ finest from their catalogue. Includes the “Tomb Raider Mix” of ‘Bela Lugosi’s Dead’.

For more info visit the Beggars site.

As previously reported, Peter Murphy will be joined by Bauhaus co-founding member and featured guest David J for a series of shows in Europe and the UK, including Northampton’s Roadmender on December 2nd. They will play In The Flat Field in its entirety, plus an extended encore of Bauhaus classics.

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Video premiere: Sarpa Salpa ‘Smith’

Northampton quartet Sarpa Salpa release their new single ‘Smith’ tomorrow, and we can exclusively reveal the video today. The band have also chosen to make this a vinyl release, on…

Northampton quartet Sarpa Salpa release their new single ‘Smith’ tomorrow, and we can exclusively reveal the video today.

The band have also chosen to make this a vinyl release, on a limited red 7″. The video was shot by director Bella Evans.

Bassist Ethan Whitby on ‘Smith’: “The song is about a relationship that was just starting before being split suddenly by one person leaving the other confused, upset and angry! So a really feel good track as you can imagine… We recorded this with Ben ‘Faz’ Farestvedt over at Damage Audio in Bedford back in early spring time.We’ve worked with him on all records since ‘She Never Lies’ way back last in August last year, and we are back in the studio with him over the next few weeks. We are very lucky to work with someone not only very talented and who gets our sound, but generally just a really nice guy as well!

Guitarist George Neath on the video: “‘Smith’ is a fairly angry track and we wanted the video to reflect that! The red and white imagery was intended to represent love / anger simultaneously! We shot the video with Bella Evans, she does a lot of art/design for the band so was fun working with her! We wanted to stick to the DIY approach lot of the props for the video we created / painted ourselves!”

And Whitby again, on the appeal of vinyl: “It’s hard to deny that in the last few years vinyl has had a pleasant comeback, so instead of printing CDs, like we’ve done for the last singles, we decided to try something new! As well with a vinyl you get a lot more options for design; not only do you have more area to work with but things like coloured vinyl and all that kind of jazz”.

‘Smith’ is available digitally from Friday September 14th. Sarpa Salpa Facebook

 

 

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Rocked Up Hootenanny 2018: your guide

The third Rocked Up Hootenanny festival takes place this Saturday September 8th at Rockingham Motor Speedway, near Corby. Tickets are available for £25 by clicking here. What follows is the stagetimes…

The third Rocked Up Hootenanny festival takes place this Saturday September 8th at Rockingham Motor Speedway, near Corby.

Tickets are available for £25 by clicking here.

What follows is the stagetimes across the three stage areas.

MAIN STAGE
12.15 The Touch
1.05 Haema
1.55 KOYO
2.45 Sharkteeth Grinder
3.30 Fights & Fires
4.25 Wars
5.20 Veins
6.15 Palm Reader
7.10 Acoda
8.05 Press To Meco
9.00 INME
10.15 Arcane Roots

YUK TENT
12.30 Penelope Tree
1.20 The Modern Age
2.10 Luna Rosa
3.00 Skirt
3.55 Century City
4.50 Monarchs
5.45 Sarpa Salpa
6.40 King Purple
7.35 The Scruff
8.30 Bloody Knees
9.25 Jamie Lenman

HIP HOP TENT
12.20 Detrimental
12.40 Jamzy Bandicoot
1.00 Real Junior
1.20 Normzilla
1.40 Cwidzy
2.00 MWM
2.25 Just Sean
2.50 Flash Peasants
3.15 EXP
4.00 The Untouchables
5.15 The Enablers
6.00 Comprehend
6.45 Stayboy Sun Sun
7.00 Strizzy Strauss
7.15 Stanza Divan
7.30 Lloyd Luther
8.00 Flame Griller
9.00 People’s Army

For more info on the festival visit the website and Facebook page.

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New Music Friday: Mundays

Mundays are a new Corby-based three-piece, playing lo-fi psychedelic garage rock. Their debut EP The Best Day Of The Week, Friday has just been released. Hear it below, after reading this…

Mundays are a new Corby-based three-piece, playing lo-fi psychedelic garage rock. Their debut EP The Best Day Of The Week, Friday has just been released. Hear it below, after reading this engaging interview with singer/guitarist Beb Reed.

How did you guys get together?
Jack and I are brothers, Josh is our cousin! Me and Josh are in Drinsipa, and we were really interested in the idea of playing some softer, more “songy” songs. In late 2017 we started writing some stuff and it sounded cool so we decided to book some gigs as a two-piece. It worked, but it didn’t sound as full as we would have liked it to, especially with the happy chords and such, so we decided to look for a bass player! We like the idea of being in a band with our mates so although my little brother didn’t play bass we decided we’d try teach him, and it’s been going great so far! Jack doesn’t play a lot of music, but like us is a huge fan of listening to music, and I think being able to work with someone who has no previous experience is quite interesting as you get a fresh set of ears when you’re writing songs, especially when you’re writing songs for the sake of writing songs, and that being the main focus of the band. He listens to a song and says whether it’s good or not, as apposed to picking it apart and trying to make something “original” or “clever”.

How would you describe your sound?
We go for quite a lo-fi, fuzzy and simplistic sound, having only bass, guitar and drums. We use a lot of guitar sounds to make the songs sound more characteristic than they may sound on their own. If the songs were played on acoustic guitar, they may sound quite basic and what a lot of people might describe as “poppy”. Drench it in phasers, attack it with fuzz and throw a couple of happy sounding harmonies in there, and you get something close to Munday’s sound.

Who are your main influences?
For our actual sound we take a lot of influence from the bands in the California psych circle. Anything Ty Segal has graced with his musical genius. Wand. Meatbodies. As far as songwriting goes we take influence from whatever pops out at the time, or whatever subject we think would suit the instruments. Me and Josh are big fans of MGMT too because the lyrics are brill, so I take a lot of inspiration from them. Our first single ‘Phoan’ has been compared to Oasis which is a weird one because we had no intention of that; nonetheless, cool.

Tell us everything about the EP.
Single ‘Phoan’ is the first track we’ve released from our debut EP. We recorded the song with a couple of microphones in my dads house, and it turned out well! We’ve had a really good response so far, and were even more buzzing that Jay Russell has mixed and mastered the EP for us. The title and lyrics are quite self explanatory. It’s about waiting around by your phone for a call or text from a special someone, and no I don’t mean a girlfriend or boyfriend or anything…some people may understand what we are talking about…

What are your live shows like?
We play a lot with storytelling in our live shows, often having some weird robot voice going through the front of house, and some ambient or sometimes nightmarish pedals being played around with. We like to think of each song as a chapter or section in the set, and the voices roughly tell a story, or at least provide a basic theme for the performance. We like to improvise a lot too! We dedicate sections of songs to playing about on pedals, interacting with the audience, or more story telling! We like to try have fun with it!

Are you part of a wider scene in Northamptonshire, playing with like-minded bands? Any favourite bands/venues to play with?
As of yet we’ve only played a few local shows, but I can definitely see us being tied in with certain bands. Skirt, King Purple, Deaf Trap, Toucan are just a few names off the top of my head that we have/love playing shows with. We played The Hut recently after it being desolate for a while, that was cool.

What has been your favourite band moment of the past year?
I think we all love playing shows and putting on a performance. For me, the best part of being in the band is the planning, rehearsal and finally playing the gigs. There’s something very rewarding about preparing an actual performance instead of just playing songs in an order. When you finish playing and you’ve done a good job, it feels like you’ve put the best version of your band and yourself out there, and it’s really exciting to hear feedback and to plan the next.

What was the last album you bought/streamed?
The last album I listened to was This Town Needs Guns – 13.0.0.0
Josh: The Fall Of Troy – Manipulator
Jack: Burbank – Rose Water

What is your burning desire for the band to do in the future? What plans do you have?
Obviously the burning desire for the band would be to be in a position where this is how we could make a living or at least be able to do this the majority of the time. A particular dream for mine is to be able to tour somewhere really hot and sunny with some cool like-minded bands, somewhere like California, or Spain. Lovely weather over there… We just enjoy playing music together and hopefully one day something will come of it, but if not, this is just as rewarding.

The Best Day Of The Week, Friday is out now on Bandcamp [see below]

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New Music Friday: Drinsipa

Corby mathcore trio Drinsipa have just released a new single, ‘DOP’. Hear it below, along with an interview with singer/guitarist Beb Reed. How did you guys get together? Why the switch…

Corby mathcore trio Drinsipa have just released a new single, ‘DOP’. Hear it below, along with an interview with singer/guitarist Beb Reed.

How did you guys get together? Why the switch to a three-piece after so long as a duo?
Beb: Josh and I are cousins, and basically in 2013 he came down from up north to live here! And we didn’t really know any other musicians in the local area who wanted to do the same sort of stuff we wanted to do, and had no connection to the local music scene, but we enjoyed jamming and rehearsing, so we started a band with our mate Arran. We played a few gigs, and we were really in to it. We started to write some songs on our own aside from that band, and then we got a gig and had to think of a name, thus Drinsipa was born. We started getting a lot of gig offers quite soon which we’d never had before, and we haven’t really stopped since then. We just love playing gigs and being around the people involved in the music scene. We started writing some more complex and experimental songs mainly due to different influences from different bands we were listening to. Having recorded a full length album, we felt it was time to switch things up a bit. We recorded the Poppy Fields EP from home at our old flat in Poppy Fields in Kettering. We played some gigs with the new songs and we had a really good response, but felt we’d benefit from a bass player to fill some of the more chordy and harmonic parts of the songs from the EP. We had toyed with the idea of having our mate Myles come and play bass for us, so when we decided we were going to get a bass player, we instantly thought of Myles. We taught him the songs and he picked up on them really quickly. We started playing some more shows and writing some new stuff and here we are now.

How would you describe your sound?
We find it hard to describe our sound as we try to make the songs sound as non-traditional as possible. We play with a lot of time signatures and obscure song structures, mainly for a laugh and to keep it interesting not just to perform, but to play, or in some cases just to listen back to ourselves. I’d say dynamics are a big part of the sound, as we have a lot of different sounding sections in songs, so they can go from oober brutal to melodic clean within the space of 4 bars, or in our case every 1 and 3/4 bars [that’s a joke]. But if someone asks, I usually say mathcore because it’s the probably the biggest influence of ours.

What was the reaction like to your debut album 42, from 2016?
The reaction was fantastically amaze balls. The album launch show was especially good. We played at The Hut in Corby, and it went fuckin’ mental!!! We didn’t push the album as much as people thought we should have done, but in all honesty, we only do things as a band we think are fun, because we really don’t want it to turn in to a chore for us. We just appreciate that people loved what we were doing and bought our album. We still get comments about it today, and it’s really cool that people dig it. We were quite out of touch with social media back then too, but it’s a lot easier to do now we have an extra helping hand.

Tell us everything about the new single, ‘DOP’.
It’s titled after the practice studio in which it was written; shout out to the The Pod in Corby! It was the first song we wrote after the Poppy Fields EP. We were going for a more visceral, aggressive sound and with the added help of Myles we were able to work out some pretty interesting sounds. The track is full of fuzzy bass and crazy weird riffs and time sigs. It has a cool major-key riff that floats in and out of the track between the more aggressive section and really stupidly stupid heavy section at the end, which is always fun to play live.

Are you part of a wider scene in Northamptonshire, playing with like-minded bands? Any favourite bands/venues to play with?
We play with a lot of different kinds of bands in Northampton, too many to name all of them! We don’t let a difference in genre stop us from playing with bands so it’s just one big mates fest! Skirt, King Purple, Monarchs, Sarpa Salpa are just a few of our local favs!

What has been your favourite band moment of the past year?
We just recently played The Guildhall as part of Twinfest, that was crazy! Huuuuuge hall with huge sound, had a great time! We also flew over to Germany as part of Twinfest and played some gigs over in Marburg, which was phenomenal. Probably one of the highlights our musical lives let alone the past year! We made some great friends and connections over there and it’s cool to be part of the Twinfest family.

What is your burning desire for the band to do in the future? What plans do you have?
We don’t have too many burning desires for the band. We love playing gigs and hearing feedback about our intentionally confusing music. We know it’s not for everyone, which is part of the reason we write the music we do. I think writing and recording is a big part of why we do what we do, and we like to have a physical copy of music that we have written and recorded, there’s something quite special about that. I guess we will have to see what happens, but for now it’s just a barrel o’ laughs!

DOP is out now for ‘name your price’ here

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It’s A Shoe In: Northants gig guide Jul 25th – Jul 31st 2018

THE FERRETS + BIRD’S EYE VIEW Wednesday July 25th The King Billy, Northampton Hailing from Italy, the pop-punk band visit the UK for the first time, in support their new…

THE FERRETS + BIRD’S EYE VIEW
Wednesday July 25th
The King Billy, Northampton
Hailing from Italy, the pop-punk band visit the UK for the first time, in support their new album Another Planet. Bringing a European flavor to their Cali brand of pop-punk, the band ooze fun and energy. For fans of Blink 182, Sum 41 and Simple Plan. Doors 8pm, free entry

TWINFEST DAY ONE
Thursday July 26 
The Guildhall, Northampton
Twinfest kicks off 2018 with a special event in the The Great Hall of The Guildhall. From Marburg witness The Flims and Hyll, from Poitiers comes Mantras, and representing ShoeTown are Sarpa Salpa, The Barratts, Drinsipa, and Keiron Farrow. Doors 7pm, £6 for a weekend wristband

GREG COULSON
Thursday July 26th
The Charles Bradlaugh, Northampton
Coulson’s What’s New? album launch show. Greg will be playing the album in it’s entirety. He will be joined by his band: Stuart Dixon on guitar, John Thompson on bass, Adam Gammage on drums and Miles Hancock and Ryan West on horns. Doors 8pm, £8 tickets

TWINFEST DAY TWO
Friday July 27th
The Lamplighter, Northampton
We move onto The Lamp for day two, with party rockers Century City headlining, rap star Leo Robinson in effect, plus the three visitors again: The Flims, Hyll, and Mantras. Doors 7pm, free entry [donations requested]

JONO & THE UKE DEALERS + THE VINCENT VEGA BAND
Friday July 27th
UFO Pavilion, Northampton
Interesting and original folk-rockers with ukes plug new single ‘Beautiful Young Things’, plus the return of the slightly skewed lo-fi indie rockers. Music from 9pm, pay what you can entrance fee [proceeds go to the Umbrella Fair Organisation]

THE DARKHORSE + TEMPLE RENEGADE + EVEREST QUEEN
Friday July 27th
The King Billy, Northampton
Rushden doom sludgers headline. Dutch alternative rockers, drawing on influences from the likes of Karnivool, Audioslave, Alter Bridge, and Twelve Foot Ninja, stand in the middle. Prog metal from Stevenage opens proceedings. Music from 9pm, free entry

MEDICI + ROTHMAN JACK + THE TOUCH + THRIFT STREET + KAT GOUGH
Friday July 27th
The Lab, Northampton
Midlands indie boys make their way back to Northampton, car crash blues-rock from Manchester, Kettering rock-pop-punk, an acoustic set from the ShoeTown pop-punkers, and opening with a sweet lyrical voice mixed with some mean ukulele playing. Doors 7pm, £3 entry

TWINFEST DAY THREE
Saturday July 28th
The Pomfret Arms, Northampton
The weekend brings all the alldayers. Deaf Trap, Deep Sea Mountains, Michael Kinder, Duncan Bisatt, Kilamojo, Crybb, Kenneth J Nash, The Straw Horses, The Flims, Hyll, and Mantras play the Cotton End venue. Doors 1pm, free entry [donations requested]

TWINFEST INTERNATIONAL JAM & AFTER PARTY
Saturday July 28th
Club 43, Northampton
A new event on the Twinfest calendar; the International Jam. Hosted by local band The Barratts, the jam/ open mic session will run from 11pm – 1am, followed by DJs until the small hours! Doors 10pm, free entry for Twinfest wristband wearers, or £4 on the door

TAYLOR SMITH + MUDDY BOOTS + THE RANDOM MURPHY + BILLY NOMAD + LEW BEAR
Saturday July 28th
The Lab, Northampton
The Bardic Chair hosts an evening of live music in aid of The Bardic Picnic 2018, which takes place at Becket’s Park on August 5th. Doors 8pm, donations requested

PRESCRIPTION HAPPINESS
Saturday July 28th
The Black Prince, Northampton
London industrial metal quartet play alongside DJs and burlesque performers. Doors 9pm: free entry, but you need to add yourself to the event guestlist and the dress code is goth/fetish/alternative.

FUELED HATE + REAPER + XYHON + THE FANGS OF THE DODO
Saturday July 28th
The Hut, Corby
Metal, hardcore and heavy rock bands assemble in Corby at the newly reopened Hut. Doors 7pm, £5 tickets

GARDEN + ODDITY ISLAND
Saturday July 28th
The White Hart, Corby
Recent single ‘Hate Me’ provided proof that indie rock is very much alive and kicking within the county in the hands of Garden. Support from psychedelic-folk quintet Oddity Island. Doors 8pm, £3 entry

3D + BLACK WAVE + THE 182s + MIX TAPES + THE MODERN AGE + ENABLERS + GOOD APPLES + TOM WALLINGTON + SCOTT LATTA + RICHARD CRABB
Saturday July 28th
The Shire Horse, Corby
Third annual event, raising money for a local boy with cerebral palsy and epilepsy. Midday doors, donations requested

SILVERSHORES + SHAUN GAMBOWL WALSH & THE PLAGIARISTS
Saturday July 28th
The Horseshoe Inn, Wellingborough
Headliners from Birmingham bring their eclectic mix of indie and shoegaze, with support from fellow Brummies, who ply audiences with dirty rotten space punk. Doors 8pm, free entry

I SEE HAWKS IN L.A.
Saturday July 28th
The Three Horseshoes, Ecton
Cosmic California country-rock stylings from some powerhouse LA musicians, with several albums and soundtracks to their name. Doors 7.30pm, free entry [donations requested]

SCOTT WALTERS
Saturday July 28th
The Hopmaster General, Rushden
Indie-folk singer-songwriter from Northampton plays Rushdens best drink stop. Live Music from 8:30pm, free entry

TWINFEST FINALE
Sunday July 29th
The Black Prince, Northampton
The second alldayer to finish off the weekend utilises the two outside areas of the Prince. Expect to see and hear and marvel at Tom Rose And The Heathen Orchestra, Pieces, Yodaclub, The Keepers, Monarchs, King Purple, Skirt, Mio Flux & Patchy The Rockstar, The Flims, Hyll and Mantras. Doors 1pm, £5 weekend wristband

THE SOAPGIRLS + THESE FIVE YEARS
Sunday July 29th
The King Billy, Northampton
Armed with unforgettable melodies and catchy choruses, The SoapGirls energy, rawness and authenticity live has earned them a formidable reputation. Support from Cardiff pop punkers. Doors 4pm, £5 entry

MARK HARRISON
Sunday July 29th
The Olde Forge Tea Room, Cranford
A couple of hours of rootsy blues, original and unique songs & stories. 2pm, £5 entry [call 01536 330014 to reserve your spot]

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Founder member of Brian Jonestown Massacre plays Northampton

A founder member of The Brian Jonestown Massacre is set to play Northampton this September. Matt Hollywood spent 16 years over two stints in BJM, being one of the guitarists…

A founder member of The Brian Jonestown Massacre is set to play Northampton this September.

Matt Hollywood spent 16 years over two stints in BJM, being one of the guitarists when the band formed in 1990. His latest project is Matt Hollywood & The Bad Feelings, which blends blues, country and psychedelia into a Lee Hazlewood/Serge Gainsbourg-style mould. Hear ‘Ghost Ghost’ below.

Matt Hollywood & The Bad Feelings play The Lab on Sunday September 2nd. Tickets are now on sale.

https://www.matthollywoodandthebadfeelings.com

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New Music Friday: Loose Tooth

Northampton three-piece grunge/hardcore outfit Loose Tooth – Adam Cator [bass], Oli Knight [guitar/vocals] and Josh Miller [drums] have followed up last year’s mini LP with a new single, ‘Castles’. Watch the Joshua…

Northampton three-piece grunge/hardcore outfit Loose Tooth – Adam Cator [bass], Oli Knight [guitar/vocals] and
Josh Miller [drums] have followed up last year’s mini LP with a new single, ‘Castles’. Watch the Joshua Goff-directed video below, after reading this here interview about all the Loose things.

How/why/what/when did the project begin?
Adam: Loose Tooth began two and a half years ago. We’d all just come from bands that had drained us emotionally and needed something a little more honest and cathartic. We had started with no clear intentions, just hung out and wrote some music together. At first we were considering getting a singer but we were too tight-knit to add another member. We hope that desire for honesty comes through in the music.

How would you describe your sound?
Oli: We’re a rock band, there’s certain connotations that come with that we try to avoid when writing. We’re not trying to take the path of least resistance when writing, we push our abilities to come up with something that is hopefully interesting and different, whether that be off-kilter time signatures, chord progressions or scales. There’s a certain amount of depth invested with our writing style that we hope translates into music that interests and excites.

Who are your main influences? Musical and non-musical
Josh: I’ve got a bunch, musical influences include: And So I Watch You from Afar, Reuben, 65daysofstatic, Every Time I Die, Toe, The Cure, Father John Misty, Dillinger Escape Plan, Alkaline Trio, Interpol, Crowded House, Nine Inch Nails. Non-musical thinkers that inspire me are Henry Rollins and David Attenborough.
Oli: As a lyricist I always tried to follow the Martin Gore [Depeche Mode] school of thought, but found it to be disingenuous to myself. Since then I’ve taken to a more ‘kitchen sink’ lyrical style in the vein of Jamie Lenman, who is also a big musical influence.
Adam: My musical influences would be Story Of The Year, From First To Last, Underoath, Reuben and Every Time I Die. My non-musical inspiration would be my dad.

What’s the reaction been like to last year’s self-titled mini-album?
Josh: Really great; people are still discovering it and enjoying it. From the reactions we’ve had people seemed to enjoy the honesty. We left a lot of mistakes in and recorded it having not long written and learned the songs, so it came out quite raw I think. Nowadays with a lot of rock music having a serious level of sheen some listeners enjoyed something a bit grittier than usual.

Tell us about ‘Castles’.
Oli: ‘Castles’ is a really simple song: the chord progression churned around in my brain for a while, and that’s why most of the song is those four chords. I felt the lyrics should speak for themselves, so we took a stripped back approach and left all of the craziness for another day. It’s about the frustrations of modern working life, with external pressures to live a middle class existence, despite the fact the middle class has eroded. The ‘castles held up in the sky’ are just a mortgage, or they’re a yearly holiday, something the average low income worker may feel is out of their grasp. Not everyone wants to climb the corporate ladder – why should they be denied a more comfortable life? We recorded the track with Jay Russell again at Parlour Studios. It’s super comfortable with Jay; he understands our weirdness and he’s a complete pro. The video we shot with Joshua Goff and it was done at at our Josh’s work yard where we rehearse weekly. We built the set and Joshua lit it wonderfully.

Is your record label – Undead Collective – and its roster a tight-knit community?
Adam: Undead Collective is a great group of people, we’re in contact most days and their support and advice beyond the remit of label responsibilities has been amazing. Currently there’s only three bands on the roster. We’re yet to meet the newest additions Seasonal, but we’ve chatted online and they’re great guys.

Would you consider your local scene something to be proud of? On the flipside, what’s your biggest frustration with it all?
Oli: Northampton is rich with talented musicians, the scene is definitely one to be proud of. Northampton can be grey and that can be oppressive, but go to The Lab, The Garibaldi or The Black Prince on a Friday night and you’ve got a few hours away from the desolation. I think our frustrations are more with ourselves rather than the scene, this goes for anywhere. Inclusion to scenes is always reliant on being charismatic and outgoing. It’s something that doesn’t come naturally to us, so we try to be as personable as possible when networking but we’re quiet by nature. That doesn’t always endear yourself to people and ultimately that’s as important as putting on a killer show.

What has been your favourite band moment so far?
Oli: Probably just how many gigs we played last year. We just hired vans and shot off. It was a dream come true for me to finally feel like I was in a touring, hard-working band.
Josh: Everything about being in this band, but mainly writing and recording.
Adam: Playing a show in a rehearsal room in Wales.

What was the last album you bought/streamed?
Oli: Arc by Everything Everything
Josh: Braille by Palm Reader
Adam: Logic by Bobby Tarantino

What is your burning desire for the band to do in the future? What solid plans do you have?
Oli: Our burning desire is to one day be able to turn up anywhere in the UK and play to a guaranteed 50 or so people. That’s enough for us. Now ‘Castles’ is out we’ll be thinking about the next single, we’ve got a lot to do until then but we’re excited about the future. For now though it’s all coming up Loose Tooth.

Castles is out now via the usual platforms

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