Tag: metal

New Music Friday: Ashborn

Northampton metallers Ashborn – Marcin D on vocals, Mietek on guitar, Peter on bass, and Marcin K on drums – are preparing for the release of their debut album Awakening….

Northampton metallers Ashborn – Marcin D on vocals, Mietek on guitar, Peter on bass, and Marcin K on drums – are preparing for the release of their debut album Awakening. New Herculean single ‘Light That Creates Darkness’ precedes it. Following their recent well-received HOP Fest appearance, New Boots spoke to Marcin D to get the lowdown.

How/when did you guys get together?
We have been together since December 2017. We met before playing some gigs together in previous bands. 

How would you describe your sound? Who are your main influences in music?
We are trying not to copy anyone, but obviously we will sound similar to some bands. I don’t really want to mention any bands. I will leave it to listeners. 

What was the reaction like to your demo EP from last year?
The reaction was really really good. We did get lots of messages and comments from people saying that they like our music. It was similar to our Metal 2 The Masses win from last year. Not many people knew us then. We played, I think, two gigs before entering the competition. It was kind of surprise for some people.

Tell us about this new single, ‘Light That Creates Darkness’.
First thing that is really unusual for us is the fact that the lyric to this song has been written by our drummer Marcin [Ozzy], not myself. He did really good job. In a few words, the song is about nuclear weapons. Not really about political side of the attack, but more about consequences. How much it can destroy and how much pain it can bring.

What are your live shows like for those that haven’t seen you?
We have a lot of energy! We’re a never ending head-bang! We do love playing gigs and I think people on front of stage can feel that. Northamptonshire is very strong in metal music, and we are so proud to be part of it. 

What can you tell us about the debut album?
We did the best what we could. The songs are going to be a bit different from each other, so people shouldn’t get bored while listen to it. It’s going to be heavy! Probably one of the best albums of 2019, hehe, 

What has been your favourite band moment of the past year?
Winning Metal 2 The Masses and playing Bloodstock Open Air! But we are enjoying pretty much every moment of being in this band.

Who are you currently listening to?
I’ve been listening to [American death metallers] Deicide quite a lot recently. I do listen to lots of different music and bands. 

What is your burning desire for the band to do in the future?
We are trying to get better and better so we can play bigger shows. Also we will try to get to the bigger festivals as well. Promoting our album as much as possible.

No Comments on New Music Friday: Ashborn

Album review: Empyre

EMPYRE Self Aware [self-released] The opening track ‘My Bad’ sets out the template for the debut by this Northampton quartet and their wrought, minor-chord melodrama of a debut album. Solid…

EMPYRE
Self Aware [self-released]

The opening track ‘My Bad’ sets out the template for the debut by this Northampton quartet and their wrought, minor-chord melodrama of a debut album. Solid and thick rhythms; crunchy blues-metal riffs, intense-yet-introspective lyrics sung by front-man Henrik Steenholdt. Self Aware is not something that’s ever going to wash over you in the background.

Taking their cues from the likes of Alice in Chains and Stone Temple Pilots, with occasional forays into Muse-like bombast, Self Aware is a thrilling and atmospheric ride to be on. Recent single New ‘Republic’ is the first heads-down rocker to come along, cruising confidently on those Soundgarden-style verses and Metallica vocal workouts. 

A band that’s no stranger to accomplished and almost progressive songwriting ideas, they aren’t afraid to be bold when they need to, as ‘Just A Ride’ with it’s gentle feedback passages, ably demonstrates. But then ‘Too Close’ shows they are able to be just as melodic as any classic band you care to name. Steenholdt’s wail on the latter is something to truly behold too, holding long notes with aplomb.  

‘Drive’ perhaps sees them coming too close to aping their heroes, not offering the originality that’s clearly evident elsewhere on the album.  It’s the mid album dip I guess; same applies to ‘Only Way Out’. ‘Cut To The Core’ though has a touch of the pop-punk in its rhythm, and it suits them well. The previous single, the catchy and hard-hitting ‘Too Little Too Late’, is the one to ease yourself into their world; the drums cut hard, as do the lyrics. By the time the finale, the atmospheric and epic grunge workout ‘Homegrown’, finishes you do feel emotionally exhausted, but in the best way possible.

A hard-working band, the general buzz around Empyre is there for good reason. They come alive in the gig environment, and they’ve done a great job of getting that energy in the studio across these eleven tracks, whilst still adding enough texture to warrant repeat plays. If you like your hard rock with some proggy bites then Self Aware really should be happy nestling in your collection very soon.

Phil Moore

Self Aware is out now

 

No Comments on Album review: Empyre

New Music Friday: Krysthla

Emerging in 2012 from the ashes of Gutworm, Krysthla bring you intense heavy metal, emanating from the Wellingborough area. They released their debut full length album, A War Of Souls…

Emerging in 2012 from the ashes of Gutworm, Krysthla bring you intense heavy metal, emanating from the Wellingborough area. They released their debut full length album, A War Of Souls And Desires, in September 2015, and speedily following it up in 2017 with Peace In Our Time. Krysthla’s powerhouse delivery is brought by Adi Mayes [vocals], Neil Hudson [guitars], Carl Davis [bass], Noel Davis [guitars], and Wayne Minney [drums]. On the verge of album number three coming out New Boots shares the new video for single ‘Zero Sum Game’, and spoke to bassist Carl for more juice.

How would you describe your sound, and how has it evolved over the three album cycle?
It’s basically the groovy end of extreme metal. The sound has evolved over the albums and we’ve introduced more melody, texture and layers as we’ve progressed.

What was the reaction like to the last album from 2017, ‘Peace In Our Time’? You seem to have gotten great press and radio support.
The reaction was amazing. To be sat at number two in the Amazon rock and metal charts was pretty mind blowing. We received some great reviews, and the support from the industry and the fans has been great all along.

Tell us about this new single, ‘Zero Sum Game’. Who directed the video?
‘Zero Sum Game’ is about life, death and everything in the middle. The constant pursuit of a way of life that ultimately doesn’t fulfil yourself, either emotionally or spiritually. The video was directed by Josh Gurner from Hacktivist. He did a great job.

What can we expect from album number three, Worldwide Negative?
It’s another progression and it’s a darker album than the first two. There’s a lot of personal elements and it’s probably more relatable to the average person. It’s going to be heavy. Very heavy.

You are a strong part of the music scene in Northamptonshire. Any favourite bands/venues/people you wanna give a shout out to?
The Northampton scene is very strong at the moment and there’s loads of great bands. From Eden to Exile are one of our favourites.

Looking forward to Bloodstock 2019? Have you played before? What other festivals do you love to play?
Yes we played with Gutworm back in 2004 and Adi played with Deadeye in 2005. We played it with Krysthla in 2016. It’s an amazing festival and we can’t wait to hit up the main stage. We are also playing HRH Metal in February [in Birmingham].

What was the last album you bought/streamed?
Adi and I both bought the new Wildhearts album. It’s a great straight up rock record. The latest Vola album Applause Of A Distant Crowd is awesome too.

What is your burning desire for the band to do in the future after the album is out? What plans do you have?
We’d still love to play Donnington as that’s a box we’ve not ticked as yet. The plan is to spread our wings and hit as many cities as possible. There’s plenty of countries that we are still to cover so we’ll be back on the road in support of the release that’s for sure.

Zero Sun Game’ is out now via the usual digital/streaming platforms. Worldwide Negative is out August 16th

Krysthla live this summer:

13th July – WOLVERHAMPTON, The Giffard Arms
20th July – AMPLIFIED FESTIVAL, Eastington
10th Aug – BLOODSTOCK OPEN AIR (Mainstage), Catton
25th Aug – NOTTINGHAM, Ye Olde Salutation Inn
27th Sept – GLASGOW, Nice N’ Sleazy
28th Sept – DUNDEE, Hordes X
29th Sept – INVERNESS, The Market Bar

No Comments on New Music Friday: Krysthla

Album review: Siderian

SIDERIAN Origins [self-released] After a lengthy hiatus [time spent writing this album], Northampton’s premier thrashers Siderian return with their eponymous debut album, and it was certainly worth the wait. Recorded…

SIDERIAN
Origins [self-released]

After a lengthy hiatus [time spent writing this album], Northampton’s premier thrashers Siderian return with their eponymous debut album, and it was certainly worth the wait. Recorded at Initiate Audio and Media Studios with renowned producer Neil Hudson at the helm Siderian have created a ferocious album that seems certain to catapult them into the consciousness of every self-respecting metalhead.

Wasting little time on pleasantries opening salvo ‘Geneva’ arrives like an irradiated warhead and proceeds to pummel the listener for four frenetic minutes. As a calling card it’s the perfect introduction to Siderian, and contains all the bands essential ingredients: from the neat time changes to the blistering guitar solos to the groove metal bludgeon, which are all wrapped up in a musical maelstrom that threatens to sweep the listener away. That groove feel is most evident on next cut ‘With the Tide’. Taking their foot off the pedal ever so slightly, it finds guitarists James Upton and James Evans firing off each other atop some amazing drumming and it’s a track that’s sure to ignite mosh pits.

With scything guitars ‘The Supplicant’ pushes thrash to the extremities and while some of that genre can be a bit goofy (think Anthrax or Gama Bomb) Siderian are operating at the darker end of the spectrum. In ‘The Supplicant’ they’ve created the soundtrack to a global apocalypse which evokes blood red and flame yellow hues. The centrepiece of the album, ‘Voices’ contains an ambient mid-section, and it’s an impressive employment of light and shade. The acoustic flourishes act as a foil meaning when the riff comes crashing in it crashes in hard and it’s further evidence of the band maturing. It’s taken almost three years since the bands inception to arrive at this album, but the timing is perfect as I doubt they would have made such a brave decision earlier in their career.

One of two tracks re-recorded for Origins, ‘Lizard Method Madness’ was the bands first single and the brutal new bridge developed on this version shows the band honing their writing skills. It’s here that the rhythm section [bassist Chris Cox and drummer John Booth] come into their own in providing a solid foundation for Dave Pope’s vocals. Ranging from guttural growls to black metal shrieks Dave weaves his vocal lines around the instrumentation which gives a nice rich texture to proceedings. Album closer ‘Oleum’ doesn’t let up the intensity, with each drum beat delivered like a well aimed punch and ensures things end as frantically as they began.

Although you can dip in and out of Origins it’s also the kind of record that’ll reward a complete listen. The intensity and aggression displayed throughout ensure it hangs together as a cohesive whole while the clear production, by putting all the instruments on an even keel, provides a unified listening experience. Armed with this excellent debut and some big gigs penned in [including dates with thrash heavyweights Vader] 2019 could prove to be Siderian’s year.

Peter Dennis

Origins is out this Friday, order here

No Comments on Album review: Siderian

New Music Friday: Stereo Skull

Stereo Skull, the four-piece prog metal band from Wellingborough [via Latvia], have concocted something special with new single ‘Play God’, not to mention the accompanying video. Inspired by the likes…

Stereo Skull, the four-piece prog metal band from Wellingborough [via Latvia], have concocted something special with new single ‘Play God’, not to mention the accompanying video. Inspired by the likes of Fear Factory, Lamb Of God, Coal Chamber, Mudvayne, and American Head Charge, the band consists of Arthur Sambars [vocals, guitars, programming], Aivars Sambars [guitars, programming], Carlos Fandango [vocals] and Mat Williams [bass]. New Boots had to find out more, so spoke to Arthur. 

How  did you guys get together?
The founding members, myself and Aivars my brother, have been into music since childhood. We arrived in the UK in early 2009 and four years later met Ethan [ex Decadent, Still Remains UK, Motorpace, Black Rose Society]. Another two years later we met Carlos who took some time off vocal duties after departure from Black Ink Sun, then another year passed and we met Mat who just left disbanded Black Ink Sun. The drummer left last summer and after an active search, we’re still auditioning people. Our love for heavy music, being in front of the audience, getting better and bigger are the main reasons for what we do. 

How would you describe your sound? 
The musical background for each band member is different. Everyone adds something to it. The end result is the mixture of industrial, death, and progressive metal.

What was the reaction like from the public to the ‘Madness’ EP from last year? 
Our friends and followers were excited and supportive. We streamed a live Facebook video from the studio the day we released it, and it had whoppi ng thousand views during the stream. Everyone could watch us at home from their mobile devices anywhere around the globe. The EP is entirely self released, it’s available on all streaming platforms, but we’re putting together the physical copy as well, it’s going to be a nice surprise for our fans. Can’t reveal too much at the moment. 

Tell us everything about this new release, ‘Play God’.
There was this track sitting on the shelf for around ten years, and we decided to polish it up. Carlos added the lyrics and with help of our former drummer we improved the track dramatically. It’s a nice blend of black, thrash, Nu, prog and cyber, with orchestral elements – and with a triple layered death metal vocals! We wrote and recorded at our home studio [currently branded ‘Salamander Media Works’].  

The video is incredible. Tell us about it 
The story goes on. Just when we got to the end of composing of the song, there’s this lady, Scarlet Phoenix, from Leicester asking for help from the bands with her uni Art and Performance project. We respond straight away and she gives us the raw video material she and her model friends Gabriela Sindel and Edgars Karklins filmed in Nottingham, if I remember correctly. Our job was just to add the band footage, but eventually we took over the whole production thing. Mat our bassist is a talented guy in making professional-looking videos. He worked mainly on lyric videos in the past, but with my, pre-production and editing skills we managed to produce a decent music video ourselves. The band shoot has been done at my place; you’ll see how it came about in our upcoming Making Of video. 

You work hard travelling and playing shows. Is that Stereo Skull’s best strength, the live show? 
It definitely is. Carlos is amazing frontman. We don’t stand out too much image-wise: we don’t have our own uniform, the only thing we wear is our passion for music on stage. There are some elements we use that help us to stand out among other bands though, and it’s the sampled synths and live video projections if the venue is big enough. We used to have a live VJ in the past, but now with the help of technology it’s all synced up with our performance. The next step is… nah, I’m not gonna reveal it for now. It’s a work in progress, don’t wanna jinx it. Also we happened to have our own meme in the band which was our drummer, his baseball bat incident particularly. Definitely gathered more people around the Skulls, and kinda changed us a little. We continue revealing our funny side, and life on the local scene in our gig report videos. Everybody loves stupid shit. And it’s fine. 

You are part of the music scene in Northamptonshire. Any favourites you want give a shout out to? 
Big shout out to Andy Green from Blackbush Promotions, we had a great time sharing the stage with the Still Remains UK some years back. Our first out of town experiences were a lot of fun thanks to him. He manages the live gigs in the King Billy: needless to say it became our second home. HOPevents, Lost Island Bookings, Attic Promotions and Castle Mountain Promotions gave us great platform locally. Roadmender, Athletic Club, Zombie Hut, Black Prince, Prince Of Wales, Castle Theatre, Picturedrome, Horseshoe, Raff’s etc, we love them all. 
Favorite local bands are Krysthla, From Eden To Exile, Haema, Siderian, ReaperX, Mutiny UK, Ashborn, Fleisch, Fueled Hate, Primal Holocaust, Darkhorse to mention a few. 

What has been your favourite band moment of the past year? 
The video shoot, and getting back on stage after a long break without a drummer and still cracking it. One proud moment we had just this week; we managed to put our very first tour together by ourselves. It’s been a very busy and exciting year so far.

What is your burning desire for the band to do in the future? What plans do you have? 
For now to finish off the special edition of the EP, and cracking on to the debut album. The concept, album artwork and tracks are pretty much ready, we just have to record it – and probably even sign with some label. We’re going on a UK tour with German/Latvian band Māra as a main support at the end of June; that should be a lot of fun. We will try to get to some bigger stages next year. Will definitely try our luck in Metal 2 The Masses again.

No Comments on New Music Friday: Stereo Skull

New Music Friday: Broken Empire

Broken Empire are rockers from the Towcester and Oxford area. Ieuan Owen is on vocals, Matt Stevens on guitar, Marco Arena on bass, and Ricky Hill on drums. New Boots…

Broken Empire are rockers from the Towcester and Oxford area. Ieuan Owen is on vocals, Matt Stevens on guitar, Marco Arena on bass, and Ricky Hill on drums. New Boots celebrates their recent two singles by asking them what them tick in our patented in-depth conversation/interview.

How did you guys get together?
Ricky Hill: In 2017 Ben [band manager] put out an advert online about starting a new band project and that we require a guitarist, bass player and vocals. Matt got in contact and we had a jam together which just clicked straight away. A few months after that we found Marco and we knew he would fit perfectly. After starting to put together a few complete songs we found Ieuan. His influences on the songs we had roughly written was spot on for what we were looking for.
Marco Arena: I remember it was one day before my birthday! The day before I had a chat with Ben, and he asked me if I was available to join the guys for a jam the next day!

How would you describe your sound? Who are your main influences in music?
Ieuan Owen: I’d describe our sound as hard rock/metal, although we don’t tend to fit into a set subgenre. We’re a very riff driven band!
Matt Stevens: Our sound is modern but with plenty of influences from history. It’s a sweeping range of bands from Killswitch Engage to Alter Bridge, and I personally like throwing in Petrucci and Jason Becker touches.
Ricky Hill: Personally my main influences are Alter Bridge, Disturbed, Periphery, Tremonti…the list could go on and on! I think our sound reflects on all of our influences and creates a great combination of heavy metal and hard rock.

What was the reaction like to your self-titled EP from last year?
Ieuan Owen: The reaction was exceptional. Considering it was recorded quickly just to get it out there, it has exceeded our expectations, and the songs themselves are still largely staples in our set!
Ricky Hill: I was blown away from the reaction that we have received for our EP. It definitely helped having a lot of online radio stations playing it, which gave us a wider audience, and as for the streams on Spotify I think it’s done extremely well for a self promoted and produced EP.
Marco Arena: As a new, self promoted band in the music scene I would say we got really decent feedback from our previous record. Hopefully it’s going to be even better in the future! Fingers crossed!
Matt Stevens: The reaction was awesome as we self promoted, and over several months picked up almost 20,000 streams across the record. Really appreciate the promotions from local radio and online radio stations and Facebook reviewers.

Tell us everything about these new singles, ‘No More Light’ and ‘Hearts Of Damaged Men’.
Ricky Hill: ‘Hearts Of Damaged Men’ is definitely the most commercial out of the two I’d say: quick fast, short and punchy with meaningful lyrics – which of course can be interpreted in different ways and would mean different things to different people. ‘No More Light’ has a touch of our heavy side but still stays true to our sound, both portraying the battle people have with mental struggles.
Matt Stevens: From a music standpoint we wanted ‘Hearts Of Damaged Men’ to be in your face, make you listen and keep driving all the way to the end. ‘No More Light’ goes through a range of emotions, from steady rhythms to staccato, to minor/major feels and dark dissonant sections to really portray the difficulties people suffer internally.
Ieuan Owen: Both of these singles are fun to play, and to listen to. Both are lyrically coming from the battles people struggle with, a war of the mind as such, and I hope that people who delve into the lyrics can find there own meaning, for whatever hits home for them.

What are your live shows like?
Matt Stevens: Our live shows are all about the music; we focus on making the sound and the tracks as good as possible so people will want to listen!
Ricky Hill: Full of high energy and definitely keeps people interested throughout. We all have a unique stage presence and this definitely comes across when we’re playing live. Come and see us and find out for yourselves!
Ieuan Owen: They are fun, and as a band we pride ourselves on being tight and polished live. We enjoy performing and hopefully it shows.
Matt Stevens: We try as much as we can to have the most similar sound that you can hear when you listen to our studio songs. We also used to add some live intros and some interludes in our live show which you can’t find in the studio songs.

Are you part of a wider scene in Northamptonshire/Oxfordshire, playing with like- minded bands? Any favourite bands/venues to play with?
Marco Arena: O2 Academy Oxford is a cool venue for sure! Stormbringer is definitely a band that I would gladly play again with. Which is good as we are playing with them again very soon!
Ricky Hill: We play at a variety of venues with loads of different bands. It’s always good to get gigs with similar bands so that the energy is in the room throughout the night. But equally playing with different bands is just as good. Playing at the O2 Academy Oxford was amazing but I really enjoy playing at small, intimate venues as well – one of my favourites being Fat Lil’s, Witney.
Matt Stevens: Northants and Oxford are doing a lot to support rock music. Of course things could always be better, but there’s a lot of dedication from the rock promoters out there. Dedicated rock venues are always killer.
Ieuan Owen: Some of our favourite venues are The Wheatsheaf in Banbury, Fat Lils in Witney, and Wheatsheaf in Oxford. I personally enjoy going to local and larger gigs as and when I can, inspiration and influence can come from anywhere! Stormbringer were probably my favourite band to play with so far, they are such nice guys, and our music fitted well together. We’ll always enjoy gigs supporting them!

What has been your favourite band moment of the past year?
Ieuan Owen: Probably headlining the 02 Academy, because not only was it awesome to do, but we didn’t feel out of place being there!
Ricky Hill: Marco deciding to set fire to someone else’s bass amp on stage – albeit not his fault, but still a hilarious moment.
Matt Stevens: Marco showing us what is under the hood! You won’t see him without a hat.
Marco Arena: Playing the Finals of Metal 2 The Masses was probably my top moment!

What was the last album you bought/streamed?
Ricky Hill: Of Mice and Men – Restoring Force: Full Circle
Ieuan Owen: Reverence by Parkway Drive – can’t get enough of that album!
Marco Arena: Pantera discography. (I felt a bit nostalgic!)
Matt Stevens: Twelve Foot Ninja – Outlier

What is your burning desire for the band to do in the future? What plans do you have?
Matt Stevens: Download Festival main stage with a three-part harmonised solo with Jason Hook, Mark Tremonti and Matt Stevens!
Marco Arena: Trying to share a stage with Alter Bridge would be pretty good!
Ricky Hill: Would love to play some big festivals and just generally get our name out there a bit more to a wider audience. Would be amazing to record a live session in a world famous studio and if I’m not asking too much, then maybe go on tour with Alter Bridge as well! Loads of gigs coming up and plenty of recording happening though so who knows what the future holds for Broken Empire.
Ieuan Owen: In the future we hope to play further away, as well as bigger local shows. We’d love to do a small tour of some sort should we get the chance. But one step at a time, we’re proud of how far we’ve already come!

‘No More Light’ and ‘Hearts Of Damaged Men’ are out now via the usual digital platforms

 

No Comments on New Music Friday: Broken Empire

New Music Friday: The Atrocity Exhibit

Grindcore trio The Atrocity Exhibit are a MK/Northampton act who have recently released their first “proper” full length album, Extinction Solution. The band  – James Caygill [vocals/guitar], Olly Edwin [bass/vocals] and Matt…

Grindcore trio The Atrocity Exhibit are a MK/Northampton act who have recently released their first “proper” full length album, Extinction Solution. The band  – James Caygill [vocals/guitar], Olly Edwin [bass/vocals] and Matt [drums/vocals] – have been ploughing their unique furrow for many a year and now have a refined piece of work to shout about. New Boots gets the skinny on everything from Caygill.

How did you guys get together?
The band kinda started around late 2005 with myself and Lee (ex-guitarist) just jamming out some ideas, just mashing everything we liked together.  It was a lot less cohesive then, but now it’s been more reformed into our own style. Just a bunch of people who wanted to make some noise.  Our first gig was six months later and a shambles really, a pretty standard story for most bands I’m sure.  We’ve been through a lot of changes over the years and the current line-up has been going about nine months.
 
How would you describe your sound?
Grindcore mixed with crust punk.  Blastbeats and d-beats, and occasional awkward angular riffs in silly timings. We try and write interesting energetic songs, but also avoid conventional song structures.
 
Who do you feel are your main influences?
Motorhead, Black Sabbath, Soilent Green, Acid Bath, Melvins, Hard To Swallow, Iron Monkey, Napalm Death, Extreme Noise Terror, 80’s punk.
 
How has the band progressed since 2006? Is it a case of sticking to your core values throughout that time despite all the natural changes bands go through?
I think we quickly became a lot more focused musically, when we started all the songs felt completely different but now it’s more part of a ‘sound’.  Every line-up change has had a bit of an influence on shaping it though.  As for values we’ve always been sticking to a rigid DIY ethic.  We try and do as much as possible ourselves rather than paying someone else to make the effort; it’s harder work but a lot more rewarding and personal. When we do work with other people then it’s usually involving our mates. The UK DIY scene is small but pretty healthy and self-sustaining, everyone helps each other with organising gigs, recording, artwork, printing, etc.
 
You’re a fan of the EP, but this is your first studio album. Is it hard to decide in what format to release your songs?
It’s actually our first proper full length! We did a live tape (a split with Atomck) for a European tour back in 2011 but I think we only actually made 30 copies of that, and it was a live recording anyway. All the copies sold out on tour but then we got quite a bit of attention from it being distributed online by Randall from Agoraphobic Nosebleed, on his Grindcore Karaoke Bandcamp page. Most of the time the EPs were a result of us trying to release things fairly quickly, we’ve played a lot of gigs and between live shows and changing line-ups it was good to try and keep new music out there.  It also makes it more affordable for smaller bands, especially when its working together with split releases.
In terms of format vinyl has always been the preferable option for our scene, or maybe cassette.  CDs always sell much slower. Having a Bandcamp page is essential, but otherwise I never really pay much mind to the digital end of things.
 
Tell us everything about Extinction Solution.
We recorded it with Boulty up at Stuck On A Name Studios in Nottingham.  SOAN is a fantastic place and a real sweet spot for the DIY scene, covering practice rooms, live shows and recording.  Every town needs somewhere like this, but sadly they’re incredibly rare these days. It was probably the easiest recording I’ve ever been involved with, we just set everything up as we would at practice and smashed out 19 songs together.  All the music was basically done in about 90 minutes.  Vocals were recorded after a quick breather, and by the time we were finished I think Boulty pretty much had it all mixed. We’d played those songs live a lot so I think almost everything was done first take: we’d just listen to it and have another go if it wasn’t fast enough.
Releasing it took slightly longer. We worked with nine DIY labels from around the UK, Europe and America, it involved a lot of juggling and many many emails back and forth, but it was worth it in the end. The labels are Woooaargh (Germany), Give Praise (USA), Let The Bastards Grind (UK), Rip-Roaring Shitstorm (UK), FHED (UK), Aktiver Ausstand In Plastik (Germany), Praise Saitan (Austria), Visions Of Warning (Northern Ireland), and Existential Dread (UK).  Released on LP (pink or black vinyl), cassette, and CD, as well as digitally in the usual places. Spotify and that are a bit crap though so I’d rather you just stole it and sent us a quid.
The illustration for the front cover was by my good friend and old housemate Amy Edwards, she’s a brilliant artist and works in a tattoo studio in Birmingham – one of the best portrait artists I’ve seen.  We collaborated a bit on the front cover: she did the hard work of the original black and white ink drawing, and I basically coloured it in. W did a similar thing for our self-titled EP a few years before.
Lyrically most of the songs cover a range of ways that human beings seem addicted to aspects of apathy and self-destruction.  Things are crumbling and systems are failing people everywhere, but it’s easier for everyone to pretend it’s going to be okay.  It’s fairly nihilistic, but it just seems to get more relevant each year.
 
What are your live shows like?
A load of sweaty screeching feedback and noise!  No messing about.  We’ll bang out 20 songs back to back in 20 minutes and get out of the way.
 
Are you part of a wider scene in Northants/Bucks, playing with like-minded bands? Any favourite bands/venues to play with?
It’s pretty much non-existent around here really in terms of similar bands – there was the great Let It Die from Kettering, but they sadly retired a few months ago. Matt also plays in Casket Feeder from over Milton Keynes way, and I have another band Hot Cops with our old drummer Danny.  There are definitely like-minded bands with a solid DIY ethic here though. One that immediately springs to mind is 72%, who’ve always been consistently excellent and interesting. I used to really like Operatives as well, with their Frank Zappa playing the Melvins mix up.  Iron Grave are great too on the slow heavy end of things.  There’s a local metal scene but we’ve never really been a part of that.  In terms of venues, The Lab is the main DIY venue these days and I always enjoy it there.  The UFO Cafe is a good spot too, but I think they’ve been limited with sound levels recently.
The UK grind scene is pretty strong at the moment, there’s a bunch of really wicked bands around and each one has their own sound.  I’m sure I’ll miss out a few but well worth checking out are;   Gets Worse, Afternoon Gentlemen, Human Cull, Atomck, Nothing Clean, Evisorax, Boak, Groak, Endless Swarm, Wheelchair x4, Famine, Gout, Ona Snop, Negative Thought Process.
 
What has been your favourite moment of 2018?
Finally releasing the album!  There was a hell of a lot of work involved behind the scenes in getting that out there so it was a great relief when it happened.
 
Last album you bought/streamed?
I think the last album I bought was DaDhelo by Chepang, which is banging! Recently I’ve mostly just been listening to a lot of Tom Waits, Hawkwind, Melvins and early Queen.  That probably applies most of the time to be honest.
 
What is your burning desire to do in the future? What plans do you have for 2019?
We’d been a bit quiet for a while this year whilst releasing the album and getting the new line-up ready for shows.  So I’m keen to get back on it in 2019 and hopefully head back to Europe and Ireland for some gigs, and I’d love to play Obscene Extreme Festival in Czech Republic as that’s always been a goal since we started.  We’ve already been confirmed for Dreadfest in Leeds in March, and Chimpyfest in London for September. 
Otherwise we’re finishing off a load of brand new songs for the next recording session.  It’s been a slow process but we’ve got about 20 new songs almost there.  So that’s hopefully a new album, and we’ve been talking about doing a split with Human Cull for a while.
 
Extinction Solution is out now
 
 

No Comments on New Music Friday: The Atrocity Exhibit

New Music Friday: The Wax Lyrical Sound

Northampton’s gritty rap-rock quartet The Wax Lyrical Sound have re-emerged after a fairly quiet twelve months to finish 2018 strongly, including the release of ‘Precious Little Things’ [hear it below]….

Northampton’s gritty rap-rock quartet The Wax Lyrical Sound have re-emerged after a fairly quiet twelve months to finish 2018 strongly, including the release of ‘Precious Little Things’ [hear it below]. New Boots spoke to singer Simon Meekey about this new beginning.

How did you guys get together?
TWLS were formed in 2013 by drummer Ryan Ashmore. He recruited his old bassist, Neil Bland, from Princes Street and after some persistent pestering, frontman Simon Meekey joined. Initially a three-piece, the puzzle was complete when guitarist Ali King joined onboard a month later. The band formed because Ryan wanted to achieve more and wanted to produce a more unique sound. Our sound is eccentric, unique and not like any generic music. It has a balance which works like no other and from the feedback we get, most people like it.

What was the reaction like to the first couple of EPs?
The first few EP’s were good. It’s funny when you make a record and think its the dogs dinner at first glance. When you develop and become technically better in what you do, everything becomes more nitty gritty and every little detail counts. Its small margins and its those small margins that determine whether you achieve a ticket sale for a show or not.

Who are the current influences that are getting the guys fired up? You’re a bit heavier these days, aren’t you…
In terms of influences, we have many that have inspired us along the years. Beastie Boys, The One Hundred, Rage Against the Machine, Crazy Town, System of a Down, Scroobius Pip, Jamie T bigger artists such as Eminem, Dr. Dre. Funnily enough, the whole band started due to an influence by Skindred. Much is not related to music either, most influences comes from day to day life, current affairs, media and things happening in the brain. There is no specific style we have though or we aspire to have, we just do what we feel is right at the time. I think our natural progression has made us heavier and I think we needed a part of that to appeal to more crowds and be able to play more shows.

Tell us about this new song ‘Precious Little Things’. It’s the first of a bunch of singles from you, right?
So the next release will be sometime in 2019! No set date, we’re not in a rush. We take things at our pace and we control what we want to do. Some say there’s a demand but, as we’ve learnt from previous experiences, music shouldn’t be rushed. We have ‘Precious Little Things’ currently out on all platforms, soon to be followed by ‘Human Race’ and others. Keep your eyes and ears peeled and keep streaming!

What are your live shows like?
Well the only way we can describe them is if you’re there to soak them in. Normally full of energy and bespoke, we aim to capture audiences and engage them with our lyrics and raw sounds. I used to be much more energetic but due to excessive alcohol intake, my gut has decided to slow down for now!

How was the Skindred support show at The Roadmender?
The show with Skindred and Sonic Boom Six at Roadmender was mint! Collectively couldn’t of asked for anything better. We didn’t expect a very large crowd because a majority don’t really watch the first acts or are late arriving. To our surprise however, and fair play to the crowd, the room was packed and we received some nice comments and feedback. Benji from Skindred even caught some of the set! Hopefully gigs like that will open some doors for us and get us similar support slots in the future!

Are you part of a wider scene in Northamptonshire, playing with like-minded bands? Any favourite bands/venues to play with?
We take things as they come. A lot of bands are stuck up their own arses nowadays and we haven’t got time for it. Its a shame really, but each to their own. Some see it as competition and its not: the music scene should be a hub where artists influence each other. Luckily we have made some good friends from the scene, and always look forward to playing shows together. There’s some cracking promoters on the scene too who really look after set bands. In terms of favourite venues, Roadmender is always good, The Craufurd Arms, Bedford Esquires, The Lab are all great little spots – and the list goes on!

What was the last album you bought/streamed?
Last album I physically bought was Pray for the Wicked by Panic! At The Disco. Prior to that was Tranquillity Base Hotel and Casino by Arctic Monkeys, and what a belter it was! Very different, but all do excellent things!

What is your burning desire for the band to do in the future? What plans do you have?
We want to continue to enjoy what we do, continue to entertain and continue to create good music! I think those three things are vital to bands and artists, because when it feels like a chore, it might be time to have a reshuffle. We collectively had a reshuffle this year, and are happy with the outcome and where we want to be. We plan to continue to build our reputation and play some of the best stages across the UK, and even overseas!

Precious Little Things is out now across the digital platforms

 

No Comments on New Music Friday: The Wax Lyrical Sound

Raging Speedhorn play first hometown show in four years next week

Next weekend Corby metallers Raging Speedhorn celebrate their 20th anniversary with a show at London’s Electric Ballroom. In order to prepare for that they’ve just announced they will play their…

Next weekend Corby metallers Raging Speedhorn celebrate their 20th anniversary with a show at London’s Electric Ballroom. In order to prepare for that they’ve just announced they will play their hometown the night before, Friday October 5th.

The last time RS played Corby was back in 2014, at The Zombie Hut, so this is undoubtedly a big deal. The show at The White Hart will see The Amazing Scurge and SharkTeeth Grinder support. They are no advance tickets, its simply £8 on the door once they open at 7pm. Good luck.

Facebook Event

No Comments on Raging Speedhorn play first hometown show in four years next week

Rocked Up Hootenanny 2018: your guide

The third Rocked Up Hootenanny festival takes place this Saturday September 8th at Rockingham Motor Speedway, near Corby. Tickets are available for £25 by clicking here. What follows is the stagetimes…

The third Rocked Up Hootenanny festival takes place this Saturday September 8th at Rockingham Motor Speedway, near Corby.

Tickets are available for £25 by clicking here.

What follows is the stagetimes across the three stage areas.

MAIN STAGE
12.15 The Touch
1.05 Haema
1.55 KOYO
2.45 Sharkteeth Grinder
3.30 Fights & Fires
4.25 Wars
5.20 Veins
6.15 Palm Reader
7.10 Acoda
8.05 Press To Meco
9.00 INME
10.15 Arcane Roots

YUK TENT
12.30 Penelope Tree
1.20 The Modern Age
2.10 Luna Rosa
3.00 Skirt
3.55 Century City
4.50 Monarchs
5.45 Sarpa Salpa
6.40 King Purple
7.35 The Scruff
8.30 Bloody Knees
9.25 Jamie Lenman

HIP HOP TENT
12.20 Detrimental
12.40 Jamzy Bandicoot
1.00 Real Junior
1.20 Normzilla
1.40 Cwidzy
2.00 MWM
2.25 Just Sean
2.50 Flash Peasants
3.15 EXP
4.00 The Untouchables
5.15 The Enablers
6.00 Comprehend
6.45 Stayboy Sun Sun
7.00 Strizzy Strauss
7.15 Stanza Divan
7.30 Lloyd Luther
8.00 Flame Griller
9.00 People’s Army

For more info on the festival visit the website and Facebook page.

1 Comment on Rocked Up Hootenanny 2018: your guide

Type on the field below and hit Enter/Return to search

error: Content is protected !!