Tag: metal

New Music Friday: Broken Empire

Broken Empire are rockers from the Towcester and Oxford area. Ieuan Owen is on vocals, Matt Stevens on guitar, Marco Arena on bass, and Ricky Hill on drums. New Boots…

Broken Empire are rockers from the Towcester and Oxford area. Ieuan Owen is on vocals, Matt Stevens on guitar, Marco Arena on bass, and Ricky Hill on drums. New Boots celebrates their recent two singles by asking them what them tick in our patented in-depth conversation/interview.

How did you guys get together?
Ricky Hill: In 2017 Ben [band manager] put out an advert online about starting a new band project and that we require a guitarist, bass player and vocals. Matt got in contact and we had a jam together which just clicked straight away. A few months after that we found Marco and we knew he would fit perfectly. After starting to put together a few complete songs we found Ieuan. His influences on the songs we had roughly written was spot on for what we were looking for.
Marco Arena: I remember it was one day before my birthday! The day before I had a chat with Ben, and he asked me if I was available to join the guys for a jam the next day!

How would you describe your sound? Who are your main influences in music?
Ieuan Owen: I’d describe our sound as hard rock/metal, although we don’t tend to fit into a set subgenre. We’re a very riff driven band!
Matt Stevens: Our sound is modern but with plenty of influences from history. It’s a sweeping range of bands from Killswitch Engage to Alter Bridge, and I personally like throwing in Petrucci and Jason Becker touches.
Ricky Hill: Personally my main influences are Alter Bridge, Disturbed, Periphery, Tremonti…the list could go on and on! I think our sound reflects on all of our influences and creates a great combination of heavy metal and hard rock.

What was the reaction like to your self-titled EP from last year?
Ieuan Owen: The reaction was exceptional. Considering it was recorded quickly just to get it out there, it has exceeded our expectations, and the songs themselves are still largely staples in our set!
Ricky Hill: I was blown away from the reaction that we have received for our EP. It definitely helped having a lot of online radio stations playing it, which gave us a wider audience, and as for the streams on Spotify I think it’s done extremely well for a self promoted and produced EP.
Marco Arena: As a new, self promoted band in the music scene I would say we got really decent feedback from our previous record. Hopefully it’s going to be even better in the future! Fingers crossed!
Matt Stevens: The reaction was awesome as we self promoted, and over several months picked up almost 20,000 streams across the record. Really appreciate the promotions from local radio and online radio stations and Facebook reviewers.

Tell us everything about these new singles, ‘No More Light’ and ‘Hearts Of Damaged Men’.
Ricky Hill: ‘Hearts Of Damaged Men’ is definitely the most commercial out of the two I’d say: quick fast, short and punchy with meaningful lyrics – which of course can be interpreted in different ways and would mean different things to different people. ‘No More Light’ has a touch of our heavy side but still stays true to our sound, both portraying the battle people have with mental struggles.
Matt Stevens: From a music standpoint we wanted ‘Hearts Of Damaged Men’ to be in your face, make you listen and keep driving all the way to the end. ‘No More Light’ goes through a range of emotions, from steady rhythms to staccato, to minor/major feels and dark dissonant sections to really portray the difficulties people suffer internally.
Ieuan Owen: Both of these singles are fun to play, and to listen to. Both are lyrically coming from the battles people struggle with, a war of the mind as such, and I hope that people who delve into the lyrics can find there own meaning, for whatever hits home for them.

What are your live shows like?
Matt Stevens: Our live shows are all about the music; we focus on making the sound and the tracks as good as possible so people will want to listen!
Ricky Hill: Full of high energy and definitely keeps people interested throughout. We all have a unique stage presence and this definitely comes across when we’re playing live. Come and see us and find out for yourselves!
Ieuan Owen: They are fun, and as a band we pride ourselves on being tight and polished live. We enjoy performing and hopefully it shows.
Matt Stevens: We try as much as we can to have the most similar sound that you can hear when you listen to our studio songs. We also used to add some live intros and some interludes in our live show which you can’t find in the studio songs.

Are you part of a wider scene in Northamptonshire/Oxfordshire, playing with like- minded bands? Any favourite bands/venues to play with?
Marco Arena: O2 Academy Oxford is a cool venue for sure! Stormbringer is definitely a band that I would gladly play again with. Which is good as we are playing with them again very soon!
Ricky Hill: We play at a variety of venues with loads of different bands. It’s always good to get gigs with similar bands so that the energy is in the room throughout the night. But equally playing with different bands is just as good. Playing at the O2 Academy Oxford was amazing but I really enjoy playing at small, intimate venues as well – one of my favourites being Fat Lil’s, Witney.
Matt Stevens: Northants and Oxford are doing a lot to support rock music. Of course things could always be better, but there’s a lot of dedication from the rock promoters out there. Dedicated rock venues are always killer.
Ieuan Owen: Some of our favourite venues are The Wheatsheaf in Banbury, Fat Lils in Witney, and Wheatsheaf in Oxford. I personally enjoy going to local and larger gigs as and when I can, inspiration and influence can come from anywhere! Stormbringer were probably my favourite band to play with so far, they are such nice guys, and our music fitted well together. We’ll always enjoy gigs supporting them!

What has been your favourite band moment of the past year?
Ieuan Owen: Probably headlining the 02 Academy, because not only was it awesome to do, but we didn’t feel out of place being there!
Ricky Hill: Marco deciding to set fire to someone else’s bass amp on stage – albeit not his fault, but still a hilarious moment.
Matt Stevens: Marco showing us what is under the hood! You won’t see him without a hat.
Marco Arena: Playing the Finals of Metal 2 The Masses was probably my top moment!

What was the last album you bought/streamed?
Ricky Hill: Of Mice and Men – Restoring Force: Full Circle
Ieuan Owen: Reverence by Parkway Drive – can’t get enough of that album!
Marco Arena: Pantera discography. (I felt a bit nostalgic!)
Matt Stevens: Twelve Foot Ninja – Outlier

What is your burning desire for the band to do in the future? What plans do you have?
Matt Stevens: Download Festival main stage with a three-part harmonised solo with Jason Hook, Mark Tremonti and Matt Stevens!
Marco Arena: Trying to share a stage with Alter Bridge would be pretty good!
Ricky Hill: Would love to play some big festivals and just generally get our name out there a bit more to a wider audience. Would be amazing to record a live session in a world famous studio and if I’m not asking too much, then maybe go on tour with Alter Bridge as well! Loads of gigs coming up and plenty of recording happening though so who knows what the future holds for Broken Empire.
Ieuan Owen: In the future we hope to play further away, as well as bigger local shows. We’d love to do a small tour of some sort should we get the chance. But one step at a time, we’re proud of how far we’ve already come!

‘No More Light’ and ‘Hearts Of Damaged Men’ are out now via the usual digital platforms

 

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New Music Friday: The Atrocity Exhibit

Grindcore trio The Atrocity Exhibit are a MK/Northampton act who have recently released their first “proper” full length album, Extinction Solution. The band  – James Caygill [vocals/guitar], Olly Edwin [bass/vocals] and Matt…

Grindcore trio The Atrocity Exhibit are a MK/Northampton act who have recently released their first “proper” full length album, Extinction Solution. The band  – James Caygill [vocals/guitar], Olly Edwin [bass/vocals] and Matt [drums/vocals] – have been ploughing their unique furrow for many a year and now have a refined piece of work to shout about. New Boots gets the skinny on everything from Caygill.

How did you guys get together?
The band kinda started around late 2005 with myself and Lee (ex-guitarist) just jamming out some ideas, just mashing everything we liked together.  It was a lot less cohesive then, but now it’s been more reformed into our own style. Just a bunch of people who wanted to make some noise.  Our first gig was six months later and a shambles really, a pretty standard story for most bands I’m sure.  We’ve been through a lot of changes over the years and the current line-up has been going about nine months.
 
How would you describe your sound?
Grindcore mixed with crust punk.  Blastbeats and d-beats, and occasional awkward angular riffs in silly timings. We try and write interesting energetic songs, but also avoid conventional song structures.
 
Who do you feel are your main influences?
Motorhead, Black Sabbath, Soilent Green, Acid Bath, Melvins, Hard To Swallow, Iron Monkey, Napalm Death, Extreme Noise Terror, 80’s punk.
 
How has the band progressed since 2006? Is it a case of sticking to your core values throughout that time despite all the natural changes bands go through?
I think we quickly became a lot more focused musically, when we started all the songs felt completely different but now it’s more part of a ‘sound’.  Every line-up change has had a bit of an influence on shaping it though.  As for values we’ve always been sticking to a rigid DIY ethic.  We try and do as much as possible ourselves rather than paying someone else to make the effort; it’s harder work but a lot more rewarding and personal. When we do work with other people then it’s usually involving our mates. The UK DIY scene is small but pretty healthy and self-sustaining, everyone helps each other with organising gigs, recording, artwork, printing, etc.
 
You’re a fan of the EP, but this is your first studio album. Is it hard to decide in what format to release your songs?
It’s actually our first proper full length! We did a live tape (a split with Atomck) for a European tour back in 2011 but I think we only actually made 30 copies of that, and it was a live recording anyway. All the copies sold out on tour but then we got quite a bit of attention from it being distributed online by Randall from Agoraphobic Nosebleed, on his Grindcore Karaoke Bandcamp page. Most of the time the EPs were a result of us trying to release things fairly quickly, we’ve played a lot of gigs and between live shows and changing line-ups it was good to try and keep new music out there.  It also makes it more affordable for smaller bands, especially when its working together with split releases.
In terms of format vinyl has always been the preferable option for our scene, or maybe cassette.  CDs always sell much slower. Having a Bandcamp page is essential, but otherwise I never really pay much mind to the digital end of things.
 
Tell us everything about Extinction Solution.
We recorded it with Boulty up at Stuck On A Name Studios in Nottingham.  SOAN is a fantastic place and a real sweet spot for the DIY scene, covering practice rooms, live shows and recording.  Every town needs somewhere like this, but sadly they’re incredibly rare these days. It was probably the easiest recording I’ve ever been involved with, we just set everything up as we would at practice and smashed out 19 songs together.  All the music was basically done in about 90 minutes.  Vocals were recorded after a quick breather, and by the time we were finished I think Boulty pretty much had it all mixed. We’d played those songs live a lot so I think almost everything was done first take: we’d just listen to it and have another go if it wasn’t fast enough.
Releasing it took slightly longer. We worked with nine DIY labels from around the UK, Europe and America, it involved a lot of juggling and many many emails back and forth, but it was worth it in the end. The labels are Woooaargh (Germany), Give Praise (USA), Let The Bastards Grind (UK), Rip-Roaring Shitstorm (UK), FHED (UK), Aktiver Ausstand In Plastik (Germany), Praise Saitan (Austria), Visions Of Warning (Northern Ireland), and Existential Dread (UK).  Released on LP (pink or black vinyl), cassette, and CD, as well as digitally in the usual places. Spotify and that are a bit crap though so I’d rather you just stole it and sent us a quid.
The illustration for the front cover was by my good friend and old housemate Amy Edwards, she’s a brilliant artist and works in a tattoo studio in Birmingham – one of the best portrait artists I’ve seen.  We collaborated a bit on the front cover: she did the hard work of the original black and white ink drawing, and I basically coloured it in. W did a similar thing for our self-titled EP a few years before.
Lyrically most of the songs cover a range of ways that human beings seem addicted to aspects of apathy and self-destruction.  Things are crumbling and systems are failing people everywhere, but it’s easier for everyone to pretend it’s going to be okay.  It’s fairly nihilistic, but it just seems to get more relevant each year.
 
What are your live shows like?
A load of sweaty screeching feedback and noise!  No messing about.  We’ll bang out 20 songs back to back in 20 minutes and get out of the way.
 
Are you part of a wider scene in Northants/Bucks, playing with like-minded bands? Any favourite bands/venues to play with?
It’s pretty much non-existent around here really in terms of similar bands – there was the great Let It Die from Kettering, but they sadly retired a few months ago. Matt also plays in Casket Feeder from over Milton Keynes way, and I have another band Hot Cops with our old drummer Danny.  There are definitely like-minded bands with a solid DIY ethic here though. One that immediately springs to mind is 72%, who’ve always been consistently excellent and interesting. I used to really like Operatives as well, with their Frank Zappa playing the Melvins mix up.  Iron Grave are great too on the slow heavy end of things.  There’s a local metal scene but we’ve never really been a part of that.  In terms of venues, The Lab is the main DIY venue these days and I always enjoy it there.  The UFO Cafe is a good spot too, but I think they’ve been limited with sound levels recently.
The UK grind scene is pretty strong at the moment, there’s a bunch of really wicked bands around and each one has their own sound.  I’m sure I’ll miss out a few but well worth checking out are;   Gets Worse, Afternoon Gentlemen, Human Cull, Atomck, Nothing Clean, Evisorax, Boak, Groak, Endless Swarm, Wheelchair x4, Famine, Gout, Ona Snop, Negative Thought Process.
 
What has been your favourite moment of 2018?
Finally releasing the album!  There was a hell of a lot of work involved behind the scenes in getting that out there so it was a great relief when it happened.
 
Last album you bought/streamed?
I think the last album I bought was DaDhelo by Chepang, which is banging! Recently I’ve mostly just been listening to a lot of Tom Waits, Hawkwind, Melvins and early Queen.  That probably applies most of the time to be honest.
 
What is your burning desire to do in the future? What plans do you have for 2019?
We’d been a bit quiet for a while this year whilst releasing the album and getting the new line-up ready for shows.  So I’m keen to get back on it in 2019 and hopefully head back to Europe and Ireland for some gigs, and I’d love to play Obscene Extreme Festival in Czech Republic as that’s always been a goal since we started.  We’ve already been confirmed for Dreadfest in Leeds in March, and Chimpyfest in London for September. 
Otherwise we’re finishing off a load of brand new songs for the next recording session.  It’s been a slow process but we’ve got about 20 new songs almost there.  So that’s hopefully a new album, and we’ve been talking about doing a split with Human Cull for a while.
 
Extinction Solution is out now
 
 

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New Music Friday: The Wax Lyrical Sound

Northampton’s gritty rap-rock quartet The Wax Lyrical Sound have re-emerged after a fairly quiet twelve months to finish 2018 strongly, including the release of ‘Precious Little Things’ [hear it below]….

Northampton’s gritty rap-rock quartet The Wax Lyrical Sound have re-emerged after a fairly quiet twelve months to finish 2018 strongly, including the release of ‘Precious Little Things’ [hear it below]. New Boots spoke to singer Simon Meekey about this new beginning.

How did you guys get together?
TWLS were formed in 2013 by drummer Ryan Ashmore. He recruited his old bassist, Neil Bland, from Princes Street and after some persistent pestering, frontman Simon Meekey joined. Initially a three-piece, the puzzle was complete when guitarist Ali King joined onboard a month later. The band formed because Ryan wanted to achieve more and wanted to produce a more unique sound. Our sound is eccentric, unique and not like any generic music. It has a balance which works like no other and from the feedback we get, most people like it.

What was the reaction like to the first couple of EPs?
The first few EP’s were good. It’s funny when you make a record and think its the dogs dinner at first glance. When you develop and become technically better in what you do, everything becomes more nitty gritty and every little detail counts. Its small margins and its those small margins that determine whether you achieve a ticket sale for a show or not.

Who are the current influences that are getting the guys fired up? You’re a bit heavier these days, aren’t you…
In terms of influences, we have many that have inspired us along the years. Beastie Boys, The One Hundred, Rage Against the Machine, Crazy Town, System of a Down, Scroobius Pip, Jamie T bigger artists such as Eminem, Dr. Dre. Funnily enough, the whole band started due to an influence by Skindred. Much is not related to music either, most influences comes from day to day life, current affairs, media and things happening in the brain. There is no specific style we have though or we aspire to have, we just do what we feel is right at the time. I think our natural progression has made us heavier and I think we needed a part of that to appeal to more crowds and be able to play more shows.

Tell us about this new song ‘Precious Little Things’. It’s the first of a bunch of singles from you, right?
So the next release will be sometime in 2019! No set date, we’re not in a rush. We take things at our pace and we control what we want to do. Some say there’s a demand but, as we’ve learnt from previous experiences, music shouldn’t be rushed. We have ‘Precious Little Things’ currently out on all platforms, soon to be followed by ‘Human Race’ and others. Keep your eyes and ears peeled and keep streaming!

What are your live shows like?
Well the only way we can describe them is if you’re there to soak them in. Normally full of energy and bespoke, we aim to capture audiences and engage them with our lyrics and raw sounds. I used to be much more energetic but due to excessive alcohol intake, my gut has decided to slow down for now!

How was the Skindred support show at The Roadmender?
The show with Skindred and Sonic Boom Six at Roadmender was mint! Collectively couldn’t of asked for anything better. We didn’t expect a very large crowd because a majority don’t really watch the first acts or are late arriving. To our surprise however, and fair play to the crowd, the room was packed and we received some nice comments and feedback. Benji from Skindred even caught some of the set! Hopefully gigs like that will open some doors for us and get us similar support slots in the future!

Are you part of a wider scene in Northamptonshire, playing with like-minded bands? Any favourite bands/venues to play with?
We take things as they come. A lot of bands are stuck up their own arses nowadays and we haven’t got time for it. Its a shame really, but each to their own. Some see it as competition and its not: the music scene should be a hub where artists influence each other. Luckily we have made some good friends from the scene, and always look forward to playing shows together. There’s some cracking promoters on the scene too who really look after set bands. In terms of favourite venues, Roadmender is always good, The Craufurd Arms, Bedford Esquires, The Lab are all great little spots – and the list goes on!

What was the last album you bought/streamed?
Last album I physically bought was Pray for the Wicked by Panic! At The Disco. Prior to that was Tranquillity Base Hotel and Casino by Arctic Monkeys, and what a belter it was! Very different, but all do excellent things!

What is your burning desire for the band to do in the future? What plans do you have?
We want to continue to enjoy what we do, continue to entertain and continue to create good music! I think those three things are vital to bands and artists, because when it feels like a chore, it might be time to have a reshuffle. We collectively had a reshuffle this year, and are happy with the outcome and where we want to be. We plan to continue to build our reputation and play some of the best stages across the UK, and even overseas!

Precious Little Things is out now across the digital platforms

 

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Raging Speedhorn play first hometown show in four years next week

Next weekend Corby metallers Raging Speedhorn celebrate their 20th anniversary with a show at London’s Electric Ballroom. In order to prepare for that they’ve just announced they will play their…

Next weekend Corby metallers Raging Speedhorn celebrate their 20th anniversary with a show at London’s Electric Ballroom. In order to prepare for that they’ve just announced they will play their hometown the night before, Friday October 5th.

The last time RS played Corby was back in 2014, at The Zombie Hut, so this is undoubtedly a big deal. The show at The White Hart will see The Amazing Scurge and SharkTeeth Grinder support. They are no advance tickets, its simply £8 on the door once they open at 7pm. Good luck.

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Rocked Up Hootenanny 2018: your guide

The third Rocked Up Hootenanny festival takes place this Saturday September 8th at Rockingham Motor Speedway, near Corby. Tickets are available for £25 by clicking here. What follows is the stagetimes…

The third Rocked Up Hootenanny festival takes place this Saturday September 8th at Rockingham Motor Speedway, near Corby.

Tickets are available for £25 by clicking here.

What follows is the stagetimes across the three stage areas.

MAIN STAGE
12.15 The Touch
1.05 Haema
1.55 KOYO
2.45 Sharkteeth Grinder
3.30 Fights & Fires
4.25 Wars
5.20 Veins
6.15 Palm Reader
7.10 Acoda
8.05 Press To Meco
9.00 INME
10.15 Arcane Roots

YUK TENT
12.30 Penelope Tree
1.20 The Modern Age
2.10 Luna Rosa
3.00 Skirt
3.55 Century City
4.50 Monarchs
5.45 Sarpa Salpa
6.40 King Purple
7.35 The Scruff
8.30 Bloody Knees
9.25 Jamie Lenman

HIP HOP TENT
12.20 Detrimental
12.40 Jamzy Bandicoot
1.00 Real Junior
1.20 Normzilla
1.40 Cwidzy
2.00 MWM
2.25 Just Sean
2.50 Flash Peasants
3.15 EXP
4.00 The Untouchables
5.15 The Enablers
6.00 Comprehend
6.45 Stayboy Sun Sun
7.00 Strizzy Strauss
7.15 Stanza Divan
7.30 Lloyd Luther
8.00 Flame Griller
9.00 People’s Army

For more info on the festival visit the website and Facebook page.

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New Music Friday: Wishing Wolf

Kettering emo rockers Wishing Wolf have a new single with accompanying video out, entitled ‘As Long As You’re Here Tonight’. The five-piece – Danny Ray Holmes on vocals, Ben Essam and…

Kettering emo rockers Wishing Wolf have a new single with accompanying video out, entitled ‘As Long As You’re Here Tonight’. The five-piece – Danny Ray Holmes on vocals, Ben Essam and Kyle on guitar, Jazza Wallace on bass and James Angelo Moodie on drums – have been tearing up the local hardcore scene these past couple of years. It was time New Boots got the lowdown.

How did you get together?
Danny: We got together early 2017. Wishing Wolf was originally just me and a few acoustic tracks that I threw together, and while I loved doing that, I wanted to take it in a new direction with more energy, I was listening to a lot of pop punk at the time, and really wanted to throw my own take on it. So I asked Moodie, Jazza and at the time Skye to join, who were all happy to jump on. Moodie then introduced me to Kyle, and he jumped on too. After a few member changes we now have Bessie on lead guitar, and Kyle on rhythm after leaving for a short time.

How would you describe your sound?
Bessie: We take a lot of inspiration for a whole multitude of artists and I think that is reflected in our sound. I don’t think there is a single genre we fit into. We speak amongst ourselves about it and people ask us at shows, ‘what genre are Wishing Wolf?’, and we just say ‘our own’.

Who would you say are your main influences?
Danny: We’re influenced by a lot of different bands, being that all of us listen to a diverse range of music. Most of the songs start from me and the guys add in the their own touches at the end. Our most obvious ones are the older post-hardcore/emo bands such as The Used, My Chemical Romance, The Red Jumpsuit Apparatus, as well as newer bands like Neck Deep and State Champs. There’s a lot of lead parts as well, since most of us have come from metal bands in the past, and I’m also really into the orchestral sounds of music, like strings and pianos, that I like to throw in too.

What was the reaction like to last year’s ‘True Eyes’ EP?
Moodie: We felt that even though we didn’t have much of a following at the time we did have quite a few positive reactions from various people, whether that was from people buying our EP, or just leaving good reviews for us. On the build up to the release we were all quite anxious about whether people would actually enjoy the music we created. However our current rhythm guitarist Kyle wasn’t in the band when the EP was released but was still good mates with us all. So it was helpful to have someone on the other side. As for the feedback from social media it was nice too hear that people really enjoyed it, as well as others giving constructive criticism on certain things the audience would like too hear/see.

Tell us about the new single.
Moodie: We were all nervous and excited about it. The EP had a mixture of different sounds and ‘As Long As You’re Here Tonight’ was the first song we’ve released with much more of an established sound. We decided to go further in the direction of emo rather than the pop punk songs from the EP. From the get go we were nervous about people’s reactions. Thankfully people gave us some great feedback! The reaction was overwhelming and overall made us very proud of the release. We felt this song was the first one to really put us out there and getting gigs and interviews like this off of the back of it only continued the good vibes.

What are your live shows like?
Kyle: We certainly aim to keep a nice balance with our live show, of course as musicians it’s important for us to play to the best of our ability, however as fans it’s important for us to put on a great show. We put a lot of energy into our live show and that’s because we love doing it. We take a lot of inspiration from some of the classic bands of the genre in terms of both music and stage presence – Paramore, My Chemical Romance, The Used – as well as new bands in the scene such as State Champs and Neck Deep.

Are you part of a wider scene in Northamptonshire, playing with like-minded bands? Any favourite bands/venues to play with?
Jazza: We would say we are part of a wider scene in Northamptonshire, although we think we have a unique sound from other pop punk/emo bands from around here. We are very close with a select few local bands including Last Chance and The Young and Restless; we love to play shows with those guys. So far we’ve been lucky enough to work with a few local promoters as well including Metal Wave Promotions, Rocked Up and HOP Events. We also love putting our own shows on: choosing who we want to play with and helping out some of the smaller local bands that are just starting out, for example PT-33, who killed it on their first ever gig!

What has been your favourite band moment of the past year?
Danny: It’s hard for us to really say. Just the joy of jamming together at practice and gigs, and just generally hanging out is the best part of being in a band. It’s essentially a second family when you’ve got the right chemistry. Releasing the music that we’ve got and playing all the shows we have up to this point is probably the most exciting things we’ve done, but we love just being a part of Wishing Wolf all the same.

What was the last album you bought/streamed?
Kyle: My Chemical Romance The Black Parade
Jazza: I Prevail Lifelines
Moodie: Panic! At the Disco A Fever You Can’t Sweat Out
Bessie: Polyphia Renaissance
Danny: The Red Jumpsuit Apparatus Don’t You Fake It

What is your burning desire for the band to do in the future? What plans do you have?
Jazza: Play as many shows as we can and try to build a bigger fan base. We’d love to have the chance to play festivals in the future and have fans show up to our set and sing along with us. We’re also looking forward to bringing out a full album, so we would love to have the chance to make a tour or mini tour out of it when released.

As Long As You’re Here Tonight is out now via the usual platforms

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It’s A Shoe In: Northants gig guide May 2nd – May 8th 2018

DON BROCO Wednesday May 2nd The Roadmender, Northampton Bedford’s versatile rockers continue to plug second album Technology. Doors 7pm, SOLD OUT [check for returns] ICE CREAM HEADACHE + BLACKMAIL BOX…

DON BROCO
Wednesday May 2nd
The Roadmender, Northampton
Bedford’s versatile rockers continue to plug second album Technology. Doors 7pm, SOLD OUT [check for returns]

ICE CREAM HEADACHE + BLACKMAIL BOX
Wednesday May 2nd
The King Billy, Northampton
Captain Beefheart/Zappa-style rock from Peterborough, plus grimy post-punk hailing from Nottingham. Doors 8.30pm, free entry

SURGE + GARDEN + SKIRT
Friday May 4th
Club 43, Northampton
‘Green Carnation’ clubnight, hosted by The Barratts. Headliners are Clacton angular garage-rockers Surge, featuring a couple of ex-Northampton Uni students, with able support from the exciting alt-rockers from Northampton [promoting new single ‘Hate Me’] and Corby [promoting their debut EP] respectively. Doors 9pm, £4 on the door.

HARMFOOL + TYPE 22 + BROKEN EMPIRE
Friday May 4th
The Lab, Northampton
NN stands for New Noise, right? Hardcore, indie and hard rock sounds from Northampton and Towcester. Doors 7pm, £5 on the door

SKULL ABOVE THE CANNON + ZOIC + LOOSE TOOTH + BLACK GABANZA + KYNGS
Friday May 4th
Raff’s Bar, Wellingborough
Metal to the Masses heat one, courtesy of HOP. Sicilian power trio headline, Leicester hardcore just before them, NN grungers one spot below, with South-East and Manchester bands opening proceedings. Doors 7pm, £5 on the door

MOTH + LJ, YOU & GRENE + ROCAKFELLA + SANE
Saturday May 5th
UFO Pavilion, Northampton
‘Club Eclectica’ is a brand new night from Andy Skank at the Racecourse Pavilion. Expect diverse and varied sounds, featuring top DJs and live electronic performances. Doors 10pm, £5 on the door

A-HEADS + SURGERY WITHOUT RESEARCH
Saturday May 5th
The Horseshoe Inn, Wellingborough
Wessex`s A-Heads formed in 1980 from Wiltshire`s punk scene, with support from Kent’s noughties-formed agit-punks. Doors 8pm, free entry

THE BIG DIRTY + MANAKING + WAKE IN THE WATERS + GOODNIGHT VENICE + DARK SKY PARK + SALTLAKE + CHARLIE INDESTRUCTIBLE
Sunday May 6th
The King Billy Rock Bar, Northampton
Alldayer with various shades of rock and pop represented from all over the UK, headlined by recent New Boots interviewees The Big Dirty, playing their first show of 2018. Doors 2pm, free entry

SKIRT + SHADOW OF THE SUN + LUNA ROSA + FLASH PEASANTS +  SKYFLOOD + THE MODERN AGE + FAMILY OF NOISE
Sunday May 6th
Corby Town Bar [Steel Park], Corby
The Corby scene bands together this bank holiday weekend in aid of the NightLight homeless charity. NightLight seeks to relieve poverty among rough sleepers and other homeless adults in Corby and surrounding areas by providing a night shelter and other support services. Doors 1pm, £5 from the venue/on the door

WISHING WOLF + SPRING.FALL.SEA + LAST CHANCE + HILLWOOD + ACOUSTIC ACTS
Sunday May 6th
The Olde England 2, Wellingborough
HOPS bank holiday bash, with a nice bunch of alternative, post-hardcore and pop punk bands playing, and numerous local acoustic acts earlier in the afternoon. Doors 1pm, free entry

No Comments on It’s A Shoe In: Northants gig guide May 2nd – May 8th 2018

It’s A Shoe In: Northants gig guide Apr 11th – Apr 17th 2018

BLACKWATER HORIZON + BLACK TREE VULTURES Wednesday April 11th The King Billy, Northampton Pure rock from Mainz, Germany with support from metal rockers from Bournemouth. Either way, fist-pumpingly good [and…

BLACKWATER HORIZON + BLACK TREE VULTURES
Wednesday April 11th
The King Billy, Northampton
Pure rock from Mainz, Germany with support from metal rockers from Bournemouth. Either way, fist-pumpingly good [and black]. Doors 8.30pm, free entry

THE MISPELT + BIRTH RITE + DUNCAN BISATT
Friday April 13th
The Garibaldi Hotel, Northampton
Yer headliners are ’90s-era Motorhead-esque dark punk rock’n’rollers, then you have some Black Country steampunk in the middle, and the Bushpigs frontman to open proceedings. Doors 8pm, free entry

WE ARE GIANTS + LOOSE TOOTH+ THE MODERN AGE
Friday April 13th
The White Hart, Corby
The second of four heats. A crowd vote at the end of the evening decides who goes through to one final bout on June 22nd with the chance to win the opportunity of playing the main stage at the Rocked Up Hootenanny festival. Doors 8pm, free entry

STEVIE JONES & THE WILDFIRES + YODACLUB + THE TOUCH 
Friday April 13th
The Romany, Northampton
Acoustic-driven rock promoting new album Angels and Sirens. Plus edgy indie-pop from Corby and 80s-style rock from Kettering. Doors 8.30pm, free entry

LUNA ROSA + ODDITY ISLAND + TOUCAN
Saturday April 14th
The Three Cocks Inn, Kettering
Three of the best alt-rock/indie/psych non-Northampton bands from our county, all on the same bill. The future is bright, the future is now. Doors 8pm, free entry

THOMAS TRUAX + PAT FISH
Saturday April 14th
The Lab, Northampton
On tour in the UK with his signature brand of surreal Americana, promoting his new album All That Heaven Allows Thomas finally brings his Hornicator and ‘band’ of other self-made instruments back to the Lab, supported by his friend and Northampton’s own legendary gentleman and Jazz Butcher Pat Fish. Doors 8pm, £5 on the door

EL CAMINO
Saturday April 14th
The White Hart, Corby
Rockabilly legends bring their own brand of rock’n’roll from their two self-penned albums, plus they’ll throw in a few classics too no doubt. Doors 8pm, price TBA

HUBCAP
Saturday April 14th
The Pomfret Arms, Northampton
Rock/blues/psychedelic two-piece with electric slide and some mean drum beats. Doors 8.30pm, free entry

HOUSES IN MOTION
Saturday April 14th
The Albion Brewery Bar, Northampton
They play jazz, funk, psychedelic rock, indie, and blues; equal parts covers and originals. Doors 9pm, free entry

KING’S GAMBIT
Sunday April 15th
Open Stage Performing Arts Company, Northampton
Northampton powerhouse folkie quintet perform a special one-hour set at Open Stage [off the Kettering Road], for filming and recording purposes. So you now know what to do after your Sunday roast, yeah? The set is played 4pm-5pm, free entry

THE ROCKET DOLLS
Sunday April 15th
The King Billy, Northampton
Brighton riffing-rockers head out on tour to promote sophomore album DeadHead. The trio have been garnering rave reviews for the album and their live show, so one to catch. Doors 6pm, free entry

No Comments on It’s A Shoe In: Northants gig guide Apr 11th – Apr 17th 2018

It’s A Shoe In: Northants gig guide Mar 28th – Apr 3rd 2018

BARBARA BLACK + OVERSEER + RUSTY G’S The King Billy, Northampton Wednesday March 28th Classic and country rock flavours from Madrid’s BB, “post-grunge” from Coventry, and alt-rock from Milton Keynes….

BARBARA BLACK + OVERSEER + RUSTY G’S
The King Billy, Northampton
Wednesday March 28th
Classic and country rock flavours from Madrid’s BB, “post-grunge” from Coventry, and alt-rock from Milton Keynes. Music from 8.30pm, free entry

STEREO SKULL + BACKROADS + REAPERX + DEAD HANDS
Friday March 30th
The Black Prince, Northampton
Stereo Skull bring from Wellingborough some funky and trance-like grooves to their cyber/death/prog metal. Backroads are a lyrically charged melodic metalcore band from Bristol. ReaperX are Corby thrash metallers , whilst Dead Hands [from Birmingham] mix mathcore and high energy riffs. Doors 7pm, £5 entry

SKIRT + LUNA ROSA + DRINSIPA
Friday March 30th
The Everard Arms, Corby
EP launch show for local indie punks who New Boots interviewed last week . A double dose of quality ShoeCounty rabble rousers in support too, of course. Doors 8pm, free entry

BUSHPIGS + THE KEEPERS
Friday March 30th
The Garibaldi Hotel, Northampton
Trio Bushpigs play a set of their original punk-meets-psych songs, whilst The Keepers continue to entertain with their excellent poppy new single ‘There’s No Going Back’. DJ Alex Novak too. Doors 8pm, free entry

THE TOUCH
Friday March 30th
The Shire Horse, Kettering
The pop-rockers, causing a bit of a storm round Ketrin, do the business on home turf. This one goes up to 11. Doors 8pm, free entry

THE WAX LYRICAL SOUND + LITTLE BITBOY
Friday March 30th
Bar So, Northampton
Energetic rap-rock from Northampton’s party starters, plus support from the 8-Bit chiptune dance master. Doors 8.30pm, free entry

YARDS BAR EASTER WEEKEND FESTIVAL
Saturday March 31st and Sunday April 1st
The Yards Bar and Kitchen, Kettering
The Free Collective take over Yards for a weekend of free entertainment! Bear witness to: Alex Gardiner, Yellow Blues, Skyflood, Birds Eye View, Earbones, Toucan, The Modern Age, King Purple, and Skirt on the Saturday, and  Kieran Smith, Erin Cobain, Wishing Wolf, Last Chance, The Young & Reckless, The Touch, and Home Wrecked on the Sunday. Bands 1pm-9pm both days, DJs afterwards.

AOIFE FOLEY
Saturday March 31st
The Lab, Northampton
‘This Is What Makes Us Girls Pt 2’ showcases art from locals, and the musical entertainment comes from singer-songwriter Foley, with Joshua Judd aiding and abetting on guitar. Doors from 7pm, your donation on the door goes to charity.

THE SULKS + SARPA SALPA + ODDITY ISLAND
Saturday March 31st
The White Hart, Corby
Strokes/Foals-esque Swindon quartet whose songs are so good producer Gordon Raphael (The Strokes, Ian Brown, The Libertines) produced the bands’ debut EP ‘Silence Is Only The Start’. Sarpa Salpa & Oddity Island in tow suggest this will be a BANGER. Doors 8pm, £3 tickets 

WALKWAY
Saturday March 31st
The King Billy, Northampton
Well-travelled and popular classic rock combo from East Anglia, playing songs from their 2017 third album WWIII. Doors 9pm, free entry

INTERROBANG? + EASTFIELD + WRECKAGE
Saturday March 31st
The Horseshoe Inn, Wellingborough
Headliners – angry motorik loop-driven post-punk from Leeds/Brighton who are touring their new album – feature ex-Chumbawamba member Dunstan. With support from fare-dodging types. Doors 8pm, £5 on entrance

JONNY & THE MENTAL BREAKDOWNS + CRASH INDUCTION + THE MILK SNATCHERS + WAH WAH CLUB
Saturday March 31st
The Red Lion, Raunds
Enjoy a punk bank holiday with a quartet of bands from MK and Wellingborough. Doors 7.30pm, free entry

FRACTURE + FUELED HATE + WAH WAH CLUB + THE CRIMSON BRIGADE + DESTINOVA
Sunday April 1st
The King Billy, Northampton
Easter Sunday alldayer of metal and hard rock [with an acoustic opening section], with acts from the county and beyond. Doors 2pm, free Entry

JONO & THE UKE DEALERS
Monday April 2nd
The Horseshoe, Wellingborough
Finally another Welly show to complete the week from Norfamtun’s favourite uke-wielding quartet. Doors 7pm, free entry

No Comments on It’s A Shoe In: Northants gig guide Mar 28th – Apr 3rd 2018

Photos: Krysthla, Ascaris and Ashen Crown at the Roadmender

Krysthla are busy touring across Europe at the moment, playing shows with Obituary and Vadar. Ahead of these, they played a warm up gig at The Roadmender last week with Ascaris…

Krysthla are busy touring across Europe at the moment, playing shows with Obituary and Vadar.

Ahead of these, they played a warm up gig at The Roadmender last week with Ascaris and Ashen Crown.

Here’s a few photos from the Northampton gig.

Krysthla

Krysthla

Krysthla

 

Ascaris

Ascaris

Ascaris

 

Ashen Crown

 

 

No Comments on Photos: Krysthla, Ascaris and Ashen Crown at the Roadmender

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