Tag: grime

New slowthai single ‘ENEMY’ out now

“We all make mistakes”. The Prince of Northampton slowthai is back with a bang, releasing his new single ‘ENEMY’ at exactly the time Prime Minister Boris Johnson addresses the nation…well…

“We all make mistakes”. The Prince of Northampton slowthai is back with a bang, releasing his new single ‘ENEMY’ at exactly the time Prime Minister Boris Johnson addresses the nation…well they have history.

slowthai
photo credit: David Jackson

“slowthai, you have officially been cancelled”. His first song since that infamous altercation at the NME Awards show in London on February 12th is a bass-heavy grime attack, and comes with a made-at-home-in-isolation video.

The man also known as Tyrone Frampton could have disappeared for some lengthy downtime after the flack he received, but he’s come straight back with what he does best. The first new ‘solo’ track since the formidable Nothing Great About Britain album of May 2019 displays exactly the sort of foreboding menace that shows he really is the lone wolf that walks his own path.


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New Music Friday: Napps

Napps is a Northampton rapper who has recently put out his debut EP, entitled ’22’. Its a smorgasbord of sounds and collaborations, and New Boots thinks it is probably time…

Napps is a Northampton rapper who has recently put out his debut EP, entitled ’22’. Its a smorgasbord of sounds and collaborations, and New Boots thinks it is probably time you tuned into his frequency. We wanted some more lowdown, so here’s a few minutes with the man himself.

How did you start on this musical journey?
I feel like I’ve always been on this musical journey, I just never knew how the opportunity would present itself. From a young age music has been a huge part of my life. Dancing came like second nature as a kid, taking me to perform in front of hundreds of people. I used to have the odd playground rap battle, but music-wise I used to be more of a singer. It wasn’t until after college I realised that I had some talent rapping. It started off as poem that I wrote for my grandfather after he died, then about three years ago I came across the Drake ‘Pound Cake’ instrumental. That was it; my mind instantly took off. I ended up making a sort of tribute rap for him, I recorded it on my phone and uploaded it to my Facebook. The reaction I got from friends and family was great, from that day I just wanted to keep writing and getting better.

How would you describe your sound? Who are your main influences in music?
If I had to describe my music that’s out there already, I’d call it hip-hop/trap/rap with a dash of grime but I’m still very much in the experimental process with my music. What people have seen from me so far is just the tip of the iceberg. Some of the ideas may work and some may not, but at the end of the day music is my passion and I’d rather make my own lane than follow the curve; less traffic.
As far as musical influences go, I come from a family with a lot of different backgrounds. My dad was American, a staff sergeant in the US air force when he met my mum. I cherish the long car journeys we used to have because he opened my eyes to everything from jazz like Boney James, Motown like James Brown, old school hip-hop like Kurtis Blow and Slick Rick, all the way up to the likes of Lil’ Wayne and Jay Z – and everything in between. One of my grandfathers was a Guyanese Rasta: family parties at his house introduced me to reggae like Bob Marley and Beres Hammond to Nyabinghi drumming. Whereas my other grandfather used to be in a swing band; he showed me music like Tom Jones and Frank Sinatra. I’ve always been around a diversity of music and it made me appreciate all sounds. I may not play them everyday but the love is there.

What was the reaction like to those early releases like ‘Whipping In The Kitchen’ and your first performances?
People loved ‘Whipping In The Kitchen’. It was crazy because it made the dream of becoming a rapper real, you know? That feeling of your first official release. I had a few songs on soundcloud, one of them called ‘Get Up Out My Way’ was my first music video on Mike’s channel but they didn’t get as much attention. I remember walking through the Sixfields tenpin car park and hearing it playing from one of the cars, I immediately ran over like “YO THAT’S ME!”, all mad like I’d just won the lottery or something. Was nice to see that It wasn’t just my people listening.
Someone told me at the last Lay It Down event that it was the first time they had seen me perform since the first show we did, and the improvement was amazing. So proud to be part of Lay It Down because it’s given me so many opportunities to hone my performances skills.Nowadays you have to drag me off stage – I love performing and interacting with the crowd, there just nothing like it.

Tell us everything about this new EP, ’22’.
If I told you I had some elaborate plan whilst creating this I’d be lying. It started off as a selfie – there was a little 22 stamp on the corner, I thought it looked like an EP cover which gave me the ideas to start building up tracks. I tried to bring a bit of something for everyone. It takes you on a journey through different vibes so whether it’s a late night cruise, working up a sweat in the gym [or at home in these circumstances], or just doing the cleaning I’m sure there’s something for you. Six tracks, six producers, most notably Nathaniel London. He produced the beat for ‘Natsu Freestyle’ [my personal favourite] and is behind some of the biggest bangers from people like Lil’ Baby, AJ Tracey and D Block Europe. I’m yet to find a producer to work with properly, but for now YouTube is doing me just fine. Eventually I would like to produce my own stuff. Some of the verses you hear you may recognise from my Instagram, a lot of the songs I make start as freestyles, like ‘Give It Some Love’. I never intended to make it a track when I uploaded the first verse, but when Elle [Delaney] messaged me about the hook she came up with, it fit so perfectly it had to make it happen. The track ‘How I Do This’ was a crowd favourite at the Lay It Down events, originally written to the ‘Boom’ instrumental by Royce Da 5’9. I wanted to make sure I kept that old-school feel with the new beat and my guy Scott Whitman did an incredible job. He also mixed and mastered four of the tracks  and the other two being mixed by Eli [who is also featured on ‘Flexing’].

You’ve got some quality guests on the EP. Is that a reflection of a supportive Northampton musical community?
Definitely. Northampton is full of amazing talent, we are all here to support and lift each other up, we are all in the same boat, trying to make a name for ourselves and fly the flag for Northampton.

Describe your live shows in five words or less.
Great vibes, even better music.

What has been your favourite Napps moment of the past year?
There was so many it’s hard to choose. I performed at some great events, but I think has to be my birthday/EP listening party. What started off as a very cold evening turned into a hot night! I was amazed at how many people came out to support and the love and feedback I got was brilliant; big shout out to all my guys that came and performed as well, everyone smashed it.

What was the last album you bought/streamed?
I’m pretty sure the last album I bought physically was Chip’s I Am Chipmunk back in the day! Last album I streamed was J Hus Big Conspiracy.

What is your burning desire to do in the future? What plans do you have for after this craziness all blows over?
I just want to succeed and be able to look after my family. As for 2020, in these times of uncertainty all I can hope is that I stay happy, healthy and focused, I pray the same for everyone else as well, stay safe out there.

The ’22’ EP is out now via the usual digital platforms

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New Music Friday: FFSYTHO

The next breakout artist from Northants is undoubtedly FFSYTHO. Strong of flow and with personality to spare, her new songs like ‘You Next’ and ‘Mad’ are not easily forgotten. There…

The next breakout artist from Northants is undoubtedly FFSYTHO. Strong of flow and with personality to spare, her new songs like ‘You Next’ and ‘Mad’ are not easily forgotten. There was no way New Boots was going to ignore this phenomenon, so we went knocking on her door!

What can you tell us about the lady behind the moniker?
4ft 11 giant, big energy, loud mouth, crazy style!

How did you start on this path? Did one particular moment or person help create the spark?
I’ve always been about my music, but never really broadcasted it. The power of the internet changed that. I dropped a freestyle for fun on Twitter, and it kinda went viral. I was called up by Terror Danjah, and within 24 hours I was in RedBull studios recording my debut single ‘FFSWHYTHOUGH?’ Ha, it was only right I called it that!

How do you describe your sound?
A raw, direct, tongue-twisted potty mouth!

You started releasing things about 18 months ago. What was the reaction like to that eponymous single in 2018? Did it give you a big confidence boost?
The reaction was crazy, it really put me on the map! I was actually [and still am] shocked at all the different types of people digging my music! From older to the younger generation, it’s actually pretty mad; amazing support and opportunities that have come from it. I’m just loving every moment!

What can you tell us about these new two for 2020 – ‘You Next’ and ‘Mad’? The energy in ‘You Next’ is off the scale…
Ha, I’m currently working on visuals for ‘You Next’, so watch out for that it’s going to be a MOVIE! I wrote that in the hype at the start of the year with almost everyone on the grime scene clashing each other, so I just thought I’d set the levels before anyone tried to send for me, haha!

What a big moment for you, you recently went to do 1Extra on the BBC. How was that?
Exciting! Man I was so nervous. TBH I still can’t believe I did that, and all in one take! I was literally having a practice round and air Spyro was like, BOOM THATS THE ONE!! I have another freestyle coming up for another major music platform, so stay tuned for that also.

Best/worst thing about Northampton?
What can I say, it’s my hometown! Born and bred, I’ve got a lot of love from the people here too, which is amazing! BBC introducing shown love. Just really cool that people know I’m an artist and rate it!

What was the last album you bought/streamed?
Blimey. I actually listen to a lot of old-school R&B mainly. I just stream a whole bunch of stuff from screw facing at listening to grime, to relaxing and blasting therapeutic stuff!

A hard question in these lockdown times, but what are your burning desires to do in 2020? What plans do you have?
Perform! Headline! Festivals! More visuals. More freestyles ! MORE MORE FFSYTHO TO THE WORLLLLLDDDD!!

 

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New Music Friday: Hamzysho

19 year-old Northampton rapper Hamzysho presents his debut EP ‘State Of Mind’. New Boots said: look, you’re darn good, we need to talk. Who are you, and what’s your NN…

19 year-old Northampton rapper Hamzysho presents his debut EP ‘State Of Mind’. New Boots said: look, you’re darn good, we need to talk.

Who are you, and what’s your NN story?
I am hamzysho, aka Young Genius. “Born and raised in the NN” I said in my first single ‘I Ain’t Slept’, and on my upcoming EP if you want to know me I’d advise you to listen to that song, and the intro.

How did you start out on this journey?
I was good at poetry in primary school; I had one published but I don’t even know in what book, haha. I’ll find it one day. But I just carried it on, did a little bit of battle rap in secondary, and then ended up freestyling, I started producing beats in 2018, and I’ve been working with many others and it’s helped me improve with time.

How would you describe your sound? Who are your main influences/inspirations?
I’d say I’m versatile and innovative, sometimes unorthodox but overall I’d say interesting. Influences: Meek Mill in the US, and J Hus in the UK.

Tell us everything about this EP, ‘State of Mind’.
It’s what it says on the tin, my different states of mind. It’s a journey into the inside of my mind, and I highlight how I think, reminisce of the past, talking about my lessons, and what I hope to see in the future.
The people involved in the project are amazingly talented and are the reason why the EP is such a beautiful piece of art. Five tracks mixed and mastered by mars. ‘Fake Love’ was done by myself and my guy Tommy. My guy Joey Rebz is one of the best artists in the country; everyone that sees this check him out, he’s on the hook to my song ‘Tetley’. We’re always exchanging ideas with each other on how we can improve our work. On the beats I had sakezmusic and JB Productions, who are prominent names in the industry working with chart regulars such as Fredo and Cadet [RIP]. I produced two songs myself. And my favourite producer in the country Itsyng produced two songs for me.

Will you be doing live appearances in the future?
Possibly

Do you feel there’s a proper rap scene in Northamptonshire?
I think the Northampton scene can be slow, because we depend on friends to share our work and common people often underestimate homegrown talent. That’s only because many of us are still in our experimental and developing stages, but this year many artists are taking steps and pushing themselves. I do see something happening.

Why do you rate Tetley so high when Yorkshire Tea is clearly the king of the brew?
Honestly I prefer Yorkshire tea too, hahaha.

What was the last album you bought/streamed?
Jadakiss Kiss Tha Game Goodbye. I like the grittiness in his voice and the lessons he shares.

What is your burning desire to do in 2020? What plans do you have after the EP?
I’d like be able to help as many people as I can, and to be heard. Thank you very much for the opportunity, I appreciate it and I hope you enjoy the EP

State Of Mind is out now via the usual digital platforms

 

 

 

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New Music Friday: DeBe

DeBe, a moniker that originates from his teenage days as a graffiti artist, was born in Northampton – Kingsthorpe specifically. The unorthodox rapper often plays fast and loose with his…

DeBe, a moniker that originates from his teenage days as a graffiti artist, was born in Northampton – Kingsthorpe specifically. The unorthodox rapper often plays fast and loose with his sound, incorporating elements of grime, R&B, dubstep and garage. Debut EP ‘The Life Of Reilly’ has just landed, and New Boots went in search of answers.

How/when did you start making music?
I started spitting bars in school and discovered GarageBand in 2008. I just had a lot of ideas in my head for songs that I’d thought I’d try and lay down.

How would you describe your sound? Who are your main influences?
I’d describe my sound as out the box, unorthodox, left, slightly skits? I had a lot of musical influences from young. I knew the Nas album from back to front, I remember listing to his music on my Walkman CD player. In at the Deep End by Roll Deep had a big influence as well. When I was young I remember my Aunty catching joke at me singing Alicia Keys when I was in the shower, so I guess her too.
My Mum listened to baseline and garage a lot – I wasn’t fixated on DJ EJ, but to this day his tag is still stuck in my head. There’s always been different types of music around me and I appreciate it all, there’s a lot of music that I wouldn’t put in a playlist or vibe to, but when I hear it I know it’s sick. When it came to making music myself I always take pride in making sure I kept things original. Being so critical I guess that’s how I’ve been able to develop my own style.

Do you collaborate with others on the beats, or fly solo?
Early on majority of my music was done by myself, but as I got older my friendship group kind of all chipped in. I’ve been making music for years but I never really put stuff out, as soon as I did I started collaborating a lot more.

Tell us about this EP, ‘The Life of Reilly’.
To start off T.L.O.R is a start of a trilogy – so you heard it here first. There’s a lot of songs on the project that was made a while ago; I’ve got over 100 tucked away. Each track on the EP represents an emotion that I’ve had to deal with whilst grafting to put together the EP. There was a time when I was going back and forth to London everyday, being in the studio till late and having to go back to the ends for work. I was running on like four hours sleep daily. Once I found a team to work with it was our priority to build a catalogue of songs which came over a period of like a year or so. I had a lot of other stuff going on outside of music that effected me in different ways on different days, so going into the booth was like therapy for me.
The EP cover took a good couple of months to think of. I said to my manager that I liked how Giggs done his visuals for his ‘187’ track, which is also produced by Machine Baby, and I wanted to pay homage to NN. We sat down and came up with a concept that ending up taking inspiration from the original King Kong artwork. I’m using the Express Lift Tower as my Empire State Building.
My cousin Meks actually came up with the title for my EP. Reilly is my last name and “The Life of Riley” is a popular saying for someone who has it easy, which is kind of ironic.
Earbuds & Nick French worked on ‘Enough’. Earbuds also did ‘Comatose’ and ‘Front Row’. Sammy Byrne made ‘Nuffin Long’, I made ‘Vamp’ and Baga finished the EP off with ‘Uprising’ – he also chipped in on the mixing and mastering.

The videos are well thought-out and have a punchy vibe that fits the music just right. Do you storyboard these things in depth?
It’s a collaborative effort: everyone will give their ideas and whatever sounds good gets shot, whatever looks good gets edited. It’s the same with the music; I’m just lucky to have a friendship group who have a lot different skills.

It feels like a great time for Northampton rap.
It’s just great to see the whole NN scene thriving, and the hometown getting behind homegrown music.

Any live shows yet?
2020.

Favourite DeBe moment of 2019?
There’s been a few. I’d say not long after I put out ‘Keep Da Pound’, which was produced by Machine Baby, someone hit me up saying that I had inspired them and to be honest this is what makes me want to do what I do. If you take time to listen to my music it’s mainly me venting, and kind of reiterating my mantras in art form for your ears.

What was the last album you bought/streamed?
The last project I listened to was Schoolboy Q – Crash Talk.

What is your burning desire to do in the future? What plans do you have?
The plan for the foreseeable future is to be able tour internationally. I’d like to eventually be in a position give people opportunities back in NN too [ones who deserve it anyway].

The Life Of Reilly is out now via the usual platforms

 

 

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New Music Friday: Dizmack

Northampton rapper Dizmack returns to the fold after a short break with perhaps his most interesting work yet, and there’s plenty more to come. Strap yourself in for an in-depth…

Northampton rapper Dizmack returns to the fold after a short break with perhaps his most interesting work yet, and there’s plenty more to come. Strap yourself in for an in-depth interview; trust us, it’s worth it.

How would you describe your sound in 2019?
I’d like to think I’m still making lyrical, meaningful, I’d say emo music. Its still very truthful and personal. I couldn’t really put it into a genre, as I feel like I’m make so much different kind of sounds. It’s a bit difficult to put under a genre. I’m influenced by all sorts. I don’t tend to listen to grime or hip hop, I’m more into bands and indie music. Anything with feeling. I try and just create good music really: go into the studio and see how I’m feeling and whatever the vibe is that day work with it, and try and come out of my comfort zone. The new songs are quite melodic, the format is in a more traditional song format, what with loads of pre-hooks, post bridges, stuff like that.

What’s influencing you the most right now?
Just life really. I live a very unconventional life. I deal with ADHD and Aspergers on the day-to-day, but then I’m a practitioner of Chinese medicine working towards my doctorate. And then I get to live a bit of a musician’s lifestyle, so between those three elements it gives me all the ingredients I need to cook up my music.

The ‘Spectrum’ EP from 2017 was a big moment for you, musically and emotionally. How did you feel after its release? Did it get a strong reception?
That’s really personal for me. It’s kind of a life changer really, because it was my first proper release that I’ve been working towards for a while. It was the end of a chapter and the start of a new one. I lost my grandma a week or so before it was released. Then it was released on the anniversary of my grandfather’s death. Because it came out the worst time: Christmas, getting prepared for the funeral, and burying my grandmother. There’s a lot of emotions. Plus ‘Spectrum’ is about me being on the autistic spectrum. I was just going to the studio and cashing in on my moods really. I didn’t really have a plan. There wasn’t a direction for the project. It was like “well I’m going through this, this down feeling today, let’s document it”. Because my moods are so all over the place, it’s kind of crazy. I could be happy this morning and then proper emotional later. It was interesting making it. It helped me grow a lot. It was good to touch on certain things, and get certain things off my chest, and put it out in the open. It helps coming to terms with getting the diagnosis of having Aspergers and ADHD. It took a lot out of me. But it needed to be done, because I had so much to touch on and music I wanted to make. I felt like until I touched on certain things it was never going to happen. It was very emotional; good and bad. It just came such an unfortunate time. There was a lot going on and it summed up how my life was and all of the stuff going on. I say on ‘How About That’ “I’m both happy and sad”. That sums that up. I was going through some of my hardest times of my life, but then I achieve something that I wanted to achieve for a while, and really worked hard to do it. I feel like I did achieve that. It’s hard to be happy about something when such a big event happens in your life, and it puts everything into perspective. But it kept me going. Soon as I got that out I finish my follow up EP a couple of weeks later, which I have been sitting on for a while. It set the tone for that because the next one is ‘357’, which is the acupuncture formula for emotions. It’s quite fitting. It’s funny how universe, God or whatever you believe in kinda gives you all the ingredients and aids you on your journey. I think it was more of a case I’d finally done it, and people were happy that I got it out and there’s a body of work for them to listen to. I can’t complain. It showed me that I’m doing what I should be doing and I need to keep at it. Plus ‘Spectrum’ is 1 of 3: the plan was to do three projects in the year. Put them all together and you’ve got an album, so I’m keen to get the other two parts out that have been recorded for over a year now. Hopefully by the time you get the third project you see the bigger picture, and it will all make more sense.

Fellow NNer Izzie Gibbs is a regular collaborator, you both appearing on the Foreign Beggars tune ‘Toast’ last year. Tell us about that relationship.
He’s actually my younger cousin, so we’re always on the phone, always creating. He’s currently producing an EP for me now. We’ve got a few things in the works. I worked on his last EP. It’s always great to have a family member you get along well with. Plus we’re both on the same things, we are both very similar.  We’ve got a collective called Camotage. When we do our things we roll under the name Two. We are working on a joint project called The Amazing Adventures of Two, which will be him and I. It’s been fun. Obviously I’m on the road with him, gigging with him a lot. He took me to America to do South By Southwest. That was great. He’s took me on loads of tour dates: Bugzy Malone, V Fest, the lot. I’ve got to touch many stages with him. We’re constantly talking about ideas, sending each other references: what we like, what we should do. His basically the little brother I never had. And I’d like to think I’m the older brother he never had. We are so tight, to the point that we’re on the verge of communicating via telekinesis and telepathy because we just seem to get it. We can look each other and we both know what we’re on about. He’s a blessing, he’s an amazing artist. The best little brother I could ask for, and a good friend. Definitely someone I can turn to. It was great to appear last year on the Foreign Beggars album, and Big Narstie’s. Obviously we did the Channel 4 Big Narstie Show together and performed the track. I couldn’t ask for a better relationship, nor I couldn’t be any tighter. Hopefully there’s a lot of great music to come from both of us this year; it’s only going to get bigger and better.

You’ve had some changes on the backroom side of things, which has hampered you releasing new music. What can you tell us about that? What have you learnt?
Life is full of surprises for me. I’m constantly learning. Finding out more about myself and life. I’ve learnt loads about the music industry, and being on a label. There was no problem on the label side of things, they’re like family. Big Narstie is one of my best friends, so it’s all love there. I’ve just realised that what with my life and having Aspergers and ADHD I just like to have things a certain way. I like to have control and to be able to implement my vision. I’ve noticed sometimes on a label, or whatever, you have to deal with outside people who don’t always get it. People can’t see your vision. I know what I want to do, from start to finish: how I want it to be presented, and what I’m aiming for. I found it difficult waiting: making so much music, waiting and then getting things done. I don’t think people saw my vision, and knew want to do with me, or where to put me. I just thought I know what I want to do, I know where I want to go. I’m capable of doing it. I’ve got a lot of music, so let’s just try and do this my way and have full control over it. I’d much rather that than try and do it a way I’m not fully comfortable with, and that doesn’t work out. I’ve got nothing bad to say about my situation. It just wasn’t working for me and how my life is set up at the moment. I just wanted to be more of myself, and embrace the weird side of me. I’m a proper artist, and I’m not really interested in image and all the other stuff. I’m about making quality music with meaning, and getting it out there. Everything else is secondary. It’s all love. Big up to everybody at Dice Records. I’m grateful for the opportunities I’ve had. I’ve got good memories. I’ve got to do some great stuff that wouldn’t have got to do otherwise. I wish everybody the best, and hopefully my thing goes from strength to strength now, even though it may be a bit different and a bit weird to some people. I think that’s a good thing, because it’s unique and that’s who I am. So I can’t do anything better than by being me, and doing things my way.

Tell us everything about these new songs, ‘Leanface’ and ‘Stress/Basic Procedure’.
The new singles are quite old actually, recorded almost two years ago now. It was just music from the sessions I’ve been doing that I hadn’t done stuff with. Obviously with my odd situation certain things are meant to go a certain way. It didn’t turn out like that, and and I have ended up sitting on a lot of music that I want out before I push these next EPs out. There’s no time like the present really. ‘Leanface’ was produced by Izzie Gibbs and Spooksville. Trolley Snatcha brought it all together with a final mix and some arrangements, adding a few sounds here and there. ‘Leanface’ is about THC or CBD-based syrup that I drink to help manage my Aspergers. Obviously there’s a big thing going on about Lean, which is made with promethazine and codeine. I’m not for any of those kind of things. I like to keep it natural. I don’t take medication for my conditions, and I find that cannabis and CBD helps, so it’s about me being a bit of a herbalist.
‘Stress/Basic Procedure’ is a weird one. I was actually at my cousin’s funeral, and I came home still drinking. I’ve had a couple of bottles of champagne; I ended up playing Monopoly with a friend all night. Then still being drunk and going to the studio, and just continuing drinking. I had a song that I was working on that I was struggling to finish. A kind had a bit of a meltdown, what with my emotions being high, I got a bit tearful. Then obviously I felt stress. I made a phone call to one of my friends, and he was basically like “suck it up, go in there and make something new”. So it was just kind of messing about, playing with sounds and what not. So I got ‘Stress’ locked in, then I started working on something else. This time I was so drunk I could barely stand up, and that turned out to be Basic Procedure. Trolley Snatcha was playing the beat, and I was just freestyling. I didn’t write a word for that. We freestyled and dropped in and and ended up with that. I thought they complemented each other, so let’s give them a two-in-one.
We are using them to try and build up a bit of momentum into this next EP. So I’ve got a few more tracks to come out and then we can start with ‘357’.

Obviously people like slowthai and Izzie are doing great things locally. But any brand new producers or MCs in Northamptonshire that you rate, that you want to give a shout out to?
I’m out of the loop with who’s coming out of Northampton at the moment. I like DeBe, he’s got a lot of stuff going on. I follow the Northampton band scene to be honest, I’ve got a lot of friends in bands. I’d say Born Stranger and Kinships are favourites. Rest In Peace to Matthew King and Daniel Padmore; they were both musicians I had the pleasure of working with, and friends of mine.
It would be the same people that I have always known, like your Ill Murk and Jam D and CP. Audio Nurks, he’s got a nice project coming out soon. He would be a good one to watch. I quite like Weirdoe and Samuel Lox, I like their sound and what they’re doing. Also you got producers like Harlz and Spooksville. Oh and Kaotic, my favourite lyricist and brother from another mother. We’ve been through a lot together and he’s a genius when it comes to music. Slowthai and Izzy are flying the flag really hard, so props to those two – they’re doing their thing.

How’s the acupuncture going?
It’s going great. I’m a fully qualified acupuncturist. Just about to start my masters and work towards my doctorate. So hopefully once I go back to that it will be two years, and then I will be a fully qualified doctor of Oriental medicine, which I’m excited about because I love acupuncture. I’m getting great results: it helps a lot to feel like I’m able to give back. I’ve got something of substance that actually means something, and can make a difference in not only my life but the people around me. Health is wealth. Plus I’ve got loads of knowledge, loads of stuff that will serve me for my lifetime, and serve my friends and families. It’s helped with the diet. Plus it’s the way I manage my own condition. I don’t take medication. That’s where ‘357’ comes from, it’s the acupuncture formula for emotions. That’s the name of the EP coming next. Acupuncture is one of the best things I’ve ever done. I’m hoping to have a clinic in due time. That’s part of the bigger plan. Just keep going on from strength to strength. I went back to be a supervisor this year, I’m going to be a lecturer. I’ve also been esquire-ing for the Knights of Truth this last year. So I believe I will be knighted in October. It’s crazy; I think back five years ago and I was the patient going to get assessed for mental health reasons. And now I’m practically a doctor, and managing myself. I’m my own GP, and I take care of my family and all of that. I take the most pride in that, because I started it when I was in a really bad place and I struggled. At times I thought my life was going nowhere. So to go through it and come out the other side and build on it and now taking it to even higher levels is is a big thing for me. Plus I was recording the music at the same time. I’ve really applied myself in the last few years to get this stuff done, and fix up my life in all areas. I’m just grateful and thankful that I didn’t mess my life up too badly, and had the opportunity to redeem myself and right the wrongs.

What is your burning desire to do in the future? What plans do you have?
To show the world how good I am. And how the high standard of music is, the levels that I work at. I have a really good understanding of it. In all areas, not just personal stuff. Stuff I can work on with other people, the writing stuff. I definitely want to have a career and get all my projects out, and be consistent and deliver. I feel like I’ve got a lot of people waiting on my music, and asking for stuff and what not. Now I just want to get it done. Get that out, get my doctorate, get a clinic. Try and merge the music and medicine together. The EP series seemed to do well. I’m a big advocate for mental health. Just trying to do right, be a good responsible adult. An upstanding member of the community. Do my charity work for the Knight’s stuff. I would like to get to the position where I can actually do some stuff, where I’ve got money and backing. I could do stuff for other people, for the Next Generation. whether it’s music or medicine. Youth club, whatever. I just want to be able to make a difference. Give back to NN, make it cool. And just live a full life. Be a nice person. Get my music out to as many people as I can. Do some features. Try and see how far we can take it. I definitely want to be doing some live shows. I just want to get these next projects out, and start some new material. See where we are at. Then hopefully aim for a headline show. I believe I will probably be going on tour with Izzie when he does his tour. Right about now it’s just about getting the music out, the visuals out, and trying to work to the level where I can do my own headline show, and start doing something a little different because I’ve got so much music that covers a few different genres and styles. I’d like to be able to breakout an hour set into three 20 minutes. Give them some of the jump up, give them some emotive stuff, meaningful stuff. Then probably do some stuff with a band. That’s the ideal vision of my show, how to break it down. I’d also like to do a documentary series called Travelling The Orient, where I travel the Oriental cultures. Cover music, medicine, martial arts, fashion. I see it as a Vice style kind of thing. Go out there and bring a few friends, maybe Izzie and Big Narstie covering all areas. But base it around medicine and then try and build from there. I’d love to end up as a celebrity acupuncturist. Trying to get my music into a state where I’m recognised for that. And then cross it over and be like a Dr Hilary Jones type fella.

‘Stress/Basic Procedure‘ is out now via the usual digital platforms

 

 

 

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slowthai announces £5 UK tour, including Brixton Academy, pre-sale on now

Northampton man of the moment, slowthai, has announced five UK tour dates for autumn 2019, the pre-sale cost of which is just £5. The Nothing Great About Britain man played…

Northampton man of the moment, slowthai, has announced five UK tour dates for autumn 2019, the pre-sale cost of which is just £5.

The Nothing Great About Britain man played a low-key Northampton show last Friday at The Garibaldi Hotel to a packed and steamy room,  celebrating his debut album coming out. This “BET YA A £5ER” tour on the other hand is much grander. The dates are

SUN 13 OCT: Newcastle University Students Union, Newcastle
MON 14 OCT: SWG3 Studio Warehouse, Glasgow
WED 16 OCT: Manchester Academy 1, Manchester
THU 17 OCT: O2 Academy Bristol, Bristol
FRI 18 OCT: O2 Academy Brixton, London

£5 pre-sale tickets are here, and until Friday 9am. Good luck!

Cover image by David Jackson.

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Album review: slowthai ‘Nothing Great About Britain’

slowthai Nothing Great About Britain [Method Music/True Panther Sounds] What do you say about slowthai now he’s gone international? He might have ‘NN’ tattooed on a finger, but more importantly…

slowthai
Nothing Great About Britain
[Method Music/True Panther Sounds]

What do you say about slowthai now he’s gone international? He might have ‘NN’ tattooed on a finger, but more importantly it’s splat across every part of his debut album. The self-confessed former drug dealer knew he had to change his world, and music was his salvation. The boy in the corner – of Spring Boroughs, of Lings, of Abington – is now centre stage, catapulted into our ears and our hearts over the past year or so, with a slow drip feed of streaming singles that finally went nuclear once ‘Doorman’ gave him the sort of radio hit that can’t be ignored. His punky guileful sneer at “Great Britain” in this strangulated Brexit landscape is some great timing. The press all want a piece of him: his counter-culture quotes, his tattooed torso and his maniacal smile are all right for 2019.

“Nothing great about Britain/Tea ‘n’ biscuits/Mash, jellied eels and a couple little trinkets”

The opening salvo, the title track, pulls no punches. The video spoofs the mythology of Excalibur, and sees him – gloriously, ludicrously – knighting kids in King’s Heath. Mocking British things like royalty is a very slowthai trait; a great bit of hip-hop détournement to make you question what role things and people play in modern society. And those vivid, HBO-drama, minor chord synth stabs that precede the skittering beats is slowthai’s sound in a nutshell. Mostly recorded with producer Kwes Darko in East London, his Eski grime/00s UK rap style is brought up to date with his own particular delivery that continually fluctuates between mumbling and threatening. His flow often goes out of time intentionally for dramatic purpose, making you focus harder.

The Mura Masa-produced ‘Doorman’ is the one most will have already heard. It’s banging electronic punk attitude lights up a room when on full tilt, and brings to mind The Prodigy and The Streets as much as the grime scene. It’s spoken-word samples about glue-sniffers that begin and end the track is funny rather than cautionary, though his rhymes are more about the culture clash between the rarified west London world he now travels in rubbing up against his NN persona.

“I run my town/But I’m nothing like Boris/Tyron for PM”

‘Dead Leaves’ is pure bravado, a twitchy club bassline over tales of night-time hedonism being an everyday occurrence that doesn’t require a nightclub. ‘Gorgeous’ is a musically-dense number, another semi-autobiographical tale of running around as kids and getting up to the usual nonsense, and looking back with fondness. He quotes all those ShoeTown places that sound somehow elevated with his delivery: Southfields, Toby Fields, Blackthorn, Moulton, Spring Boroughs. Franky it’s all a bit surreal to know people in Mexico City or Los Angeles will be hearing these reference points.

‘Crack’ has an American low-slung gangsta rap/slow R&B feel, and it doesn’t really suit him. It doesn’t even sound like him. Let us move on. ‘Grow Up’ sees a guest spot from Birmingham rapper JayKae, and we’re back in familiar territory [well, the Midlands]. The two of them have different styles, the hyper-speed of JayKae seemingly forcing slowthai to hasten his  patter. They clearly connect in the middle; the track just burns throughout.

“I ain’t about that gang shit/I’m a lone wolf”

The second album collaboration follows immediately: Skepta brings his experience to ‘Inglorious’ with style, delivering with confidence and speaking random things like “directing movies like Gaspar”. The track weaves and ducks throughout, with Darko’s production skills deftly holding it all together. ‘Toaster’, meanwhile, is a little more folky, a clean guitar line backing another ShoeTown story of redemption.

“Walking through the blocks, I see the cracks/Dodge syringes”

‘Peace Of Mind’ has the catchiest hook on the album, and it’s a gem of a track. Hyping up the contradictions between your daily battles and the dreams you have at night, it’s a moment that shows how anxiety and stress can only be released through mindful rest and recuperation. That’s not a person on this planet that wouldn’t relate to that.

The Slaves-produced ‘Missing’ is as thick and pungent as you can imagine from them being involved, with a unsettling cacophonous chorus that elevates the track from the norm. Which brings us to the final song, ‘Northampton’s Child’. It’s the story of his childhood: the home moves, the booze madness, the death of his young brother. And most importantly – the love of his mother, that centred him and gave him hope. She has clearly given him strength to persevere, so shout out to Ma for her role in giving the world the talents of Tyron Frampton.

Nothing Great About Britain is a tour de force precisely because slowthai’s personalty is forceful, and the beats sharp enough to create a coherent whole. Where he goes from now – he can’t rap about NN life forever, you imagine – is just as fascinating as this piece of work.

But for now, in this game of thrones, we have a new prince in town; one that everyone can fight for.

Phil Moore

Nothing Great About Britain is out Friday / order now, or visit Spun Out on Gold St on Friday at 1pm for an album signing session

 

 

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Live review: slowthai

slowthai The Craufurd Arms, Milton Keynes May 7th 2019 It’s Champions League semi-final second leg night. slowthai’s second favourite team Liverpool [he’s a Cobbler, don’t you know] are already 3-0…

slowthai
The Craufurd Arms, Milton Keynes
May 7th 2019

It’s Champions League semi-final second leg night. slowthai’s second favourite team Liverpool [he’s a Cobbler, don’t you know] are already 3-0 down from the first leg. They have been belittled everywhere over the past week. And for Liverpool you could read slowthai’s hometown of Northampton in the past couple of years. The football team were relegated in 2018, amid bafflement at how they’ve managed to lose a £10.25 million loan from the Borough Council. On top of all that the County Council declared itself “effectively bankrupt”. The bottom of the pile is real gritty, as slowthai tells us.

As tonight’s show progresses our 99p rapper is getting score updates. “It’s 3 nil to us now! No way!” That wide smile creeps just a little wider. He’s fired up for this short run of small venue dates: his way of connecting with the fans he loves so dearly, on as even keel as can be had. Everyone expects him to go interstellar when his debut album Nothing Great About Britain drops, and fans will struggle to get such close-ups again.

This gig is an explosive mix of righteous anger at the state our nation, and a celebration of youth recognising one of their own flawed companions. The man born Tyron Frampton is a constantly whirling physical presence, aided by his balaclava-clad hype man [and regular producer] Kwesi Darko. Sweat levels get exponential pretty much from the off, when ‘Polaroid’s “Kodak moment/Polaroid picture/Shake it, yeah yeah yeah” refrain initiates.

Over eleven songs here his people bounce, take videos, and shout choreographed banter/faux abuse at each other. He splits the crowd, sets up mosh pits, and generally directs us with the touch of an old-style film auteur. His Freddie Mercury-esque vocal call-and-response bit is so funny even he can’t get to the end of it without falling into hysterics. Then mid-set he reveals a unnamed and unreleased collaboration with US rapper Denzel Curry, hinting at future travels beyond the album already. The two 24 year-olds reaching across the Atlantic sounded like an enticing prospect.

‘Doorman’ is blistering, natch, and once the swirling mosh settles there’s a dozen people up on stage with him. It’s his party and we can most definitely come in, it seems – and all for the price of a cone with flake.

slowthai is the 4-0 surprise victory that changes the course of history. This is another gorgeous moment to highlight him. The Shoe Army marches on.

SETLIST:
Polaroid
Drug Dealer
GTFOMF
Mayday
IDGAF
North Nights
Inglorious
T N Biscuits
Doorman
Unnamed collaboration with Denzel Curry
Gorgeous

Words by Phil Moore. Photos by David Jackson.

Nothing Great About Britain is out May 17th. Pre-order here

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New Music Friday: Anonymous

Uncompromising Northampton rapper Anonymous has started the year with a bang, releasing four singles already. The serial collaborator is looking like a major talent for 2019, so New Boots spent…

Uncompromising Northampton rapper Anonymous has started the year with a bang, releasing four singles already. The serial collaborator is looking like a major talent for 2019, so New Boots spent some time getting to know him.

How did you start this project?
I started my music journey when I was around the age of 12, so eight years ago back in school. It started of as a joke at first, until I had a few of my friends and family members telling me to take it more seriously. At the start I never had much confidence in myself and I wanted to make sure nobody knew who I was, that was how I came up with ‘Anonymous’. From there it stuck and has remained the same.

How would you describe your sound? Who are your main influences? 
I’ve tried many different types of genres so my sound can often vary. I’d say I stay firm and get my point across very well within my music. For example the track I recently released in memory of my Dad – ‘R.I.P’ – I had a story to tell and I feel like I told my story very well – and can’t wait to finish part 2!
My main influences are 100% Eminem, Ghetts and Tupac. I love their realness and how effortless they make it look.

What was the reaction like to your early work, did it spur you on?
During my early days of music I never really got much support, I had close friends and family members sharing my music on to their Facebook pages. However I wasn’t getting any feedback, but that only made me want it that bit more! If I am being 100% honest it was L30 Robinson who made me want to take my music more serious after I seen him doing his thing in and outside of school. After he told me to just follow my dreams and do what I wanted to with my career.

Who have you been collaborating with? What draws you to working with them?
I have been collaborating with artist both inside and outside of Northampton. I have tracks released with the very talented likes of Impact, Troopz, Rdot, L30 Robinson, M0ch0, Jaiidee, and King D, but I have plenty more work coming with other majorly talented artists. I can’t wait for my supporters to hear and see the things I have lined up.

Tell us about these new songs from the last month.
My first single of the year entitled ‘Believe Me’ came about after I decided I wanted to make a track to showcase my lyrical abilities and the way my brain works and some of the crazy ideas I have. For example in ‘Believe Me’ there are certain parts where I’ve thrown in vocals from well known tracks just to add that extra bit of spice. My second single of 2019 ‘Hoes’ came up rather randomly after Impact was chilling at my house and having problems with females. We went outside for a cigarette and I came up with the idea of writing a song about ‘hoes’. I went through YouTube searching for beats and as I soon as I heard the instrumental we used the hook just popped in to my head without even thinking. We knew many people could relate to the feeling of heartbreak and generally the feeling of being used, so after making the track we believed it had quite a lot of potential and decided to release it.

You’ve been performing at the Lay It Down night in Northampton, hows that going? Do you perform elsewhere?
As of yet I haven’t really performed at many places as I’m still focusing on finding who I really want to be as an artist. Since first performing at Lay It Down I have came a very long way and can easily say they’ve helped to further my career and I have gained a lot of confidence through being part of the team. However I will be more than happy to take any shows/opportunities that may come my way.

What has been your favourite Anonymous moment of the past year?
Definitely hitting 1000 views on mine and Impacts track ‘The Roads’. We had so much fun making that track and surprisingly it only took us the space of an hour to get it written and recorded with the help of producer and engineer Theo Chanetsa aka Xmorosi.

What was the last album you bought/streamed?
A Boogie’s Hoodie SZN. I love the diversity he brings to the table and every track on the album is a pure vibe!

What is your burning desire for to do for the rest of the year? What plans do you have?
I would like to further my career and reach out to channels such as Link Up TV and GRM Daily. To be honest my sole focus of 2019 is to show people more of me, more of who Liam Berry is. I want to tell my story and be heard. I will also have an EP dropping some time this year but have not yet confirmed a date.

You can subscribe to Anonymous on YouTube here

 

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