Tag: alt rock

New Music Friday: Mundays

Mundays are a new Corby-based three-piece, playing lo-fi psychedelic garage rock. Their debut EP The Best Day Of The Week, Friday has just been released. Hear it below, after reading this…

Mundays are a new Corby-based three-piece, playing lo-fi psychedelic garage rock. Their debut EP The Best Day Of The Week, Friday has just been released. Hear it below, after reading this engaging interview with singer/guitarist Beb Reed.

How did you guys get together?
Jack and I are brothers, Josh is our cousin! Me and Josh are in Drinsipa, and we were really interested in the idea of playing some softer, more “songy” songs. In late 2017 we started writing some stuff and it sounded cool so we decided to book some gigs as a two-piece. It worked, but it didn’t sound as full as we would have liked it to, especially with the happy chords and such, so we decided to look for a bass player! We like the idea of being in a band with our mates so although my little brother didn’t play bass we decided we’d try teach him, and it’s been going great so far! Jack doesn’t play a lot of music, but like us is a huge fan of listening to music, and I think being able to work with someone who has no previous experience is quite interesting as you get a fresh set of ears when you’re writing songs, especially when you’re writing songs for the sake of writing songs, and that being the main focus of the band. He listens to a song and says whether it’s good or not, as apposed to picking it apart and trying to make something “original” or “clever”.

How would you describe your sound?
We go for quite a lo-fi, fuzzy and simplistic sound, having only bass, guitar and drums. We use a lot of guitar sounds to make the songs sound more characteristic than they may sound on their own. If the songs were played on acoustic guitar, they may sound quite basic and what a lot of people might describe as “poppy”. Drench it in phasers, attack it with fuzz and throw a couple of happy sounding harmonies in there, and you get something close to Munday’s sound.

Who are your main influences?
For our actual sound we take a lot of influence from the bands in the California psych circle. Anything Ty Segal has graced with his musical genius. Wand. Meatbodies. As far as songwriting goes we take influence from whatever pops out at the time, or whatever subject we think would suit the instruments. Me and Josh are big fans of MGMT too because the lyrics are brill, so I take a lot of inspiration from them. Our first single ‘Phoan’ has been compared to Oasis which is a weird one because we had no intention of that; nonetheless, cool.

Tell us everything about the EP.
Single ‘Phoan’ is the first track we’ve released from our debut EP. We recorded the song with a couple of microphones in my dads house, and it turned out well! We’ve had a really good response so far, and were even more buzzing that Jay Russell has mixed and mastered the EP for us. The title and lyrics are quite self explanatory. It’s about waiting around by your phone for a call or text from a special someone, and no I don’t mean a girlfriend or boyfriend or anything…some people may understand what we are talking about…

What are your live shows like?
We play a lot with storytelling in our live shows, often having some weird robot voice going through the front of house, and some ambient or sometimes nightmarish pedals being played around with. We like to think of each song as a chapter or section in the set, and the voices roughly tell a story, or at least provide a basic theme for the performance. We like to improvise a lot too! We dedicate sections of songs to playing about on pedals, interacting with the audience, or more story telling! We like to try have fun with it!

Are you part of a wider scene in Northamptonshire, playing with like-minded bands? Any favourite bands/venues to play with?
As of yet we’ve only played a few local shows, but I can definitely see us being tied in with certain bands. Skirt, King Purple, Deaf Trap, Toucan are just a few names off the top of my head that we have/love playing shows with. We played The Hut recently after it being desolate for a while, that was cool.

What has been your favourite band moment of the past year?
I think we all love playing shows and putting on a performance. For me, the best part of being in the band is the planning, rehearsal and finally playing the gigs. There’s something very rewarding about preparing an actual performance instead of just playing songs in an order. When you finish playing and you’ve done a good job, it feels like you’ve put the best version of your band and yourself out there, and it’s really exciting to hear feedback and to plan the next.

What was the last album you bought/streamed?
The last album I listened to was This Town Needs Guns –
Josh: The Fall Of Troy – Manipulator
Jack: Burbank – Rose Water

What is your burning desire for the band to do in the future? What plans do you have?
Obviously the burning desire for the band would be to be in a position where this is how we could make a living or at least be able to do this the majority of the time. A particular dream for mine is to be able to tour somewhere really hot and sunny with some cool like-minded bands, somewhere like California, or Spain. Lovely weather over there… We just enjoy playing music together and hopefully one day something will come of it, but if not, this is just as rewarding.

The Best Day Of The Week, Friday is out now on Bandcamp [see below]

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New Music Friday: Drinsipa

Corby mathcore trio Drinsipa have just released a new single, ‘DOP’. Hear it below, along with an interview with singer/guitarist Beb Reed. How did you guys get together? Why the switch…

Corby mathcore trio Drinsipa have just released a new single, ‘DOP’. Hear it below, along with an interview with singer/guitarist Beb Reed.

How did you guys get together? Why the switch to a three-piece after so long as a duo?
Beb: Josh and I are cousins, and basically in 2013 he came down from up north to live here! And we didn’t really know any other musicians in the local area who wanted to do the same sort of stuff we wanted to do, and had no connection to the local music scene, but we enjoyed jamming and rehearsing, so we started a band with our mate Arran. We played a few gigs, and we were really in to it. We started to write some songs on our own aside from that band, and then we got a gig and had to think of a name, thus Drinsipa was born. We started getting a lot of gig offers quite soon which we’d never had before, and we haven’t really stopped since then. We just love playing gigs and being around the people involved in the music scene. We started writing some more complex and experimental songs mainly due to different influences from different bands we were listening to. Having recorded a full length album, we felt it was time to switch things up a bit. We recorded the Poppy Fields EP from home at our old flat in Poppy Fields in Kettering. We played some gigs with the new songs and we had a really good response, but felt we’d benefit from a bass player to fill some of the more chordy and harmonic parts of the songs from the EP. We had toyed with the idea of having our mate Myles come and play bass for us, so when we decided we were going to get a bass player, we instantly thought of Myles. We taught him the songs and he picked up on them really quickly. We started playing some more shows and writing some new stuff and here we are now.

How would you describe your sound?
We find it hard to describe our sound as we try to make the songs sound as non-traditional as possible. We play with a lot of time signatures and obscure song structures, mainly for a laugh and to keep it interesting not just to perform, but to play, or in some cases just to listen back to ourselves. I’d say dynamics are a big part of the sound, as we have a lot of different sounding sections in songs, so they can go from oober brutal to melodic clean within the space of 4 bars, or in our case every 1 and 3/4 bars [that’s a joke]. But if someone asks, I usually say mathcore because it’s the probably the biggest influence of ours.

What was the reaction like to your debut album 42, from 2016?
The reaction was fantastically amaze balls. The album launch show was especially good. We played at The Hut in Corby, and it went fuckin’ mental!!! We didn’t push the album as much as people thought we should have done, but in all honesty, we only do things as a band we think are fun, because we really don’t want it to turn in to a chore for us. We just appreciate that people loved what we were doing and bought our album. We still get comments about it today, and it’s really cool that people dig it. We were quite out of touch with social media back then too, but it’s a lot easier to do now we have an extra helping hand.

Tell us everything about the new single, ‘DOP’.
It’s titled after the practice studio in which it was written; shout out to the The Pod in Corby! It was the first song we wrote after the Poppy Fields EP. We were going for a more visceral, aggressive sound and with the added help of Myles we were able to work out some pretty interesting sounds. The track is full of fuzzy bass and crazy weird riffs and time sigs. It has a cool major-key riff that floats in and out of the track between the more aggressive section and really stupidly stupid heavy section at the end, which is always fun to play live.

Are you part of a wider scene in Northamptonshire, playing with like-minded bands? Any favourite bands/venues to play with?
We play with a lot of different kinds of bands in Northampton, too many to name all of them! We don’t let a difference in genre stop us from playing with bands so it’s just one big mates fest! Skirt, King Purple, Monarchs, Sarpa Salpa are just a few of our local favs!

What has been your favourite band moment of the past year?
We just recently played The Guildhall as part of Twinfest, that was crazy! Huuuuuge hall with huge sound, had a great time! We also flew over to Germany as part of Twinfest and played some gigs over in Marburg, which was phenomenal. Probably one of the highlights our musical lives let alone the past year! We made some great friends and connections over there and it’s cool to be part of the Twinfest family.

What is your burning desire for the band to do in the future? What plans do you have?
We don’t have too many burning desires for the band. We love playing gigs and hearing feedback about our intentionally confusing music. We know it’s not for everyone, which is part of the reason we write the music we do. I think writing and recording is a big part of why we do what we do, and we like to have a physical copy of music that we have written and recorded, there’s something quite special about that. I guess we will have to see what happens, but for now it’s just a barrel o’ laughs!

DOP is out now for ‘name your price’ here

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It’s A Shoe In: Northants gig guide Jul 25th – Jul 31st 2018

THE FERRETS + BIRD’S EYE VIEW Wednesday July 25th The King Billy, Northampton Hailing from Italy, the pop-punk band visit the UK for the first time, in support their new…

Wednesday July 25th
The King Billy, Northampton
Hailing from Italy, the pop-punk band visit the UK for the first time, in support their new album Another Planet. Bringing a European flavor to their Cali brand of pop-punk, the band ooze fun and energy. For fans of Blink 182, Sum 41 and Simple Plan. Doors 8pm, free entry

Thursday July 26 
The Guildhall, Northampton
Twinfest kicks off 2018 with a special event in the The Great Hall of The Guildhall. From Marburg witness The Flims and Hyll, from Poitiers comes Mantras, and representing ShoeTown are Sarpa Salpa, The Barratts, Drinsipa, and Keiron Farrow. Doors 7pm, £6 for a weekend wristband

Thursday July 26th
The Charles Bradlaugh, Northampton
Coulson’s What’s New? album launch show. Greg will be playing the album in it’s entirety. He will be joined by his band: Stuart Dixon on guitar, John Thompson on bass, Adam Gammage on drums and Miles Hancock and Ryan West on horns. Doors 8pm, £8 tickets

Friday July 27th
The Lamplighter, Northampton
We move onto The Lamp for day two, with party rockers Century City headlining, rap star Leo Robinson in effect, plus the three visitors again: The Flims, Hyll, and Mantras. Doors 7pm, free entry [donations requested]

Friday July 27th
UFO Pavilion, Northampton
Interesting and original folk-rockers with ukes plug new single ‘Beautiful Young Things’, plus the return of the slightly skewed lo-fi indie rockers. Music from 9pm, pay what you can entrance fee [proceeds go to the Umbrella Fair Organisation]

Friday July 27th
The King Billy, Northampton
Rushden doom sludgers headline. Dutch alternative rockers, drawing on influences from the likes of Karnivool, Audioslave, Alter Bridge, and Twelve Foot Ninja, stand in the middle. Prog metal from Stevenage opens proceedings. Music from 9pm, free entry

Friday July 27th
The Lab, Northampton
Midlands indie boys make their way back to Northampton, car crash blues-rock from Manchester, Kettering rock-pop-punk, an acoustic set from the ShoeTown pop-punkers, and opening with a sweet lyrical voice mixed with some mean ukulele playing. Doors 7pm, £3 entry

Saturday July 28th
The Pomfret Arms, Northampton
The weekend brings all the alldayers. Deaf Trap, Deep Sea Mountains, Michael Kinder, Duncan Bisatt, Kilamojo, Crybb, Kenneth J Nash, The Straw Horses, The Flims, Hyll, and Mantras play the Cotton End venue. Doors 1pm, free entry [donations requested]

Saturday July 28th
Club 43, Northampton
A new event on the Twinfest calendar; the International Jam. Hosted by local band The Barratts, the jam/ open mic session will run from 11pm – 1am, followed by DJs until the small hours! Doors 10pm, free entry for Twinfest wristband wearers, or £4 on the door

Saturday July 28th
The Lab, Northampton
The Bardic Chair hosts an evening of live music in aid of The Bardic Picnic 2018, which takes place at Becket’s Park on August 5th. Doors 8pm, donations requested

Saturday July 28th
The Black Prince, Northampton
London industrial metal quartet play alongside DJs and burlesque performers. Doors 9pm: free entry, but you need to add yourself to the event guestlist and the dress code is goth/fetish/alternative.

Saturday July 28th
The Hut, Corby
Metal, hardcore and heavy rock bands assemble in Corby at the newly reopened Hut. Doors 7pm, £5 tickets

Saturday July 28th
The White Hart, Corby
Recent single ‘Hate Me’ provided proof that indie rock is very much alive and kicking within the county in the hands of Garden. Support from psychedelic-folk quintet Oddity Island. Doors 8pm, £3 entry

Saturday July 28th
The Shire Horse, Corby
Third annual event, raising money for a local boy with cerebral palsy and epilepsy. Midday doors, donations requested

Saturday July 28th
The Horseshoe Inn, Wellingborough
Headliners from Birmingham bring their eclectic mix of indie and shoegaze, with support from fellow Brummies, who ply audiences with dirty rotten space punk. Doors 8pm, free entry

Saturday July 28th
The Three Horseshoes, Ecton
Cosmic California country-rock stylings from some powerhouse LA musicians, with several albums and soundtracks to their name. Doors 7.30pm, free entry [donations requested]

Saturday July 28th
The Hopmaster General, Rushden
Indie-folk singer-songwriter from Northampton plays Rushdens best drink stop. Live Music from 8:30pm, free entry

Sunday July 29th
The Black Prince, Northampton
The second alldayer to finish off the weekend utilises the two outside areas of the Prince. Expect to see and hear and marvel at Tom Rose And The Heathen Orchestra, Pieces, Yodaclub, The Keepers, Monarchs, King Purple, Skirt, Mio Flux & Patchy The Rockstar, The Flims, Hyll and Mantras. Doors 1pm, £5 weekend wristband

Sunday July 29th
The King Billy, Northampton
Armed with unforgettable melodies and catchy choruses, The SoapGirls energy, rawness and authenticity live has earned them a formidable reputation. Support from Cardiff pop punkers. Doors 4pm, £5 entry

Sunday July 29th
The Olde Forge Tea Room, Cranford
A couple of hours of rootsy blues, original and unique songs & stories. 2pm, £5 entry [call 01536 330014 to reserve your spot]

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Founder member of Brian Jonestown Massacre plays Northampton

A founder member of The Brian Jonestown Massacre is set to play Northampton this September. Matt Hollywood spent 16 years over two stints in BJM, being one of the guitarists…

A founder member of The Brian Jonestown Massacre is set to play Northampton this September.

Matt Hollywood spent 16 years over two stints in BJM, being one of the guitarists when the band formed in 1990. His latest project is Matt Hollywood & The Bad Feelings, which blends blues, country and psychedelia into a Lee Hazlewood/Serge Gainsbourg-style mould. Hear ‘Ghost Ghost’ below.

Matt Hollywood & The Bad Feelings play The Lab on Sunday September 2nd. Tickets are now on sale.


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New Music Friday: Loose Tooth

Northampton three-piece grunge/hardcore outfit Loose Tooth – Adam Cator [bass], Oli Knight [guitar/vocals] and Josh Miller [drums] have followed up last year’s mini LP with a new single, ‘Castles’. Watch the Joshua…

Northampton three-piece grunge/hardcore outfit Loose Tooth – Adam Cator [bass], Oli Knight [guitar/vocals] and
Josh Miller [drums] have followed up last year’s mini LP with a new single, ‘Castles’. Watch the Joshua Goff-directed video below, after reading this here interview about all the Loose things.

How/why/what/when did the project begin?
Adam: Loose Tooth began two and a half years ago. We’d all just come from bands that had drained us emotionally and needed something a little more honest and cathartic. We had started with no clear intentions, just hung out and wrote some music together. At first we were considering getting a singer but we were too tight-knit to add another member. We hope that desire for honesty comes through in the music.

How would you describe your sound?
Oli: We’re a rock band, there’s certain connotations that come with that we try to avoid when writing. We’re not trying to take the path of least resistance when writing, we push our abilities to come up with something that is hopefully interesting and different, whether that be off-kilter time signatures, chord progressions or scales. There’s a certain amount of depth invested with our writing style that we hope translates into music that interests and excites.

Who are your main influences? Musical and non-musical
Josh: I’ve got a bunch, musical influences include: And So I Watch You from Afar, Reuben, 65daysofstatic, Every Time I Die, Toe, The Cure, Father John Misty, Dillinger Escape Plan, Alkaline Trio, Interpol, Crowded House, Nine Inch Nails. Non-musical thinkers that inspire me are Henry Rollins and David Attenborough.
Oli: As a lyricist I always tried to follow the Martin Gore [Depeche Mode] school of thought, but found it to be disingenuous to myself. Since then I’ve taken to a more ‘kitchen sink’ lyrical style in the vein of Jamie Lenman, who is also a big musical influence.
Adam: My musical influences would be Story Of The Year, From First To Last, Underoath, Reuben and Every Time I Die. My non-musical inspiration would be my dad.

What’s the reaction been like to last year’s self-titled mini-album?
Josh: Really great; people are still discovering it and enjoying it. From the reactions we’ve had people seemed to enjoy the honesty. We left a lot of mistakes in and recorded it having not long written and learned the songs, so it came out quite raw I think. Nowadays with a lot of rock music having a serious level of sheen some listeners enjoyed something a bit grittier than usual.

Tell us about ‘Castles’.
Oli: ‘Castles’ is a really simple song: the chord progression churned around in my brain for a while, and that’s why most of the song is those four chords. I felt the lyrics should speak for themselves, so we took a stripped back approach and left all of the craziness for another day. It’s about the frustrations of modern working life, with external pressures to live a middle class existence, despite the fact the middle class has eroded. The ‘castles held up in the sky’ are just a mortgage, or they’re a yearly holiday, something the average low income worker may feel is out of their grasp. Not everyone wants to climb the corporate ladder – why should they be denied a more comfortable life? We recorded the track with Jay Russell again at Parlour Studios. It’s super comfortable with Jay; he understands our weirdness and he’s a complete pro. The video we shot with Joshua Goff and it was done at at our Josh’s work yard where we rehearse weekly. We built the set and Joshua lit it wonderfully.

Is your record label – Undead Collective – and its roster a tight-knit community?
Adam: Undead Collective is a great group of people, we’re in contact most days and their support and advice beyond the remit of label responsibilities has been amazing. Currently there’s only three bands on the roster. We’re yet to meet the newest additions Seasonal, but we’ve chatted online and they’re great guys.

Would you consider your local scene something to be proud of? On the flipside, what’s your biggest frustration with it all?
Oli: Northampton is rich with talented musicians, the scene is definitely one to be proud of. Northampton can be grey and that can be oppressive, but go to The Lab, The Garibaldi or The Black Prince on a Friday night and you’ve got a few hours away from the desolation. I think our frustrations are more with ourselves rather than the scene, this goes for anywhere. Inclusion to scenes is always reliant on being charismatic and outgoing. It’s something that doesn’t come naturally to us, so we try to be as personable as possible when networking but we’re quiet by nature. That doesn’t always endear yourself to people and ultimately that’s as important as putting on a killer show.

What has been your favourite band moment so far?
Oli: Probably just how many gigs we played last year. We just hired vans and shot off. It was a dream come true for me to finally feel like I was in a touring, hard-working band.
Josh: Everything about being in this band, but mainly writing and recording.
Adam: Playing a show in a rehearsal room in Wales.

What was the last album you bought/streamed?
Oli: Arc by Everything Everything
Josh: Braille by Palm Reader
Adam: Logic by Bobby Tarantino

What is your burning desire for the band to do in the future? What solid plans do you have?
Oli: Our burning desire is to one day be able to turn up anywhere in the UK and play to a guaranteed 50 or so people. That’s enough for us. Now ‘Castles’ is out we’ll be thinking about the next single, we’ve got a lot to do until then but we’re excited about the future. For now though it’s all coming up Loose Tooth.

Castles is out now via the usual platforms

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New Music Friday: Thrift Street

This week Northampton pop-punkers Thrift Street release their latest EP ‘These Kids’ on all major platforms. The EP contains ‘Nocturnal Behaviour’, ‘Quite Frankly (You’re A Prick)’, ‘Wayne’s Hurled’, ‘Classic Grayley’…

This week Northampton pop-punkers Thrift Street release their latest EP ‘These Kids’ on all major platforms. The EP contains ‘Nocturnal Behaviour’, ‘Quite Frankly (You’re A Prick)’, ‘Wayne’s Hurled’, ‘Classic Grayley’ and ‘Stay’.  New Boots spoke to guitarist/vocalist Callan for the lowdown.

How did you guys get together?
Jack and I went to school together and played in bands since we were young. On the way back from a show in Birmingham in March 2017 we were talking about how we missed playing in bands together. We joked about starting a pop-punk band because we both love it, and Jack said ‘only if we have a song called ‘Wayne’s Hurled'”. I got back that night and wrote ‘Coming Home Heroes’.

I was playing bass in another band at the time, and Harvey was the drummer. He was always wearing a Neck Deep top, so I low-key asked if he wanted to join. The three of us clicked together naturally and it feels like Thrift Street was supposed to happen. We have become the cliché we dreamed of becoming.

How would you describe your sound?
This is the hardest question to answer – we really just try to write songs that we’d want to listen to, but we listen to a lot of different music. I guess we’d say we’re edgy but relevant, emotional, and ambitious – just ya classic pop punk bois. We’re still trapped in 2003!

Who are your main influences?
We have a lot of different influences which I really hope comes across in our music. We listen to a fair amount between us, but to name a few:
Callan – Boston Manor, Gnarwolves, Seaway, Microwave, Basement
Jack – Sorority Noise, Creeper, A Day To Remember, Seaway, Modern Baseball
Harvey – Green Day, Neck Deep, The Story So Far

It sounds like the words reflect everyday battles/moments, would that be fair?
I write music about things that I feel at the time that I write them. Generally I try and write as accurately and true to what’s going on in my head as possible, which I guess means that a lot of what I write is based on everyday struggles like meeting people, relationships, drinking. Things that I hope will relate to a lot of people, and the things they go through and feel on a day-to-day basis. Just trying to connect, yo!

Tell us everything about the EP.
The EP is kind of a parody of ourselves. We know we’re a cliché, and we can’t help but embrace it. We decided to call the EP ‘These Kids’ because it’s something we said a lot to ourselves, when we saw someone doing something funny or silly (including us), we’d just kind of look at each other and say ‘These Kids’. It kinda made sense that we kept it as something personal to us! Our band is named after a street we’ve spent a lot of amazing times on, and we’re just trying to carry the sentimentality over!

The EP opens on ‘Nocturnal Behaviours’, which is about too many bad nights in a club in Northampton. The chorus in the song is basically about getting your hopes up, it’s nothing specific – just a catchy tune that’s fun to play.

‘Quite Frankly (You’re a Prick)’ is a bit more anthemic. The song is a bit heavier than ‘Nocturnal Behaviours’, and to me is a bit more meaningful. I think that it’s about wanting to spend time with someone but only for their validation, like you need them to you that everything is ok, all the time. When we wrote the song it didn’t have a name, but then someone got a message from their ex, about two months after they split, that opened with “Quite Frankly, You’re a Prick”. We found it funny. It stuck.

So earlier on we mentioned ‘Wayne’s Hurled’ was always going to be a Thrift Street song, even before we were a band. It was the second song we ever wrote – we did actually record it already but thought we could do with making it sound like the other recordings we’d done with Jon at Stalkers Studio. In all fairness, we just really love Wayne’s World – the song itself is just an emo anthem for being indecisive.

‘Classic Graley’ is our favourite of the EP – it’s a stereotypical song about being forgotten after a breakup. It features our close friend Will (Unlit Bones, Iridescence). He and Jack used to play in a band called Persona together, which we referenced just before his verse: “A different Persona today/I lost my Will to carry on, anyway”.

The song comes from Thrift Street’s most important member, Jordie Graley. She does our artwork, takes our photos, comes to all our shows and is an all round angel. Again, we started calling the song ‘Classic Graley’ as a joke – Jordie used to get annoyed whenever we’d say it to her. But we thought we’d immortalise it by naming our song ‘Classic Graley’.

The final song on the EP, ‘Stay’, is probably the most emotional. It’s about a family friend who passed a way about a year and a half ago. It was painful to experience, let alone for her to live through it, and the only way I knew how to deal with it was write a song. It’s one of my favourites to perform live.

What are your live shows like? Who are your favourite bands to play with?
Our live shows tend to be really energetic. We’re only a three-piece, but we don’t let that stop us. I like to have a laugh, joke about a bit with Harvey, and Jack just runs around and starts mosh pits. We really get into it – we love performing and I think it shows. The live community is amazing in Northampton. We are part of a larger network and everyone is amazing. We’ve played with so many amazing bands it’s unfair to pick just a few! Some honourable mentions are Tigerstyle, Safest Spaces, Iridescence, Wishing Wolf, and (though not quite Northampton) Sharkbait and Last Hounds. We’d really love to play a show with Young and Reckless and Wax Lyrical Sound at some point too!

What has been your favourite band moments in the past year?
There have been a couple moments over the last year that make us proud of what we do. We’re all super close, which I guess you can expect after a year of playing shows and writing music together. What stands out to us is our first EP launch – we filled the back room of the Black Prince, which really showed us that people actually like our music. It’s surreal watching a room full of people sing the words to songs we’ve made. We also won the battle of the bands there a couple of months ago, which was an amazing experience, and it just makes us proud to do what we do.

Another moment that will stick with us is after a Doncaster show, we had a three hour drive home. We were all tired and started singing along to ‘Sex in the City’ by Hobo Johnson in a really growly troll voice, it’s something that still makes us laugh and just sums Thrift Street up really.

What was the last album you bought/streamed?
Callan – Either Deadweight by Wage War, or Rumours by Fleetwood Mac
Jack – x (Mwah) by Hellions is my banger at the minute. Just really enjoy it. Might have also been Hobo Johnson’s Peach Scones, or the Devil Wears Prada Space
Harvey – Don Broco Technology (still on a high from seeing these at The Roadmender), or What You Don’t See by The Story So Far

What is your burning desire for the band to do in the future? What plans do you have?
We want exactly what you’d expect; we want to be the next big thing! Our passion is music – we try our best to put everything we have into it. Ultimately we just want to help and inspire people to be their best self. We want people to relate with us, to sing with us and to just have a laugh with us. We want people to get in on our inside jokes and just for everyone to feel part of Thrift Street. We’d be nothing without the people who listen to us!

We haven’t got any major plans yet – we have a few gigs lined up dotted around the country. I guess the next step for us to really focus on direction and song writing, and maybe throw a little tour together. Just waiting for our big break!

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New Music Friday: Monarchs

Kettering alt-rock trio Monarchs have a new single out today, entitled ‘You Got Me’. New Boots spoke to Sam Amos [guitar/vocals] about the new song and their current adventures. Listen…

Kettering alt-rock trio Monarchs have a new single out today, entitled ‘You Got Me’. New Boots spoke to Sam Amos [guitar/vocals] about the new song and their current adventures. Listen below, and watch the Marc Collins directed video too!

How/why/when/where did you guys get together?
We came together through a mutual love of writing and performing. About two years ago was the first time we all got together in a rehearsal room in Kettering, and it bloomed from there.

How would you describe your sound?
Lyrically-focused dark sex funk n roll….think that about covers it all.

How do you write as band: together, separate? What usually comes first: words, melody, a riff?
Sometimes together, sometimes separate. Depends on the weather…Most of the time it comes from a riff first, but there’s no set equation so to speak.

Tell us about this third single, ‘You Got Me’.
Probably the song at the moment we’re proudest of, it started as riff and naturally developed from that point on. It almost feels like we’ve arrived at our sound with this one.

You are prolific giggers. Do you live for the live shows ?
Absolutely! We feel when we play the songs live they take on a new character. However we are really enjoying writing together at the moment as well. We’ve got the best of both worlds.

What’s your take on the Kettering/wider Northants music scene?
There’s a variety of bands all playing really different and unique stuff which is always positive. Most importantly everyone is very supportive of each other.

What has been your favourite band moment so far?
I think we all agree it was our headline gig at Roadmender, it felt really good putting on your own gig, picking the supports and selling it out!

What was the last album you bought/streamed?
Arctic Monkeys Tranquillity Base Hotel & Casino. I better not say anymore, we all love it but not everyone likes Marmite I suppose.

What plans do you have for the rest of the year?
We’re getting geared up to hit the road with our Corby brothers King Purple. Playing eight dates together around the county and surrounding areas, hoping to play to some new faces and make new friends along the way. Followed by more writing and relentless gigging to help promote the new single!

THE ROYAL TOUR [with King Purple] DATES:
26 Swan Revived Hotel | Newport Pagnell
27 The Marrs Bar | Worcester
2 Phoenix Bar | High Wycombe
8 The Craufurd Arms | Milton Keynes
15 Bedford Esquires | Bedford
22 The Roadmender | Northampton
23 The Cookie | Leicester
29 The White Hart | Corby

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New Music Friday: King Purple

Corby trio King Purple have just released their new single, ‘Stuck In The Rough’ b/w ‘I Know You Know’, recorded at RML Studios in Wolverhampton. Progressive indie-rock is the name of…

Corby trio King Purple have just released their new single, ‘Stuck In The Rough’ b/w ‘I Know You Know’, recorded at RML Studios in Wolverhampton. Progressive indie-rock is the name of the game here, from Callum Connachie [lead guitar and vocals], Luke Carscadden [bass], and Frazer Beattie [drums] . New Boots spoke to the band about their patch of Purple, and listen to ‘Stuck In The Rough’ below.

How/why/where/when did you guys get together?
Callum: So Frazer and I met in college back in the autumn of 2015 where we started playing Drenge covers.
Frazer: Yeah that‟s right, started as a Drenge cover band didn’t we.
Luke: I didn’t even know that up until right now.
Callum: Then at the start of 2016 we “recruited” my long-time friend Luke.
Frazer: And why are we together?
Callum: I think King Purple started on the basis of being bored.
Luke: Yeah, I agree with that.
Callum: Which led to us really gelling as musicians as we started to practice more often.
Luke: When I joined I didn’t really expect it to be taken anywhere, just thought of it as something to do, like a hobby almost.
Frazer: We all set a high ceiling for how we played individually and things just began to click.

How would you describe your sound?
Luke: It’s hard to say actually, I think it has some sort attention-grabbing quality about it. When we write I don’t think we write with any particular sound in mind.
Frazer: There’s never really an aim behind what we’re trying to write.
Callum: We all draw from our own influences which brings so many aspects of different music together since our own music tastes can be so different from one another.
Luke: It’s hard to say where it would sit on the scale for me.
Callum: People that have heard us or seen us live have compared it to things from 90s grunge or said there were influences of 70s funk and/or psychedelia.

Tell us about ‘Stuck In The Rough’/’I Know, You Know’. It’s a progressive indie sound. Early Verve, Soundgarden, The Music, King Gizzard And The Lizard Wizard all come to mind.
Frazer: I think with ‘Stuck In The Rough’ we went for a more ‘serious’ approach, so to speak.
Callum: It’s definitely a song we consider progressive in terms of where we are with the band. It does carry elements of indie, definitely.
Frazer: Yeah, we wanted to record it to show the development of us as a band.
Luke: You said immediately after we finished the basis of the song that it was the one. I didn’t want to record it to start with.
Callum: We’d only finished it maybe a week before we recorded.
Frazer: It was a risk to be honest, the song wasn’t as finished as we would normally like.
Luke: That’s why I was against recording it initially.
Frazer: Then with ‘I Know, You Know’ it’s a song that’s done the rounds, an old classic if you’re a King Purple fan.
Luke: It was the first song we’d written after recording our first set of songs, kind of like a bridging track for development with our sound I guess.
Frazer: There’s a bit of ‘old’ and a bit of the ‘new’ in there.
Callum: Definitely fits a B-side title, I think it needs to be paired with something at least with a release.
Frazer: Sound-wise it switches between quite dark sections with more major sections in between with a euphoric ending to close it out.

What are your live shows like? Do you stretch things out on stage, or go where the mood takes you?
Luke: I think it’s a bit of both honestly.
Callum: Yeah we definitely plan our sets with an outline of what we want to play but on the other side of things you get so into it that you kind of adapt to the gig and “go where the mood takes us”. And we always try to make it as enjoyable as possible.
Frazer: Recently we have been throwing songs in that we might not have practised in a while or intended to play at any particular gig, but if it fits the mood then yeah we always try to adjust to the situation. We try to show every aspect of our sound through playing different songs and arrange them in a way that makes sense musically with what genres we’d place each song under.

What’s your take on the Corby music scene?
Luke: I think ever since we’ve been more and more involved with it I’ve started to realise how dedicated the people within it are to what they do.
Frazer: There is a lot more live music in Corby right now, with people at the gigs actively going out to see bands they might not have heard of before.
Luke: There’s always people in the White Hart regardless of who is playing.
Frazer: People are beginning to see local bands as well and take something away from gigs that makes them want to start something themselves.
Luke: It’s like hometown bands provide some sort encouragement towards those that are interested in starting something.
Frazer: I think the Corby scene is the best it’s been for a while.
Callum: It’s always been there but had a bigger focus on different types of metal music, whereas now I think there‟s more variety.
Luke: It’s just down to the context of the period of time.

What has been your favourite band moment so far?
Callum: Personally for me it was recording ‘Stuck In The Rough’ and ‘I Know, You Know’ because it was just such a constant buzz the whole time we were in the studio. Certain gigs are always going to hold their weight but there are specific things that take it over a favourite gig.
Frazer: One of my favourite moments was supporting Dream Wife at Bedford Esquires. The place was full of people we didn’t know, almost completely full, and almost every person in there enjoyed themselves. Some gigs just feel so rewarding. Not only that but the band members from the other bands were all sound people, which makes it that much better as well.
Luke: I think mines is probably the same as Frazer’s. It’s crazy to see the enjoyment in everyone’s faces, front to back.

What was the last album/artist you streamed or bought?
Callum: Natty Dread by Bob Marley, released 1974.
Frazer: Everything Was Beautiful, And Nothing Hurt by Moby.
Luke: Gil Scott Heron Pieces Of A Man.

What plans do you have for the next year?
Callum: Keep playing gigs and keep writing songs.
Luke: We try to keep what momentum you have and run with, carry it throughout everything we do to make sure everything is done to the best of our ability. I think that can be just as useful as having a long term goal because it keeps you focused and encourages a focus on what ‘the next move is’.
Frazer: Meeting new bands as well, getting to know the people you meet along the way.
Luke: Not just for the sole purpose of using the contact to get on another bill with them, but just to meeting new people itself and talking to them about their own progress with their band.
Callum: One plan for next year is to definitely try and continue touring where we can.
Luke: They don’t necessarily have to have loads of dates, but just enough to where we can play a string of shows in quick succession so people start paying attention really and turning some heads along the way.
Callum: We have a tour starting the 26th of May until the 29th of June with a total of eight dates in various towns and cities.

THE ROYAL TOUR [with Monarchs] DATES:
26 Swan Revived Hotel | Newport Pagnell
27 The Marrs Bar | Worcester
2 Phoenix Bar | High Wycombe
8 The Craufurd Arms | Milton Keynes
15 Bedford Esquires | Bedford
22 The Roadmender | Northampton
23 The Cookie | Leicester
29 The White Hart| Corby


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It’s A Shoe In: Northants gig guide May 9th – May 15th 2018

MARMOZETS + BLACK PEAKS Wednesday May 9th The Roadmender, Northampton On tour to promote their sophomore album, the Gil Norton-produced Knowing What You Know Now, this is a great chance…

Wednesday May 9th
The Roadmender, Northampton
On tour to promote their sophomore album, the Gil Norton-produced Knowing What You Know Now, this is a great chance to see the fast-rising alt-rock/post-hardcore quintet up close and personal. Stellar support too. Doors 7pm, £14 tickets

Wednesday May 9th
The King Billy Rock Bar, Northampton
Hard/classic rock original songs courtesy of Dave. Doors 8.30pm, free entry

Thursday May 10th
The Old Forge Tea Room, Cranford [Kettering]
Legendary Irish singer-songwriter Geary returns to Northamptonshire to play an intimate gig, with support from respected Northampton singer-songwriter Nash. Presented by Old Hotel Records. Doors 7.30pm, £10 tickets available from the venue

Friday May 11th
The Picturedrome, Northampton
Seven-piece jazz/funk/latin/hip-hop collective celebrate the release of their highly anticipated debut album Last Tango In Paradise. The band will be accompanied by the horn section of Jazz Colossus. Doors 8.30pm, £8 tickets

Friday May 11th
The White Hart, Corby
Haggard Cat features Tom Marsh on drums and Matt Reynolds on vocals/guitar; names you may recognise from the infamously destructive hardcore band ‘HECK’. Haggard Cat aim to convey the exact passion they are now known for in an entirely new way. Originally intended as a sideline it has now evolved into its own beast that the pair have decided to finally unleash into the world. Their new album Challenger is available now. Support bands are the best around, so just go and have it large. Doors 8pm, £3 tickets

Friday May 11th
The Prince of Wales, Kettering
Four-piece metal band based in London, who play  in the style of Metallica, Alter Bridge, Iced Earth, Pantera and Slayer. The band released their debut album Slaves to Sin in 2016. Doors 8pm, free entry

Friday May 11th
The Lab, Northampton
Newish, festival-vibe indie pop with influences from folk and blues, fronted by Carly Loasby. Support from Peter Hudon’s alt-folk persona. Doors 8pm, free entry

Saturday May 12th
The White Hart, Corby
Jagged Oldham indie rockers and former Columbia records employees Twisted Wheel are on the comeback trail, selling out smallish venues up and down country. A live show to behold beckons. Support from Leicester indie quartet and Corby’s quirky indie-punkers. Doors 7.30pm, £8 tickets

Tuesday May 15th
The Lamplighter [upstairs], Northampton
Local psych-folk troupe with the big experience return to the Lamp, and this time invite former Bedfordshire native Jack Sharp of them Wolf People to join in. Musical alchemy a real possibility. Doors 8.30pm, £6 on the door





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New Music Friday: Kilamojo

Northampton trio Kilamojo have a new single out, their first official release, entitled ‘Tock Tick’. New Boots spoke to frontman Alex Lillyman about the development to this point. How long…

Northampton trio Kilamojo have a new single out, their first official release, entitled ‘Tock Tick’. New Boots spoke to frontman Alex Lillyman about the development to this point.

How long has Kilamojo been together now? You’re long-term mates, right?
Kilamojo has been going for around 3 to 4 years. We spent a long time just playing together and making music. We didn’t bother with social media or even telling anyone what we were doing for the first couple of years. We were all just buzzing off of the ideas and tunes that, for whatever reason, seemed to be coming together really easily. We’ve all known each other since we were kids. Drummer Phil and I played in our very first band together as teenagers with the exact same lineup! We were 13/14. Funnily enough the main riff in our tune ‘The Reinvention Of The Wolf’ came into existence then and hasn’t changed one bit since. My first meeting with Dio (Dom), our bassist, was when we were probably even younger; 11 or 12 maybe. I used to knock about with his older brother and went round to his house one afternoon and ended up mistakenly shooting Dio in the face with a BB gun!

And what bought you together, musically?
Our shared love of the same bands really; Zeppelin, The Stones, The Police, The Who, James Brown, The Beatles, Chuck Berry, Motorhead, Flying Lotus, The Mars Volta, The Clash & Amanda Houston! The first incarnation of the band died when me and Phil left school and went our separate ways, and we didn’t end up getting back together again until around ten years later. I went off and did god knows how many jobs and got heavily into techno music, and Phil went to uni. About a decade passed since I saw them both again properly. Dio was sat around a mutual friend of ours noodling around playing Black Sabbath riffs on the bass. At that time I’d written some riffs and had a lot of song ideas, however no one to play them with. So I thought I’d ask Dio if he fancied getting together to see if we could make something of them. Shortly after that we needed a drummer and I thought I’d give Phil a buzz. He didn’t even ask for demos to listen to – he was immediately in. The next time I saw Phil was back in the exact same place I’d seen him last when we were 15 or so, in my Mum & Dads loft, where for some reason they allowed us to do our first few rehearsals. From there on in we became Kilamojo.

Tell us about ‘Tock Tick’.
We recorded it all in one day and all live. There are very few overdubs etc in there; in fact from memory I think there are two guitar ones which is laughable when you consider its pushing nine minutes. Its an incredibly simple song at its core: intro, verse, pre-chorus and chorus. We just chose to put a fucking ridiculous psychedelic section in the middle because it feels great and why not. We would describe ‘Tock Tick’ as an eight-minute odyssey that has no real intention, other than to take you somewhere. Think Sly & The Family Stone grooves, Sabbath-esque darkness, Sgt Pepper psychedelia – with a healthy dose of melody thrown in for good measure. The video is basically just us in our favourite place (our rehearsal space) playing the arse off of the thing.

You have quite an elaborate stage set-up, what ‘s the deal with that?
We get this a lot whenever we gig. It always seems to blow peoples minds how much shit we have when we turn up to gigs. We have a stage set-up for four people; however there’s only three of us. I cover the keys as well as guitar and vocals so I essentially cover two peoples worth of kit when we play live. I was lucky enough to get my hands on an old 1968 Vox Jaguar organ a few years back and had it shipped all the way from Detroit. The thing was an absolute wreck when I first received it. So much so that the first time I turned it on it blew the electrics in my house, and I had to get my brother, who luckily is a sparky, round to fix my house. My girlfriend was not pleased. Even though most people would be terrified for it to leave the house I thought it’d be great to write a tune especially for it so I could use it live and incorporate it into the live set up. So I did and creatively called it ‘Organ Song’….I’m sure it’ll have a proper name one day!

We’re very old fashioned in how we approach things. With regards to actual kit all of us use minimal pedals etc. and try to get the most out of our gear for each song. We do this by EQing with amps and tone-switches on guitars. Every song we seem to play is very different to the next, so constant tinkering is required live. Also, for us, the lack of effects forces us to write riffs/songs based on their melody and groove as apposed to the actual tone etc. If a riff sounds shit on an acoustic then chances are its a shit riff, however, if it sounds great on an acoustic then its gonna sound great on any guitar. The same applies to the bass in that sense. Me and Dio try to write counter melodies/riffs to one another as apposed to just bass lines that help push the rhythm. That way because there’s only three of us it adds so much more to the overall sound of Kilamojo.

You played with Band Of Skulls last year, how was that?
That was a pretty amazing experience, purely because of the fact that they personally chose us to play with them based on a self (and shoddily) produced demo EP that they heard. The actual gig itself was amazing and the guys in the band were lovely folks. The drummer they had with them at the time (Julian Dorio) has played with Josh Homme, The Whigs and Eagles Of Death Metal so that was an extra cherry on the cake. He was coincidentally the drummer with The Eagles Of Death Metal at The Bataclan when the terrorist attacks occurred. The gig overall was an amazing experience.

Last album you bought/streamed?
Alex: Hiatus Kaiyote Choose Your Weapon. Its got a song called ‘Shaolin Monk Mother Funk’ on it: whats not to like.
Dio: Beck, Bogert and Appice Beck, Bogert and Appice
Phil: Vulfpeck Mr Finish Line

What’s next for the band?
Hopefully more gigs, we just want to play live. Once ‘Tock Tick’ is out there we want to get back in the studio asap to record a follow-up, and just keep making the music we love. Our next hometown show is supporting Mellor at The Black Prince on Saturday June 16th.

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