Tag: nailbreaker

New Music Friday: Ellision

Rushden chillwave man Henry Dymott aka Ellision has been building a name of himself over the past year, including roping in fellow NN stars Nailbreaker and Mio Flux to remix…

Rushden chillwave man Henry Dymott aka Ellision has been building a name of himself over the past year, including roping in fellow NN stars Nailbreaker and Mio Flux to remix recent single ‘No Smoking’. New Boots loves a fresh sound, so had to dig a little deeper. Cue this interview…

How did you start this project?
I would say that Ellision has had two different beginnings. Near the end of 2016 I had just started to get into more production, when I started collaborating with experimental guitarist and producer Curtis Jeffs on a track. Couple tracks later we released The Etherial EP under the name Ellision. When I moved away to uni in Guildford and started getting DJ slots at clubs and venues I started using Ellision as a stage name, and it just kind of stuck. Ellision became a solo project just after that first initial release, and since then I think I’ve found my sound and image. I’m a finger-drumming singer and producer. When I press buttons and it’s all live triggered in the moment – no playback – I like the reaction it gets. A lot could go wrong but that’s part of the fun of it.
I’ve released three singles so far: ‘No Smoking’, ‘The Hard Way’ and ‘Wreck Me’, with a lot of stuff crammed in-between. A beat tape, a few collaborations, live shows and a visual project. I’m planning on focusing solely on releasing music this year, and hopefully bringing out a project by the end of the year.

How would you describe your sound? Who are your main influences do you feel?
Genre flippant? A mix of chillwave, hip-hop, pop and lo-fi elements. My sound changes depending on who or what I’m working with , but it always has a particular vibe to it. My main influences at the moment are probably FKJ, Justin Vernon, Flume and Jeremy Zucker.

Tel us about new single ‘No Smoking’?
The name of the track comes from the “Coffee” sample at the start of the track. I sampled it from the 1980 movie Airplane! There’s a scene in the film where Ted Striker asks for a ticket, “Smoking or Non-Smoking”, “Smoking”. The track is about two people just starting to connect on an intimate level. It’s a “not quite in love yet” song, but who knows we might end up there.
I met AyiTe at a show where he was performing as part of Soul Purpose with O J. Hodding, and I ended up DJing for their set. I thought he was sick, so we met up for a session and worked on a track called ‘The Hard Way’ [my previous release], and I played him this track that I had recorded with Molly Nicholson and he said something along the lines of “Let me write something on this”. That’s how ‘No Smoking’ was made.

You’ve got four people remixing it, how did you choose them?
I had to get my partner in crime LUPUS on it. We’ve been doing music bits together for a while, playing festivals and shows together all around the place. We even made it out to Barcelona playing music. His ‘Autopilot Disengaged Remix’ is H U G E. Nailbreaker and Mio Flux, another two Northamptonshire-related artists, came up with two completely different remixes for the release. Nailbreaker’s remix is a heavy, glitchy track which fits the “plane crash” concept I decided on for this release. Mio’s track is a darker sounding remix; we’ve been looking for an excuse to collaborate for a while now. Dan J. Wilcox decided to just flip the script and make a spacey future bass track, having fun with AyiTe’s flow and Molly’s vocal. It was sick to have these guys work on this release, and I’m looking forward to seeing people’s reactions!

Have you played live with the current sound? Any plans to?
Yeah, I’ve had quite a lot of shows, especially last year. My Live setup is always changing but always centres around my MIDI Fighter 64 or 3D and Ableton Live. I like to have a lot of guests come up during my live sets, feature rappers, singers and even producers sometimes. I try to have a continuous stream of music throughout a set, I think that’s the DJ in me, I don’t like talking while I play I just want to play music and have a blend from track to track.
I recently played at an underground show in London at an event called Tasteneon where they live stream the whole thing in VHS somehow? Was definitely my favourite show I’ve played in a while cause the vibe was so high and the place was packed out!

Are you part of a wider scene in Northamptonshire? Any acts you wanna give a shout out to?
I’m fresh back to the Northampton scene after being away for a bit, but I’m ready to get some live sets booked and work with more artists around here. Shout outs to Krankhead [Mio Flux and Patchy The Rockstar] and Nailbreaker.

What has been your favourite Ellision moment of the past year?
Probably shooting the series of videos leading up to ‘The Hard Way’ release, particularly the shoot I had to sort at a butchers. Was a good time and the result looked sick and finished the story off as intended. Also the fact ‘No Smoking’ got a spin on BBC Radio 1xtra was a highlight for me!

What was the last album you bought/streamed?
Last album I streamed was Hi This Is Flume by Flume. But the last album I actually bought was a copy of Uh-Oh! by Tennyson, from their show in Hoxton.

What is your burning desire to do in the future? What plans do you have?
I’m planning my next single release for this year. Hoping to get some more shows in and try get a video made for ‘No Smoking’. If anyone has a plane, hit me up!

No Smoking [The Remixes] is out now on the usual digital and streaming platforms. Watch the original version on YouTube below

 

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New Music Friday: Nailbreaker

Digital hardcore artist George Hammond aka Nailbreaker has set the cat amongst the pigeons a little with his early recordings and performances. The Acolytes singer has just released his first…

Digital hardcore artist George Hammond aka Nailbreaker has set the cat amongst the pigeons a little with his early recordings and performances. The Acolytes singer has just released his first EP, entitled Spectrum Songs. New Boots locked him in a basement for a thorough interrogation.

How did you start this project?
I started playing around with the idea of doing something more electronic-centric around August-September 2018, in the downtime of my other band Acolytes not really doing anything. I don’t think there was anything particular in my listening habits that inspired me to start this project. I had just come out of a really difficult period in my personal life, I didn’t have anything interesting to say in Acolytes, I just wanted to make something different and unique and not look back. I put out my first single, ‘Shawn Michaels Circa 1999’, and the reaction was way more positive than I was expecting, so I just kept moving.

How would you describe your sound? Who are your main influences?
Generally I find it difficult citing main influences for my music; I have a pretty broad taste in music and film so I pick up lots of different things from different places. I think my music fits most accurately under subgenres like digital hardcore or cyberpunk, so I reckon there’s some inherent influence from bands in those styles; bands like Atari Teenage Riot, Death Grips, Machine Girl, Deli Girls, etc. It’s the energy and ethos of hardcore punk put through a filter of industrial, harsh noise, breakcore, power electronics, maybe some rap. I don’t know, it’s very impulsive.

What has the reaction been like to your singles so far? Great to see BBC Introducing behind ‘Friday Aesthetics’.
Yeah it was well weird seeing BBC Introducing be so positive about it. In a good way obviously, it just wasn’t something I expected. I’m really grateful for all the support I’ve received so far from everyone; sometimes I have a hard time viewing my music in a context outside of ‘me dicking around and maybe some people might like it’. So seeing people say all this positive stuff, and seeing how many people have reacted well, has been really reassuring. Had a dude in America send me some anime fan art, which was wild for a project where I mostly work on my phone. But it’s shit like that that’s so cool about doing this project; that people feel inspired to create after hearing this stuff. That’s why I’ve also been really grateful for receiving requests for collabs and remixes and stuff. If I want people to take away one thing from my music, it’s to create their own art and creatively push themselves as much as possible.

Tell us everything about this ‘Spectrum Songs’ EP
I recorded, mixed, and mastered the EP in my house over an eleven day period. I didn’t leave the house, drink, smoke, use social media, or listen to other music until it was finished. As much as those things can help fuel creativity, I thought it was important [especially with a self-imposed deadline] to not put any kind of filter on my ideas so I could be as artistically raw as possible. That probably sounds bare pretentious, but it worked for me.
I wanted to make sure that every song on the EP had its own distinct sound and style, without sounding out of place in the context of an overall piece. When I put out ‘Friday Aesthetics’ as a single, I didn’t want people to take it as a teaser track because [other than being aggressive and noisey] none of the other tracks sound like that. Lyrically I didn’t want to be as message-orientated as I am in Acolytes; I think there are a lot of social and personal things that aren’t addressed in that band that I wanted to address here. On the EP I wrote about internet culture, sexuality, personal issues I face, whatever else. The lyrics are available to read on my Bandcamp page. I’d encourage anyone interested to read them themselves and come away with their own interpretation.

What are your live shows like?
I don’t really put a lot of thought into gigs in terms of things like, I don’t know, particular movements or whatever, I don’t want it be choreographed. I see bands do that kind of thing and it completely takes me out of it. The only thing I think I stay aware of is interacting with other people. I try to talk as little as possible during my sets, so making people feel personally involved in what’s going on is important to me, so physically I’m always as upfront and confrontational with the people there as possible. Other than that I like to climb and jump off of stuff. I bleed quite a lot during my shows. I normally have a drummer playing along live as well, either Marcus [from Acolytes] or Dan [from La Folivora]. I don’t know. Every single set I play is different so describing them is difficult; if anyone wants a better idea of what my shows are like then they should come join the party themselves.

Tell us a bit more about the NN10 Noise Club? Is Acolytes likely to come back at some point?
I’ve been asked the Acolytes question a lot recently and I’ve not really been able to give a proper answer. Right now none of us really have any desire to do anything Acolytes related. That doesn’t mean we’re not gonna play more shows or release more music at some point, but right now we’re all more interested in doing other things. Bewlay’s releasing music under the name Dylon Dean, Marcus has just started releasing his own solo material, Tom is playing bass in his brother band, Dan Pigeon.
NN10 Noise Club was an inside joke that got out of hand. Now it’s a collective of Rushden-based musicians. We use that name to put on shows, as a label name for releases, to shitpost on social media. We’ll figure out what it is eventually.

What has been your favourite Nailbreaker moment so far?
My second ever gig was a highlight. It was a house show in Bournemouth and was probably the most intimate space I’ve ever played in [the address of the house is also the title of the closing track on ‘Spectrum Songs’]. I also played a show at The Library in Oxford last month which was probably one of my favourite shows ever. Honestly I don’t reflect on things a lot, I just keep moving. I think I probably should reflect on things more often but it’s always more important to me to think about the present and the future. Maybe I’d call myself a futurist if I wasn’t so pessimistic.

What was the last album you bought/streamed?
The last album I bought was a cassette copy of Veteran by JPEGMAFIA, it’s my favourite album from 2018 and I’d been meaning to get a physical copy of it for a while. The last album I streamed was We Choose Pretty Names by Kermes, another one of my favourites from last year. Can’t recommend either of those albums enough. I think Kermes have some new material on the way from what I can tell, so keep an eye out for that.

What is your burning desire for Nailbreaker to do in the future? What plans do you have?
Play as many shows as I possibly can, I wanna bleed in as many venues and houses as possible before the year’s up [so if you’re reading this and you put on shows, contact me via social media. I would call that a shameless plug but this is an interview about my EP anyway, so fuck it]. Other than that, I’m recording new music but it’s not gonna be out for a while. I might be involved with another project this year, but I can’t talk about it yet. I’ll probably keep posting stuff on Acolytes’ Instagram account without having any plans to play or record music. Maybe there’ll be some collabs in the works, who knows.
All I’ll say is keeping watching. I said it was impulsive music and I wasn’t lying.

Spectrum Songs is out now on BandCamp and the usual digital platforms. Feature photo by David Jackson

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Photos: Nailbreaker, Worry, Ex-Pets at The Garibaldi, Northampton

Nailbreaker celebrated the release of his debut EP ‘Spectrum Songs’ at The Garibaldi Hotel in Northampton last night.  New Boots were in attendance at the venue’s recently converted basement for…

Nailbreaker celebrated the release of his debut EP ‘Spectrum Songs’ at The Garibaldi Hotel in Northampton last night. 

New Boots were in attendance at the venue’s recently converted basement for the show which saw the Rushden-based purveyor of digital hardcore joined by Worry, Ex-Pets and fellow NN10 Noise Club scene man Dylon Dean [apologies to Dylon for not getting there in time to get some photos; his performance was excellent though, as were all the acts].

Here’s a few photos from the night courtesy of @davidtjackson

Check back with New Boots for an interview with Nailbreaker on April 5th

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