Tag: northamptonshire

UoN launches record label; Beth Munroe first release

The University of Northampton have set up an in-house record label, WMTH Records (We Make Things Happen), announcing local artist Beth Munroe as their first project. The label, operated by academic…

The University of Northampton have set up an in-house record label, WMTH Records (We Make Things Happen), announcing local artist Beth Munroe as their first project.

The label, operated by academic Roy Wallace in partnership with the University, begins it’s activities by releasing a four-track EP from Munroe entitled ‘The Euphoria of Losing Everything’ on the April 26th at 6pm, to be available via iTunes, Spotify, Soundcloud, YouTube, and Google Play. This will be accompanied by an EP launch party on May 18th at The Lab [Charles St, Northampton], as part of a full UK & Ireland tour in May & June. The tour is still being booked, but dates in London, Brighton, Edinburgh, Canterbury, Isle of Wight, and more will be announced in due course. Physical copies of the EP will be available to buy at all of the shows.

Beth Munroe is a singer-songwriter working on indietronica [a mix of ambient/electronic indie rock, combining guitar music with elements of IDM/glitch music]. Her influences include CHVRCHES, Lorde, Muse, Bastille, and London Grammar. “I’m so excited to be working with WMTH Records, it’s like a dream come true after so much struggle”, says Munroe. “Roy Wallace is incredibly skilled and knowledgeable, as a musician himself he has that clear passion and understanding that’s just priceless. The production team in the studio have done an amazing job in making the EP sound exactly like I hoped it would, and my marketing manager Nicole Drury has looked after everything so perfectly”.

“It is a pleasure working with Beth as she is a truly unique artist”, says Drury. “Her powerful vocals and personal lyrical themes make for very catchy, relatable songs. The process we’ve gone through to get the music to where it is now has been challenging but definitely worth it and I can’t wait to share it with others. Beth should be very proud”.

The video below for ‘Masochist’ was directed by Jon Hogg in collaboration with UonTV students.

http://www.wmth.tv/record-label
BethMunroeMusic.co.uk

Update: also confirmed for release on April 26th is ‘Long Way from Home’ by Ellie McCann and ‘Surgery#2’ by The Doctor.

 

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New Music Friday: Keiron Farrow

Northampton singer-songwriter Keiron Farrow today releases his new EP, Roundabout Queen Eleanor. Have a listen to it below.  New Boots speaks to him about the journey to here. What did…

Northampton singer-songwriter Keiron Farrow today releases his new EP, Roundabout Queen Eleanor. Have a listen to it below.  New Boots speaks to him about the journey to here.

What did you grow up listening to?
Well, my folks were really into soul and also ska and reggae. My dad was a collector, so mainly their records; lots of Stevie Wonder, Jr Walker – The Temptations were an astonishing group to me. I was also a massive Glen Miller fan and I loved The Beach Boys. I was heavily into James Brown at 14, but it was my aunt lending me Sgt. Pepper when I was 16 that really opened up the world of music making for me.

Give us a bit of background to your musical adventures that led you to now…
I started playing guitar two months before I turned 17, so quite late. But then I played pretty much every day for the next two years – even taking my guitar to work. I got a lot of stick from my mates and whatnot, who where mainly into rave music; whilst I was devouring everything I could get hold of in Daventry Library: from Robert Johnson and Muddy Waters, to Led Zeppelin, Bert Jansch and Bob Dylan. Then I played in local bands, started writing my own songs and kinda meandered along. I’d become quite jaded with playing in a band, trying to ‘make it.’ I’d started getting very serious about acoustic guitar after becoming obsessed with Nick Drake. I figured that playing solo would be the best way forward for me. I managed to establish myself fairly well in Northampton in the noughties as ‘The Bugs’ and played some great gigs, did some radio. Then other things – children, poetry, work – started to pull me in other directions. I got the urge again once my lad started school. I started a band, played some gigs, got frustrated with having to organise everything and everyone and decided to go out on my own again, so I guess I’ve come full circle.

This Brit folk/folk baroque style of music has fallen from favour, but it’s hard to imagine why. What led you to it?
Honestly, I don’t know what’s ‘trending’, as the kids might say! So whilst there are certainly influences I just sit down with my guitar as much as possible and enjoy doing whatever I want musically. To paraphrase Charles Mingus ‘Its the place I’m most free’. My style is basically me not being good enough to play or sing like the musicians I admire!

What’s the most personal song of the collection? Danny is about your boy, yes…? And the famous Eleanor Cross statue in town inspired you too?
I would say they all are really. I was going through a lot when they were written: ‘Danny’ is about my son and I dealing with being apart from each other after his mum and I separated. ‘What Lurks’ – mental illness. ‘No Harm’ about the trials of a 20th Century bloke trying to connect in the social media age. ‘The Quickening’ – falling in love again and being real. The title track, ‘Roundabout Queen Eleanor’, was really just a guitar motif that I nicked from Bert Jansch and developed. I used to live near the Cross and being a Northampton native wanted to tie in some way with the landscape. I think its a travesty that Northampton’s historical and cultural impact has been neglected so badly since, in many ways, the English Civil War.

How was playing at the Marburg edition of Twinfest?
It was magical – the town scenery itself is straight out of a fairy tale – apt as ‘The Bothers Grimm’ were denizens. I met so many fascinating, talented, warm-hearted people. There was definitely a vibe that permeated the whole week – love and friendship basically, and the crowds and venues were so supportive – no studied cool whatsoever. I still feel very humbled that I was considered worthy of a place on the bill. The only drawback was not being able to see some of the other artists I wanted to, because I was already on stage somewhere else! Having said that, seeing Sarpa Salpa play to 1500 people at KFZ was brilliant. Like an old-school Roadmender gig!

Do you enjoy playing live? What’s your take on the Northants singer-songwriter scene?
I love nothing more than playing live. This EP was recorded live in my dining room, all first takes; Ben Jennings did his bass afterwards as he was really buzzing to add some lines. The majority of music I listen to was recorded with all the players together on the floor going for it – Blue Note Jazz, for example. I just want to play live as much as possible. In terms of the Northants scene, there are some ridiculously talented people. I love what Charlotte Carpenter is doing. Only last week, I saw a guy – Blood Moon at The Garibaldi. Corrine Lucy – she’s such a beautiful singer, a great writer and a lovely down to earth human being. Her drive to create music is on a par with William Blake’s illuminated works and epic poetry. What Northants seems to lack are venues which are receptive to what I would call the ‘roots’ side of things: folk, jazz, blues and singer-songwriters. Despite being able to spin 360 and fall into a coffee shop in Northampton we do not have a ‘coffee shop culture’, where traditionally players of our ilk congregate.

Tell us your upcoming gigs. What you up to for the rest of 2018?
I’m doing a turn as part of a triple header called ‘Music in Rugby’ tonight [March 30th], which will be ace. Then the Harmonics Collective night in Corby on April 27th , followed by Vintage Retreat’s third Vegan Festival on April 28th. As for the rest of 2018, I’d like to build on what I’ve achieved over the last year and hopefully connect with more listeners. I’d like to put on gigs locally and bring together more solo performers – see where that goes.

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Gig report: Century City + Pieces + GoGo Loco

CENTURY CITY + PIECES + GOGO LOCO The Garibaldi Hotel, Northampton March 24th 2018 Since the turn of the year The Garibaldi Hotel, yer proverbial diamond in the rough in…

CENTURY CITY + PIECES + GOGO LOCO
The Garibaldi Hotel, Northampton
March 24th 2018

Since the turn of the year The Garibaldi Hotel, yer proverbial diamond in the rough in the back streets of The Mounts, has been under new management, and what a difference it’s making already. Tonight the turn out is exactly what it should be for decent local live draws – in short, busy.

The openers are playing their debut show tonight. Not that you could obviously tell, as GoGo Loco merge seamlessly on from their former The Mobbs guise. Joe and Cheadle might be a man down, but the songs are still primitive and strong. The primary influence now is clearly Bo Diddley, as demonstrated by them covering ‘You Can’t Judge A Book By Looking At It’s Cover’ in a short but deadly set. From now on bring your dancing shoes to the shows, you’ll need them.

Pieces are a new trio formed from the ashes of An Army Of Lights. This, just their third show, is hard and entertaining. The indie disco rhythms are very much the legacy of the noughties, but their tough edge and excellent interplay gives the whole enterprise a strong coherent whole. No idea what the songs are called as they haven’t put anything online yet, but Pieces are definitely a band you would want to check out if you see them listed as playing near you.

The headliners Century City have been wowing ShoeTown since they formed in 2014. A vehicle for former New Cassettes denizens Nik Gray and Tommy Francis, they are joined by Oli Knight (Loose Tooth) on guitar and Dan Battison (Ginger Snaps, and another former New Cassette) on bass. Their guilty pleasures-influenced guitar pop is the very definition of infectious, as it combines Tom Petty/Fleetwood Mac vocals with Death Cab For Cutie/Biffy Clyro drive’n’crunch.

They are the go-to party band in these lands as they give proper show and can handily write pop triumphs like ‘Cherry Red’ and ‘The Others’. As things begin to climax at this well-received outing Gray gets on the bar to fully express himself and get a closer look at those at the back. Result: smiles all round. Gods among men, Century City have the winning formula of not taking it seriously whist actually being seriously good. Long may that continue.

Words: Phil Istine. Photos: David Jackson/Phil Istine

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It’s A Shoe In: Northants gig guide Mar 28th – Apr 3rd 2018

BARBARA BLACK + OVERSEER + RUSTY G’S The King Billy, Northampton Wednesday March 28th Classic and country rock flavours from Madrid’s BB, “post-grunge” from Coventry, and alt-rock from Milton Keynes….

BARBARA BLACK + OVERSEER + RUSTY G’S
The King Billy, Northampton
Wednesday March 28th
Classic and country rock flavours from Madrid’s BB, “post-grunge” from Coventry, and alt-rock from Milton Keynes. Music from 8.30pm, free entry

STEREO SKULL + BACKROADS + REAPERX + DEAD HANDS
Friday March 30th
The Black Prince, Northampton
Stereo Skull bring from Wellingborough some funky and trance-like grooves to their cyber/death/prog metal. Backroads are a lyrically charged melodic metalcore band from Bristol. ReaperX are Corby thrash metallers , whilst Dead Hands [from Birmingham] mix mathcore and high energy riffs. Doors 7pm, £5 entry

SKIRT + LUNA ROSA + DRINSIPA
Friday March 30th
The Everard Arms, Corby
EP launch show for local indie punks who New Boots interviewed last week . A double dose of quality ShoeCounty rabble rousers in support too, of course. Doors 8pm, free entry

BUSHPIGS + THE KEEPERS
Friday March 30th
The Garibaldi Hotel, Northampton
Trio Bushpigs play a set of their original punk-meets-psych songs, whilst The Keepers continue to entertain with their excellent poppy new single ‘There’s No Going Back’. DJ Alex Novak too. Doors 8pm, free entry

THE TOUCH
Friday March 30th
The Shire Horse, Kettering
The pop-rockers, causing a bit of a storm round Ketrin, do the business on home turf. This one goes up to 11. Doors 8pm, free entry

THE WAX LYRICAL SOUND + LITTLE BITBOY
Friday March 30th
Bar So, Northampton
Energetic rap-rock from Northampton’s party starters, plus support from the 8-Bit chiptune dance master. Doors 8.30pm, free entry

YARDS BAR EASTER WEEKEND FESTIVAL
Saturday March 31st and Sunday April 1st
The Yards Bar and Kitchen, Kettering
The Free Collective take over Yards for a weekend of free entertainment! Bear witness to: Alex Gardiner, Yellow Blues, Skyflood, Birds Eye View, Earbones, Toucan, The Modern Age, King Purple, and Skirt on the Saturday, and  Kieran Smith, Erin Cobain, Wishing Wolf, Last Chance, The Young & Reckless, The Touch, and Home Wrecked on the Sunday. Bands 1pm-9pm both days, DJs afterwards.

AOIFE FOLEY
Saturday March 31st
The Lab, Northampton
‘This Is What Makes Us Girls Pt 2’ showcases art from locals, and the musical entertainment comes from singer-songwriter Foley, with Joshua Judd aiding and abetting on guitar. Doors from 7pm, your donation on the door goes to charity.

THE SULKS + SARPA SALPA + ODDITY ISLAND
Saturday March 31st
The White Hart, Corby
Strokes/Foals-esque Swindon quartet whose songs are so good producer Gordon Raphael (The Strokes, Ian Brown, The Libertines) produced the bands’ debut EP ‘Silence Is Only The Start’. Sarpa Salpa & Oddity Island in tow suggest this will be a BANGER. Doors 8pm, £3 tickets 

WALKWAY
Saturday March 31st
The King Billy, Northampton
Well-travelled and popular classic rock combo from East Anglia, playing songs from their 2017 third album WWIII. Doors 9pm, free entry

INTERROBANG? + EASTFIELD + WRECKAGE
Saturday March 31st
The Horseshoe Inn, Wellingborough
Headliners – angry motorik loop-driven post-punk from Leeds/Brighton who are touring their new album – feature ex-Chumbawamba member Dunstan. With support from fare-dodging types. Doors 8pm, £5 on entrance

JONNY & THE MENTAL BREAKDOWNS + CRASH INDUCTION + THE MILK SNATCHERS + WAH WAH CLUB
Saturday March 31st
The Red Lion, Raunds
Enjoy a punk bank holiday with a quartet of bands from MK and Wellingborough. Doors 7.30pm, free entry

FRACTURE + FUELED HATE + WAH WAH CLUB + THE CRIMSON BRIGADE + DESTINOVA
Sunday April 1st
The King Billy, Northampton
Easter Sunday alldayer of metal and hard rock [with an acoustic opening section], with acts from the county and beyond. Doors 2pm, free Entry

JONO & THE UKE DEALERS
Monday April 2nd
The Horseshoe, Wellingborough
Finally another Welly show to complete the week from Norfamtun’s favourite uke-wielding quartet. Doors 7pm, free entry

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Miles Kane to play The Roadmender

Wirral-born singer-songwriter Miles Kane has announced a return date at Northampton’s Roadmender. Kane the solo artist has been quiet recently as he shifted his attention to The Last Shadow Puppets,…

Wirral-born singer-songwriter Miles Kane has announced a return date at Northampton’s Roadmender.

Kane the solo artist has been quiet recently as he shifted his attention to The Last Shadow Puppets, his band with Alex Turner of Arctic Monkeys, for their 2016 album release Everything You’ve Come to Expect. His last album was 2013’s Don’t Forget Who You Are, the tour for which also saw him play The Roadmender.

“It’s been too long since I’ve been on stage”, Kane says. “I cannot wait to get up and perform a high energy set with a couple of new bangers thrown in! Bring it on!” Kane is currently in the studio working on a new record.

This time he appears on Friday June 1st. Tickets are £20, and will go on sale from this Thursday March 29th at 9am. Visit The Roadmender site then to purchase.

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It’s A Shoe In: Northants gig guide Mar 21st – Mar 27th 2018

HUBCAP + BROKEN STRANGERS + EARBONES Friday March 23rd The Lab, Northampton Dirty blues rock extravaganza: local hard-rocking two-piece Hubcap are joined by Colchester’s alt-rockers who travel into ShoeTown for…

HUBCAP + BROKEN STRANGERS + EARBONES
Friday March 23rd
The Lab, Northampton
Dirty blues rock extravaganza: local hard-rocking two-piece Hubcap are joined by Colchester’s alt-rockers who travel into ShoeTown for the first time. The bill is finished off with new local two-piece gritty garage punkers Earbones. Doors 7pm, £2 pay on entry

CANDIDATES + THE KEEPERS
Friday March 23rd
The Romany, Northampton
Double dose of indie rock in the renovated Kingsley pub, at the venue that hosted the first ever Northampton Bauhaus gig, fact fans. Doors 8pm, free entry

THE SEX PISSED DOLLS
Saturday March 24th
The Roadmender, Northampton
All-female, all-action rockers who since 2014 have been wowing audiences with their edgy, high octane performance of classic rock and punk mixed in with their own original material. New single ‘Maniac’ was recorded at Peter Gabriel‘s famous Real World Studios and was produced by Steve Brown [Manic Street Preachers, The Cult]. Doors 7.30pm, £13 tickets

SIMPLE HARMONIC MOTION
Saturday March 24th
St. Peter’s Church, Northampton
The Spring Boroughs church will pay witness to SHM performing their Keats-inspired proggy electronica, as heard on their debut album Tone Poems and their new album Interludes, released last October. Doors 8pm, £5 tickets

PETER & THE TEST TUBE BABIES + THE MACGREGORS + TRY SUBVERSION
Saturday March 24th
The White Hart, Corby
80s punk leg ends come to Corby, ably supported by Essex rockers and Leicester original punks. Doors 7.30pm, £9 tickets

CENTURY CITY + PIECES
Saturday March 24th
The Garibaldi Hotel, Northampton
Feel good rock’n’roll from the ShoeTown supergroup on top, with support from new alt-rockers Pieces [formerly known as An Army Of Lights]. Music from 9pm, free entry

THE TOUCH + MONARCHS + THRIFT STREET + BIRD’S EYE VIEW
Saturday March 24th
The Black Prince, Northamton
The Prince celebrates it’s second birthday with a quarter of Northants good time rock’n’roll  bands. Cake to make an appearance too. Be silly not to. Doors 8pm, free entry

PROGNOSIS + THOSE SNAKES + STEREO SKULL + FLEISCH
Saturday March 24th
The Lab, Northampton
It’s the final! Mammothfest Heats come to a close with the best of the bunch from those past few weeks. Doors 7pm, £5 tickets

 

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New Music Friday: Over The Influence

Northampton hard rock band Over The Influence today share their debut video to recent EP track ‘Can’t We Love’, filmed by Joshua Goff. Katie Montford marked the occasion for New…

Northampton hard rock band Over The Influence today share their debut video to recent EP track ‘Can’t We Love’, filmed by Joshua Goff. Katie Montford marked the occasion for New Boots by speaking to the band.

When and why did you form?
James: I went about looking to form the band in 2015; my last band split up from members moving away so I wanted to start a new venture.

What music inspired the band?
James: Too much to put into one list but to name a few: Guns n’ Roses, Motley Crue, Black Stone Cherry, Stone Temple Pilots, Halestorm, Led Zeppelin, Buckcherry, Monster Truck, The Dead Daisies, etc.

Growing up who did you listen to? Has your musical tastes changed?
James: The first band I ever really got into was The Rolling Stones. Their track ‘Brown Sugar’ is the song that turned me on to music, and then, when I discovered Guns n’ Roses my life changed, haha! Been listening to the same kind of bands ever since.

Do you remember your first band gig?
James: The first ever OTI show was held in my back garden – we decided to set the band up under a marquee and invite like 80-odd people over, BYOB. Safe to say we had a few angry people from the neighbourhood interrupt. If it’s too loud, you’re too old!

Who is on your playlist right now?
Bex – My choices change on a daily basis, but I’d say: Santa Cruz, Alter Bridge, Stone Sour, The Cruel Knives, Massive, and even some heavier bands like Feed the Rhino! To be honest as long as it’s got some killer riffs, a sweet groove and some awesome vocals it’ll usually find its way onto my playlist.
James: At the minute i’m playing a lot of Alice in Chains, Alter Bridge, The Dead Daisies, Lynch Mob, Skid Row and Ratt.

What inspired ‘Can’t We Love’?
Bex – ‘Can’t We Love’ is probably our most pissed-off song, because it’s all about being fed up with the way the world is ran and how it needs to change! There’s hints to the government and their decisions to prioritise money over human life, the media and the web of lies they spin around their viewers and audience and just the general lack of empathy we have for one another. We’d just hear about yet another terrorist attack from ISIS and were just so angry and ‘Can’t We Love?’ was born from that anger.

Do you change persona when you perform?
Bex: I wouldn’t say I change ‘persona’ per-say, but I would say that my general attitude and personality is just more exaggerated. There’s always got to be an element of performing, so I think you can’t ever truly be the person you are at work/home etc. But I also think it’s so important to be yourself on stage as that’s who your audience connects with and builds a relationship with.

Do you feel the band has changed with time?
Bex: Absolutely! I think as we’ve matured as musicians, so have our songs both musically and lyrically. If you listen to songs like ‘Take Control’, which is one of our older songs, you get that more classic rock and bluesy feel, whereas ‘Can’t We Love’ is far heavier and meatier and shows influences from modern rock and even some of the softer sides of metal, which is more in the direction of the next EP’s sound.
James: I agree with Bex, we’ve definitely naturally developed a heavier, more ‘modern’ edge to the sound which I think will shine properly on EP #2.

What was the musical process like? Did you have the idea of the whole song? Lyrical content, instrumentation?
Bex: If I’m honest we don’t really have a set ‘process’ for writing. For ‘Can’t We Love?’ James wrote the riffs and set the structure of the song. All that was left were the lyrics, and this was actually the first song I’d had any lyrically input on. The lyrics were written when me and James were sat in his dining room after hearing the news about the most recent ISIS attack and just needed to write this song.

Who writes the music/lyrics?
Bex: Generally speaking, James writes the main riffs, but each instrument takes ownership of their parts. We like to all sit in a room and bounce ideas off one another, as that tends to create the most ‘OTI sounding’ songs. Previously, James wrote all the lyrics too, but pushed me to take over that role from him once I joined the band on a permanent basis.

What made you make ‘Memories’ so different to the rest of your EP? Both vocally and musically.
Bex: This is actually quite a funny story. So I went to Reading festival with James and of course he found himself in a mosh pit at Five Finger Death Punch’s set, and he broke his finger! This meant he lost all real movement and strength in his bottom two fingers, so really struggled to play guitar for a good couple of months. Whilst he was in a cast he was playing around with an acoustic guitar and wrote the chorus for ‘Memories’. Me previously being an acoustic singer songwriter I fell in love with the song, and myself and James wrote the lyrics and finished the song together. We played it to a few of our friends and family and they loved it too, so we ended up gigging it at a few acoustic shows we played and it got such great feedback we knew it had to go on the EP. We love that it shows our softer side, and I love that I’ve been able to bring my ‘lighter’ vocals to the band, and we feel it just shows a different and more vulnerable side of us to our audience.
James: I’m a big fan of bands that can write both a killer, heavy rock song and also tame it to acoustic when needed. Alice in Chains are a great example of this. Like Becky said I’d broken my finger so the chorus was accidentally written, I went to play a power chord and realised i didn’t have enough fingers, this strange inverted sorta sound came out and i played with it for a bit and got ‘Memories’. In terms of the song itself: I’ve made a lot of stupid decisions in my life so I wrote the song about regret, Bex came in and helped write a lot of the lyrics too.

Did you always want perform rock?
Bex: Not at all! Previously I performed as a solo artist playing self-written acoustic pieces. Although rock music was always a huge passion of mine I never thought I had a ‘rock voice’. I never intended to join OTI but I was asked to fill in some shows on a last-minute basis as James knew I was a singer, and I’ve never looked back!
James: Always have and always will!

Do you have any upcoming shows?
Bex: We’re honoured to be supporting Stormbringer for the second time, playing at our local and legendary venue The Roadmender at the end of April. We love playing with those guys, they’re tight as hell and they’ve got some wicked tunes! In terms of other shows, we’ve got some exciting things booked including some festival slots, but at the moment we’re really focusing on getting some new material written in preparation for our newest EP.

What can we expect next?
Bex: We’re currently in the process of writing the next EP, which we’re hoping will continue to demonstrate that slightly more heavier side that we feel ‘Can’t We Love?’ has begun to show. Think fatter, riffier and more groovy beats that’ll get your head nodding and your heart racing. We might even throw in another acoustic number 😉
James: The majority of the 2nd EP is written and sounding massive now, so it’s just a case of writing the last couple of tracks and then recording it, mixing, mastering and the usual bullshit that goes with releasing an EP.

 

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It’s A Shoe In: Northants gig guide Mar 14th – Mar 20th 2018

GREG COULSON Wednesday March 14th The Malt Shovel Tavern, Northampton Young Northampton bluesman, influenced by the greats like Ray Charles, Booker T, and Steve Winwood, is on his ‘What’s New?”…

GREG COULSON
Wednesday March 14th
The Malt Shovel Tavern, Northampton
Young Northampton bluesman, influenced by the greats like Ray Charles, Booker T, and Steve Winwood, is on his ‘What’s New?” tour and plays an intimate hometown show. Music begins at 8.45pm, free entry

KYSTHLA + ASCARIS + ASHEN CROWN
Thursday March 15th
The Roadmender, Northampton
Extreme metal headliners from Wellingborough who continue to make waves nationally, ably supported by Gloucestershire black metal and more brutal metal from the West Midlands. Doors 7.30pm, £7 tickets

SHARKTEETH GRINDER + DRINSIPA + LOOSE TOOTH + BLOOD-VISIONS + ACOLYTES
Thursday March 15th
The Garibaldi Hotel, Northampton
Will the basement of the Gari be left standing after these lot do their thing? A night of punk/hardcore/noise to raise the spirits, and almost certainly send you deaf. Doors 7pm, £1 donation requested

BEDLAM BREAKOUT FESTIVAL
Friday March 16th / Saturday 17th / Sunday 18th
The Roadmender, Northampton
Psychobilly festival returns to the Roadmender for a weekend packed full of international rockabilly, psychobilly, garage thrash, and punk rock. Tickets are £10 on the door for Friday [doors 7pm], and £30 on the door for each day Saturday and Sunday [doors 12.30pm both weekend days]

JIMI MACK + DAMON TANG + ALEX GARDNER + KING PURPLE
Friday March 16th
The White Hart, Corby
The last Harmonics Collective event before they take a break, with headline sets from the underground folk/blues/psych artists Mack and Tang. Eclectic joy guaranteed. Doors 8pm, £4 on the door

WHO SAVES THE HERO? + THE YOUNG & RESTLESS + WISHING WOLF
Friday March 16th
The Prince of Wales, Kettering
South Wales pop punk headliners, with Northampton emo rockers and Kettering alt-rockers in tow. Music from 8.30pm, free entry

ASHBORN + FUELED HATE + HAEMA + DIALEKT
Saturday March 17th
Devonshire Club, Northampton
Local metal headliners make their much anticipated Northampton debut, with similarly inclined Midlands supports. Doors 6.30pm, £5 on the door

THE ENID + VHS PIRATES + VIA DOLAROSA + ROBERT JOHN GODFREY
Saturday March 17th
The Black Prince, Northampton
The fresh Enid line-up bring back their tent antics to their neighbours The Black Prince garden, with an opening set from Enid founder RJG [who now works on solo compositions] and formidable local support. Doors 6pm, free entry

DON GALLARDO + LUNA ROSA
Saturday March 17th
The White Hart, Corby
The Nashville-based American singer-songwriter plays Americana/country/folk, in support of his new album Still Here. Local rockers Luna Rosa open proceedings. Doors 8pm, £8 tickets

GREASY DIABLOS + GARDEN
Saturday March 17th
The Hopmaster General, Rushden
Local punk/garage/blues headliners play the craft beer shop, with buzzy Northampton indie/alt-rock quartet in support. Doors 8pm, free entry

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It’s A Shoe In: Northants gig guide Mar 7th – Mar 13th 2018

HELGRIND + DONKERKARNUFFEL + FUELED HATE Friday March 9th The King Billy, Northampton The Billy has become a traditional tour starting point for London metal outfit Helgrind, who are joined…

HELGRIND + DONKERKARNUFFEL + FUELED HATE
Friday March 9th
The King Billy, Northampton
The Billy has become a traditional tour starting point for London metal outfit Helgrind, who are joined by fellow Londoners Donkerkarnuffel [“Clowncore”] and Corby metallers Fueled Hate for a night of mayhem, head banging, drinking and theatrics. Doors 7pm, free entry

THRIFT STREET + WE ARE GIANTS + 16 DEGREES + THE TOUCH
Friday March 9th
The Black Prince, Northampton
Battle of the Bands organised by students from the university, in aid of Oxfam. Doors 7.30pm, £3 on the door

THE VIBRATORS + THE BLUE CARPET BAND + WRECK-AGE
Saturday March 10th
The White Hart, Corby
First wave UK punk rock, going since 1976 and still touring and recording. Support from a powerhouse five-piece garage punk rock’n’rollers based in London, and punks Wreck-Age open proceedings [made up of members of Crettin 77, First Wave and B Movie Britz]. Doors 7.30pm, £7 tickets

THE ABRAHAMS + ODDITY ISLAND
Saturday March 10th
The Hopmaster General, Rushden

So it turns out there’s a craft beer shop in Rushden hosting gigs. Wow. Listen to Kettering progressive folk-rock skiffle, supported by similarly-inclined jangly rockers, whilst sipping on the General’s brewed delights. Doors 8pm, free entry

SUB CLOWNS + SOLARIZE
Saturday March 10th
The Horseshoe Inn, Wellingborough
Retro-Beat this month presents electro headliners and indie rockers in support. Doors 8pm, free entry

PROGNOSIS + REAPER + LEASHES + THOSE SNAKES
Saturday March 10th
The Lab, Northampton
The Mammothfest Heats keep on coming!  Progressive metal from Manchester, thrash metal from Liverpool, heavy sounds from London, and some psychedelic thrash metal from Stafford respectively. Doors 7pm, £5 on the door

Also a shout out to Sarpa Salpa, Drinsipa, and Keiron Farrow who will be representing Northampton at the Mano MusikFestival in Germany this weekend. Do us proud!

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New Music Friday: The Keepers

Northampton quartet The Keepers release their fourth single this weekend. The A-side ‘Take Me On A Trip’ is a moody paean to the joys of escapism, wrapped up in desert…

Northampton quartet The Keepers release their fourth single this weekend. The A-side ‘Take Me On A Trip’ is a moody paean to the joys of escapism, wrapped up in desert rock guitars. B-side ‘Leaving Home’ is more of a Britpop/Beatle-esque pop song with some nifty artificial string lines in the chorus. You can hear both below. New Boots caught up with Jordan Jones (vocals, guitar) and Liam Taylor (guitars) for a quick chat

How did you guys get together?
Jordan: I formed the band a couple of years ago. I just had a few songs that thought would sound cool with a full band behind them. It’s been a long process really trying out different members.

How would you describe your sound?
Jordan: 1960s psychedelia with a 90’s kiss.
Liam: Yeah. Indie Britpop with an add of Psychedelic

Who are your main influences in music?
Liam: Wilko Johnson, Paul Weller, and Pete Townsend

What was the last album you bought/streamed?
Jordan: ‘Wildlife’ by The Lovely Eggs
Liam: ‘The Masterplan’ by Oasis

What was the inspiration for ‘Take Me On A Trip’ and ‘Leaving Home’?
Jordan: ‘Take Me On A Trip’ is a recycled song we used to play a few years ago, we needed a more groovy and heavier sounding song, so I just took that, changed the words and added some extra riffs. ‘Leaving Home’ is inspired by The Beatles song ‘She’s Leaving Home’. We all know the original from a very upset mum and dad perspective. I had this concept of the song from the girls perspective – it sticks to main themes of the original like leaving the note, the man in the motor trade etc, but I’ve had to add a few bits like getting married and running away from university which I think makes it slightly more modern.

Being on stage vs being in the studio, which do you do prefer?
Jordan: studio
Liam: stage all the way; I love the atmosphere and the interaction with the crowd.

What has been your favourite band moments so far?
Jordan: Supporting The Moons at Roadmender, Space at The Picturedrome and playing Beano On The Sea festival down Hastings.
Liam: Supporting The Moons and The Spitfires

What plans do you have for 2018?
Jordan: We have some very exciting things coming up this year! We have more singles coming out and some fantastic gigs we cannot announce yet! Watch this space!

 

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