Tag: playlist

Step On: the week’s best new music tracks [May 29]

New Boots editor Phil Moore takes you through the best new music tracks this week. Billy Lockett ‘One World’Northampton lynchpin Lockett is your perfect isolation artist: much of his recordings…

New Boots editor Phil Moore takes you through the best new music tracks this week.

Billy Lockett ‘One World’
Northampton lynchpin Lockett is your perfect isolation artist: much of his recordings feature just him and his trusty grand piano, so musical life hasn’t changed that drastically for him. But this is something of a left-turn – an instrumental ‘classical’ piece. Before you panic, its actually excellent: his dexterous fingers taking the listener on a moving journey into the recesses of the mind. Or, if you will, the soundtrack to exploring a deserted house filled with half-remembered memories. An album of this stuff is promised.

Squid ‘Broadcaster’
The London quintet are gearing up for their sure-to-be-a-game-changer debut album, and drop another mini beast to tease us some more. Dystopian jazz sci-fi feels from this one, a slow building pulse of proggy doom that doesn’t really go anywhere, except towards inner space. Not as immediate as some of the previous singles, but still gives the all-important goose pimples.

The Mysterines ‘I Win Every Time’
“Even Robert Johnson said I’d win every time”. And the Liverpool band led by singer/guitarist Lia Metcalfe do just that. Fierce, relentless, filthy; some adjectives to help underpin the sheer excitement that these elemental, stomping, primal songs produce. Their sold-out live shows have been causing some serious palpitations amongst those in attendance. Everything is looking blood-red rosy for them, in fact.

Roska ft. Elle Delaney ‘Give Me Some More’
Londoner Roska deals in funky house moves, and yet his ‘Internal Sunshine’ EP sees him working on a more mellow tip with a trio of female vocalists, including NN’s Delaney. This opening track bears witness to some nice electronic shuffling beats, and her distinctive vocals pine for the old times when we could go out and party til the small hours. It’s also a celebration of feminine energy, as is the whole spacious and progressive EP.

Jamie Lenman ‘The Road To Right’
The singer, guitarist, illustrator, and all-round cult hero has been keeping the quality high this past decade as a solo artist. Taken from forthcoming mini-album King Of Clubs, this second preview single is a shouty little monster, bringing the Pixies/Nirvana loud-quiet dynamic, but with plenty of layered vocals and general drama to have you basking in it quickly. His last single was called ‘The Future Is Dead‘. The man is a sage; listen in.

Maddox Jones ‘Headspace’
The Born Stranger artist is now releasing music under his own name. The title track from his forthcoming EP, he’s worked with Dave Crawford [Kinships] to create a warm, ambient-house winner that takes a spacey opening and builds to that singalong chorus. Perfect for 6am Ibiza sunrises, it tackles head-on the fragile mind state that requires human connection to fix. The same but different, this version of Jones is onto something special with ‘Headspace’, and long may it continue.

Riskee & The Ridicule ‘Blue Jacket’
“I don’t know from who/But I’ve got my country back”. A Brexit song from the Kent rap rockers, it’s spitting pithy truths to have the Daily Mail brigade huffing and puffing all the way to their drawing rooms. “You’re a joke/You ain’t woke/You’ve always been dead” is as about a good a put down as you’ll hear in 2020. Punk rock is safe as houses in their hands; go buy this and then wait for their next tour announcement – it just might change your life.

The Moons ‘How Can I Convince You To Love Me?’
Taken from the Home Demos & Rarities, Vol 1 album hastily compiled as a lockdown stopgap until their fourth album proper hits the streets in the second half of 2020. This one is fully formed; arranged with the full gamut of instruments, it has a vaguely Middle Eastern melodic pull, and a distinct sea shanty rhythm. It’s a quality, catchy number that really shouldn’t have been shelved, so it’s great to finally see it have its moment in the sun.

Thee MVPs ‘A Song For Councillor’
“We only get together when someone else has met their end”. Leeds garage-punks today release their second long-player, Science Fiction. This latest single about a passed relative is them at their most boisterous: fat guitar/bass riffs, muso shredding in the middle section, and memorable “bar ba-ba-ba-bar”s til the cows come home. It’s Thee Oh Sees meets Black Flag, and its fucking glorious, as is everything they do.

Amii Dawes ‘Uninspired’
“I just want to be admired/Is that too much to ask?” Definitely not, for this uber-melancholic slow-burner is a real heartbreaker that perfectly underlines Dawes talent. A voice dripping with hidden depths, these soul-searching five minutes, full of self-doubt, are wrapped in a simple but haunting arrangement. Based around plinky piano and foreboding Hammond, it might just push you to tears. The title is a misnomer; this is beguiling, sophisticated singer-songwriter fare.

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Step On: the week’s best new music tracks [May 15]

New Boots editor Phil Moore takes you through the best new music tracks this week. slowthai ‘ENEMY’“Have ups and downs like an elevator”. After a rather public down last February…

New Boots editor Phil Moore takes you through the best new music tracks this week.

slowthai ‘ENEMY’
“Have ups and downs like an elevator”. After a rather public down last February there were plenty of people writing off the Northampton rapper. And to some degree he addresses that on this track, as the simple title pun on NME makes clear. After threatening to kill kids [ironically, calm down] he gives his real message – “I need the revenge, so I made a plan/To kill you with kindness”. It’s not exactly a response song, but there’s enough intrigue there, and it shows he really isn’t someone to take things lying down. As Darko and Sammo dish out the beats to that make you sit up and listen, it’s great to hear him again doing his thing his way, as only he knows how.

Paul Weller ‘Village’
Another preview song from upcoming album On Sunset [as in, Boulevard], Paul now moves into summery pop territory. If it gives you Style Council vibes, well, that might be because Mick Talbot is there on keys, as well as usual NN collaborators Andy Crofts and Ben Gordelier. A string-laden and Fender Rhodes-led ode to appreciating your blessed life as it is, it is self-consciously sickly sweet, and your appreciation will depend on how much of a sweet tooth you have. If we can’t have much of a proper summer in 2020 this goes some way to lifting us up anyhow.

BLOXX ‘Lie Out Loud’
The suburban London indie rockers are causing a real stir with their anthemic rousers, working with a sound reminiscent of noughties-era Manic Street Preachers, or even Republica. The title track from their forthcoming debut album [Aug 14], the trio – led by vocalist Fee Booth – are aiming straight for your heart on this confessional sing-a-long

Sleaford Mods ‘Second’
The single chosen to promote odd and sods album All That Glue [out today]. It was recorded in early 2017, just after the English Tapas sessions. It’s another winner from of aggro-pop from one of the UK’s most interesting acts. Vocalist Jason Williamson bemoans his runner-up status to the brands that he consumes. They’re a Marmite band, yes – but Marmite is lovely, isn’t it. “Full ranking!”

Sarpa Salpa ‘Forwards Backwards’
The seventh single from Northampton’s indie-pop masters, and this one has bought along the robotic funk. The first number to feature the contributions of keys player Meg Amirghiasvand [Future Love, OhBoy], its a smooth neon-lit smasher. Singer Marcus gives himself quite a workout in the chorus, and you can imagine the crowds getting right into this in a field sometime in 2021 [weep]. If they don’t take over the UK soon it will be nothing short of criminal.

Mint ‘Turbulence’
Grimsby. Always hated the place since I witnessed the Cobblers lose to them at Wembley in the play-off final back in the day. But finally I can forget all that as they have an ace garage-punk outfit making waves. Filthy drums, filthier bass, guitars that buzz more than pylons…it’s hard not to get turned on by this primal rock’n’roll noise. Singer Zak has an excellent slashed-throat delivery, and *stop reading this and go and listen below*.

Bugeye ‘When The Lights Go Out’
London disco-punks whack out the barrelhouse piano to aid this bouncy sci-fi glam sacrificial offering to the music gods. Inch by inch Bugeye are building a rich name for themselves with great live shows and killer singles, and luckily for us they should be hitting Northampton once lockdown is over. Kitsch power-pop fun beckons…

Neil’s Children ‘The First Conversation That We Ever Had’
This is a turn-up for the books. The London art-punks were one of the leading lights circa 2004 when decadent rock’n’roll had its moment in the sun again. And for good reason: music connoisseur John Linger was able to shift his talents continually. After adventures that took them more psychedelic and electronic, they went away; Linger is now in Girls In Synthesis. But this reunion is a touch; grasping at that maniacal energy of old that captured so many willing hearts back then. An album of this style would be a pleasant, full-circle outcome.

Evolution ‘Lover’
Northampton/Birmingham whizz-kid Josh Worley-Ebbs brings the club beats for an Ibizan summer that’s not happening in 2020. Your back garden will have to do. ‘Lover’ is a booming house track, with an in-your-face vocal delivery. He’s a unique talent, this one.

Broken Empire ‘Locked Out Of Heaven’
Daventry/Oxford hard rockers have been gaining a lot of critical praise in the right places over the past couple of years. This one is a curveball though, a Bruno Mars cover. It transforms the reggae-pop original into a crunching monster, keeping the strong melody and little else – adding the inevitable double kick beats and guttural screams to complete a smart metallic metamorphosis.

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Step On: the week’s best new music tracks [May 8]

New Boots editor Phil Moore takes you through the best new music tracks this week. Fontaines D.C. ‘A Hero’s Death’“Life ain’t always empty”. They’re back so quick we’ve had little…

New Boots editor Phil Moore takes you through the best new music tracks this week.

Fontaines D.C. ‘A Hero’s Death’
“Life ain’t always empty”. They’re back so quick we’ve had little time to miss them, with the title track from the Dublin fivesome’s second album [due July 31]. Musically it’s a continuation of the themes of before. Vaguely threatening, scratchy, arty rock – with an intense guitars-battle-with-swoony-“bab-ba-ba”s crescendo come the denouement. Grian Chatten gives it some proper sermonising too. Elemental magic.

The Blinders ‘Lunatic [With A Loaded Gun]’
Another guitar band previewing their sophomore LP, the Manchester trio continue their socio-political cause with a righteous punk blast against modern-day tyrants. As an opening couplet goes, “There are children in cages/On Monday’s front pages” doesn’t take any prisoners. It’s considered rage rather than unhinged, as the album title – Fantasies Of A Stay At Home Psychopath – possibly reflects. The band are tighter than a gnat’s chuff, as always. Until they get to slay us all again from the stage this does the job very admirably.

Dylan Cartlidge ‘Yellow Brick Road’
Nods to Beastie Boys, Prince, Jamie T, Andre 3000? Yes it the North-East’s version of Ginger Snaps. Sunshine funk-pop with indie cred, the radio loves him and he’s surely got the world at his feet. The forthcoming debut album is going to be fly, you just know it.

Husky Loops ‘You Bore Me’
Clattering rhythms, bassline bombs, fuzz guitar, distorted vocals: the Italians-in-London have never sounded looser and heavier. Their debut album I Can’t Even Speak English from last year was a crisp alt-pop triumph, and whether this progression is representative of newer horizons is tough to know right now. I like it anyway. One of the more interesting bands around; moving guitar-pop away from base elements and using studio manipulation to demonstrate what’s possible.

Sonic Boom ‘Things Like This [A Little Deeper]’
Pete Kember returns to releasing music under his Sonic Boom moniker, which he dropped after Spacemen 3 in favour of Spectrum and Experimental Audio Research. The new album is All Things Being Equal [June 5], his first long-player in any description in over a decade. He’s been producing the likes of Panda Bear and MGMT in recent years, and the sound of this one is as bubbly and hypnotic as your mind’s eye would imagine. With live shows soon too [fingers crossed], it’s great to have him back.

The Scruff ‘Vultures’
The Bedford boys return to the front line. After a tricky year or so where it all went quiet, it’s very satisfying to hear them in such rude health. A scathing take on internet troll culture, it’s got a confident swagger in its step. Hell, it’s got “indie rock banger” stamped through it like some fine candy-stripped stick of rock. Some good time rock’n’roll is just what the doctor prescribed right now, so hats off to these guys for coming up with the goods.

Scarlet ‘Friends’
Singer Jessie Robinson is not one to sit on her laurels, and with a rejigged line-up her Liverpool band start 2020 with fresh impetus and this fuzz-rock plaything that’s practically oozing with perky alt-rock energy. Drums and bass are pretty much off the scale on this one, plus that lazer-guided melody means it leaps out at you like a Joe Exotic plaything. The video is worth checking out too, as they enlist their music mates [Hands Off Gretel! Salvation Jayne! etc] to mine along.

DARKSAVAGE ‘Feeling Blessed’
New Northampton rapper Jordan Potter. Not much info to be gleamed so far beyond the music. Nice production touches going on in the background. One to keep an eye on.

Stevie Jones and Mark Gill ‘Glow’
Taken from Eleventh Hour, a 2011 album by Northants singer-songwriter Stevie Jones and guitarist Mark Gill released originally for 24 hours only but now being made widely available on CD/DL. The seven track album was recorded live at Yellow Bean Studios in Leicester, and you get Stevie’s raw vocals and Mark’s acoustic guitar flourishes meeting to produce some minor-key fireworks. Perfect for fans of rootsy music by the likes of John Mayer, or Counting Crows.

The Comms ‘Transmission One’
Brand new garage-punk band from ShoeTown, this first release was recorded and mixed by Adam Gammage and mastered by Greg Coulson, so keeping it lots of NN talent in one place here. You get highly-stylised vocals by Liam Taylor, backed by some explosive and sharp guitar attack. Think Buzzcocks, think IDLES, think moshing on the front row and getting a stray boot to the head. Glorious beginnings are something to shout about.

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Step On: the week’s best new music tracks [May 1]

New Boots editor Phil Moore takes you through the best new music tracks this week. The Rolling Stones ‘Living In A Ghost Town’Their first original music in eight years, so…

New Boots editor Phil Moore takes you through the best new music tracks this week.

The Rolling Stones ‘Living In A Ghost Town’
Their first original music in eight years, so this is something of an ‘event’. “Life was so beautiful/Then we all got locked down” – you can see why they released it now. Some people don’t like it when the Stones throw their reggae bit into their songs, but you know: it’s fine. This song is presumably a knowing sonic/lyrical nod to the Specials. It’s not them at their freewheeling best [what is?], but it does lock into a nice groove, and Mick at least sounds on top form in that claustrophobic chorus. It’s nice to have them back.

Tom Grennan ‘Oh Please’
The second preview track from the Bedford man’s upcoming sophomore long-player. Its mini-symphonic soul sound aligned to a bluesy vocal is bound to illicit some Richard Ashcroft comparisons. Grennan has bags of personality though; his delivery always strong enough to get the blood pumping, and you always root for him. It’s both close enough to, music wise – and far away enough from – the DNA of Lighting Matches to satisfy everyone. Result!

Vistas ‘Summer’
The Scottish trio have been drip drip dripping singles for quite a while now; fortunately debut album Everything Changes In The End is out at the end of the month. This one is glorious wide-screen melancholy rock, which displays substantially more ambition that most of their alt-contemporaries. The guitars are set to ‘preening’, the production immaculate – and if cinematic indie is your thing then Vistas are your go-to guys for 2020. Looks like the summer’s been cancelled, though, so let’s hope their timing isn’t always so off.

Self Esteem ‘Favourite Problem [Alternative Version]’
A more homespun version of defiant alt-pop from Rebecca Lady Taylor and co. The original version on 2019’s Compliments Please album had more bells and whistles, but this take brings the gospel backing vocals to the foreground, courtesy of Sheffield-based choir Neighbourhood Voices. Ex-Slow Club member Taylor has talent and guile as large as the well of emotion that this version stirs. The ‘Cuddles Please’ EP is out today, offering similar reworkings of album tracks ‘The Best’ and ‘In Time’, alongside a cover of Alex Cameron’s ‘Miami Memory’. No cuddles at the moment sadly, but here’s a virtual high five anyway. [photo credit: Charlotte Patmore]

ghostofblu ‘Don’t Care’
Picking up fan across the globe with his dark digital trap/hardcore manoeuvres, your Yorkshire-via-Northampton man is assisted on the beats production for this by Sweden’s Istasha, and hell they make some beautifully twisted noise together. From new four-track EP ‘IV’, his intensity is paramount on all tracks. He’s reached the general quality level now where some vinyl needs to spring forth; his legion is many, and they need artefacts.

Naked Next Door ‘Halo’
MK indie rockers have been consistently excellent these past 12 months, putting out emotive bangers more often than I put out the bins. ‘Halo’ continues the tradition. This one has a rolling tension built within the chassis, even if it sparkle and shines enough to make you think of the big boys like The Killers or Kings Of Leon. Taken from forthcoming EP ‘Swerving Out Wide’, NND are the very definition of “Ones To Watch”.

SPQR ‘No Brain No Pain’
Liverpool always seems to be sprouting up some of the best new music. The latest is SPQR, an art-rock quartet who have released their third EP this week. Starting with previous singles ‘Nuthin Gud’ and ‘Just Sumfin’, the real humdinger is the elastic title track. The djembe-led percussive movements hit the sweet spot, the Pixies basslines mixing with the Talking Heads existential dread to produce something of real heft. They deserve to be successful, rich rock stars. Also: unbelievably exciting live show.

L30 Robinson ‘Text’
A quality samba rhythm kicks off another rap masterclass from NN’s mister lover man. His fifth[!] single already in 2020, it’s a mystery he’s not already a shooting star. A paean to forgetting relationships past and enjoying the present, ‘Text’ is as infectious as anything he’s previously done, and you will be dancing ’round your kitchen to this one. It’s the law.

Lucien Moon ‘Tainted’
Long-awaited new music from the artist formerly known as Jamie Benkert. Taking cues from the likes of Frank Ocean, Drake, The Weeknd, John Newman, etc., this is soulful cosmopolitan R&B from the NNiverse. Great voice, great image [shout out to the sexy video shot in The Market Tavern!], and plenty of tense atmospherics within the haunting piano and beats. Smashed it, lad!

Charlie Bridgen, LT Quickscope, Deadboi ‘Tactical Chunder’
Kettering area love-in! Three rappers/producers from that part of the world team up to make some dark-beats and a story about debauched nights out [remember them?]. Grime could always do with more tales of dark fruits and ID requests…and trips to toilet cubicles for the titular strategy. Immense and scary in equal measure. More of this craziness please, guys.

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