Interview: THUMPER

THUMPER are the Dublin band everyone’s talking about, delivering bubblegum pop through a wall of sonic death. With a reputation for raucous and frenzied live shows and penchant for howling…

THUMPER are the Dublin band everyone’s talking about, delivering bubblegum pop through a wall of sonic death. With a reputation for raucous and frenzied live shows and penchant for howling feedback and pounding rhythm, each show is an exercise in unpredictability. ‘Out of Body Auto-Message’ is the first studio record, produced by Dan Fox (Girl Band). In this new phase, THUMPER step away from their early days of lo-fi bedroom recordings into a more widescreen effort – without losing any of the grit that defined the early material.

The band are consistently topping the “Ones To Watch” lists, touring relentlessly – headlining Hard Working Class Heroes well, joining Fangclub on a national tour, playing their first UK show at a sold-out Shacklewell Arms. Following this year’s festival packed summer they hit the road this month with seven back-to-back dates in established music venues of major UK cities. And Northampton [we lucked out there, huh].

New Boots spoke to singer Oisin Leahy Furlong about what makes THUMPER tick.

How  did you guys get together?
THUMPER started off as a solo bedroom recording project in 2015. I recorded three extremely lo-fi and gnarly EPs myself and distributed them around Dublin. After deciding to tour the songs a bit, THUMPER gradually morphed into the band you see today.

Growing up, who gave you the “eureka” moment?
There’s been a few eureka moments for sure. Hearing Nirvana and Sonic Youth for the first time was definitely an awakening. Being exposed to Jeffrey Lewis and the Moldy Peaches, and other NY anti-folk stuff was a big thing for me also. The warts-n-all approach they took to mining poetry out of mundane situations was a game changer. When I heard Parquet Courts and King Gizzard, though. That was when I literally turned around and said “I have to start a band”.

Fontaines DC, The Murder Capital, you. This jugular music is a thrilling addition to the music scene. Can you begin to pinpoint why this “voice of Ireland” moment is happening now?
I’m not sure either of the bands mentioned set out with the intentions of being an authentic voice of anything. We’ve all played shows together before any sort of attention was being payed, and the only goal was to be an authentic voice for yourself. There’s always been and still is undiscovered artists here with just as much vitality as anything the heavy hitters are producing, just have to keep your ear to the ground.

Is the spirit amongst the rock bands in Dublin collegiate; “high tides raise all ships” type of idea?
There’s such a vibrant scene in Dublin and Ireland at the minute that there’s no cookie cutter mentality in terms of careerism or competition. But the one thing that is true of all these bands is that the standard of music being created is booming. I don’t think this can be chalked up to rising to meet industry interest, it’s more so the quality of the records that are being put out is so fucking inspiring you can’t help but walk away inspired to aim higher.

Three guitar-players and two drummers is taking things to the limit. What’s the appeal?
Once you go two drummers you won’t go back! We never put much thought into it being a novelty, it just always felt right for us. We’ve a large sound, we’d be selling our audience short if we had any less people on stage [but bring earplugs!]

Describe your live show in five words or less.
Six boys get very weird.

This is your first tour of the UK – exhilarated by that idea right now?
Very much looking forward to meeting the real humans that our Spotify numbers represent, and making a night of it.

What was the last album you bought/streamed?
The Murder Capital’s debut [When I Have Fears]. Stunning piece of work.

What can we expect from the THMUPER debut album?
The goal is to subvert all expectations while giving you exactly what you hoped for.

THUMPER play The Black Prince on Wednesday September 25th.

THUMPER Facebook

THUMPER Spotify

cover photo by Keith Currams

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It’s A Shoe In: Northants gig guide Sep 18th – Sep 24th

BETH MUNROE Thursday September 19th The Lab, Northampton Talk by Maja of Queers To The Front Booking about being a trans-woman. Followed by music from the NN indietronica solo artist….

BETH MUNROE
Thursday September 19th
The Lab, Northampton
Talk by Maja of Queers To The Front Booking about being a trans-woman. Followed by music from the NN indietronica solo artist. Doors 8pm, £4 entry [£3 members]

KING PURPLE + CENTURY CITY+ MONARCHS + BABY LUNG
Friday September 20th
The Roadmender Northampton
The Purps are now a quartet with the addition of second guitarist Jacob, and to celebrate the release of latest single ‘Warning Signs’ they play their biggest headline show to date – in the main room of the Roady. Choosing three amazing support acts too means we’re in for a special one. Doors 7pm, and just £5 for a ticket

LAY IT DOWN
Friday September 20th
The Lab, Northampton
Your regular friendly urban music night, featuring the talents of Har-Q, Reality, Blistery, L30 Robinson, Thunder, Infinite Lore, Smiley, Anonymous, and more. Doors 8pm, free entry

FRANCISCO + JOE MILES
Friday September 20th
The Pomfret Arms, Northampton
The Cousin Avi frontman returns to Northampton for a special solo set of sultry Latino soul. A rare show from local bluesy singer-songwriter in support. Music from 8.30pm, free entry

JASMINE BURNS + HUMBLEBEE + CHRIS FOX + WARD & PARKER
Friday September 20th
St Mary the Virgin Church, Stoke Bruerne
An enticing night of roots music from artists of this region [or should we say parish?]. Doors 6.30pm, tickets £10 [from http://www.audiovendor.com or call The Boat Inn on (01604) 862428]

SATAN’S EMPIRE + MODES + CATALYST  + LåGëRSHøP
Friday September 20th
Fiddler’s Elbow, Wellingborough
Scottish NWOBHM band that have recently reformed headline, plus brand new Medway metalcore, a groove metal trio from MK, and the opening entertainment is “foul language shouted over driven, anthemic state-side punk rock riffs”  [also from MK]. Doors 7pm, free entry

ROLLING THUNDER + THE STOKES
Friday September 20th
Towcestrians RFC, Towcester
A couple of local-ish bands to rock your weekend, all in aid of Sponne Schools Uganda. Doors 7.30pm, £5 entry

THE GREY DOG FESTIVAL
Saturday September 21st
The Roadmender, Northampton
A day of music, workshops and more that puts young people’s mental health centre stage. Lucy Spraggan, The Death Alley Drivers, Roses & Pirates, That Joe Payne, Jamie Lee Harrison, Candidates, Jono & The Uke Dealers, Amii Dawes, Adam Thomas, Tu-Kay & Ryan, Homeless Shakespeare, and Lunaxis is your entertainment. Doors midday, free entry

JEFFREY LEWIS & THE VOLTAGE + BLOOD-VISIONS
Saturday September 21st
The Black Prince, Northampton
The New York “anti-folk” singer-songwriter has become a firm favourite of the Northampton scene. With The Voltage they play scuzzy urban indie-rock-folk, like “a 21st Century mash-up of Sonic Youth, Pete Seeger and R. Crumb”. Their new album Bad Wiring was recorded in Nashville, and will be released November 1 on Moshi Moshi Records. Support from everyone’s favourite local noisy art-punks. Doors 7.30pm, £10 tickets

SULVAIN + TAKE REFUGE + AKILLA
Saturday September 21st
Earl’s Barton WMC
New Northants metallers Sulvain make their debut appearance, with past members of The Darkhorse and Garshkott teaming up with other local musicians. Support from Milton Keynes metallers, and the Cambridge-based melodic death metal band. Doors from 7pm, free entry

HANNAH FAULKNER + CAMERON GRACE + TIM JON BROPHY + LAURA BAKER
Saturday September 21st
The Old Swan, Earl’s Barton
Ni Ni Sessions acoustic night. From 9pm, free entry

CHARLIE DORE WITH JULIAN LITTMAN + JESS ORESTANO
Saturday September 21st
The Sargeant Memorial Hall, Brafield-On-The-Green
Best known for her world wide smash ‘Pilot Of The Airwaves’, Dore’s music has led to worldwide critical acclaim. This will be an relaxed evening, with special guest singer songwriter Orestano. Doors 7.30pm, £10 tickets

THE KING BISCUIT BOYS
Saturday September 21st
The Shire Horse, Kettering
Blues-wailin’ duo play their popular afternoon slot. 3pm-6pm, free entry

 

Cover photo by Chloe Milne

 

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Across The Border: Sept 18th – Sept 25th

Here’s our now regular Across The Border weekly round up of what’s going on at some of our favourite venues in neighboring counties. VICTORS Thursday, September 19 The Craufurd Arms,…

Here’s our now regular Across The Border weekly round up of what’s going on at some of our favourite venues in neighboring counties.

VICTORS
Thursday, September 19
The Craufurd Arms, Milton Keynes
Leeds based four-piece Victors blur the lines between 1980’s synth pop, indie rock and atmospheric electronica. Forming in 2016, Harry Irving, Simon Appleson, Leon Davies and Dominic Brooks have been featured on BBC Radio 1, Spotify Weekly Discover and had tracks playlisted in Topman / Topshop stores. Doors 7.30pm, tickets £6.

CLIVE CARROLL
Thursday, September 19
The Stables, Milton Keynes
Expect a night of medieval lute music, Spanish guitar classics, Delta Blues and hints of Chet Atkins and Django Reinhardt, through to the Beatles. Having started playing guitar aged nine, Carroll graduated from Trinity College with a First Class Honours Degree in Composition & Guitar and is now regarded as one of the leading acoustic guitar players in the world. Doors 8.45pm, tickets £10.

MR B THE GENTLEMAN RHYMER
Friday, September 20
Esquires, Bedford
From deepest darkest Surrey and with a decade of gentlemanly catterwalling under his belt, Mr B brings you Chap-Hop, re-acquainting hip-hop with the Queen’s English. His legendary live recitals have earned him plaudits, largely from top shelf gentlemen’s quarterlies. Support is by Thomas Benjamin Esq who went stratospheric earlier this year, with his single No More F’s To Give hitting several viral video channels, racking up tens of millions of views and propelling his album into the charts. Doors 8pm, tickets £10.

HANNAH SCOTT
Friday, September 20
The Stables, Milton Keynes
Hannah Scott performs contemporary folk music and is picking up a loyal following thanks to her distinctive voice, strong melodies and thought-provoking lyrics. She has found her musical home with creative partner Stefano Della Casa and their well-received album Pieces Of The Night was released in 2018. Doors 8.45pm, tickets £10.

THE TOTAL STONE ROSES
Saturday, September 21
Esquires, Bedford
We don’t regularly feature cover acts on New Boots, but The Total Stone Roses are the UK’s leading tribute act to the seminal band. They will be marking the 30th anniversary of the band’s self-titled debut by playing it in full. Doors 8pm, tickets £13.

THE VELVETEERS
Saturday, September 21
Esquires, Bedford
The Velveteers are an American Rock trio from Denver, Colorado that is the epiphany of punk with the aggressive sound and grungy wisdom that transcends through 21-year-old guitarist and lead singer Demi Demitro and her two drummers. Through fuzzed out guitar riffs and thunderous drums they lure their audience with vibes that come right out of a classic horror flick. In 2018 the band released their self-titled debut EP and have since been busy on the road touring. Support is by Coldharbour and Joyland. Doors 8pm, tickets £10.

STEVE WINCH & THE INCEPTION
Saturday, September 21
The Stables, Milton Keynes
Inspired by mod fashion and culture, punk attitude and 1960s melodies and harmonies, Steve and the boys are a retro-fuelled, high octane shot of adrenaline. Expect an evening of catchy, killer tunes married to insightful lyrics covering life, love and everything in-between. Doors 8:45pm, tickets £12.

ROYAL SOUTH
Sunday, September 22
The Stables, Milton Keynes
Combining southern twang, a British accent and three-part harmonies, Royal South mix country and bluegrass influences with acoustic contemporary sounds. The trio of SaraBeth, Glen Mitchell and Vickie Vaughn are Individual artists in their own right, with chart topping songs, Grand Ole Opry performances, industry awards, a fiercely loyal social media following and world tours between them. Doors 8pm, tickets £16.00.

PAUL GILBERT
Tuesday, September 24
The Craufurd Arms, Milton Keynes
Acclaimed American guitarist Paul Gilbert is co-founder of the hard rock band Mr. Big and a founding member of the now-defunct heavy metal band Racer X. He’s heading to the Craufurd Arms as part of his Behold, The Electric Guitar tour. He has previously been named among GuitarOne magazine’s Top 10 Greatest Guitar Shredders of All Time and Guitar World’s 50 Fastest Guitarists of All Time. Doors 7.30pm, tickets £22.50.

THE LEISURE SOCIETY
Tuesday, September 24
The Stables, Milton Keynes
Even before you get to the music there’s plenty to pique one’s interest with The Leisure Society. Main-man Nick Hemming began his career in shoegaze band The Telescopes and shared a further outfit with Paddy Considine and Shane Meadows. They’ve had two consecutive Ivor Novello nominations for Best Song Musically and Lyrically, and have enjoyed the endorsement of everyone from Guy Garvey to Brian Eno. Their long-awaited fifth album, Arrivals & Departures, was released this year. Doors 8pm, tickets £16.

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New Music Friday: Zandr

Northampton’s Zandr is 20 year-old producer Alex Howard, who pops up with these fascinating and euphoric chillwave beats, and DJ Shadow-style sonic journeys. Punchy new single ‘Void’ is just out…

Northampton’s Zandr is 20 year-old producer Alex Howard, who pops up with these fascinating and euphoric chillwave beats, and DJ Shadow-style sonic journeys. Punchy new single ‘Void’ is just out and already making people sit up and notice. New Boots has a chat to help joins the dots.

You’re at the university, studying music.
I am just about to top up my recently acquired HND in music production, to the full degree of ‘Popular Music’ by completing the third and final year. I would strongly recommend a course like this to anybody that is after a well-rounded approach to music. What you can learn from the different pathways you choose is eye-opening.

How did you start the Zandr project?
During the time of my two year HND we were encouraged to make music outside of the scheduled sessions to better our skills and begin to make what came naturally to us. I took the full advantage of having my chosen DAW [Logic Pro X] accessible to me at any time, and began to craft my sound and practice all the time . Whilst doing so I decided it was a good idea to choose a name to release music/ produce under. After some research I decided I wanted a two syllable catchy name that was visually recognisable and easy to remember. I had been thinking of shortening my name or making something out of it, but when my mates started jokingly calling me “DJ Xander” which is obviously a play on my full name “Alexander” it just fitted perfectly. To make it stand out more and look dynamic I then changed the spelling to something more out-there and abstract. And that’s where the name originated.

How would you describe your sound? Who are your main influences?
Whenever I’m asked to describe my sound I always struggle to answer because I make quite an array of different styles under the electronic umbrella. I think as far as what I have released: chilled electronic music, with catchy melodies and punchy drops would be a good description. Although I’ve showcased that I can make more hard hitting tracks such as ‘Void’ also. I have so many influences in music, from big producers such as Pharrell Williams and Timbaland, who’s online MasterClass I took earlier this year. To the other end of the spectrum; course-mates and musicians I have as friends that are just starting out like myself. Listening to them starting to find their sounds is inspiring in itself. I feel a standout artist for me is Diplo – his sound is so versatile and he works with so many different artists whilst covering countless styles of music. Something I aspire to do one day for sure.

What was the reaction like to the ‘Cloud 9’ EP earlier this year?
The reaction was surprisingly positive, as I had no clue how people would react to it whatsoever. ‘Cloud 9’ in a nutshell was supposed to be a small collection of feel-good tracks, with euphoric vibes that reflected the project title. Bar the introductory song ‘3AM Brainstorm’ – that was included to create a contrast and set the tone for the songs that followed. I was extremely pleased with the outcome of my first proper piece of work, especially as I mix and mastered it all myself as well.

The meaning of the tracks:
‘Epiphany’ – I was originally going to do a course in marketing and advertising after completing A-levels as academically I suppose it’s what I’m interested in, but after reading a life changing book on holiday I literally had an “epiphany” and something told me to follow music. Easily the best decision I ever made.
‘Cloud 9’ – doesn’t really have a deep meaning, and definitely isn’t about anyone in particular. The aim was to make a simple but catchy club-style drop with my chopped up and pitched vocals driving the drop.
‘Nostalgia’ – this was the first electronic track that I ever made after learning the basics of production, and I called it Nostalgia as it’s my oldest track and It’s crazy to think how long ago it was!
‘Higher’ – a track I wanted to have a really cool ambient vibe to it. The simple and relatable lyrics aren’t meant to mean anything in particular, it’s more just to blend into the rest of the song and enhance it slightly. And to my complete surprise, amongst my peers it seems to be the most popular song from the E.P!

Tell us everything about this new release ‘Void’. You must be ecstatic it’s had so many listeners already?
It’s a track I’ve been working on for a while, it’s something I started, but put off finishing until I thought it was just right. The goal was to make a single that had quite a distinct feel to it, and I really wanted to incorporate this into a house song because it’s one of my favourite genres. I feel with making music it’s so important that you love the sound of what your making and that your doing it for yourself before anything, otherwise what’s the point? Although the response of listeners is important to me, I’m making what I want to make, any positive comments are a bonus. I’ve been over the moon with the response to the track, it seems like people are really loving the feel of it which honestly makes me feel amazing.

Are you part of a wider scene in Northamptonshire? Do you have many peers you’re in contact with?
I would say I am part of a wider scene in Northampton, having grown up performing in bands as a drummer and building up the amount of people I know through music. Musicians I have met through college that I’ve became friends with have come round to my personal studio to jam or lay down melodies for me, etc. This along with attending local events has all contributed to being a part of the scene ! I feel producing and releasing music helps in itself. As far as peers I’m in contact with, I’ve been lucky enough to be the “resident producer” at a small events company called Yellowbrick, ran by one of my good friends in Nottingham. This means if they need any music for anything promotionally, or they have clients contact them for beats or anything like that – they get sent to me!

Any live shows on the horizon?
Doing live shows is something I want to start getting into, I need to further develop my DJ skills as I’m still relatively new to it all. However this is all in the very near future as I have a couple of small events in the works that will be perfect for me to get started.

What was the last album you bought/streamed?
The last album I listened to in full was Tyler the Creator’s IGOR. I’m a huge fan of him as an artist as he isn’t afraid to be different and explore innovative production styles, the album was a breath of fresh air.

What is your burning desire to do in the future? What plans do you have?
I’ve got quite a lot I want to do, I’m really looking forward to hopefully working with different artists and getting some features after I’ve crafted my sound a bit more. I want to also explore different genres as I produce a lot of experimental stuff and hip-hop as well. Following doing all of the vocals on Cloud 9 I want to really push myself out of my comfort zone and try new things and see what I can come up with, possibly implementing all of this into an E.P within the coming months.

Void is out now to stream and buy on the voidesque internet thingy machine you’re reading this on

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It’s A Shoe In: Northants gig guide Sep 11th – Sep 17th

WEIRDOE + SAMUEL LOX + CEEPZ Friday September 13th The Black Prince, Northampton Debut headline show from the Northampton rapper with the mad fast flow, with similarly talented NN supports….

WEIRDOE + SAMUEL LOX + CEEPZ
Friday September 13th
The Black Prince, Northampton
Debut headline show from the Northampton rapper with the mad fast flow, with similarly talented NN supports. Only a few tickets remaining – this one is going to go off. Doors 7.30pm, £6 tickets

WALKING CORPSE + ATROCITY EXHIBIT + BINGE DRINKER + FILTHxCOLLINS + SKULLFUCKED + IRON GRAVE
Friday September 13th 
The Lab, Northampton
Death grind from Gothenburg headline, plus ShoeTown grindcore crust [last show with Matt on drums!], crust ‘n’ roll from London, powerviolence from Nottingham, death grind from Stevenage, and some more local “total crush battle doom” from the returning IG. Doors 7.30pm, £5 entry

ILL-INFORMED + NEGATIVE FRAME + TRAGIC
Friday September 13th 
The Garibaldi Hotel, Northampton
South-east hardcore/metal/math rock group on top, then London’s raging metallers, plus ShoeTown’s young punk rockers open up. Nice. Doors 7pm, free entry

IVORY YARDSALE + LIFT TOWER + [SANE] + TRAGIC + BLOOD-VISIONS + 72% + NAILBREAKER + LA FOLIVORA
Saturday September 14th
The Garibaldi Hotel, Northampton
A one day mini-fest held over two stages at the Gari, featuring some of Northampton’s best artistic talents. Highlights are the unexpected return to the game by Ivory Yardsale, and the debut show from the slightly mysterious Lift Tower collective. Doors 3pm, free entry

CAGEWORK + JUNODEF + PIECES
Saturday September 14th
The Lamplighter, Northampton
Physical Education Recordings present a night of live music. You get: London indie/hardcore trio, dark-but-melodic Swedes, and incendiary ShoeTown trio with a rare live show. What’s not to like? Doors 8pm, free entry

CANDIDATES
Saturday September 14th
The Coach & Horses, Wellingborough
Retro Beat welcomes MK powerhouse indie rockers, who mix the 90’s scene with a modern rock’n’roll twist. Doors 8pm, free entry

SCOTT WALTERS
Saturday September 14th
The Shire Horse, Kettering
Acoustic singer-songwriter in an afternoon setting. 3pm-6pm, free entry

ROCKIN’ ROADRUNNER
Sunday September 15th
Abington Park Bandstand, Northampton
The 8th annual Rockin’ Roadrunner mini festival. This community event is focused towards people with special needs, their families and carers. Performances from Elvis Tribute, Charles, Hollie May, Show time at the musicals, Performing Room, Dance with a Difference, The Cube Disability, Arts Academy, Encompass Arts, Y-Not Arts, The Autistix, plus loads of other fun and creative things to do. 12pm-5pm

THE BARDIC PICNIC
Sunday September 15th
UFO Pavilion, Northampton
The Bard Of Northampton gets chosen for the year. On the outside stage will be live performances from P-HEX, Katie Paton, Kenneth J. Nash, Jono and The Uke Dealers, Taylor Smith, Helen Verrill, Yoshe, Jacob Braithwaite, and The Whistling Dandies. From midday, free entry

THE LURKERS + WHO KILLED NANCY JOHNSON + SPRING PARK + CRASH INDUCTION
Sunday September 15th
The King Billy, Northampton
An afternoon of punk, headlined by original West London punks who were Top Of The Tops regulars. Doors 4pm [finishes at 9pm], £5 entry

 

 

 

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Across The Border: Sept 11th – Sept 18th

Three in three weeks! Across The Border is well and truly back. Here’s what we think you should be considering going to see at venues in our neighbouring counties in…

Three in three weeks! Across The Border is well and truly back. Here’s what we think you should be considering going to see at venues in our neighbouring counties in the coming days.

GRYPHON
Thursday, September 12th
The Stables, Milton Keynes,
Prog rockers Gryphon are headlining The Stables. Since their last appearance at the venue, the band have released the LP ReInvention, a studio album of new material and their first for more than 40 years. Doors open at 8pm, tickets cost £18.50.

CHILDCARE
Friday, September 13th
The Craufurd Arms, Milton Keynes
London’s softcore-psych quartet Childcare head to the region next week for two gigs, the first at the Craufurd Arms. Childcare are on the road touring in support of their debut album Wabi-Sabi. They were formed by Ed Cares, formerly one of West London’s most in-demand male nannies. Cares enlisted bassist Emma Topolski, guitarist Rich Le Gate and drummer David Dyson to complete the group. Doors 7.30pm, tickets £8.

JOE BROWN
Friday, September 13th to Sunday, September 15th
The Stables, Milton Keynes
Rock‘n’roll legend Joe Brown is out on his 60th anniversary tour and playing three nights at The Stables. His Very Best Of album achieved Gold Record Status and was on the UK charts for eight weeks staying four weeks in the Top 20. Ten years ago, he celebrated with a sell-out show at the Royal Albert Hall and his Ukulele Album caused a similar stir breaking new territory for Joe. Doors 7.30pm, tickets £33.

SARA SPADE
Saturday, September 14th
The Stables, Milton Keynes
Hailed as ‘Britain’s New Age Vintage Nightingale’, Sara Spade brings her new show to The Stables on Saturday. It will feature songs from her latest album and selections from early 20th century music. Doors 8.45pm, tickets £10.

SOLSTICE
Saturday, September 14th
The Craufurd Arms, Milton Keynes
More prog – this time in the form of progressive folk rockers Solstice who are heading to the Craufud Arms for a hometown gig. They recently played at The Secret Widget Festival and New Day Festivals. Their latest LP Prophecy was released in 2013. Doors 7.30pm, tickets £8

SPEAR OF DESTINY ‘ONE EYED JACKS’ 35TH ANNIVERSARY
Saturday, September 14th
Esquires, Bedford
Spear of Destiny are returning to Esquires to play their classic LP One Eyed Jacks in full.
With the exception of a few songs, all of the songs had been played by the original line-up for nearly a year prior to the LP’s recording and the record remains a classic in Kirk’s back catalogue and a firm fan favourite. Doors 8.00 pm, tickets £19.

CHILDCARE
Sunday, September 15th
Esquires, Bedford
The second of this week’s gig by Childcare, this time the quartet are at Esquires and will be joined by Jeana and Among The Citizens. Doors 7.30pm, tickets £8.

DEITWEILER
Sunday, September 15th
The Craufurd Arms, Milton Keynes
Deitweiler are launching their new single How Can I Make A Difference on Sunday as well as playing other new material. Support by Leopard Rays. Doors 7.30pm, tickets £5.

ED ARM
Wednesday, September 18th
MK11, Milton Keynes
Eduardas Armonas is an award-winning guitarist from Lithuania, based in the UK. A graduate of the Guildhall School of Music, he performs regularly in London and across Europe. He will be playing with the venue’s house band who also host a jam session in the second set. Doors 8.30pm, free.

VICTORS
Thursday, September 19th
The Craufurd Arms, Milton Keynes
Leeds based pop / electronic quartet Victors have been busy playing festivals this summer and are now out on a UK tour which is heading to Milton Keynes. Their latest single I’ve Been Missing You was released in June. Support is by Jeana and Garden. Doors 7.30pm, tickets £6.

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Album review: Nina Harries

NINA HARRIES Nina Harries [self-released] If you have not already had the good fortune to be acquainted with Nina Harries, let New Boots introduce you. Nina is a British double…

NINA HARRIES
Nina Harries [self-released]

If you have not already had the good fortune to be acquainted with Nina Harries, let New Boots introduce you. Nina is a British double bassist and vocalist hailing from Northampton. She comes from a family of musicians, she trained in western classical music for four years at the Royal College of Music under double bass professor Enno Senft of the London Sinfonietta. In the last two years of her degree at the RCM she began to work as a soloist and band bassist for several acts from the London band scene, namely The Burning Glass, John Fairhurst Trio, Barbarella’s Bang Bang, Symphonica Feat DJ Switch and the London Electronic Orchestra.

At this point Nina also began to discover a love for solo performance, and began to experiment with performing a mix of original and cover songs using only double bass and voice. She fits nicely under the ‘dark folk’ genre, but also brings with her some flavours of rock, trip-hop and EDM. She has a fantastic range – massive respect for hitting those real low notes – and her vocals appear different on every track, whilst still managing to maintain her own ‘Nina style’.

Each perfectly-formed song on Nina Harries has new, fresh influences, when compared to the previous track. You can never be sure where she will go next. The album was recorded with producer and engineer Peter Miles at his studio Middle Farm Studios in Devon, and has an overall feel of the later albums by Nico or more modern styles like music by This Is The Kit.

The album starts with a slow build and absorbs you in with ‘Heavy Doubt’, which does what it says on the tin, perfectly reflecting the feeling of doubt in the mind, but even if this is not your thing do not rest here. There are two stand-out tracks on the album, and the second track ‘Lose Yourself’ is definitely one of them. With its faster-paced rhythm and the way she bends the opening notes on the bass is reminiscent of Mick Karn from Japan. Accompanied with Nina rapping in unison, she is absolutely nailing the experience of being a woman in a male dominated musical genre. It is an immediate ‘add to play list’ moment.

Track three ‘Icarus’ has an eastern vibe and once again has a slow build; at 8 minutes 34 seconds it is the longest track on the album, but is well worth the investment of time. At this point in the album she could have gone anywhere, and she certainly doesn’t disappoint. This track captivated me, in the same way The Doors captivated me with The End. It is truly mesmerising, sit back, relax and enjoy. ‘Will; I’m Not’ is a collaboration with the album producer Peter Miles, and sticking to the view that the bass and vocals can do anything and go anywhere, Nina moves into the zone of EDM dance music. Re-enforcing the fact that she has the skills to do what ever she wants, in whatever genre she sees fit.

On ‘O’Lothsome Day’ and ‘Pendle Hill’ her vocals have a slight ASMR quality as the album moves back to her dark folk and gothic rock roots. The second stand-out track is ‘One Hard Task’, an alternative rock track which hooks you in immediately and sounds so perfectly formed. Along with ‘Lose Yourself’ they are the “check out Nina Harries” songs from this album. The final track ‘Int;;Ext;;Int;;Ext;; / Butterfly’ is a beautiful conclusion to the album moving back to the EDM-style and includes the piano, bass and of course the superb ethereal vocals of Nina.

I think it is fair to say that you cannot and should not underestimate this lady, you cannot take her for granted. This album will move you through a rainbow of sounds and is deeply captivating. But just like the butterfly, do not attempt to try to pin her down: she will sit with you, but she cannot be boxed. She is on a mission to explore all the realms available to her musical craft, and to create new ones. She is certainly one to pay attention to.

Lisa Eversden

Nina Harries is out September 13th [order vinyl and CD here]. The album launch show is the same day at Hoxton Hall.

https://www.ninaharries.com

[cover photo by Joe Brown]

 

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Live review: Stormbringer

STORMBRINGER The Roadmender, Northampton September 6th Opening an evening of metal at the Roadmender are Broken Empire. Bringing a groove-laden sound and delivering it with punk aggression this four-piece from…

STORMBRINGER
The Roadmender, Northampton
September 6th

Opening an evening of metal at the Roadmender are Broken Empire. Bringing a groove-laden sound and delivering it with punk aggression this four-piece from Oxfordshire/Northants are a bundle of finely-honed energy. Displaying little in the way of nerves they deliver original tunes like ‘Parasite’ which are both heavy and emotive. Lyrically astute, their first single ‘No More Lies’ follows and is peppered with neat time changes that remind me of ’90s era Metallica. A twin-guitar attack creates a huge sound as set closer [and forthcoming single] ‘Time Running Out’ is a real earworm, and brings things to a suitably climatic crescendo.

Hitting the stage like a gang of whirling dervishes Parallax haven’t come to take prisoners and by second track, ‘End’, their enthusiasm has infected the whole venue. Some powerhouse drumming creates an earth-shaking sound that’s underpinned by some fine finger-tapping on the bass, while the vocals mirror the rhythm and alternate between hardcore growls and something almost soulful. The guitars fire in unison to create an artillery barrage as ‘Losing Control’ and ‘Hero’ are unleashed in quick succession. It’s great to see a band enjoying themselves, but the in between song banter could be toned down so their stage presence matches the ferocity of their sound.

Local band Still Remains appear as a blur of Flying V’s and throwing shapes. It’s no surprise the band cite Metallica, Saxon and Thin Lizzy as influences because their sound perfectly captures that moment in time when the NWOBHM was morphing into speed metal. Originally formed in 1993 as a reaction to grunge their unique take on trad metal has been immovable and seen off various fads and trends. With no pomposity Still Remains are simply four guys on stage, having a ball and living out their fantasies as guitarist Andy Green delivers blistering solo after blistering solo and his vocals have that earthy touch of Paul Di’anno. The whole band lock in well together as the set ebbs and flows smoothly with the songs paired by tempo. ‘What I Am’ broods with a moody riff, while the ferocious set closer, ‘Redeemer’, ensures they leave as they arrived: in a blaze of sonic fury.

Tonight’s headliners Stormbringer have a sound that’s built for the biggest stages, and they’ve taken the right route by paying their dues in clubs and bars. While the Roadmender has become their spiritual home you have the feeling they will soon outgrow the venue. Since I last saw Stormbringer they have shuffled personnel with Darren Caven-Quantrill coming in on guitar and original vocalist Mike Stockley returning after a hiatus. Fans shouldn’t worry as it’s the same Stormbringer, only more groove-orientated and with a more expansive sound. Appropriately they open with their very first single ‘Grinder’, and it’s like Mike has never been away. Slotting right back in the band he immediately commandeers centre stage, constantly punching the air and standing astride the barriers. He’s one of those rare frontmen who can make the whole venue feel involved and, despite the line up changes, the band hit the ground running, like a well-oiled machine they’re firing on all cylinders as ‘Bleed For’ and ‘Save Me’ are discharged in quick succession. It’s a career spanning set which pulls tracks from their three albums while the new song debuted, the moody ‘Mirage’, stomps like a giant and has that huge feeling that Metallica captured on their Black Album. ‘Stick to Your Guns’ follows along with ‘Bad Blood’ as drummer John Paul Quantrill provides a thunderous soundtrack to which bassist Darren McCullagh prowls like a caged animal. Two from their debut album MMVIII follow in the shape of ‘Mark Anthony’ and ‘Gazing at the Grave’, both of which provide plenty of foot-on-the-monitor, fist-in-the-air metal action before guitarist Dom Wallace lays an explosive solo over the anthemic ‘Smother’. Still driven by an insatiable hunger the band look visibly exhausted as they near the sets conclusion; yet they drain the tank to deliver an explosive closer in the shape of ‘Dying Breed’.

Peter Dennis.

Photos by David Jackson

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New Music Friday: Temples

One of the biggest acts from Northamptonshire this decade are embarking on their third era. Temples emerged from Kettering in 2012 with earworm single ‘Shelter Song’, and never looked back….

One of the biggest acts from Northamptonshire this decade are embarking on their third era. Temples emerged from Kettering in 2012 with earworm single ‘Shelter Song’, and never looked back. Having released a couple of singles recently on the eve of third album Hot Motion it was time for New Boots speaks to bassist/songwriter/lyricist Thomas Walmsley – and ask if the band are on something, or onto something.

It’s been a little over two years since second album Volcano. What have you been up to since then?
After the last record, it was the first time that our existence as Temples came to a dead stop. We’d toured Volcano as much as we were going to, and numerous changes hit us all at once. Things came to a head and we’ve ended up with a new label, booking agents, and more importantly a new drummer, so its really felt like the end of an era and the beginning of a new one.
We really had to rebuild and define what we wanted Temples to be, and I think more than anything Hot Motion is our work of doing that.

Volcano was a real triumph, arguably better than Sun Structures, but it didn’t seem to get the traction in the press it deserved. Does that feel like an accurate summation?
I think with any record a large degree of how its received is expectation and momentum. Volcano for us was a reaction to Sun Structures. I think we didn’t want to be one of those bands that repeats their first record, and we wanted to explore more sounds beyond the walls of creating an ‘authentic’ sounding record. I think perhaps that was lost on some people. It’s definitely a more intricate record, where we weren’t too concern with it being lead by its aesthetic.

On the journey between Volcano and now you lost drummer Sam and now have Rens Ottink [from Dutch band Pauw ]onboard. What’s he brought to the table?
Yeah, I think when things are chronically dysfunctional for quite some time, you have to respond to that for the greater good. It was a sign to look forward, and along with everything else that was changing at the time, it was something that had to happen. I think we played a show with Pauw in Utrecht back in 2013, and since we have remained friends and in touch, he was the first person we could think of fitting in with the band. He’s a great musician, and has a really unique playing style. I think how we play with him live is quite different, and he’ll be a great influence on how we go forward.

Tell us all about this latest single. And there’s been a local video shoot, yes?
Our new single is called ‘You’re Either On Something’, and the video is directed by Sam Kinsella. We can’t give too much away, but it’s a local setting in Northampton where surreal happenings start to corrupt your moral sanity. We wanted to celebrate the myths of our home county again with this record, it was recorded here. We’ve featured The Royal Theatre & 78 Derngate on the LP sleeve, and wanted the videos to follow suit.

Is it a good representation of the album? What can we expect?
Yes and no. It’s always been difficult for us to summarise one of our records, with influences being so different with each song. There’s definitely a stronger theme with Hot Motion as a whole record this time around. Its darker, theatrical and holds a stronger atmosphere. It’s probably some of the most energetic music we’ve recorded to date.

Any new and/or surprising influences on the new album you might want to reveal? What’s been on the band stereo this past year?
I think stripping away layers, we were more drawn to guitars on this record, and rather than building on that, we have just pushed them to the forefront and made the bare bones sound as grand as possible. There’s more theatrics in there, more of a darker tone, visually bands like Sensational Alex Harvey Band, Alice Cooper, Roxy Music were an influence. More experimental in detail, but first and foremost a guitar heavy sound.

You’re still self-recording, right? With [singer/songwriter/guitarist] James producing from his Rutland hideaway? Does it still offer you the best sanctuary for creativity?
Yes we’ve graduated from bedroom to garage/outhouse now. I think being at the desk ourselves will always be most comfortable. When time or money, or studio time isn’t an issue it allows you to really develop an idea, and follow your own creative process and direction. The three of us manage to steer each other on a fairly solid course.

You keeping an eye on Northamptonshire still? Any new favourite acts?
Yes we’re still back here to rehearse, and keep a close eye on whats happening locally. Slowthai is fabulous, isn’t he?

What can you tell us about your upcoming plans?
We’re soon to be releasing the new album Hot Motion, and then were going to tour as much as humanly, physically and chemically is possible. We will be playing a Northampton show in the extremely near future.

Hot Motion is out September 27th [pre-order here], and the band play in-store at HMV Kettering on Tuesday October 1st

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It’s A Shoe In: Northants gig guide Sep 4th – Sep 10th

JINDER + TU-KAY & RYAN + JOE CORKRAM Wednesday September 4th  Rooftop Arts Centre, Corby Sensational  Sherbourne Americana singer-songwriter, NN harmonising duo, and accomplished Northampton performer promoting his exciting new…

JINDER + TU-KAY & RYAN + JOE CORKRAM
Wednesday September 4th 
Rooftop Arts Centre, Corby
Sensational  Sherbourne Americana singer-songwriter, NN harmonising duo, and accomplished Northampton performer promoting his exciting new EP. Doors 7.30pm, free entry

NI NI SESSIONS
Thursday September 5th
The Walnut Inn, Blisworth
Acoustic joy from Just Mike, Corinne Lucy, Woolford Scott, Oakleas Rise, Wax Lyrical, Ant Richards, and Nigel Lewis. Doors 8pm, free entry

STORMBRINGER + STILL REMAINS + PARALLAX + BROKEN EMPIRE
Friday September 6th
The Roadmender, Northampton
2019 for the Northants rockers heralds a new chapter, with the addition of Darren Caven-Quantrill on guitar and the much anticipated return of original vocalist Mike Stockley, not to mention prepping a fourth album! Come celebrate at this one, local bands in the main room is a very healthy state for the scene to be in. Doors 7.30pm, £6.50 tickets

ILLUSIVE FESTIVAL
Friday September 6th – Sunday September 8th
Deene Park Estate, nr Corby
The beats weekender is back for its sixth year. Hostings multiple stages of DJs, and The Badger’s Sett stage has live performances from Spunge, Imperial Leisure, Popes of Chillitown, Jerremia Ferrari, Riskee & The Ridicule, and a certain Karl Phillips & The Rejects. Tickets £130. Full line-up: http://illusive-festival.co.uk

ROLLING THUNDER
Friday September 6th
Peggotty’s Lounge, Towcester
The much anticipated return of the ‘John Doe’ indie rockers to Peggotty’s. Music from 8pm, free entry

THEE TELEPATHS + VENUS FLY TRAP + SKYBEARD
Saturday September 7th
The Black Prince, Northampton
Superlative sounds on offer here tonight: psych-driven fuzz from Kettering, post-punk electronica from ShoeTown legends, and local proggish stoner rock brings the heavy vibes and stylings. Doors 8pm, £5 entry

NI NI SESSIONS 
Saturday September 7th
The Sun Inn, Northampton
Yet more acoustic wonderment from a strong selection: Cameron Grace, Andy Clarke, Marieke Vink, Ant Richards, and Rogue State Circus. Music from 8.30pm, free entry

EASTFIELD
Saturday September 7th
The Three Cocks Inn, Kettering
Those urban rail punks named after the ShoeTown suburb are in KTown for some righteous fun. Doors 8pm, free entry

JAMES WATT & THE AVENUES
Saturday September 7th
The Shire Horse, Kettering
Surf and Rock’n’Roll trio, playing reverb-drenched instrumental songs that evoke the sound of crashing waves and covering songs from the early days of rock and roll. Playing from 3pm to 6pm, free entry

KING BISCUIT BOYS
Saturday September 7th
The Red Lion, Broughton
Celebrated blues harp duo do their thang over in the Broughton boozer that’s under new management. Doors 8pm, free entry

 

 

 

 

 

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